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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 196 88 it is the complementary color RGB 116 59 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 196 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139 196 88 shade: RGB 144 196 83, RGB 161 214 102, RGB 178 232 121, RGB 195 250 140 and RGB 212 255 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 196 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139 196 88 shade: RGB 139 196 88, RGB 122 178 69, RGB 105 160 50, RGB 88 142 31 and RGB 71 124 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139 196 88 shade: RGB 139 196 88, RGB 168 196 88, RGB 196 195 88, RGB 196 166 88 and RGB 196 137 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139 196 88 shade: RGB 139 196 88, RGB 110 196 88, RGB 88 196 96, RGB 88 196 125 and RGB 88 196 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139 196 88 shade matches the following richer shades: RGB 139 196 88, RGB 138 214 70, RGB 137 232 52 and RGB 136 251 34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139 196 88 shade: RGB 139 196 88, RGB 140 178 107, RGB 141 160 125, RGB 142 142 143 and RGB 143 124 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139 196 88 shade: RGB 196 194 88, RGB 169 196 88, RGB 141 196 88, RGB 112 196 88 and RGB 88 196 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139 196 88 shade: RGB 98 150 52, RGB 118 180 63, RGB 139 196 88, RGB 160 207 119 and RGB 182 218 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139 196 88 shade: RGB 139 196 88, RGB 88 196 166 and RGB 196 88 184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139 196 88 shade: RGB 139 196 88, RGB 88 141 196 and RGB 196 88 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139 196 88 shade: RGB 139 196 88, RGB 88 196 166, RGB 144 88 196 and RGB 196 88 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139 196 88 shade: RGB 139 196 88, RGB 88 194 196, RGB 144 88 196 and RGB 196 90 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 55 / 23

HEX #8BC458

RGB 139 196 88

HSL 91.67, 0.48%, 0.56%

LAB 73.33, -36.68, 47.71

 

Complementary color

CMYK 31 / 65 / 0 / 35

HEX #743BA7

RGB 116 59 167

HSL 271.67, 0.48%, 0.44%

LAB 37.17, 45.39, -48.63

 

CMYK 27 / 0 / 58 / 23

HEX #90C453

RGB 144 196 83

HSL 87.61, 0.49%, 0.55%

LAB 73.57, -35.35, 50.36

 

CMYK 25 / 0 / 52 / 16

HEX #A1D666

RGB 161 214 102

HSL 88.39, 0.58%, 0.62%

LAB 79.97, -35.44, 49.31

 

CMYK 23 / 0 / 48 / 9

HEX #B2E879

RGB 178 232 121

HSL 89.19, 0.71%, 0.69%

LAB 86.29, -35.47, 48.19

 

CMYK 22 / 0 / 44 / 2

HEX #C3FA8C

RGB 195 250 140

HSL 90, 0.92%, 0.76%

LAB 92.52, -35.45, 47.06

 

CMYK 17 / 0 / 38 / 0

HEX #D4FF9F

RGB 212 255 159

HSL 86.88, 1%, 0.81%

LAB 95.17, -29.44, 41.44

 

CMYK 29 / 0 / 55 / 23

HEX #8BC458

RGB 139 196 88

HSL 91.67, 0.48%, 0.56%

LAB 73.33, -36.68, 47.71

 

CMYK 31 / 0 / 61 / 30

HEX #7AB245

RGB 122 178 69

HSL 90.83, 0.44%, 0.48%

LAB 66.83, -36.58, 48.72

 

CMYK 34 / 0 / 69 / 37

HEX #69A032

RGB 105 160 50

HSL 90, 0.52%, 0.41%

LAB 60.23, -36.35, 49.46

 

CMYK 38 / 0 / 78 / 44

HEX #588E1F

RGB 88 142 31

HSL 89.19, 0.64%, 0.34%

LAB 53.51, -35.92, 49.62

 

CMYK 43 / 0 / 90 / 51

HEX #477C0C

RGB 71 124 12

HSL 88.39, 0.82%, 0.27%

LAB 46.69, -35.16, 48.53

 

CMYK 29 / 0 / 55 / 23

HEX #8BC458

RGB 139 196 88

HSL 91.67, 0.48%, 0.56%

LAB 73.33, -36.68, 47.71

 

CMYK 14 / 0 / 55 / 23

HEX #A8C458

RGB 168 196 88

HSL 75.56, 0.48%, 0.56%

LAB 75.15, -25.66, 50.28

 

CMYK 0 / 1 / 55 / 23

HEX #C4C358

RGB 196 195 88

HSL 59.44, 0.48%, 0.56%

LAB 76.96, -13.79, 52.91

 

CMYK 0 / 15 / 55 / 23

HEX #C4A658

RGB 196 166 88

HSL 43.33, 0.48%, 0.56%

LAB 69.26, 1.35, 43.98

 

CMYK 0 / 30 / 55 / 23

HEX #C48958

RGB 196 137 88

HSL 27.22, 0.48%, 0.56%

LAB 61.94, 17.14, 35.09

 

CMYK 29 / 0 / 55 / 23

HEX #8BC458

RGB 139 196 88

HSL 91.67, 0.48%, 0.56%

LAB 73.33, -36.68, 47.71

 

CMYK 44 / 0 / 55 / 23

HEX #6EC458

RGB 110 196 88

HSL 107.78, 0.48%, 0.56%

LAB 71.89, -46.43, 45.66

 

CMYK 55 / 0 / 51 / 23

HEX #58C460

RGB 88 196 96

HSL 124.44, 0.48%, 0.56%

LAB 71.15, -51.57, 40.72

 

CMYK 55 / 0 / 36 / 23

HEX #58C47D

RGB 88 196 125

HSL 140.56, 0.48%, 0.56%

LAB 71.58, -46.93, 26.5

 

CMYK 55 / 0 / 21 / 23

HEX #58C49A

RGB 88 196 154

HSL 156.67, 0.48%, 0.56%

LAB 72.15, -41.07, 11.82

 

CMYK 29 / 0 / 55 / 23

HEX #8BC458

RGB 139 196 88

HSL 91.67, 0.48%, 0.56%

LAB 73.33, -36.68, 47.71

 

CMYK 36 / 0 / 67 / 16

HEX #8AD646

RGB 138 214 70

HSL 91.67, 0.64%, 0.56%

LAB 78.43, -46.48, 61.08

 

CMYK 41 / 0 / 78 / 9

HEX #89E834

RGB 137 232 52

HSL 91.67, 0.8%, 0.56%

LAB 83.59, -55.22, 72.31

 

CMYK 46 / 0 / 86 / 2

HEX #88FB22

RGB 136 251 34

HSL 91.8, 0.96%, 0.56%

LAB 89.08, -63.43, 81.46

 

CMYK 29 / 0 / 55 / 23

HEX #8BC458

RGB 139 196 88

HSL 91.67, 0.48%, 0.56%

LAB 73.33, -36.68, 47.71

 

CMYK 21 / 0 / 40 / 30

HEX #8CB26B

RGB 140 178 107

HSL 92.11, 0.32%, 0.56%

LAB 68.37, -25.56, 32.18

 

CMYK 12 / 0 / 22 / 37

HEX #8DA07D

RGB 141 160 125

HSL 92.57, 0.16%, 0.56%

LAB 63.58, -13.28, 16.06

 

CMYK 1 / 1 / 0 / 44

HEX #8E8E8F

RGB 142 142 143

HSL 240, 0%, 0.56%

LAB 59.05, 0.2, -0.54

 

CMYK 11 / 23 / 0 / 37

HEX #8F7CA1

RGB 143 124 161

HSL 270.81, 0.16%, 0.56%

LAB 54.89, 14.64, -17.09

 

CMYK 0 / 1 / 55 / 23

HEX #C4C258

RGB 196 194 88

HSL 58.89, 0.48%, 0.56%

LAB 76.69, -13.28, 52.61

 

CMYK 14 / 0 / 55 / 23

HEX #A9C458

RGB 169 196 88

HSL 75, 0.48%, 0.56%

LAB 75.21, -25.26, 50.38

 

CMYK 28 / 0 / 55 / 23

HEX #8DC458

RGB 141 196 88

HSL 90.56, 0.48%, 0.56%

LAB 73.45, -35.96, 47.87

 

CMYK 43 / 0 / 55 / 23

HEX #70C458

RGB 112 196 88

HSL 106.67, 0.48%, 0.56%

LAB 71.98, -45.81, 45.78

 

CMYK 55 / 0 / 52 / 23

HEX #58C45E

RGB 88 196 94

HSL 123.33, 0.48%, 0.56%

LAB 71.12, -51.84, 41.66

 

CMYK 35 / 0 / 65 / 41

HEX #629634

RGB 98 150 52

HSL 91.84, 0.49%, 0.4%

LAB 56.74, -34.26, 44.78

 

CMYK 34 / 0 / 65 / 29

HEX #76B43F

RGB 118 180 63

HSL 91.79, 0.48%, 0.48%

LAB 67.17, -39.45, 51.63

 

CMYK 29 / 0 / 55 / 23

HEX #8BC458

RGB 139 196 88

HSL 91.67, 0.48%, 0.56%

LAB 73.33, -36.68, 47.71

 

CMYK 23 / 0 / 43 / 19

HEX #A0CF77

RGB 160 207 119

HSL 92.05, 0.48%, 0.64%

LAB 78.13, -30.6, 38.77

 

CMYK 17 / 0 / 31 / 15

HEX #B6DA96

RGB 182 218 150

HSL 91.76, 0.48%, 0.72%

LAB 83.07, -23.74, 29.69

 

CMYK 29 / 0 / 55 / 23

HEX #8BC458

RGB 139 196 88

HSL 91.67, 0.48%, 0.56%

LAB 73.33, -36.68, 47.71

 

CMYK 55 / 0 / 15 / 23

HEX #58C4A6

RGB 88 196 166

HSL 163.33, 0.48%, 0.56%

LAB 72.43, -38.32, 5.72

 

CMYK 0 / 55 / 6 / 23

HEX #C458B8

RGB 196 88 184

HSL 306.67, 0.48%, 0.56%

LAB 54.21, 55.42, -30.93

 

CMYK 29 / 0 / 55 / 23

HEX #8BC458

RGB 139 196 88

HSL 91.67, 0.48%, 0.56%

LAB 73.33, -36.68, 47.71

 

CMYK 55 / 28 / 0 / 23

HEX #588DC4

RGB 88 141 196

HSL 210.56, 0.48%, 0.56%

LAB 57.18, -1.56, -33.9

 

CMYK 0 / 55 / 28 / 23

HEX #C4588D

RGB 196 88 141

HSL 330.56, 0.48%, 0.56%

LAB 52.55, 48.92, -8.3

 

CMYK 29 / 0 / 55 / 23

HEX #8BC458

RGB 139 196 88

HSL 91.67, 0.48%, 0.56%

LAB 73.33, -36.68, 47.71

 

CMYK 55 / 0 / 15 / 23

HEX #58C4A6

RGB 88 196 166

HSL 163.33, 0.48%, 0.56%

LAB 72.43, -38.32, 5.72

 

CMYK 27 / 55 / 0 / 23

HEX #9058C4

RGB 144 88 196

HSL 271.11, 0.48%, 0.56%

LAB 48.13, 43.76, -47.91

 

CMYK 0 / 55 / 39 / 23

HEX #C45877

RGB 196 88 119

HSL 342.78, 0.48%, 0.56%

LAB 51.89, 46.22, 3.81

 

CMYK 29 / 0 / 55 / 23

HEX #8BC458

RGB 139 196 88

HSL 91.67, 0.48%, 0.56%

LAB 73.33, -36.68, 47.71

 

CMYK 55 / 1 / 0 / 23

HEX #58C2C4

RGB 88 194 196

HSL 181.11, 0.48%, 0.56%

LAB 72.66, -29.73, -10.28

 

CMYK 27 / 55 / 0 / 23

HEX #9058C4

RGB 144 88 196

HSL 271.11, 0.48%, 0.56%

LAB 48.13, 43.76, -47.91

 

CMYK 0 / 54 / 55 / 23

HEX #C45A58

RGB 196 90 88

HSL 1.11, 0.48%, 0.56%

LAB 51.56, 42.22, 21.77

 

Description

Color code: RGB 139 196 88 | qconv.com Color code: RGB 139 196 88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 196 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 196 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 55 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 55% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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