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Color name
RGB 139 63 105

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 63 105 it is the complementary color RGB 116 192 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 63 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139 63 105 shade: RGB 144 63 100, RGB 161 81 119, RGB 178 99 138, RGB 195 117 157 and RGB 212 135 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 63 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139 63 105 shade: RGB 139 63 105, RGB 122 45 86, RGB 105 27 67, RGB 88 9 48 and RGB 71 0 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139 63 105 shade: RGB 140 63 106, RGB 140 63 85, RGB 140 63 64 and RGB 140 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139 63 105 shade: RGB 140 63 106, RGB 140 63 126, RGB 133 63 140, RGB 112 63 140 and RGB 91 63 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139 63 105 shade matches the following richer shades: RGB 140 63 106, RGB 157 46 107, RGB 173 30 109 and RGB 190 13 111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139 63 105 shade: RGB 140 63 106, RGB 124 79 104, RGB 107 96 102, RGB 91 112 100 and RGB 74 129 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139 63 105 shade: RGB 133 63 140, RGB 140 63 127, RGB 140 63 107, RGB 140 63 86 and RGB 140 63 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139 63 105 shade: RGB 83 37 63, RGB 112 50 84, RGB 140 63 106, RGB 169 76 127 and RGB 185 100 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139 63 105 shade: RGB 139 63 105, RGB 140 112 63 and RGB 63 138 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139 63 105 shade: RGB 139 63 105, RGB 107 140 63 and RGB 63 107 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139 63 105 shade: RGB 139 63 105, RGB 140 112 63, RGB 63 140 96 and RGB 63 91 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139 63 105 shade: RGB 139 63 105, RGB 140 135 63, RGB 63 140 96 and RGB 63 68 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 24 / 45

HEX #8B3F69

RGB 139 63 105

HSL 326.84, 0.38%, 0.4%

LAB 37.96, 37.48, -9.15

 

Complementary color

CMYK 40 / 0 / 22 / 25

HEX #74C096

RGB 116 192 150

HSL 146.84, 0.38%, 0.6%

LAB 71.97, -32.96, 13.88

 

CMYK 0 / 56 / 31 / 44

HEX #903F64

RGB 144 63 100

HSL 332.59, 0.39%, 0.41%

LAB 38.56, 38.47, -5.03

 

CMYK 0 / 50 / 26 / 37

HEX #A15177

RGB 161 81 119

HSL 331.5, 0.33%, 0.47%

LAB 45.35, 37.69, -6.38

 

CMYK 0 / 44 / 22 / 30

HEX #B2638A

RGB 178 99 138

HSL 330.38, 0.34%, 0.54%

LAB 52.09, 36.85, -7.48

 

CMYK 0 / 40 / 19 / 24

HEX #C3759D

RGB 195 117 157

HSL 329.23, 0.39%, 0.61%

LAB 58.75, 36.02, -8.41

 

CMYK 0 / 36 / 17 / 17

HEX #D487B0

RGB 212 135 176

HSL 328.05, 0.47%, 0.68%

LAB 65.33, 35.22, -9.23

 

CMYK 0 / 55 / 24 / 45

HEX #8B3F69

RGB 139 63 105

HSL 326.84, 0.38%, 0.4%

LAB 37.96, 37.48, -9.15

 

CMYK 0 / 63 / 30 / 52

HEX #7A2D56

RGB 122 45 86

HSL 328.05, 0.46%, 0.33%

LAB 31.08, 38.07, -7.63

 

CMYK 0 / 74 / 36 / 59

HEX #691B43

RGB 105 27 67

HSL 329.23, 0.59%, 0.26%

LAB 24.3, 38.17, -5.51

 

CMYK 0 / 90 / 45 / 65

HEX #580930

RGB 88 9 48

HSL 330.38, 0.81%, 0.19%

LAB 17.84, 37.07, -2.26

 

CMYK 0 / 100 / 59 / 72

HEX #47001D

RGB 71 0 29

HSL 335.49, 1%, 0.14%

LAB 12.14, 33.48, 2.94

 

CMYK 0 / 55 / 24 / 45

HEX #8C3F6A

RGB 140 63 106

HSL 326.49, 0.38%, 0.4%

LAB 38.15, 37.97, -9.47

 

CMYK 0 / 55 / 39 / 45

HEX #8C3F55

RGB 140 63 85

HSL 342.86, 0.38%, 0.4%

LAB 37.46, 35.1, 2.74

 

CMYK 0 / 55 / 54 / 45

HEX #8C3F40

RGB 140 63 64

HSL 359.22, 0.38%, 0.4%

LAB 36.93, 32.84, 15.27

 

CMYK 0 / 55 / 55 / 45

HEX #8C3F3F

RGB 140 63 63

HSL 0, 0.38%, 0.4%

LAB 36.91, 32.75, 15.87

 

CMYK 0 / 55 / 24 / 45

HEX #8C3F6A

RGB 140 63 106

HSL 326.49, 0.38%, 0.4%

LAB 38.15, 37.97, -9.47

 

CMYK 0 / 55 / 10 / 45

HEX #8C3F7E

RGB 140 63 126

HSL 310.91, 0.38%, 0.4%

LAB 38.96, 41.22, -20.66

 

CMYK 5 / 55 / 0 / 45

HEX #853F8C

RGB 133 63 140

HSL 294.55, 0.38%, 0.4%

LAB 38.61, 41.73, -29.88

 

CMYK 20 / 55 / 0 / 45

HEX #703F8C

RGB 112 63 140

HSL 278.18, 0.38%, 0.4%

LAB 35.78, 35.7, -34.54

 

CMYK 35 / 55 / 0 / 45

HEX #5B3F8C

RGB 91 63 140

HSL 261.82, 0.38%, 0.4%

LAB 33.29, 29.9, -38.65

 

CMYK 0 / 55 / 24 / 45

HEX #8C3F6A

RGB 140 63 106

HSL 326.49, 0.38%, 0.4%

LAB 38.15, 37.97, -9.47

 

CMYK 0 / 71 / 32 / 38

HEX #9D2E6B

RGB 157 46 107

HSL 327.03, 0.55%, 0.4%

LAB 38.17, 51.15, -9.79

 

CMYK 0 / 83 / 37 / 32

HEX #AD1E6D

RGB 173 30 109

HSL 326.85, 0.7%, 0.4%

LAB 39.44, 60.68, -8.84

 

CMYK 0 / 93 / 42 / 25

HEX #BE0D6F

RGB 190 13 111

HSL 326.78, 0.87%, 0.4%

LAB 41.82, 67.9, -6.18

 

CMYK 0 / 55 / 24 / 45

HEX #8C3F6A

RGB 140 63 106

HSL 326.49, 0.38%, 0.4%

LAB 38.15, 37.97, -9.47

 

CMYK 0 / 36 / 16 / 51

HEX #7C4F68

RGB 124 79 104

HSL 326.67, 0.22%, 0.4%

LAB 39.37, 22.89, -6.61

 

CMYK 0 / 10 / 5 / 58

HEX #6B6066

RGB 107 96 102

HSL 327.27, 0.05%, 0.4%

LAB 41.92, 5.57, -1.81

 

CMYK 19 / 0 / 11 / 56

HEX #5B7064

RGB 91 112 100

HSL 145.71, 0.1%, 0.4%

LAB 45.27, -10.43, 4.1

 

CMYK 43 / 0 / 23 / 49

HEX #4A8163

RGB 74 129 99

HSL 147.27, 0.27%, 0.4%

LAB 49.57, -25.48, 10.66

 

CMYK 5 / 55 / 0 / 45

HEX #853F8C

RGB 133 63 140

HSL 294.55, 0.38%, 0.4%

LAB 38.61, 41.73, -29.88

 

CMYK 0 / 55 / 9 / 45

HEX #8C3F7F

RGB 140 63 127

HSL 310.13, 0.38%, 0.4%

LAB 39.01, 41.39, -21.21

 

CMYK 0 / 55 / 24 / 45

HEX #8C3F6B

RGB 140 63 107

HSL 325.71, 0.38%, 0.4%

LAB 38.18, 38.12, -10.04

 

CMYK 0 / 55 / 39 / 45

HEX #8C3F56

RGB 140 63 86

HSL 342.08, 0.38%, 0.4%

LAB 37.49, 35.22, 2.15

 

CMYK 0 / 55 / 54 / 45

HEX #8C3F41

RGB 140 63 65

HSL 358.44, 0.38%, 0.4%

LAB 36.95, 32.94, 14.67

 

CMYK 0 / 55 / 24 / 67

HEX #53253F

RGB 83 37 63

HSL 326.09, 0.38%, 0.24%

LAB 22.02, 25.03, -6.6

 

CMYK 0 / 55 / 25 / 56

HEX #703254

RGB 112 50 84

HSL 327.1, 0.38%, 0.32%

LAB 30.32, 31.77, -7.65

 

CMYK 0 / 55 / 24 / 45

HEX #8C3F6A

RGB 140 63 106

HSL 326.49, 0.38%, 0.4%

LAB 38.15, 37.97, -9.47

 

CMYK 0 / 55 / 25 / 34

HEX #A94C7F

RGB 169 76 127

HSL 327.1, 0.38%, 0.48%

LAB 45.82, 44.1, -10.42

 

CMYK 0 / 46 / 21 / 27

HEX #B96493

RGB 185 100 147

HSL 326.82, 0.38%, 0.56%

LAB 53.53, 40.09, -10.53

 

CMYK 0 / 55 / 24 / 45

HEX #8B3F69

RGB 139 63 105

HSL 326.84, 0.38%, 0.4%

LAB 37.96, 37.48, -9.15

 

CMYK 0 / 20 / 55 / 45

HEX #8C703F

RGB 140 112 63

HSL 38.18, 0.38%, 0.4%

LAB 48.91, 4.69, 31.18

 

CMYK 55 / 1 / 0 / 45

HEX #3F8A8C

RGB 63 138 140

HSL 181.56, 0.38%, 0.4%

LAB 53.09, -22.46, -8.14

 

CMYK 0 / 55 / 24 / 45

HEX #8B3F69

RGB 139 63 105

HSL 326.84, 0.38%, 0.4%

LAB 37.96, 37.48, -9.15

 

CMYK 24 / 0 / 55 / 45

HEX #6B8C3F

RGB 107 140 63

HSL 85.71, 0.38%, 0.4%

LAB 54.28, -24.93, 36.94

 

CMYK 55 / 24 / 0 / 45

HEX #3F6B8C

RGB 63 107 140

HSL 205.71, 0.38%, 0.4%

LAB 43.46, -5.16, -22.79

 

CMYK 0 / 55 / 24 / 45

HEX #8B3F69

RGB 139 63 105

HSL 326.84, 0.38%, 0.4%

LAB 37.96, 37.48, -9.15

 

CMYK 0 / 20 / 55 / 45

HEX #8C703F

RGB 140 112 63

HSL 38.18, 0.38%, 0.4%

LAB 48.91, 4.69, 31.18

 

CMYK 55 / 0 / 31 / 45

HEX #3F8C60

RGB 63 140 96

HSL 145.71, 0.38%, 0.4%

LAB 52.57, -34.44, 16.47

 

CMYK 55 / 35 / 0 / 45

HEX #3F5B8C

RGB 63 91 140

HSL 218.18, 0.38%, 0.4%

LAB 38.61, 4.72, -30.36

 

CMYK 0 / 55 / 24 / 45

HEX #8B3F69

RGB 139 63 105

HSL 326.84, 0.38%, 0.4%

LAB 37.96, 37.48, -9.15

 

CMYK 0 / 4 / 55 / 45

HEX #8C873F

RGB 140 135 63

HSL 56.1, 0.38%, 0.4%

LAB 55.34, -8.26, 38.82

 

CMYK 55 / 0 / 31 / 45

HEX #3F8C60

RGB 63 140 96

HSL 145.71, 0.38%, 0.4%

LAB 52.57, -34.44, 16.47

 

CMYK 55 / 51 / 0 / 45

HEX #3F448C

RGB 63 68 140

HSL 236.1, 0.38%, 0.4%

LAB 32, 19.74, -40.86

 

Description

Color code: RGB 139 63 105 | qconv.com Color code: RGB 139 63 105 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 63 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 63 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 24 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 24% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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