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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 233 148 it is the complementary color RGB 117 22 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 233 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 233 148 shade: RGB 143 233 143, RGB 160 251 162, RGB 177 255 181, RGB 194 255 200 and RGB 211 255 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 233 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 233 148 shade: RGB 138 233 148, RGB 121 215 129, RGB 104 197 110, RGB 87 179 91 and RGB 70 161 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 233 148 shade: RGB 139 232 149, RGB 154 232 139, RGB 179 232 139, RGB 205 232 139 and RGB 230 232 139

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 233 148 shade: RGB 139 232 149, RGB 139 232 174, RGB 139 232 199, RGB 139 232 224 and RGB 139 215 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 233 148 shade matches the following richer shades: RGB 139 232 149 and RGB 128 244 140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 233 148 shade: RGB 139 232 149, RGB 150 221 157, RGB 161 210 166, RGB 172 199 175 and RGB 183 188 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 233 148 shade: RGB 179 232 139, RGB 154 232 139, RGB 139 232 148, RGB 139 232 173 and RGB 139 232 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 233 148 shade: RGB 70 219 85, RGB 104 226 117, RGB 139 232 149, RGB 173 239 180 and RGB 208 246 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 233 148 shade: RGB 138 233 148, RGB 139 204 232 and RGB 232 139 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 233 148 shade: RGB 138 233 148, RGB 148 139 232 and RGB 232 148 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 233 148 shade: RGB 138 233 148, RGB 139 204 232, RGB 232 139 223 and RGB 232 167 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 233 148 shade: RGB 138 233 148, RGB 139 176 232, RGB 232 139 223 and RGB 232 195 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 36 / 9

HEX #8AE994

RGB 138 233 148

HSL 126.32, 0.68%, 0.73%

LAB 84.9, -45.33, 32.73

 

Complementary color

CMYK 0 / 81 / 9 / 54

HEX #75166B

RGB 117 22 107

HSL 306.32, 0.68%, 0.27%

LAB 27.89, 49.01, -26.25

 

CMYK 39 / 0 / 39 / 9

HEX #8FE98F

RGB 143 233 143

HSL 120, 0.67%, 0.74%

LAB 85.05, -44.63, 35.48

 

CMYK 36 / 0 / 35 / 2

HEX #A0FBA2

RGB 160 251 162

HSL 121.32, 0.92%, 0.81%

LAB 91.27, -44.41, 34.31

 

CMYK 31 / 0 / 29 / 0

HEX #B1FFB5

RGB 177 255 181

HSL 123.08, 1%, 0.85%

LAB 93.54, -37.98, 27.96

 

CMYK 24 / 0 / 22 / 0

HEX #C2FFC8

RGB 194 255 200

HSL 125.9, 1%, 0.88%

LAB 94.81, -29.47, 20.21

 

CMYK 17 / 0 / 14 / 0

HEX #D3FFDB

RGB 211 255 219

HSL 130.91, 1%, 0.91%

LAB 96.2, -20.73, 12.59

 

CMYK 41 / 0 / 36 / 9

HEX #8AE994

RGB 138 233 148

HSL 126.32, 0.68%, 0.73%

LAB 84.9, -45.33, 32.73

 

CMYK 44 / 0 / 40 / 16

HEX #79D781

RGB 121 215 129

HSL 125.11, 0.54%, 0.66%

LAB 78.61, -45.53, 33.94

 

CMYK 47 / 0 / 44 / 23

HEX #68C56E

RGB 104 197 110

HSL 123.87, 0.44%, 0.59%

LAB 72.23, -45.68, 35.22

 

CMYK 51 / 0 / 49 / 30

HEX #57B35B

RGB 87 179 91

HSL 122.61, 0.38%, 0.52%

LAB 65.77, -45.73, 36.54

 

CMYK 57 / 0 / 55 / 37

HEX #46A148

RGB 70 161 72

HSL 121.32, 0.39%, 0.45%

LAB 59.21, -45.61, 37.89

 

CMYK 40 / 0 / 36 / 9

HEX #8BE895

RGB 139 232 149

HSL 126.45, 0.67%, 0.73%

LAB 84.68, -44.45, 31.93

 

CMYK 34 / 0 / 40 / 9

HEX #9AE88B

RGB 154 232 139

HSL 110.32, 0.67%, 0.73%

LAB 85.22, -41.36, 37.8

 

CMYK 23 / 0 / 40 / 9

HEX #B3E88B

RGB 179 232 139

HSL 94.19, 0.67%, 0.73%

LAB 86.58, -32.95, 39.83

 

CMYK 12 / 0 / 40 / 9

HEX #CDE88B

RGB 205 232 139

HSL 77.42, 0.67%, 0.73%

LAB 88.24, -23.51, 42.27

 

CMYK 1 / 0 / 40 / 9

HEX #E6E88B

RGB 230 232 139

HSL 61.29, 0.67%, 0.73%

LAB 90.04, -13.99, 44.94

 

CMYK 40 / 0 / 36 / 9

HEX #8BE895

RGB 139 232 149

HSL 126.45, 0.67%, 0.73%

LAB 84.68, -44.45, 31.93

 

CMYK 40 / 0 / 25 / 9

HEX #8BE8AE

RGB 139 232 174

HSL 142.58, 0.67%, 0.73%

LAB 85.13, -40.11, 19.7

 

CMYK 40 / 0 / 14 / 9

HEX #8BE8C7

RGB 139 232 199

HSL 158.71, 0.67%, 0.73%

LAB 85.67, -35.1, 7.41

 

CMYK 40 / 0 / 3 / 9

HEX #8BE8E0

RGB 139 232 224

HSL 174.84, 0.67%, 0.73%

LAB 86.3, -29.5, -4.82

 

CMYK 40 / 7 / 0 / 9

HEX #8BD7E8

RGB 139 215 232

HSL 190.97, 0.67%, 0.73%

LAB 81.79, -19.21, -15.76

 

CMYK 40 / 0 / 36 / 9

HEX #8BE895

RGB 139 232 149

HSL 126.45, 0.67%, 0.73%

LAB 84.68, -44.45, 31.93

 

CMYK 48 / 0 / 43 / 4

HEX #80F48C

RGB 128 244 140

HSL 126.21, 0.84%, 0.73%

LAB 87.57, -53.92, 40.12

 

CMYK 40 / 0 / 36 / 9

HEX #8BE895

RGB 139 232 149

HSL 126.45, 0.67%, 0.73%

LAB 84.68, -44.45, 31.93

 

CMYK 32 / 0 / 29 / 13

HEX #96DD9D

RGB 150 221 157

HSL 125.92, 0.51%, 0.73%

LAB 82.18, -34.88, 24.55

 

CMYK 23 / 0 / 21 / 18

HEX #A1D2A6

RGB 161 210 166

HSL 126.12, 0.35%, 0.73%

LAB 79.85, -24.55, 16.72

 

CMYK 14 / 0 / 12 / 22

HEX #ACC7AF

RGB 172 199 175

HSL 126.67, 0.19%, 0.73%

LAB 77.71, -13.7, 8.98

 

CMYK 3 / 0 / 2 / 26

HEX #B7BCB8

RGB 183 188 184

HSL 132, 0.04%, 0.73%

LAB 75.76, -2.48, 1.41

 

CMYK 23 / 0 / 40 / 9

HEX #B3E88B

RGB 179 232 139

HSL 94.19, 0.67%, 0.73%

LAB 86.58, -32.95, 39.83

 

CMYK 34 / 0 / 40 / 9

HEX #9AE88B

RGB 154 232 139

HSL 110.32, 0.67%, 0.73%

LAB 85.22, -41.36, 37.8

 

CMYK 40 / 0 / 36 / 9

HEX #8BE894

RGB 139 232 148

HSL 125.81, 0.67%, 0.73%

LAB 84.66, -44.61, 32.41

 

CMYK 40 / 0 / 25 / 9

HEX #8BE8AD

RGB 139 232 173

HSL 141.94, 0.67%, 0.73%

LAB 85.11, -40.29, 20.19

 

CMYK 40 / 0 / 15 / 9

HEX #8BE8C6

RGB 139 232 198

HSL 158.06, 0.67%, 0.73%

LAB 85.64, -35.31, 7.9

 

CMYK 68 / 0 / 61 / 14

HEX #46DB55

RGB 70 219 85

HSL 126.04, 0.67%, 0.57%

LAB 77.65, -65.15, 53.36

 

CMYK 54 / 0 / 48 / 11

HEX #68E275

RGB 104 226 117

HSL 126.39, 0.68%, 0.65%

LAB 81.08, -56.31, 42.92

 

CMYK 40 / 0 / 36 / 9

HEX #8BE895

RGB 139 232 149

HSL 126.45, 0.67%, 0.73%

LAB 84.68, -44.45, 31.93

 

CMYK 28 / 0 / 25 / 6

HEX #ADEFB4

RGB 173 239 180

HSL 126.36, 0.67%, 0.81%

LAB 88.88, -32.06, 22.05

 

CMYK 15 / 0 / 14 / 4

HEX #D0F6D4

RGB 208 246 212

HSL 126.32, 0.68%, 0.89%

LAB 93.48, -18.55, 12.31

 

CMYK 41 / 0 / 36 / 9

HEX #8AE994

RGB 138 233 148

HSL 126.32, 0.68%, 0.73%

LAB 84.9, -45.33, 32.73

 

CMYK 40 / 12 / 0 / 9

HEX #8BCCE8

RGB 139 204 232

HSL 198.06, 0.67%, 0.73%

LAB 78.75, -13.58, -20.35

 

CMYK 0 / 40 / 28 / 9

HEX #E88BA7

RGB 232 139 167

HSL 341.94, 0.67%, 0.73%

LAB 68.32, 38.78, 0.53

 

CMYK 41 / 0 / 36 / 9

HEX #8AE994

RGB 138 233 148

HSL 126.32, 0.68%, 0.73%

LAB 84.9, -45.33, 32.73

 

CMYK 36 / 40 / 0 / 9

HEX #948BE8

RGB 148 139 232

HSL 245.81, 0.67%, 0.73%

LAB 62.16, 24.91, -45.98

 

CMYK 0 / 36 / 40 / 9

HEX #E8948B

RGB 232 148 139

HSL 5.81, 0.67%, 0.73%

LAB 69.61, 30.61, 18

 

CMYK 41 / 0 / 36 / 9

HEX #8AE994

RGB 138 233 148

HSL 126.32, 0.68%, 0.73%

LAB 84.9, -45.33, 32.73

 

CMYK 40 / 12 / 0 / 9

HEX #8BCCE8

RGB 139 204 232

HSL 198.06, 0.67%, 0.73%

LAB 78.75, -13.58, -20.35

 

CMYK 0 / 40 / 4 / 9

HEX #E88BDF

RGB 232 139 223

HSL 305.81, 0.67%, 0.73%

LAB 70.14, 47.45, -27.93

 

CMYK 0 / 28 / 40 / 9

HEX #E8A78B

RGB 232 167 139

HSL 18.06, 0.67%, 0.73%

LAB 73.97, 20.5, 23.97

 

CMYK 41 / 0 / 36 / 9

HEX #8AE994

RGB 138 233 148

HSL 126.32, 0.68%, 0.73%

LAB 84.9, -45.33, 32.73

 

CMYK 40 / 24 / 0 / 9

HEX #8BB0E8

RGB 139 176 232

HSL 216.13, 0.67%, 0.73%

LAB 71.12, 1.46, -32.03

 

CMYK 0 / 40 / 4 / 9

HEX #E88BDF

RGB 232 139 223

HSL 305.81, 0.67%, 0.73%

LAB 70.14, 47.45, -27.93

 

CMYK 0 / 16 / 40 / 9

HEX #E8C38B

RGB 232 195 139

HSL 36.13, 0.67%, 0.73%

LAB 80.77, 5.67, 33.04

 

Description

Color code: RGB 138 233 148 | qconv.com Color code: RGB 138 233 148 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 233 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 233 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 36 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 36% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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