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Color name
RGB 139 18 68

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 18 68 it is the complementary color RGB 116 237 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 18 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139 18 68 shade: RGB 144 18 63, RGB 161 36 82, RGB 178 54 101, RGB 195 72 120 and RGB 212 90 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 18 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139 18 68 shade: RGB 139 18 68, RGB 122 0 49, RGB 105 0 30, RGB 88 0 11 and RGB 71 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139 18 68 shade: RGB 139 18 68, RGB 139 18 35 and RGB 139 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139 18 68 shade: RGB 139 18 68, RGB 139 18 101, RGB 139 18 134, RGB 112 18 139 and RGB 80 18 139

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139 18 68 shade matches the following richer shades: RGB 139 18 68 and RGB 152 5 66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139 18 68 shade: RGB 139 18 68, RGB 127 30 70, RGB 114 43 72, RGB 101 56 75 and RGB 88 69 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139 18 68 shade: RGB 139 18 133, RGB 139 18 101, RGB 139 18 68, RGB 139 18 36 and RGB 139 32 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139 18 68 shade: RGB 66 8 32, RGB 103 13 50, RGB 139 18 68, RGB 176 22 86 and RGB 212 27 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139 18 68 shade: RGB 139 18 68, RGB 139 113 18 and RGB 18 117 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139 18 68 shade: RGB 139 18 68, RGB 68 139 18 and RGB 18 68 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139 18 68 shade: RGB 139 18 68, RGB 139 113 18, RGB 18 139 89 and RGB 18 44 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139 18 68 shade: RGB 139 18 68, RGB 129 139 18, RGB 18 139 89 and RGB 28 18 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 51 / 45

HEX #8B1244

RGB 139 18 68

HSL 335.21, 0.77%, 0.31%

LAB 30.25, 50.82, 3.36

 

Complementary color

CMYK 51 / 0 / 21 / 7

HEX #74EDBB

RGB 116 237 187

HSL 155.21, 0.77%, 0.69%

LAB 85.94, -45.54, 13.95

 

CMYK 0 / 88 / 56 / 44

HEX #90123F

RGB 144 18 63

HSL 338.57, 0.78%, 0.32%

LAB 31.16, 51.76, 8.13

 

CMYK 0 / 78 / 49 / 37

HEX #A12452

RGB 161 36 82

HSL 337.92, 0.63%, 0.39%

LAB 36.83, 53.16, 4.24

 

CMYK 0 / 70 / 43 / 30

HEX #B23665

RGB 178 54 101

HSL 337.26, 0.53%, 0.45%

LAB 42.83, 53.56, 1.29

 

CMYK 0 / 63 / 38 / 24

HEX #C34878

RGB 195 72 120

HSL 336.59, 0.51%, 0.52%

LAB 49, 53.37, -1.01

 

CMYK 0 / 58 / 34 / 17

HEX #D45A8B

RGB 212 90 139

HSL 335.9, 0.59%, 0.59%

LAB 55.25, 52.86, -2.85

 

CMYK 0 / 87 / 51 / 45

HEX #8B1244

RGB 139 18 68

HSL 335.21, 0.77%, 0.31%

LAB 30.25, 50.82, 3.36

 

CMYK 0 / 100 / 60 / 52

HEX #7A0031

RGB 122 0 49

HSL 335.9, 1%, 0.24%

LAB 24.83, 48.33, 8.06

 

CMYK 0 / 100 / 71 / 59

HEX #69001E

RGB 105 0 30

HSL 342.86, 1%, 0.21%

LAB 20.43, 42.73, 14.79

 

CMYK 0 / 100 / 88 / 65

HEX #58000B

RGB 88 0 11

HSL 352.5, 1%, 0.17%

LAB 16, 37.22, 20.34

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 0 / 87 / 51 / 45

HEX #8B1244

RGB 139 18 68

HSL 335.21, 0.77%, 0.31%

LAB 30.25, 50.82, 3.36

 

CMYK 0 / 87 / 75 / 45

HEX #8B1223

RGB 139 18 35

HSL 351.57, 0.77%, 0.31%

LAB 29.52, 48.68, 24.28

 

CMYK 0 / 87 / 87 / 45

HEX #8B1212

RGB 139 18 18

HSL 0, 0.77%, 0.31%

LAB 29.32, 48.1, 34.32

 

CMYK 0 / 87 / 51 / 45

HEX #8B1244

RGB 139 18 68

HSL 335.21, 0.77%, 0.31%

LAB 30.25, 50.82, 3.36

 

CMYK 0 / 87 / 27 / 45

HEX #8B1265

RGB 139 18 101

HSL 318.84, 0.77%, 0.31%

LAB 31.49, 54.32, -16.45

 

CMYK 0 / 87 / 4 / 45

HEX #8B1286

RGB 139 18 134

HSL 302.48, 0.77%, 0.31%

LAB 33.23, 59.01, -34.63

 

CMYK 19 / 87 / 0 / 45

HEX #70128B

RGB 112 18 139

HSL 286.61, 0.77%, 0.31%

LAB 28.75, 54.83, -45.19

 

CMYK 42 / 87 / 0 / 45

HEX #50128B

RGB 80 18 139

HSL 270.74, 0.77%, 0.31%

LAB 23.68, 49.77, -53.68

 

CMYK 0 / 87 / 51 / 45

HEX #8B1244

RGB 139 18 68

HSL 335.21, 0.77%, 0.31%

LAB 30.25, 50.82, 3.36

 

CMYK 0 / 97 / 57 / 40

HEX #980542

RGB 152 5 66

HSL 335.1, 0.94%, 0.31%

LAB 32.21, 56.18, 7.85

 

CMYK 0 / 87 / 51 / 45

HEX #8B1244

RGB 139 18 68

HSL 335.21, 0.77%, 0.31%

LAB 30.25, 50.82, 3.36

 

CMYK 0 / 76 / 45 / 50

HEX #7F1E46

RGB 127 30 70

HSL 335.26, 0.62%, 0.31%

LAB 29.11, 44.09, 0.08

 

CMYK 0 / 62 / 37 / 55

HEX #722B48

RGB 114 43 72

HSL 335.49, 0.45%, 0.31%

LAB 28.83, 34.43, -1.94

 

CMYK 0 / 45 / 26 / 60

HEX #65384B

RGB 101 56 75

HSL 334.67, 0.29%, 0.31%

LAB 29.67, 22.73, -2.91

 

CMYK 0 / 22 / 13 / 65

HEX #58454D

RGB 88 69 77

HSL 334.74, 0.12%, 0.31%

LAB 31.5, 9.64, -1.7

 

CMYK 0 / 87 / 4 / 45

HEX #8B1285

RGB 139 18 133

HSL 302.98, 0.77%, 0.31%

LAB 33.17, 58.85, -34.1

 

CMYK 0 / 87 / 27 / 45

HEX #8B1265

RGB 139 18 101

HSL 318.84, 0.77%, 0.31%

LAB 31.49, 54.32, -16.45

 

CMYK 0 / 87 / 51 / 45

HEX #8B1244

RGB 139 18 68

HSL 335.21, 0.77%, 0.31%

LAB 30.25, 50.82, 3.36

 

CMYK 0 / 87 / 74 / 45

HEX #8B1224

RGB 139 18 36

HSL 351.07, 0.77%, 0.31%

LAB 29.54, 48.73, 23.65

 

CMYK 0 / 77 / 87 / 45

HEX #8B2012

RGB 139 32 18

HSL 6.94, 0.77%, 0.31%

LAB 30.8, 43.95, 35.62

 

CMYK 0 / 88 / 52 / 74

HEX #420820

RGB 66 8 32

HSL 335.17, 0.78%, 0.15%

LAB 12.2, 29.01, 0.6

 

CMYK 0 / 87 / 51 / 60

HEX #670D32

RGB 103 13 50

HSL 335.33, 0.78%, 0.23%

LAB 21.59, 40.48, 2.19

 

CMYK 0 / 87 / 51 / 45

HEX #8B1244

RGB 139 18 68

HSL 335.21, 0.77%, 0.31%

LAB 30.25, 50.82, 3.36

 

CMYK 0 / 88 / 51 / 31

HEX #B01656

RGB 176 22 86

HSL 335.06, 0.78%, 0.39%

LAB 38.68, 61.05, 4.72

 

CMYK 0 / 87 / 51 / 17

HEX #D41B68

RGB 212 27 104

HSL 335.03, 0.77%, 0.47%

LAB 46.69, 70.4, 5.81

 

CMYK 0 / 87 / 51 / 45

HEX #8B1244

RGB 139 18 68

HSL 335.21, 0.77%, 0.31%

LAB 30.25, 50.82, 3.36

 

CMYK 0 / 19 / 87 / 45

HEX #8B7112

RGB 139 113 18

HSL 47.11, 0.77%, 0.31%

LAB 48.69, 1, 50.85

 

CMYK 87 / 16 / 0 / 45

HEX #12758B

RGB 18 117 139

HSL 190.91, 0.77%, 0.31%

LAB 45.24, -18.33, -19.55

 

CMYK 0 / 87 / 51 / 45

HEX #8B1244

RGB 139 18 68

HSL 335.21, 0.77%, 0.31%

LAB 30.25, 50.82, 3.36

 

CMYK 51 / 0 / 87 / 45

HEX #448B12

RGB 68 139 18

HSL 95.21, 0.77%, 0.31%

LAB 51.54, -42.21, 51.3

 

CMYK 87 / 51 / 0 / 45

HEX #12448B

RGB 18 68 139

HSL 215.21, 0.77%, 0.31%

LAB 29.73, 12.24, -44.01

 

CMYK 0 / 87 / 51 / 45

HEX #8B1244

RGB 139 18 68

HSL 335.21, 0.77%, 0.31%

LAB 30.25, 50.82, 3.36

 

CMYK 0 / 19 / 87 / 45

HEX #8B7112

RGB 139 113 18

HSL 47.11, 0.77%, 0.31%

LAB 48.69, 1, 50.85

 

CMYK 87 / 0 / 36 / 45

HEX #128B59

RGB 18 139 89

HSL 155.21, 0.77%, 0.31%

LAB 51.05, -43.27, 18.19

 

CMYK 87 / 68 / 0 / 45

HEX #122C8B

RGB 18 44 139

HSL 227.11, 0.77%, 0.31%

LAB 22.98, 28.95, -55.02

 

CMYK 0 / 87 / 51 / 45

HEX #8B1244

RGB 139 18 68

HSL 335.21, 0.77%, 0.31%

LAB 30.25, 50.82, 3.36

 

CMYK 7 / 0 / 87 / 45

HEX #818B12

RGB 129 139 18

HSL 64.96, 0.77%, 0.31%

LAB 55.25, -17.91, 55.95

 

CMYK 87 / 0 / 36 / 45

HEX #128B59

RGB 18 139 89

HSL 155.21, 0.77%, 0.31%

LAB 51.05, -43.27, 18.19

 

CMYK 80 / 87 / 0 / 45

HEX #1C128B

RGB 28 18 139

HSL 244.96, 0.77%, 0.31%

LAB 18.11, 44.64, -63.05

 

Description

Color code: RGB 139 18 68 | qconv.com Color code: RGB 139 18 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 18 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 18 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 51 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 51% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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