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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 48 40 it is the complementary color RGB 238 207 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 48 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 48 40 shade: RGB 22 48 35, RGB 39 66 54, RGB 56 84 73, RGB 73 102 92 and RGB 90 120 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 48 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 48 40 shade: RGB 17 48 40, RGB 0 30 21 and RGB 0 12 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 48 40 shade: RGB 17 49 40, RGB 17 49 32, RGB 17 49 23, RGB 19 49 17 and RGB 27 49 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 48 40 shade: RGB 17 49 40, RGB 17 48 49, RGB 17 40 49, RGB 17 31 49 and RGB 17 22 49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 48 40 shade matches the following richer shades: RGB 17 49 40, RGB 11 54 43, RGB 6 59 46 and RGB 1 65 48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 48 40 shade: RGB 17 49 40, RGB 22 43 38, RGB 27 38 35, RGB 33 32 33 and RGB 38 27 30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 48 40 shade: RGB 17 49 23, RGB 17 49 32, RGB 17 49 40, RGB 17 49 49 and RGB 17 40 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 48 40 shade: RGB 17 48 40, RGB 17 19 49 and RGB 49 27 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 48 40 shade: RGB 17 48 40, RGB 40 17 49 and RGB 49 40 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 48 40 shade: RGB 17 48 40, RGB 17 19 49, RGB 49 17 25 and RGB 49 46 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 48 40 shade: RGB 17 48 40, RGB 24 17 49, RGB 49 17 25 and RGB 41 49 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 17 / 81

HEX #113028

RGB 17 48 40

HSL 164.52, 0.48%, 0.13%

LAB 17.4, -13.93, 1.66

 

Complementary color

CMYK 0 / 13 / 10 / 7

HEX #EECFD7

RGB 238 207 215

HSL 344.52, 0.48%, 0.87%

LAB 85.86, 12.13, 0.04

 

CMYK 54 / 0 / 27 / 81

HEX #163023

RGB 22 48 35

HSL 150, 0.37%, 0.14%

LAB 17.49, -13.81, 5.27

 

CMYK 41 / 0 / 18 / 74

HEX #274236

RGB 39 66 54

HSL 153.33, 0.26%, 0.21%

LAB 25.55, -13.51, 4.08

 

CMYK 33 / 0 / 13 / 67

HEX #385449

RGB 56 84 73

HSL 156.43, 0.2%, 0.27%

LAB 33.27, -13.24, 3.09

 

CMYK 28 / 0 / 10 / 60

HEX #49665C

RGB 73 102 92

HSL 159.31, 0.17%, 0.34%

LAB 40.72, -13.02, 2.22

 

CMYK 25 / 0 / 8 / 53

HEX #5A786F

RGB 90 120 111

HSL 162, 0.14%, 0.41%

LAB 47.95, -12.83, 1.42

 

CMYK 65 / 0 / 17 / 81

HEX #113028

RGB 17 48 40

HSL 164.52, 0.48%, 0.13%

LAB 17.4, -13.93, 1.66

 

CMYK 100 / 0 / 30 / 88

HEX #001E15

RGB 0 30 21

HSL 162, 1%, 0.06%

LAB 8.85, -13.57, 2.84

 

CMYK 100 / 0 / 83 / 95

HEX #000C02

RGB 0 12 2

HSL 130, 1%, 0.02%

LAB 2.41, -4.57, 2.71

 

CMYK 65 / 0 / 18 / 81

HEX #113128

RGB 17 49 40

HSL 163.13, 0.48%, 0.13%

LAB 17.78, -14.52, 2.21

 

CMYK 65 / 0 / 35 / 81

HEX #113120

RGB 17 49 32

HSL 148.13, 0.48%, 0.13%

LAB 17.55, -16.74, 7.38

 

CMYK 65 / 0 / 53 / 81

HEX #113117

RGB 17 49 23

HSL 131.25, 0.48%, 0.13%

LAB 17.36, -18.8, 13.11

 

CMYK 61 / 0 / 65 / 81

HEX #133111

RGB 19 49 17

HSL 116.25, 0.48%, 0.13%

LAB 17.35, -19.21, 16.87

 

CMYK 45 / 0 / 65 / 81

HEX #1B3111

RGB 27 49 17

HSL 101.25, 0.48%, 0.13%

LAB 17.78, -16.11, 17.5

 

CMYK 65 / 0 / 18 / 81

HEX #113128

RGB 17 49 40

HSL 163.13, 0.48%, 0.13%

LAB 17.78, -14.52, 2.21

 

CMYK 65 / 2 / 0 / 81

HEX #113031

RGB 17 48 49

HSL 181.88, 0.48%, 0.13%

LAB 17.71, -11, -4.12

 

CMYK 65 / 18 / 0 / 81

HEX #112831

RGB 17 40 49

HSL 196.88, 0.48%, 0.13%

LAB 14.73, -5.8, -8.63

 

CMYK 65 / 37 / 0 / 81

HEX #111F31

RGB 17 31 49

HSL 213.75, 0.48%, 0.13%

LAB 11.42, 0.63, -13.75

 

CMYK 65 / 55 / 0 / 81

HEX #111631

RGB 17 22 49

HSL 230.63, 0.48%, 0.13%

LAB 8.26, 7.58, -18.75

 

CMYK 65 / 0 / 18 / 81

HEX #113128

RGB 17 49 40

HSL 163.13, 0.48%, 0.13%

LAB 17.78, -14.52, 2.21

 

CMYK 80 / 0 / 20 / 79

HEX #0B362B

RGB 11 54 43

HSL 164.65, 0.66%, 0.13%

LAB 19.57, -17.79, 2.71

 

CMYK 90 / 0 / 22 / 77

HEX #063B2E

RGB 6 59 46

HSL 165.28, 0.82%, 0.13%

LAB 21.45, -20.39, 3.35

 

CMYK 98 / 0 / 26 / 75

HEX #014130

RGB 1 65 48

HSL 164.06, 0.97%, 0.13%

LAB 23.67, -23.58, 5.18

 

CMYK 65 / 0 / 18 / 81

HEX #113128

RGB 17 49 40

HSL 163.13, 0.48%, 0.13%

LAB 17.78, -14.52, 2.21

 

CMYK 49 / 0 / 12 / 83

HEX #162B26

RGB 22 43 38

HSL 165.71, 0.32%, 0.13%

LAB 15.69, -9.93, 0.61

 

CMYK 29 / 0 / 8 / 85

HEX #1B2623

RGB 27 38 35

HSL 163.64, 0.17%, 0.13%

LAB 14.06, -5.62, 0.42

 

CMYK 0 / 3 / 0 / 87

HEX #212021

RGB 33 32 33

HSL 300, 0.02%, 0.13%

LAB 12.39, 0.72, -0.51

 

CMYK 0 / 29 / 21 / 85

HEX #261B1E

RGB 38 27 30

HSL 343.64, 0.17%, 0.13%

LAB 11.2, 6.05, 0.02

 

CMYK 65 / 0 / 53 / 81

HEX #113117

RGB 17 49 23

HSL 131.25, 0.48%, 0.13%

LAB 17.36, -18.8, 13.11

 

CMYK 65 / 0 / 35 / 81

HEX #113120

RGB 17 49 32

HSL 148.13, 0.48%, 0.13%

LAB 17.55, -16.74, 7.38

 

CMYK 65 / 0 / 18 / 81

HEX #113128

RGB 17 49 40

HSL 163.13, 0.48%, 0.13%

LAB 17.78, -14.52, 2.21

 

CMYK 65 / 0 / 0 / 81

HEX #113131

RGB 17 49 49

HSL 180, 0.48%, 0.13%

LAB 18.09, -11.62, -3.56

 

CMYK 65 / 18 / 0 / 81

HEX #112831

RGB 17 40 49

HSL 196.88, 0.48%, 0.13%

LAB 14.73, -5.8, -8.63

 

CMYK 65 / 0 / 17 / 81

HEX #113028

RGB 17 48 40

HSL 164.52, 0.48%, 0.13%

LAB 17.4, -13.93, 1.66

 

CMYK 65 / 61 / 0 / 81

HEX #111331

RGB 17 19 49

HSL 236.25, 0.48%, 0.13%

LAB 7.29, 9.86, -20.31

 

CMYK 0 / 45 / 65 / 81

HEX #311B11

RGB 49 27 17

HSL 18.75, 0.48%, 0.13%

LAB 12.46, 9.59, 11.15

 

CMYK 65 / 0 / 17 / 81

HEX #113028

RGB 17 48 40

HSL 164.52, 0.48%, 0.13%

LAB 17.4, -13.93, 1.66

 

CMYK 18 / 65 / 0 / 81

HEX #281131

RGB 40 17 49

HSL 283.13, 0.48%, 0.13%

LAB 9.59, 18.63, -16.46

 

CMYK 0 / 18 / 65 / 81

HEX #312811

RGB 49 40 17

HSL 43.13, 0.48%, 0.13%

LAB 16.56, 0.56, 16.46

 

CMYK 65 / 0 / 17 / 81

HEX #113028

RGB 17 48 40

HSL 164.52, 0.48%, 0.13%

LAB 17.4, -13.93, 1.66

 

CMYK 65 / 61 / 0 / 81

HEX #111331

RGB 17 19 49

HSL 236.25, 0.48%, 0.13%

LAB 7.29, 9.86, -20.31

 

CMYK 0 / 65 / 49 / 81

HEX #311119

RGB 49 17 25

HSL 345, 0.48%, 0.13%

LAB 9.98, 17.27, 2.23

 

CMYK 0 / 6 / 65 / 81

HEX #312E11

RGB 49 46 17

HSL 54.38, 0.48%, 0.13%

LAB 18.57, -3.47, 18.9

 

CMYK 65 / 0 / 17 / 81

HEX #113028

RGB 17 48 40

HSL 164.52, 0.48%, 0.13%

LAB 17.4, -13.93, 1.66

 

CMYK 51 / 65 / 0 / 81

HEX #181131

RGB 24 17 49

HSL 253.13, 0.48%, 0.13%

LAB 7.38, 13.4, -20.12

 

CMYK 0 / 65 / 49 / 81

HEX #311119

RGB 49 17 25

HSL 345, 0.48%, 0.13%

LAB 9.98, 17.27, 2.23

 

CMYK 16 / 0 / 65 / 81

HEX #293111

RGB 41 49 17

HSL 75, 0.48%, 0.13%

LAB 18.84, -9.55, 19.01

 

Description

Color code: RGB 17 48 40 | qconv.com Color code: RGB 17 48 40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 48 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 48 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 17 yellow and 81 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 17% 81% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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