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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 40 153 it is the complementary color RGB 116 215 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 40 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139 40 153 shade: RGB 144 40 148, RGB 161 58 167, RGB 178 76 186, RGB 195 94 205 and RGB 212 112 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 40 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139 40 153 shade: RGB 139 40 153, RGB 122 22 134, RGB 105 4 115, RGB 88 0 96 and RGB 71 0 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139 40 153 shade: RGB 139 39 154, RGB 154 39 137, RGB 154 39 106, RGB 154 39 75 and RGB 154 39 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139 40 153 shade: RGB 139 39 154, RGB 109 39 154, RGB 78 39 154, RGB 47 39 154 and RGB 39 39 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139 40 153 shade matches the following richer shades: RGB 139 39 154, RGB 151 24 169 and RGB 163 8 185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139 40 153 shade: RGB 139 39 154, RGB 128 55 138, RGB 116 71 122, RGB 104 86 107 and RGB 92 102 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139 40 153 shade: RGB 77 39 154, RGB 108 39 154, RGB 138 39 154, RGB 154 39 138 and RGB 154 39 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139 40 153 shade: RGB 80 22 88, RGB 110 31 121, RGB 139 39 154, RGB 169 48 186 and RGB 190 69 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139 40 153 shade: RGB 139 40 153, RGB 154 47 39 and RGB 39 154 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139 40 153 shade: RGB 139 40 153, RGB 154 138 39 and RGB 39 154 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139 40 153 shade: RGB 139 40 153, RGB 154 47 39, RGB 54 154 39 and RGB 39 146 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139 40 153 shade: RGB 139 40 153, RGB 154 81 39, RGB 54 154 39 and RGB 39 112 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 74 / 0 / 40

HEX #8B2899

RGB 139 40 153

HSL 292.57, 0.59%, 0.38%

LAB 36.57, 55.99, -40.98

 

Complementary color

CMYK 46 / 0 / 53 / 16

HEX #74D766

RGB 116 215 102

HSL 112.57, 0.59%, 0.62%

LAB 78.04, -50.74, 46.46

 

CMYK 3 / 73 / 0 / 42

HEX #902894

RGB 144 40 148

HSL 297.78, 0.57%, 0.37%

LAB 37.09, 56.2, -37.06

 

CMYK 4 / 65 / 0 / 35

HEX #A13AA7

RGB 161 58 167

HSL 296.7, 0.48%, 0.44%

LAB 43.35, 56.6, -38.39

 

CMYK 4 / 59 / 0 / 27

HEX #B24CBA

RGB 178 76 186

HSL 295.64, 0.44%, 0.51%

LAB 49.71, 56.46, -39.33

 

CMYK 5 / 54 / 0 / 20

HEX #C35ECD

RGB 195 94 205

HSL 294.59, 0.53%, 0.59%

LAB 56.1, 56.02, -40.03

 

CMYK 5 / 50 / 0 / 12

HEX #D470E0

RGB 212 112 224

HSL 293.57, 0.64%, 0.66%

LAB 62.48, 55.42, -40.57

 

CMYK 9 / 74 / 0 / 40

HEX #8B2899

RGB 139 40 153

HSL 292.57, 0.59%, 0.38%

LAB 36.57, 55.99, -40.98

 

CMYK 9 / 84 / 0 / 47

HEX #7A1686

RGB 122 22 134

HSL 293.57, 0.72%, 0.31%

LAB 30.48, 54.71, -39.2

 

CMYK 9 / 97 / 0 / 55

HEX #690473

RGB 105 4 115

HSL 294.59, 0.93%, 0.23%

LAB 24.73, 52.04, -36.59

 

CMYK 8 / 100 / 0 / 62

HEX #580060

RGB 88 0 96

HSL 295, 1%, 0.19%

LAB 19.72, 46.62, -32.42

 

CMYK 8 / 100 / 0 / 70

HEX #47004D

RGB 71 0 77

HSL 295.32, 1%, 0.15%

LAB 14.82, 40.17, -27.65

 

CMYK 10 / 75 / 0 / 40

HEX #8B279A

RGB 139 39 154

HSL 292.17, 0.6%, 0.38%

LAB 36.5, 56.53, -41.69

 

CMYK 0 / 75 / 11 / 40

HEX #9A2789

RGB 154 39 137

HSL 308.87, 0.6%, 0.38%

LAB 38.07, 57.06, -28.66

 

CMYK 0 / 75 / 31 / 40

HEX #9A276A

RGB 154 39 106

HSL 325.04, 0.6%, 0.38%

LAB 36.67, 52.75, -11.47

 

CMYK 0 / 75 / 51 / 40

HEX #9A274B

RGB 154 39 75

HSL 341.22, 0.6%, 0.38%

LAB 35.65, 49.48, 6.88

 

CMYK 0 / 75 / 71 / 40

HEX #9A272C

RGB 154 39 44

HSL 357.39, 0.6%, 0.38%

LAB 35.01, 47.34, 25.85

 

CMYK 10 / 75 / 0 / 40

HEX #8B279A

RGB 139 39 154

HSL 292.17, 0.6%, 0.38%

LAB 36.5, 56.53, -41.69

 

CMYK 29 / 75 / 0 / 40

HEX #6D279A

RGB 109 39 154

HSL 276.52, 0.6%, 0.38%

LAB 31.89, 50.31, -49.36

 

CMYK 49 / 75 / 0 / 40

HEX #4E279A

RGB 78 39 154

HSL 260.35, 0.6%, 0.38%

LAB 27.86, 44.63, -56.11

 

CMYK 69 / 75 / 0 / 40

HEX #2F279A

RGB 47 39 154

HSL 244.17, 0.6%, 0.38%

LAB 24.92, 40.27, -61.04

 

CMYK 75 / 75 / 0 / 40

HEX #27279A

RGB 39 39 154

HSL 240, 0.6%, 0.38%

LAB 24.37, 39.44, -61.96

 

CMYK 10 / 75 / 0 / 40

HEX #8B279A

RGB 139 39 154

HSL 292.17, 0.6%, 0.38%

LAB 36.5, 56.53, -41.69

 

CMYK 11 / 86 / 0 / 34

HEX #9718A9

RGB 151 24 169

HSL 292.55, 0.75%, 0.38%

LAB 38.02, 65.8, -48.19

 

CMYK 12 / 96 / 0 / 27

HEX #A308B9

RGB 163 8 185

HSL 292.54, 0.92%, 0.38%

LAB 40.35, 72.92, -53.83

 

CMYK 10 / 75 / 0 / 40

HEX #8B279A

RGB 139 39 154

HSL 292.17, 0.6%, 0.38%

LAB 36.5, 56.53, -41.69

 

CMYK 7 / 60 / 0 / 46

HEX #80378A

RGB 128 55 138

HSL 292.77, 0.43%, 0.38%

LAB 36.28, 43.97, -32.37

 

CMYK 5 / 42 / 0 / 52

HEX #74477A

RGB 116 71 122

HSL 292.94, 0.26%, 0.38%

LAB 37.16, 28.27, -21.25

 

CMYK 3 / 20 / 0 / 58

HEX #68566B

RGB 104 86 107

HSL 291.43, 0.11%, 0.38%

LAB 39, 11.58, -9.26

 

CMYK 10 / 0 / 11 / 60

HEX #5C665B

RGB 92 102 91

HSL 114.55, 0.06%, 0.38%

LAB 42.05, -6.17, 4.91

 

CMYK 50 / 75 / 0 / 40

HEX #4D279A

RGB 77 39 154

HSL 259.83, 0.6%, 0.38%

LAB 27.74, 44.46, -56.3

 

CMYK 30 / 75 / 0 / 40

HEX #6C279A

RGB 108 39 154

HSL 276, 0.6%, 0.38%

LAB 31.74, 50.11, -49.6

 

CMYK 10 / 75 / 0 / 40

HEX #8A279A

RGB 138 39 154

HSL 291.65, 0.6%, 0.38%

LAB 36.34, 56.32, -41.96

 

CMYK 0 / 75 / 10 / 40

HEX #9A278A

RGB 154 39 138

HSL 308.35, 0.6%, 0.38%

LAB 38.12, 57.21, -29.19

 

CMYK 0 / 75 / 30 / 40

HEX #9A276C

RGB 154 39 108

HSL 324, 0.6%, 0.38%

LAB 36.75, 53, -12.62

 

CMYK 9 / 75 / 0 / 65

HEX #501658

RGB 80 22 88

HSL 292.73, 0.6%, 0.22%

LAB 19.98, 36.62, -26.75

 

CMYK 9 / 74 / 0 / 53

HEX #6E1F79

RGB 110 31 121

HSL 292.67, 0.59%, 0.3%

LAB 28.58, 46.78, -34.19

 

CMYK 10 / 75 / 0 / 40

HEX #8B279A

RGB 139 39 154

HSL 292.17, 0.6%, 0.38%

LAB 36.5, 56.53, -41.69

 

CMYK 9 / 74 / 0 / 27

HEX #A930BA

RGB 169 48 186

HSL 292.61, 0.59%, 0.46%

LAB 44.37, 65.54, -47.91

 

CMYK 8 / 67 / 0 / 19

HEX #BE45CF

RGB 190 69 207

HSL 292.61, 0.59%, 0.54%

LAB 51.51, 66.13, -48.49

 

CMYK 9 / 74 / 0 / 40

HEX #8B2899

RGB 139 40 153

HSL 292.57, 0.59%, 0.38%

LAB 36.57, 55.99, -40.98

 

CMYK 0 / 69 / 75 / 40

HEX #9A2F27

RGB 154 47 39

HSL 4.17, 0.6%, 0.38%

LAB 36.08, 43.96, 30.13

 

CMYK 75 / 0 / 40 / 40

HEX #279A5D

RGB 39 154 93

HSL 148.17, 0.6%, 0.38%

LAB 56.42, -45.8, 23.21

 

CMYK 9 / 74 / 0 / 40

HEX #8B2899

RGB 139 40 153

HSL 292.57, 0.59%, 0.38%

LAB 36.57, 55.99, -40.98

 

CMYK 0 / 10 / 75 / 40

HEX #9A8A27

RGB 154 138 39

HSL 51.65, 0.6%, 0.38%

LAB 57.26, -5.2, 52.02

 

CMYK 75 / 0 / 10 / 40

HEX #279A8A

RGB 39 154 138

HSL 171.65, 0.6%, 0.38%

LAB 57.44, -34.96, -0.63

 

CMYK 9 / 74 / 0 / 40

HEX #8B2899

RGB 139 40 153

HSL 292.57, 0.59%, 0.38%

LAB 36.57, 55.99, -40.98

 

CMYK 0 / 69 / 75 / 40

HEX #9A2F27

RGB 154 47 39

HSL 4.17, 0.6%, 0.38%

LAB 36.08, 43.96, 30.13

 

CMYK 65 / 0 / 75 / 40

HEX #369A27

RGB 54 154 39

HSL 112.17, 0.6%, 0.38%

LAB 56.13, -50.39, 48.89

 

CMYK 75 / 5 / 0 / 40

HEX #27929A

RGB 39 146 154

HSL 184.17, 0.6%, 0.38%

LAB 55.4, -26.34, -12.82

 

CMYK 9 / 74 / 0 / 40

HEX #8B2899

RGB 139 40 153

HSL 292.57, 0.59%, 0.38%

LAB 36.57, 55.99, -40.98

 

CMYK 0 / 47 / 75 / 40

HEX #9A5127

RGB 154 81 39

HSL 21.91, 0.6%, 0.38%

LAB 42.61, 27.03, 37.27

 

CMYK 65 / 0 / 75 / 40

HEX #369A27

RGB 54 154 39

HSL 112.17, 0.6%, 0.38%

LAB 56.13, -50.39, 48.89

 

CMYK 75 / 27 / 0 / 40

HEX #27709A

RGB 39 112 154

HSL 201.91, 0.6%, 0.38%

LAB 44.73, -7.77, -29.2

 

Description

Color code: RGB 139 40 153 | qconv.com Color code: RGB 139 40 153 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 40 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 40 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 74 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 74% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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