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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 53 182 it is the complementary color RGB 117 202 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 53 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 53 182 shade: RGB 143 53 177, RGB 160 71 196, RGB 177 89 215, RGB 194 107 234 and RGB 211 125 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 53 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 53 182 shade: RGB 138 53 182, RGB 121 35 163, RGB 104 17 144, RGB 87 0 125 and RGB 70 0 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 53 182 shade: RGB 137 52 181, RGB 172 52 181, RGB 181 52 156, RGB 181 52 121 and RGB 181 52 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 53 182 shade: RGB 137 52 181, RGB 102 52 181, RGB 68 52 181 and RGB 52 52 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 53 182 shade matches the following richer shades: RGB 137 52 181, RGB 143 33 200 and RGB 149 14 219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 53 182 shade: RGB 137 52 181, RGB 131 71 162, RGB 125 90 143, RGB 119 109 124 and RGB 113 128 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 53 182 shade: RGB 67 52 181, RGB 102 52 181, RGB 136 52 181, RGB 171 52 181 and RGB 181 52 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 53 182 shade: RGB 89 34 117, RGB 113 43 149, RGB 137 52 181, RGB 158 73 202 and RGB 175 105 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 53 182 shade: RGB 138 53 182, RGB 181 52 72 and RGB 52 181 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 53 182 shade: RGB 138 53 182, RGB 181 136 52 and RGB 52 181 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 53 182 shade: RGB 138 53 182, RGB 181 52 72, RGB 97 181 52 and RGB 52 181 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 53 182 shade: RGB 138 53 182, RGB 181 72 52, RGB 97 181 52 and RGB 52 162 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 71 / 0 / 29

HEX #8A35B6

RGB 138 53 182

HSL 279.53, 0.55%, 0.46%

LAB 40.13, 56.45, -52.62

 

Complementary color

CMYK 42 / 0 / 64 / 21

HEX #75CA49

RGB 117 202 73

HSL 99.53, 0.55%, 0.54%

LAB 73.87, -48.24, 54.69

 

CMYK 19 / 70 / 0 / 31

HEX #8F35B1

RGB 143 53 177

HSL 283.55, 0.54%, 0.45%

LAB 40.51, 56.46, -49.01

 

CMYK 18 / 64 / 0 / 23

HEX #A047C4

RGB 160 71 196

HSL 282.72, 0.51%, 0.52%

LAB 46.93, 56.27, -49.71

 

CMYK 18 / 59 / 0 / 16

HEX #B159D7

RGB 177 89 215

HSL 281.9, 0.61%, 0.6%

LAB 53.38, 55.77, -50.17

 

CMYK 17 / 54 / 0 / 8

HEX #C26BEA

RGB 194 107 234

HSL 281.1, 0.75%, 0.67%

LAB 59.82, 55.1, -50.49

 

CMYK 17 / 51 / 0 / 1

HEX #D37DFD

RGB 211 125 253

HSL 280.31, 0.97%, 0.74%

LAB 66.22, 54.35, -50.73

 

CMYK 24 / 71 / 0 / 29

HEX #8A35B6

RGB 138 53 182

HSL 279.53, 0.55%, 0.46%

LAB 40.13, 56.45, -52.62

 

CMYK 26 / 79 / 0 / 36

HEX #7923A3

RGB 121 35 163

HSL 280.31, 0.65%, 0.39%

LAB 33.8, 56.14, -51.64

 

CMYK 28 / 88 / 0 / 44

HEX #681190

RGB 104 17 144

HSL 281.1, 0.79%, 0.32%

LAB 27.73, 54.75, -50.01

 

CMYK 30 / 100 / 0 / 51

HEX #57007D

RGB 87 0 125

HSL 281.76, 1%, 0.25%

LAB 21.97, 52.05, -47.61

 

CMYK 34 / 100 / 0 / 58

HEX #46006A

RGB 70 0 106

HSL 279.62, 1%, 0.21%

LAB 17.19, 45.86, -43.28

 

CMYK 24 / 71 / 0 / 29

HEX #8934B5

RGB 137 52 181

HSL 279.53, 0.55%, 0.46%

LAB 39.77, 56.45, -52.62

 

CMYK 5 / 71 / 0 / 29

HEX #AC34B5

RGB 172 52 181

HSL 295.81, 0.55%, 0.46%

LAB 45.03, 63.92, -43.89

 

CMYK 0 / 71 / 14 / 29

HEX #B5349C

RGB 181 52 156

HSL 311.63, 0.55%, 0.46%

LAB 45.19, 61.99, -28.7

 

CMYK 0 / 71 / 33 / 29

HEX #B53479

RGB 181 52 121

HSL 327.91, 0.55%, 0.46%

LAB 43.74, 57.36, -9.68

 

CMYK 0 / 71 / 52 / 29

HEX #B53456

RGB 181 52 86

HSL 344.19, 0.55%, 0.46%

LAB 42.69, 53.85, 10.52

 

CMYK 24 / 71 / 0 / 29

HEX #8934B5

RGB 137 52 181

HSL 279.53, 0.55%, 0.46%

LAB 39.77, 56.45, -52.62

 

CMYK 44 / 71 / 0 / 29

HEX #6634B5

RGB 102 52 181

HSL 263.26, 0.55%, 0.46%

LAB 35.24, 49.64, -60.18

 

CMYK 62 / 71 / 0 / 29

HEX #4434B5

RGB 68 52 181

HSL 247.44, 0.55%, 0.46%

LAB 31.85, 44.23, -65.85

 

CMYK 71 / 71 / 0 / 29

HEX #3434B5

RGB 52 52 181

HSL 240, 0.55%, 0.46%

LAB 30.69, 42.28, -67.8

 

CMYK 24 / 71 / 0 / 29

HEX #8934B5

RGB 137 52 181

HSL 279.53, 0.55%, 0.46%

LAB 39.77, 56.45, -52.62

 

CMYK 29 / 84 / 0 / 22

HEX #8F21C8

RGB 143 33 200

HSL 279.52, 0.72%, 0.46%

LAB 39.74, 68.09, -63.76

 

CMYK 32 / 94 / 0 / 14

HEX #950EDB

RGB 149 14 219

HSL 279.51, 0.88%, 0.46%

LAB 40.93, 76.43, -72.78

 

CMYK 24 / 71 / 0 / 29

HEX #8934B5

RGB 137 52 181

HSL 279.53, 0.55%, 0.46%

LAB 39.77, 56.45, -52.62

 

CMYK 19 / 56 / 0 / 36

HEX #8347A2

RGB 131 71 162

HSL 279.56, 0.39%, 0.46%

LAB 41.12, 41.64, -39.21

 

CMYK 13 / 37 / 0 / 44

HEX #7D5A8F

RGB 125 90 143

HSL 279.62, 0.23%, 0.46%

LAB 43.73, 24.63, -23.77

 

CMYK 4 / 12 / 0 / 51

HEX #776D7C

RGB 119 109 124

HSL 280, 0.06%, 0.46%

LAB 47.38, 6.92, -6.88

 

CMYK 12 / 0 / 18 / 50

HEX #718069

RGB 113 128 105

HSL 99.13, 0.1%, 0.46%

LAB 51.8, -10.1, 10.66

 

CMYK 63 / 71 / 0 / 29

HEX #4334B5

RGB 67 52 181

HSL 246.98, 0.55%, 0.46%

LAB 31.77, 44.09, -65.98

 

CMYK 44 / 71 / 0 / 29

HEX #6634B5

RGB 102 52 181

HSL 263.26, 0.55%, 0.46%

LAB 35.24, 49.64, -60.18

 

CMYK 25 / 71 / 0 / 29

HEX #8834B5

RGB 136 52 181

HSL 279.07, 0.55%, 0.46%

LAB 39.62, 56.25, -52.85

 

CMYK 6 / 71 / 0 / 29

HEX #AB34B5

RGB 171 52 181

HSL 295.35, 0.55%, 0.46%

LAB 44.87, 63.7, -44.15

 

CMYK 0 / 71 / 13 / 29

HEX #B5349E

RGB 181 52 158

HSL 310.7, 0.55%, 0.46%

LAB 45.29, 62.29, -29.75

 

CMYK 24 / 71 / 0 / 54

HEX #592275

RGB 89 34 117

HSL 279.76, 0.55%, 0.3%

LAB 25.42, 39.7, -36.89

 

CMYK 24 / 71 / 0 / 42

HEX #712B95

RGB 113 43 149

HSL 279.62, 0.55%, 0.38%

LAB 32.72, 48.27, -44.94

 

CMYK 24 / 71 / 0 / 29

HEX #8934B5

RGB 137 52 181

HSL 279.53, 0.55%, 0.46%

LAB 39.77, 56.45, -52.62

 

CMYK 22 / 64 / 0 / 21

HEX #9E49CA

RGB 158 73 202

HSL 279.53, 0.55%, 0.54%

LAB 47.36, 56.15, -52.5

 

CMYK 17 / 50 / 0 / 17

HEX #AF69D3

RGB 175 105 211

HSL 279.62, 0.55%, 0.62%

LAB 56.01, 46.25, -43.75

 

CMYK 24 / 71 / 0 / 29

HEX #8A35B6

RGB 138 53 182

HSL 279.53, 0.55%, 0.46%

LAB 40.13, 56.45, -52.62

 

CMYK 0 / 71 / 60 / 29

HEX #B53448

RGB 181 52 72

HSL 350.7, 0.55%, 0.46%

LAB 42.38, 52.79, 18.82

 

CMYK 71 / 0 / 53 / 29

HEX #34B555

RGB 52 181 85

HSL 135.35, 0.55%, 0.46%

LAB 65.31, -55.16, 38.74

 

CMYK 24 / 71 / 0 / 29

HEX #8A35B6

RGB 138 53 182

HSL 279.53, 0.55%, 0.46%

LAB 40.13, 56.45, -52.62

 

CMYK 0 / 25 / 71 / 29

HEX #B58834

RGB 181 136 52

HSL 39.07, 0.55%, 0.46%

LAB 59.6, 8.73, 49.88

 

CMYK 71 / 0 / 25 / 29

HEX #34B588

RGB 52 181 136

HSL 159.07, 0.55%, 0.46%

LAB 66.18, -45.45, 13.04

 

CMYK 24 / 71 / 0 / 29

HEX #8A35B6

RGB 138 53 182

HSL 279.53, 0.55%, 0.46%

LAB 40.13, 56.45, -52.62

 

CMYK 0 / 71 / 60 / 29

HEX #B53448

RGB 181 52 72

HSL 350.7, 0.55%, 0.46%

LAB 42.38, 52.79, 18.82

 

CMYK 46 / 0 / 71 / 29

HEX #61B534

RGB 97 181 52

HSL 99.07, 0.55%, 0.46%

LAB 66.4, -47.82, 54.93

 

CMYK 71 / 0 / 10 / 29

HEX #34B5A2

RGB 52 181 162

HSL 171.16, 0.55%, 0.46%

LAB 66.81, -38.91, -0.36

 

CMYK 24 / 71 / 0 / 29

HEX #8A35B6

RGB 138 53 182

HSL 279.53, 0.55%, 0.46%

LAB 40.13, 56.45, -52.62

 

CMYK 0 / 60 / 71 / 29

HEX #B54834

RGB 181 72 52

HSL 9.3, 0.55%, 0.46%

LAB 45.23, 43.04, 34.29

 

CMYK 46 / 0 / 71 / 29

HEX #61B534

RGB 97 181 52

HSL 99.07, 0.55%, 0.46%

LAB 66.4, -47.82, 54.93

 

CMYK 71 / 10 / 0 / 29

HEX #34A2B5

RGB 52 162 181

HSL 188.84, 0.55%, 0.46%

LAB 61.57, -24.26, -18.78

 

Description

Color code: RGB 138 53 182 | qconv.com Color code: RGB 138 53 182 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 53 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 53 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 71 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 71% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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