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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 160 188 it is the complementary color RGB 117 95 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 160 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 160 188 shade: RGB 143 160 183, RGB 160 178 202, RGB 177 196 221, RGB 194 214 240 and RGB 211 232 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 160 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 160 188 shade: RGB 138 160 188, RGB 121 142 169, RGB 104 124 150, RGB 87 106 131 and RGB 70 88 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 160 188 shade: RGB 138 160 187, RGB 138 146 187, RGB 143 138 187, RGB 156 138 187 and RGB 170 138 187

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 160 188 shade: RGB 138 160 187, RGB 138 146 187 and RGB 138 138 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 160 188 shade matches the following richer shades: RGB 138 160 187, RGB 123 158 202, RGB 108 156 217, RGB 93 154 232 and RGB 79 153 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 160 188 shade: RGB 138 160 187, RGB 153 162 173, RGB 168 163 158, RGB 182 165 143 and RGB 197 167 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 160 188 shade: RGB 138 187 187, RGB 138 173 187, RGB 138 160 187, RGB 138 147 187 and RGB 142 138 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 160 188 shade: RGB 89 117 154, RGB 112 138 172, RGB 138 160 187, RGB 164 181 203 and RGB 190 202 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 160 188 shade: RGB 138 160 188, RGB 175 138 187 and RGB 180 187 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 160 188 shade: RGB 138 160 188, RGB 187 138 160 and RGB 160 187 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 160 188 shade: RGB 138 160 188, RGB 175 138 187, RGB 187 165 138 and RGB 150 187 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 160 188 shade: RGB 138 160 188, RGB 187 138 185, RGB 187 165 138 and RGB 138 187 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 15 / 0 / 26

HEX #8AA0BC

RGB 138 160 188

HSL 213.6, 0.27%, 0.64%

LAB 65.1, -1.27, -16.98

 

Complementary color

CMYK 0 / 19 / 43 / 54

HEX #755F43

RGB 117 95 67

HSL 33.6, 0.27%, 0.36%

LAB 41.8, 4.73, 19.37

 

CMYK 22 / 13 / 0 / 28

HEX #8FA0B7

RGB 143 160 183

HSL 214.5, 0.22%, 0.64%

LAB 65.28, -0.9, -13.89

 

CMYK 21 / 12 / 0 / 21

HEX #A0B2CA

RGB 160 178 202

HSL 214.29, 0.28%, 0.71%

LAB 71.95, -1.05, -14.25

 

CMYK 20 / 11 / 0 / 13

HEX #B1C4DD

RGB 177 196 221

HSL 214.09, 0.39%, 0.78%

LAB 78.49, -1.19, -14.62

 

CMYK 19 / 11 / 0 / 6

HEX #C2D6F0

RGB 194 214 240

HSL 213.91, 0.61%, 0.85%

LAB 84.92, -1.32, -14.99

 

CMYK 17 / 9 / 0 / 0

HEX #D3E8FF

RGB 211 232 255

HSL 211.36, 1%, 0.91%

LAB 91.14, -2.29, -13.46

 

CMYK 27 / 15 / 0 / 26

HEX #8AA0BC

RGB 138 160 188

HSL 213.6, 0.27%, 0.64%

LAB 65.1, -1.27, -16.98

 

CMYK 28 / 16 / 0 / 34

HEX #798EA9

RGB 121 142 169

HSL 213.75, 0.22%, 0.57%

LAB 58.3, -1.09, -16.68

 

CMYK 31 / 17 / 0 / 41

HEX #687C96

RGB 104 124 150

HSL 213.91, 0.18%, 0.5%

LAB 51.34, -0.89, -16.4

 

CMYK 34 / 19 / 0 / 49

HEX #576A83

RGB 87 106 131

HSL 214.09, 0.2%, 0.43%

LAB 44.19, -0.65, -16.14

 

CMYK 38 / 21 / 0 / 56

HEX #465870

RGB 70 88 112

HSL 214.29, 0.23%, 0.36%

LAB 36.84, -0.37, -15.92

 

CMYK 26 / 14 / 0 / 27

HEX #8AA0BB

RGB 138 160 187

HSL 213.06, 0.26%, 0.64%

LAB 65.07, -1.52, -16.47

 

CMYK 26 / 22 / 0 / 27

HEX #8A92BB

RGB 138 146 187

HSL 230.2, 0.26%, 0.64%

LAB 61.26, 6.38, -22.26

 

CMYK 24 / 26 / 0 / 27

HEX #8F8ABB

RGB 143 138 187

HSL 246.12, 0.26%, 0.64%

LAB 59.53, 12.53, -24.89

 

CMYK 17 / 26 / 0 / 27

HEX #9C8ABB

RGB 156 138 187

HSL 262.04, 0.26%, 0.64%

LAB 60.63, 16.68, -23.1

 

CMYK 9 / 26 / 0 / 27

HEX #AA8ABB

RGB 170 138 187

HSL 279.18, 0.26%, 0.64%

LAB 61.92, 21.27, -21.01

 

CMYK 26 / 14 / 0 / 27

HEX #8AA0BB

RGB 138 160 187

HSL 213.06, 0.26%, 0.64%

LAB 65.07, -1.52, -16.47

 

CMYK 26 / 22 / 0 / 27

HEX #8A92BB

RGB 138 146 187

HSL 230.2, 0.26%, 0.64%

LAB 61.26, 6.38, -22.26

 

CMYK 26 / 26 / 0 / 27

HEX #8A8ABB

RGB 138 138 187

HSL 240, 0.26%, 0.64%

LAB 59.13, 10.98, -25.54

 

CMYK 26 / 14 / 0 / 27

HEX #8AA0BB

RGB 138 160 187

HSL 213.06, 0.26%, 0.64%

LAB 65.07, -1.52, -16.47

 

CMYK 39 / 22 / 0 / 21

HEX #7B9ECA

RGB 123 158 202

HSL 213.42, 0.43%, 0.64%

LAB 64.1, -0.89, -26.4

 

CMYK 50 / 28 / 0 / 15

HEX #6C9CD9

RGB 108 156 217

HSL 213.58, 0.59%, 0.64%

LAB 63.32, 0.77, -36.02

 

CMYK 60 / 34 / 0 / 9

HEX #5D9AE8

RGB 93 154 232

HSL 213.67, 0.75%, 0.64%

LAB 62.73, 3.46, -45.3

 

CMYK 68 / 38 / 0 / 3

HEX #4F99F7

RGB 79 153 247

HSL 213.57, 0.91%, 0.64%

LAB 62.64, 6.69, -53.73

 

CMYK 26 / 14 / 0 / 27

HEX #8AA0BB

RGB 138 160 187

HSL 213.06, 0.26%, 0.64%

LAB 65.07, -1.52, -16.47

 

CMYK 12 / 6 / 0 / 32

HEX #99A2AD

RGB 153 162 173

HSL 213, 0.11%, 0.64%

LAB 66.24, -0.93, -6.79

 

CMYK 0 / 3 / 6 / 34

HEX #A8A39E

RGB 168 163 158

HSL 30, 0.05%, 0.64%

LAB 67.27, 0.89, 3.22

 

CMYK 0 / 9 / 21 / 29

HEX #B6A58F

RGB 182 165 143

HSL 33.85, 0.21%, 0.64%

LAB 68.63, 2.58, 13.65

 

CMYK 0 / 15 / 35 / 23

HEX #C5A780

RGB 197 167 128

HSL 33.91, 0.37%, 0.64%

LAB 70.22, 5.35, 24.26

 

CMYK 26 / 0 / 0 / 27

HEX #8ABBBB

RGB 138 187 187

HSL 180, 0.26%, 0.64%

LAB 72.58, -16.01, -5.24

 

CMYK 26 / 7 / 0 / 27

HEX #8AADBB

RGB 138 173 187

HSL 197.14, 0.26%, 0.64%

LAB 68.66, -8.62, -11.06

 

CMYK 26 / 14 / 0 / 27

HEX #8AA0BB

RGB 138 160 187

HSL 213.06, 0.26%, 0.64%

LAB 65.07, -1.52, -16.47

 

CMYK 26 / 21 / 0 / 27

HEX #8A93BB

RGB 138 147 187

HSL 228.98, 0.26%, 0.64%

LAB 61.53, 5.81, -21.85

 

CMYK 24 / 26 / 0 / 27

HEX #8E8ABB

RGB 142 138 187

HSL 244.9, 0.26%, 0.64%

LAB 59.45, 12.22, -25.02

 

CMYK 42 / 24 / 0 / 40

HEX #59759A

RGB 89 117 154

HSL 214.15, 0.27%, 0.48%

LAB 48.49, -0.08, -23.2

 

CMYK 35 / 20 / 0 / 33

HEX #708AAC

RGB 112 138 172

HSL 214, 0.27%, 0.56%

LAB 56.68, -0.74, -20.91

 

CMYK 26 / 14 / 0 / 27

HEX #8AA0BB

RGB 138 160 187

HSL 213.06, 0.26%, 0.64%

LAB 65.07, -1.52, -16.47

 

CMYK 19 / 11 / 0 / 20

HEX #A4B5CB

RGB 164 181 203

HSL 213.85, 0.27%, 0.72%

LAB 73.06, -1.19, -13.1

 

CMYK 13 / 7 / 0 / 15

HEX #BECADA

RGB 190 202 218

HSL 214.29, 0.27%, 0.8%

LAB 80.88, -0.89, -9.34

 

CMYK 27 / 15 / 0 / 26

HEX #8AA0BC

RGB 138 160 188

HSL 213.6, 0.27%, 0.64%

LAB 65.1, -1.27, -16.98

 

CMYK 6 / 26 / 0 / 27

HEX #AF8ABB

RGB 175 138 187

HSL 285.31, 0.26%, 0.64%

LAB 62.41, 22.93, -20.23

 

CMYK 4 / 0 / 26 / 27

HEX #B4BB8A

RGB 180 187 138

HSL 68.57, 0.26%, 0.64%

LAB 74.24, -10.62, 24.07

 

CMYK 27 / 15 / 0 / 26

HEX #8AA0BC

RGB 138 160 188

HSL 213.6, 0.27%, 0.64%

LAB 65.1, -1.27, -16.98

 

CMYK 0 / 26 / 14 / 27

HEX #BB8AA0

RGB 187 138 160

HSL 333.06, 0.26%, 0.64%

LAB 62.74, 22.11, -4.3

 

CMYK 14 / 0 / 26 / 27

HEX #A0BB8A

RGB 160 187 138

HSL 93.06, 0.26%, 0.64%

LAB 72.79, -18.12, 21.86

 

CMYK 27 / 15 / 0 / 26

HEX #8AA0BC

RGB 138 160 188

HSL 213.6, 0.27%, 0.64%

LAB 65.1, -1.27, -16.98

 

CMYK 6 / 26 / 0 / 27

HEX #AF8ABB

RGB 175 138 187

HSL 285.31, 0.26%, 0.64%

LAB 62.41, 22.93, -20.23

 

CMYK 0 / 12 / 26 / 27

HEX #BBA58A

RGB 187 165 138

HSL 33.06, 0.26%, 0.64%

LAB 68.98, 3.79, 16.95

 

CMYK 20 / 0 / 26 / 27

HEX #96BB8A

RGB 150 187 138

HSL 105.31, 0.26%, 0.64%

LAB 72.13, -21.73, 20.85

 

CMYK 27 / 15 / 0 / 26

HEX #8AA0BC

RGB 138 160 188

HSL 213.6, 0.27%, 0.64%

LAB 65.1, -1.27, -16.98

 

CMYK 0 / 26 / 1 / 27

HEX #BB8AB9

RGB 187 138 185

HSL 302.45, 0.26%, 0.64%

LAB 63.54, 26.57, -17.26

 

CMYK 0 / 12 / 26 / 27

HEX #BBA58A

RGB 187 165 138

HSL 33.06, 0.26%, 0.64%

LAB 68.98, 3.79, 16.95

 

CMYK 26 / 0 / 25 / 27

HEX #8ABB8C

RGB 138 187 140

HSL 122.45, 0.26%, 0.64%

LAB 71.44, -25.55, 18.71

 

Description

Color code: RGB 138 160 188 | qconv.com Color code: RGB 138 160 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 160 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 160 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 15 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 15% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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