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Color name
RGB 138 100 24

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 100 24 it is the complementary color RGB 117 155 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 100 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 100 24 shade: RGB 143 100 19, RGB 160 118 38, RGB 177 136 57, RGB 194 154 76 and RGB 211 172 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 100 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 100 24 shade: RGB 138 100 24, RGB 121 82 5, RGB 104 64 0, RGB 87 46 0 and RGB 70 28 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 100 24 shade: RGB 138 100 24, RGB 138 69 24, RGB 138 39 24 and RGB 138 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 100 24 shade: RGB 138 100 24, RGB 138 131 24, RGB 115 138 24, RGB 84 138 24 and RGB 53 138 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 100 24 shade matches the following richer shades: RGB 138 100 24 and RGB 151 105 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 100 24 shade: RGB 138 100 24, RGB 125 96 37, RGB 112 91 50, RGB 99 87 64 and RGB 85 83 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 100 24 shade: RGB 138 39 24, RGB 138 70 24, RGB 138 100 24, RGB 138 131 24 and RGB 115 138 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 100 24 shade: RGB 68 49 12, RGB 103 75 18, RGB 138 100 24, RGB 173 126 30 and RGB 208 151 36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 100 24 shade: RGB 138 100 24, RGB 39 138 24 and RGB 54 24 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 100 24 shade: RGB 138 100 24, RGB 24 138 100 and RGB 100 24 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 100 24 shade: RGB 138 100 24, RGB 39 138 24, RGB 24 62 138 and RGB 123 24 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 100 24 shade: RGB 138 100 24, RGB 24 138 43, RGB 24 62 138 and RGB 138 24 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 83 / 46

HEX #8A6418

RGB 138 100 24

HSL 40, 0.7%, 0.32%

LAB 45.06, 8.23, 45.7

 

Complementary color

CMYK 49 / 33 / 0 / 9

HEX #759BE7

RGB 117 155 231

HSL 220, 0.7%, 0.68%

LAB 64.16, 7.62, -42.42

 

CMYK 0 / 30 / 87 / 44

HEX #8F6413

RGB 143 100 19

HSL 39.19, 0.77%, 0.32%

LAB 45.64, 10.42, 48.18

 

CMYK 0 / 26 / 76 / 37

HEX #A07626

RGB 160 118 38

HSL 39.34, 0.62%, 0.39%

LAB 52.48, 8.67, 48

 

CMYK 0 / 23 / 68 / 31

HEX #B18839

RGB 177 136 57

HSL 39.5, 0.51%, 0.46%

LAB 59.21, 7.23, 47.06

 

CMYK 0 / 21 / 61 / 24

HEX #C29A4C

RGB 194 154 76

HSL 39.66, 0.49%, 0.53%

LAB 65.83, 6.04, 45.83

 

CMYK 0 / 18 / 55 / 17

HEX #D3AC5F

RGB 211 172 95

HSL 39.83, 0.57%, 0.6%

LAB 72.35, 5.04, 44.52

 

CMYK 0 / 28 / 83 / 46

HEX #8A6418

RGB 138 100 24

HSL 40, 0.7%, 0.32%

LAB 45.06, 8.23, 45.7

 

CMYK 0 / 32 / 96 / 53

HEX #795205

RGB 121 82 5

HSL 39.83, 0.92%, 0.25%

LAB 38.04, 10.21, 45.03

 

CMYK 0 / 38 / 100 / 59

HEX #684000

RGB 104 64 0

HSL 36.92, 1%, 0.2%

LAB 30.9, 12.7, 40.72

 

CMYK 0 / 47 / 100 / 66

HEX #572E00

RGB 87 46 0

HSL 31.72, 1%, 0.17%

LAB 23.61, 15.47, 33.41

 

CMYK 0 / 60 / 100 / 73

HEX #461C00

RGB 70 28 0

HSL 24, 1%, 0.14%

LAB 16.17, 18.32, 24.21

 

CMYK 0 / 28 / 83 / 46

HEX #8A6418

RGB 138 100 24

HSL 40, 0.7%, 0.32%

LAB 45.06, 8.23, 45.7

 

CMYK 0 / 50 / 83 / 46

HEX #8A4518

RGB 138 69 24

HSL 23.68, 0.7%, 0.32%

LAB 37.35, 26.18, 38.61

 

CMYK 0 / 72 / 83 / 46

HEX #8A2718

RGB 138 39 24

HSL 7.89, 0.7%, 0.32%

LAB 31.62, 41.1, 33.12

 

CMYK 0 / 83 / 83 / 46

HEX #8A1818

RGB 138 24 24

HSL 0, 0.7%, 0.32%

LAB 29.72, 46.39, 31.23

 

CMYK 0 / 28 / 83 / 46

HEX #8A6418

RGB 138 100 24

HSL 40, 0.7%, 0.32%

LAB 45.06, 8.23, 45.7

 

CMYK 0 / 5 / 83 / 46

HEX #8A8318

RGB 138 131 24

HSL 56.32, 0.7%, 0.32%

LAB 53.71, -9.34, 53.35

 

CMYK 17 / 0 / 83 / 46

HEX #738A18

RGB 115 138 24

HSL 72.11, 0.7%, 0.32%

LAB 53.91, -23.4, 52.8

 

CMYK 39 / 0 / 83 / 46

HEX #548A18

RGB 84 138 24

HSL 88.42, 0.7%, 0.32%

LAB 51.98, -36.01, 50.34

 

CMYK 62 / 0 / 83 / 46

HEX #358A18

RGB 53 138 24

HSL 104.74, 0.7%, 0.32%

LAB 50.69, -45.86, 48.68

 

CMYK 0 / 28 / 83 / 46

HEX #8A6418

RGB 138 100 24

HSL 40, 0.7%, 0.32%

LAB 45.06, 8.23, 45.7

 

CMYK 0 / 30 / 93 / 41

HEX #97690B

RGB 151 105 11

HSL 40.29, 0.86%, 0.32%

LAB 47.89, 11.08, 52.57

 

CMYK 0 / 28 / 83 / 46

HEX #8A6418

RGB 138 100 24

HSL 40, 0.7%, 0.32%

LAB 45.06, 8.23, 45.7

 

CMYK 0 / 23 / 70 / 51

HEX #7D6025

RGB 125 96 37

HSL 40.23, 0.54%, 0.32%

LAB 42.55, 5.07, 37.06

 

CMYK 0 / 19 / 55 / 56

HEX #705B32

RGB 112 91 50

HSL 39.68, 0.38%, 0.32%

LAB 39.84, 2.95, 26.67

 

CMYK 0 / 12 / 35 / 61

HEX #635740

RGB 99 87 64

HSL 39.43, 0.21%, 0.32%

LAB 37.55, 1.04, 15.18

 

CMYK 0 / 2 / 9 / 67

HEX #55534D

RGB 85 83 77

HSL 45, 0.05%, 0.32%

LAB 35.31, -0.41, 3.8

 

CMYK 0 / 72 / 83 / 46

HEX #8A2718

RGB 138 39 24

HSL 7.89, 0.7%, 0.32%

LAB 31.62, 41.1, 33.12

 

CMYK 0 / 49 / 83 / 46

HEX #8A4618

RGB 138 70 24

HSL 24.21, 0.7%, 0.32%

LAB 37.57, 25.62, 38.82

 

CMYK 0 / 28 / 83 / 46

HEX #8A6418

RGB 138 100 24

HSL 40, 0.7%, 0.32%

LAB 45.06, 8.23, 45.7

 

CMYK 0 / 5 / 83 / 46

HEX #8A8318

RGB 138 131 24

HSL 56.32, 0.7%, 0.32%

LAB 53.71, -9.34, 53.35

 

CMYK 17 / 0 / 83 / 46

HEX #738A18

RGB 115 138 24

HSL 72.11, 0.7%, 0.32%

LAB 53.91, -23.4, 52.8

 

CMYK 0 / 28 / 82 / 73

HEX #44310C

RGB 68 49 12

HSL 39.64, 0.7%, 0.16%

LAB 21.77, 4.31, 25.7

 

CMYK 0 / 27 / 83 / 60

HEX #674B12

RGB 103 75 18

HSL 40.24, 0.7%, 0.24%

LAB 33.9, 6.02, 36.29

 

CMYK 0 / 28 / 83 / 46

HEX #8A6418

RGB 138 100 24

HSL 40, 0.7%, 0.32%

LAB 45.06, 8.23, 45.7

 

CMYK 0 / 27 / 83 / 32

HEX #AD7E1E

RGB 173 126 30

HSL 40.28, 0.7%, 0.4%

LAB 55.99, 9.76, 54.83

 

CMYK 0 / 27 / 83 / 18

HEX #D09724

RGB 208 151 36

HSL 40.12, 0.7%, 0.48%

LAB 66.27, 11.78, 63.34

 

CMYK 0 / 28 / 83 / 46

HEX #8A6418

RGB 138 100 24

HSL 40, 0.7%, 0.32%

LAB 45.06, 8.23, 45.7

 

CMYK 72 / 0 / 83 / 46

HEX #278A18

RGB 39 138 24

HSL 112.11, 0.7%, 0.32%

LAB 50.3, -49.04, 48.18

 

CMYK 61 / 83 / 0 / 46

HEX #36188A

RGB 54 24 138

HSL 255.79, 0.7%, 0.32%

LAB 21.1, 43.86, -57.4

 

CMYK 0 / 28 / 83 / 46

HEX #8A6418

RGB 138 100 24

HSL 40, 0.7%, 0.32%

LAB 45.06, 8.23, 45.7

 

CMYK 83 / 0 / 28 / 46

HEX #188A64

RGB 24 138 100

HSL 160, 0.7%, 0.32%

LAB 51.03, -39.72, 11.9

 

CMYK 28 / 83 / 0 / 46

HEX #64188A

RGB 100 24 138

HSL 280, 0.7%, 0.32%

LAB 27.29, 50.77, -47.03

 

CMYK 0 / 28 / 83 / 46

HEX #8A6418

RGB 138 100 24

HSL 40, 0.7%, 0.32%

LAB 45.06, 8.23, 45.7

 

CMYK 72 / 0 / 83 / 46

HEX #278A18

RGB 39 138 24

HSL 112.11, 0.7%, 0.32%

LAB 50.3, -49.04, 48.18

 

CMYK 83 / 55 / 0 / 46

HEX #183E8A

RGB 24 62 138

HSL 220, 0.7%, 0.32%

LAB 28.05, 16.56, -46.12

 

CMYK 11 / 83 / 0 / 46

HEX #7B188A

RGB 123 24 138

HSL 292.11, 0.7%, 0.32%

LAB 31.11, 55.09, -40.66

 

CMYK 0 / 28 / 83 / 46

HEX #8A6418

RGB 138 100 24

HSL 40, 0.7%, 0.32%

LAB 45.06, 8.23, 45.7

 

CMYK 83 / 0 / 69 / 46

HEX #188A2B

RGB 24 138 43

HSL 130, 0.7%, 0.32%

LAB 50.15, -49.87, 40.83

 

CMYK 83 / 55 / 0 / 46

HEX #183E8A

RGB 24 62 138

HSL 220, 0.7%, 0.32%

LAB 28.05, 16.56, -46.12

 

CMYK 0 / 83 / 14 / 46

HEX #8A1877

RGB 138 24 119

HSL 310, 0.7%, 0.32%

LAB 32.68, 55.11, -26.11

 

Description

Color code: RGB 138 100 24 | qconv.com Color code: RGB 138 100 24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 100 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 100 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 83 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 83% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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