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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 82 55 it is the complementary color RGB 238 173 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 82 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 82 55 shade: RGB 22 82 50, RGB 39 100 69, RGB 56 118 88, RGB 73 136 107 and RGB 90 154 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 82 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 82 55 shade: RGB 17 82 55, RGB 0 64 36, RGB 0 46 17, RGB 0 28 0 and RGB 0 10 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 82 55 shade: RGB 16 80 53, RGB 16 80 36, RGB 16 80 19, RGB 30 80 16 and RGB 48 80 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 82 55 shade: RGB 16 80 53, RGB 16 80 71, RGB 16 72 80, RGB 16 55 80 and RGB 16 38 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 82 55 shade matches the following richer shades: RGB 16 80 53, RGB 8 88 55 and RGB 0 96 56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 82 55 shade: RGB 16 80 53, RGB 24 72 52, RGB 32 64 51, RGB 39 56 49 and RGB 47 49 48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 82 55 shade: RGB 16 80 19, RGB 16 80 36, RGB 16 80 53, RGB 16 80 70 and RGB 16 72 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 82 55 shade: RGB 2 11 7, RGB 9 46 30, RGB 16 80 53, RGB 23 114 76 and RGB 30 148 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 82 55 shade: RGB 17 82 55, RGB 16 30 80 and RGB 80 28 16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 82 55 shade: RGB 17 82 55, RGB 53 16 80 and RGB 80 53 16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 82 55 shade: RGB 17 82 55, RGB 16 30 80, RGB 80 16 43 and RGB 80 66 16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 82 55 shade: RGB 17 82 55, RGB 21 16 80, RGB 80 16 43 and RGB 75 80 16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 33 / 68

HEX #115237

RGB 17 82 55

HSL 155.08, 0.66%, 0.19%

LAB 30.47, -27.29, 10.23

 

Complementary color

CMYK 0 / 27 / 16 / 7

HEX #EEADC8

RGB 238 173 200

HSL 335.08, 0.66%, 0.81%

LAB 77.42, 27.74, -4.28

 

CMYK 73 / 0 / 39 / 68

HEX #165232

RGB 22 82 50

HSL 148, 0.58%, 0.2%

LAB 30.49, -27.56, 13.37

 

CMYK 61 / 0 / 31 / 61

HEX #276445

RGB 39 100 69

HSL 149.51, 0.44%, 0.27%

LAB 37.8, -27.75, 11.82

 

CMYK 53 / 0 / 25 / 54

HEX #387658

RGB 56 118 88

HSL 150.97, 0.36%, 0.34%

LAB 44.94, -27.67, 10.51

 

CMYK 46 / 0 / 21 / 47

HEX #49886B

RGB 73 136 107

HSL 152.38, 0.3%, 0.41%

LAB 51.93, -27.48, 9.35

 

CMYK 42 / 0 / 18 / 40

HEX #5A9A7E

RGB 90 154 126

HSL 153.75, 0.26%, 0.48%

LAB 58.78, -27.24, 8.32

 

CMYK 79 / 0 / 33 / 68

HEX #115237

RGB 17 82 55

HSL 155.08, 0.66%, 0.19%

LAB 30.47, -27.29, 10.23

 

CMYK 100 / 0 / 44 / 75

HEX #004024

RGB 0 64 36

HSL 153.75, 1%, 0.13%

LAB 22.98, -26.57, 12.01

 

CMYK 100 / 0 / 63 / 82

HEX #002E11

RGB 0 46 17

HSL 142.17, 1%, 0.09%

LAB 15.46, -23.25, 14.37

 

CMYK 100 / 0 / 100 / 89

HEX #001C00

RGB 0 28 0

HSL 120, 1%, 0.05%

LAB 7.5, -15.33, 10.95

 

CMYK 100 / 0 / 100 / 96

HEX #000A00

RGB 0 10 0

HSL 120, 1%, 0.02%

LAB 1.96, -4.01, 2.86

 

CMYK 80 / 0 / 34 / 69

HEX #105035

RGB 16 80 53

HSL 154.69, 0.67%, 0.19%

LAB 29.67, -27.04, 10.38

 

CMYK 80 / 0 / 55 / 69

HEX #105024

RGB 16 80 36

HSL 138.75, 0.67%, 0.19%

LAB 29.35, -30.71, 20.28

 

CMYK 80 / 0 / 76 / 69

HEX #105013

RGB 16 80 19

HSL 122.81, 0.67%, 0.19%

LAB 29.14, -33.14, 29

 

CMYK 63 / 0 / 80 / 69

HEX #1E5010

RGB 30 80 16

HSL 106.88, 0.67%, 0.19%

LAB 29.54, -29.99, 30.85

 

CMYK 40 / 0 / 80 / 69

HEX #305010

RGB 48 80 16

HSL 90, 0.67%, 0.19%

LAB 30.41, -23.53, 32.01

 

CMYK 80 / 0 / 34 / 69

HEX #105035

RGB 16 80 53

HSL 154.69, 0.67%, 0.19%

LAB 29.67, -27.04, 10.38

 

CMYK 80 / 0 / 11 / 69

HEX #105047

RGB 16 80 71

HSL 171.56, 0.67%, 0.19%

LAB 30.16, -21.93, -0.36

 

CMYK 80 / 10 / 0 / 69

HEX #104850

RGB 16 72 80

HSL 187.5, 0.67%, 0.19%

LAB 27.64, -14.49, -9.93

 

CMYK 80 / 31 / 0 / 69

HEX #103750

RGB 16 55 80

HSL 203.44, 0.67%, 0.19%

LAB 21.66, -3.82, -19.15

 

CMYK 80 / 53 / 0 / 69

HEX #102650

RGB 16 38 80

HSL 219.38, 0.67%, 0.19%

LAB 15.88, 8.35, -28.33

 

CMYK 80 / 0 / 34 / 69

HEX #105035

RGB 16 80 53

HSL 154.69, 0.67%, 0.19%

LAB 29.67, -27.04, 10.38

 

CMYK 91 / 0 / 38 / 65

HEX #085837

RGB 8 88 55

HSL 155.25, 0.83%, 0.19%

LAB 32.5, -31.16, 12.96

 

CMYK 100 / 0 / 42 / 62

HEX #006038

RGB 0 96 56

HSL 155, 1%, 0.19%

LAB 35.3, -35.09, 16.11

 

CMYK 80 / 0 / 34 / 69

HEX #105035

RGB 16 80 53

HSL 154.69, 0.67%, 0.19%

LAB 29.67, -27.04, 10.38

 

CMYK 67 / 0 / 28 / 72

HEX #184834

RGB 24 72 52

HSL 155, 0.5%, 0.19%

LAB 26.95, -21.8, 7.27

 

CMYK 50 / 0 / 20 / 75

HEX #204033

RGB 32 64 51

HSL 155.63, 0.33%, 0.19%

LAB 24.36, -15.5, 4.32

 

CMYK 30 / 0 / 13 / 78

HEX #273831

RGB 39 56 49

HSL 155.29, 0.18%, 0.19%

LAB 21.88, -8.74, 2.14

 

CMYK 4 / 0 / 2 / 81

HEX #2F3130

RGB 47 49 48

HSL 150, 0.02%, 0.19%

LAB 20.1, -1.11, 0.33

 

CMYK 80 / 0 / 76 / 69

HEX #105013

RGB 16 80 19

HSL 122.81, 0.67%, 0.19%

LAB 29.14, -33.14, 29

 

CMYK 80 / 0 / 55 / 69

HEX #105024

RGB 16 80 36

HSL 138.75, 0.67%, 0.19%

LAB 29.35, -30.71, 20.28

 

CMYK 80 / 0 / 34 / 69

HEX #105035

RGB 16 80 53

HSL 154.69, 0.67%, 0.19%

LAB 29.67, -27.04, 10.38

 

CMYK 80 / 0 / 13 / 69

HEX #105046

RGB 16 80 70

HSL 170.63, 0.67%, 0.19%

LAB 30.13, -22.25, 0.24

 

CMYK 80 / 10 / 0 / 69

HEX #104850

RGB 16 72 80

HSL 187.5, 0.67%, 0.19%

LAB 27.64, -14.49, -9.93

 

CMYK 82 / 0 / 36 / 96

HEX #020B07

RGB 2 11 7

HSL 153.33, 0.69%, 0.03%

LAB 2.42, -2.92, 0.69

 

CMYK 80 / 0 / 35 / 82

HEX #092E1E

RGB 9 46 30

HSL 154.05, 0.67%, 0.11%

LAB 16.03, -17.77, 6.6

 

CMYK 80 / 0 / 34 / 69

HEX #105035

RGB 16 80 53

HSL 154.69, 0.67%, 0.19%

LAB 29.67, -27.04, 10.38

 

CMYK 80 / 0 / 33 / 55

HEX #17724C

RGB 23 114 76

HSL 154.95, 0.66%, 0.27%

LAB 42.37, -35.46, 13.86

 

CMYK 80 / 0 / 33 / 42

HEX #1E9463

RGB 30 148 99

HSL 155.08, 0.66%, 0.35%

LAB 54.4, -43.38, 17.15

 

CMYK 79 / 0 / 33 / 68

HEX #115237

RGB 17 82 55

HSL 155.08, 0.66%, 0.19%

LAB 30.47, -27.29, 10.23

 

CMYK 80 / 63 / 0 / 69

HEX #101E50

RGB 16 30 80

HSL 226.88, 0.67%, 0.19%

LAB 13.34, 14.42, -32.44

 

CMYK 0 / 65 / 80 / 69

HEX #501C10

RGB 80 28 16

HSL 11.25, 0.67%, 0.19%

LAB 18.25, 23.61, 20.22

 

CMYK 79 / 0 / 33 / 68

HEX #115237

RGB 17 82 55

HSL 155.08, 0.66%, 0.19%

LAB 30.47, -27.29, 10.23

 

CMYK 34 / 80 / 0 / 69

HEX #351050

RGB 53 16 80

HSL 274.69, 0.67%, 0.19%

LAB 13.87, 31.04, -31.41

 

CMYK 0 / 34 / 80 / 69

HEX #503510

RGB 80 53 16

HSL 34.69, 0.67%, 0.19%

LAB 24.61, 8.17, 27.15

 

CMYK 79 / 0 / 33 / 68

HEX #115237

RGB 17 82 55

HSL 155.08, 0.66%, 0.19%

LAB 30.47, -27.29, 10.23

 

CMYK 80 / 63 / 0 / 69

HEX #101E50

RGB 16 30 80

HSL 226.88, 0.67%, 0.19%

LAB 13.34, 14.42, -32.44

 

CMYK 0 / 80 / 46 / 69

HEX #50102B

RGB 80 16 43

HSL 334.69, 0.67%, 0.19%

LAB 16.75, 31.73, -0.48

 

CMYK 0 / 18 / 80 / 69

HEX #504210

RGB 80 66 16

HSL 46.88, 0.67%, 0.19%

LAB 28.48, -0.12, 31.02

 

CMYK 79 / 0 / 33 / 68

HEX #115237

RGB 17 82 55

HSL 155.08, 0.66%, 0.19%

LAB 30.47, -27.29, 10.23

 

CMYK 74 / 80 / 0 / 69

HEX #151050

RGB 21 16 80

HSL 244.69, 0.67%, 0.19%

LAB 9.87, 25.2, -38.11

 

CMYK 0 / 80 / 46 / 69

HEX #50102B

RGB 80 16 43

HSL 334.69, 0.67%, 0.19%

LAB 16.75, 31.73, -0.48

 

CMYK 6 / 0 / 80 / 69

HEX #4B5010

RGB 75 80 16

HSL 64.69, 0.67%, 0.19%

LAB 32.42, -11.12, 34.65

 

Description

Color code: RGB 17 82 55 | qconv.com Color code: RGB 17 82 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 82 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 82 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 33 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 33% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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