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Color name
RGB 139 96 13

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 96 13 it is the complementary color RGB 116 159 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 96 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139 96 13 shade: RGB 144 96 8, RGB 161 114 27, RGB 178 132 46, RGB 195 150 65 and RGB 212 168 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 96 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139 96 13 shade: RGB 139 96 13, RGB 122 78 0, RGB 105 60 0, RGB 88 42 0 and RGB 71 24 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139 96 13 shade: RGB 139 96 13, RGB 139 62 13, RGB 139 28 13 and RGB 139 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139 96 13 shade: RGB 139 96 13, RGB 139 130 13, RGB 114 139 13, RGB 80 139 13 and RGB 46 139 13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139 96 13 shade matches the following richer shades: RGB 139 96 13 and RGB 152 100 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139 96 13 shade: RGB 139 96 13, RGB 127 92 25, RGB 115 88 37, RGB 102 84 50 and RGB 90 80 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139 96 13 shade: RGB 139 27 13, RGB 139 61 13, RGB 139 95 13, RGB 139 129 13 and RGB 116 139 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139 96 13 shade: RGB 64 44 5, RGB 102 70 9, RGB 139 96 13, RGB 177 122 16 and RGB 215 148 20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139 96 13 shade: RGB 139 96 13, RGB 32 139 13 and RGB 44 13 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139 96 13 shade: RGB 139 96 13, RGB 13 139 95 and RGB 95 13 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139 96 13 shade: RGB 139 96 13, RGB 32 139 13, RGB 13 57 139 and RGB 120 13 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139 96 13 shade: RGB 139 96 13, RGB 13 139 32, RGB 13 57 139 and RGB 139 13 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 91 / 45

HEX #8B600D

RGB 139 96 13

HSL 39.52, 0.83%, 0.3%

LAB 44.07, 10.71, 48.48

 

Complementary color

CMYK 52 / 34 / 0 / 5

HEX #749FF2

RGB 116 159 242

HSL 219.52, 0.83%, 0.7%

LAB 65.69, 8.42, -46.07

 

CMYK 0 / 33 / 94 / 44

HEX #906008

RGB 144 96 8

HSL 38.82, 0.89%, 0.3%

LAB 44.68, 12.96, 50.45

 

CMYK 0 / 29 / 83 / 37

HEX #A1721B

RGB 161 114 27

HSL 38.96, 0.71%, 0.37%

LAB 51.49, 10.97, 51.37

 

CMYK 0 / 26 / 74 / 30

HEX #B2842E

RGB 178 132 46

HSL 39.09, 0.59%, 0.44%

LAB 58.19, 9.31, 50.95

 

CMYK 0 / 23 / 67 / 24

HEX #C39641

RGB 195 150 65

HSL 39.23, 0.52%, 0.51%

LAB 64.8, 7.93, 49.95

 

CMYK 0 / 21 / 60 / 17

HEX #D4A854

RGB 212 168 84

HSL 39.38, 0.6%, 0.58%

LAB 71.31, 6.76, 48.72

 

CMYK 0 / 31 / 91 / 45

HEX #8B600D

RGB 139 96 13

HSL 39.52, 0.83%, 0.3%

LAB 44.07, 10.71, 48.48

 

CMYK 0 / 36 / 100 / 52

HEX #7A4E00

RGB 122 78 0

HSL 38.36, 1%, 0.24%

LAB 37.09, 12.97, 46.01

 

CMYK 0 / 43 / 100 / 59

HEX #693C00

RGB 105 60 0

HSL 34.29, 1%, 0.21%

LAB 30, 15.63, 40.12

 

CMYK 0 / 52 / 100 / 65

HEX #582A00

RGB 88 42 0

HSL 28.64, 1%, 0.17%

LAB 22.76, 18.42, 32.6

 

CMYK 0 / 66 / 100 / 72

HEX #471800

RGB 71 24 0

HSL 20.28, 1%, 0.14%

LAB 15.45, 21.13, 23.34

 

CMYK 0 / 31 / 91 / 45

HEX #8B600D

RGB 139 96 13

HSL 39.52, 0.83%, 0.3%

LAB 44.07, 10.71, 48.48

 

CMYK 0 / 55 / 91 / 45

HEX #8B3E0D

RGB 139 62 13

HSL 23.33, 0.83%, 0.3%

LAB 35.91, 30.12, 42.05

 

CMYK 0 / 80 / 91 / 45

HEX #8B1C0D

RGB 139 28 13

HSL 7.14, 0.83%, 0.3%

LAB 30.28, 45.2, 37.63

 

CMYK 0 / 91 / 91 / 45

HEX #8B0D0D

RGB 139 13 13

HSL 0, 0.83%, 0.3%

LAB 28.92, 49.04, 36.57

 

CMYK 0 / 31 / 91 / 45

HEX #8B600D

RGB 139 96 13

HSL 39.52, 0.83%, 0.3%

LAB 44.07, 10.71, 48.48

 

CMYK 0 / 6 / 91 / 45

HEX #8B820D

RGB 139 130 13

HSL 55.71, 0.83%, 0.3%

LAB 53.47, -8.64, 55.94

 

CMYK 18 / 0 / 91 / 45

HEX #728B0D

RGB 114 139 13

HSL 71.9, 0.83%, 0.3%

LAB 54.1, -24.69, 55.6

 

CMYK 42 / 0 / 91 / 45

HEX #508B0D

RGB 80 139 13

HSL 88.1, 0.83%, 0.3%

LAB 52.06, -38.34, 53.07

 

CMYK 67 / 0 / 91 / 45

HEX #2E8B0D

RGB 46 139 13

HSL 104.29, 0.83%, 0.3%

LAB 50.77, -48.43, 51.46

 

CMYK 0 / 31 / 91 / 45

HEX #8B600D

RGB 139 96 13

HSL 39.52, 0.83%, 0.3%

LAB 44.07, 10.71, 48.48

 

CMYK 0 / 34 / 100 / 40

HEX #986400

RGB 152 100 0

HSL 39.47, 1%, 0.3%

LAB 46.7, 14.23, 54.25

 

CMYK 0 / 31 / 91 / 45

HEX #8B600D

RGB 139 96 13

HSL 39.52, 0.83%, 0.3%

LAB 44.07, 10.71, 48.48

 

CMYK 0 / 28 / 80 / 50

HEX #7F5C19

RGB 127 92 25

HSL 39.41, 0.67%, 0.3%

LAB 41.59, 7.76, 41.63

 

CMYK 0 / 23 / 68 / 55

HEX #735825

RGB 115 88 37

HSL 39.23, 0.51%, 0.3%

LAB 39.17, 5.08, 33.06

 

CMYK 0 / 18 / 51 / 60

HEX #665432

RGB 102 84 50

HSL 39.23, 0.34%, 0.3%

LAB 36.74, 2.48, 22.58

 

CMYK 0 / 11 / 31 / 65

HEX #5A503E

RGB 90 80 62

HSL 38.57, 0.18%, 0.3%

LAB 34.52, 0.97, 12.14

 

CMYK 0 / 81 / 91 / 45

HEX #8B1B0D

RGB 139 27 13

HSL 6.67, 0.83%, 0.3%

LAB 30.16, 45.51, 37.55

 

CMYK 0 / 56 / 91 / 45

HEX #8B3D0D

RGB 139 61 13

HSL 22.86, 0.83%, 0.3%

LAB 35.7, 30.65, 41.88

 

CMYK 0 / 32 / 91 / 45

HEX #8B5F0D

RGB 139 95 13

HSL 39.05, 0.83%, 0.3%

LAB 43.8, 11.3, 48.27

 

CMYK 0 / 7 / 91 / 45

HEX #8B810D

RGB 139 129 13

HSL 55.24, 0.83%, 0.3%

LAB 53.19, -8.09, 55.71

 

CMYK 17 / 0 / 91 / 45

HEX #748B0D

RGB 116 139 13

HSL 70.95, 0.83%, 0.3%

LAB 54.25, -23.82, 55.77

 

CMYK 0 / 31 / 92 / 75

HEX #402C05

RGB 64 44 5

HSL 39.66, 0.86%, 0.14%

LAB 19.65, 5.1, 26.1

 

CMYK 0 / 31 / 91 / 60

HEX #664609

RGB 102 70 9

HSL 39.35, 0.84%, 0.22%

LAB 32.31, 8.28, 38.23

 

CMYK 0 / 31 / 91 / 45

HEX #8B600D

RGB 139 96 13

HSL 39.52, 0.83%, 0.3%

LAB 44.07, 10.71, 48.48

 

CMYK 0 / 31 / 91 / 31

HEX #B17A10

RGB 177 122 16

HSL 39.5, 0.83%, 0.38%

LAB 55.38, 13.46, 58.52

 

CMYK 0 / 31 / 91 / 16

HEX #D79414

RGB 215 148 20

HSL 39.38, 0.83%, 0.46%

LAB 66.27, 16.1, 67.89

 

CMYK 0 / 31 / 91 / 45

HEX #8B600D

RGB 139 96 13

HSL 39.52, 0.83%, 0.3%

LAB 44.07, 10.71, 48.48

 

CMYK 77 / 0 / 91 / 45

HEX #208B0D

RGB 32 139 13

HSL 110.95, 0.83%, 0.3%

LAB 50.45, -51.18, 51.06

 

CMYK 68 / 91 / 0 / 45

HEX #2C0D8B

RGB 44 13 139

HSL 254.76, 0.83%, 0.3%

LAB 18.75, 47.57, -61.97

 

CMYK 0 / 31 / 91 / 45

HEX #8B600D

RGB 139 96 13

HSL 39.52, 0.83%, 0.3%

LAB 44.07, 10.71, 48.48

 

CMYK 91 / 0 / 32 / 45

HEX #0D8B5F

RGB 13 139 95

HSL 159.05, 0.83%, 0.3%

LAB 51.13, -42.29, 14.88

 

CMYK 32 / 91 / 0 / 45

HEX #5F0D8B

RGB 95 13 139

HSL 279.05, 0.83%, 0.3%

LAB 25.52, 53.28, -50.57

 

CMYK 0 / 31 / 91 / 45

HEX #8B600D

RGB 139 96 13

HSL 39.52, 0.83%, 0.3%

LAB 44.07, 10.71, 48.48

 

CMYK 77 / 0 / 91 / 45

HEX #208B0D

RGB 32 139 13

HSL 110.95, 0.83%, 0.3%

LAB 50.45, -51.18, 51.06

 

CMYK 91 / 59 / 0 / 45

HEX #0D398B

RGB 13 57 139

HSL 219.05, 0.83%, 0.3%

LAB 26.38, 19.57, -49.46

 

CMYK 14 / 91 / 0 / 45

HEX #780D8B

RGB 120 13 139

HSL 290.95, 0.83%, 0.3%

LAB 29.78, 57.3, -43.46

 

CMYK 0 / 31 / 91 / 45

HEX #8B600D

RGB 139 96 13

HSL 39.52, 0.83%, 0.3%

LAB 44.07, 10.71, 48.48

 

CMYK 91 / 0 / 77 / 45

HEX #0D8B20

RGB 13 139 32

HSL 129.05, 0.83%, 0.3%

LAB 50.28, -52.36, 45.34

 

CMYK 91 / 59 / 0 / 45

HEX #0D398B

RGB 13 57 139

HSL 219.05, 0.83%, 0.3%

LAB 26.38, 19.57, -49.46

 

CMYK 0 / 91 / 14 / 45

HEX #8B0D78

RGB 139 13 120

HSL 309.05, 0.83%, 0.3%

LAB 32.11, 57.83, -27.63

 

Description

Color code: RGB 139 96 13 | qconv.com Color code: RGB 139 96 13 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 96 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 96 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 91 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 91% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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