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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 89 105 it is the complementary color RGB 238 166 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 89 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 89 105 shade: RGB 22 89 100, RGB 39 107 119, RGB 56 125 138, RGB 73 143 157 and RGB 90 161 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 89 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 89 105 shade: RGB 17 89 105, RGB 0 71 86, RGB 0 53 67, RGB 0 35 48 and RGB 0 17 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 89 105 shade: RGB 17 89 105, RGB 17 65 105, RGB 17 41 105, RGB 17 17 105 and RGB 40 17 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 89 105 shade: RGB 17 89 105, RGB 17 65 105, RGB 17 41 105, RGB 17 17 105 and RGB 17 17 105

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 89 105 shade matches the following richer shades: RGB 17 89 105 and RGB 7 95 115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 89 105 shade: RGB 17 89 105, RGB 27 82 95, RGB 36 76 85, RGB 46 70 75 and RGB 56 64 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 89 105 shade: RGB 17 105 72, RGB 17 105 96, RGB 17 90 105, RGB 17 67 105 and RGB 17 43 105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 89 105 shade: RGB 5 29 34, RGB 11 59 69, RGB 17 89 105, RGB 22 119 140 and RGB 28 149 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 89 105 shade: RGB 17 89 105, RGB 49 17 105 and RGB 105 84 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 89 105 shade: RGB 17 89 105, RGB 105 17 90 and RGB 90 105 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 89 105 shade: RGB 17 89 105, RGB 49 17 105, RGB 105 31 17 and RGB 72 105 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 89 105 shade: RGB 17 89 105, RGB 75 17 105, RGB 105 31 17 and RGB 46 105 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 15 / 0 / 59

HEX #115969

RGB 17 89 105

HSL 190.91, 0.72%, 0.24%

LAB 34.57, -15.04, -15.25

 

Complementary color

CMYK 0 / 30 / 37 / 7

HEX #EEA696

RGB 238 166 150

HSL 10.91, 0.72%, 0.76%

LAB 74.6, 24.6, 18.97

 

CMYK 78 / 11 / 0 / 61

HEX #165964

RGB 22 89 100

HSL 188.46, 0.64%, 0.24%

LAB 34.47, -16.22, -12.27

 

CMYK 67 / 10 / 0 / 53

HEX #276B77

RGB 39 107 119

HSL 189, 0.51%, 0.31%

LAB 41.66, -17.09, -12.99

 

CMYK 59 / 9 / 0 / 46

HEX #387D8A

RGB 56 125 138

HSL 189.51, 0.42%, 0.38%

LAB 48.69, -17.62, -13.62

 

CMYK 54 / 9 / 0 / 38

HEX #498F9D

RGB 73 143 157

HSL 190, 0.37%, 0.45%

LAB 55.58, -17.95, -14.18

 

CMYK 49 / 9 / 0 / 31

HEX #5AA1B0

RGB 90 161 176

HSL 190.47, 0.35%, 0.52%

LAB 62.34, -18.17, -14.69

 

CMYK 84 / 15 / 0 / 59

HEX #115969

RGB 17 89 105

HSL 190.91, 0.72%, 0.24%

LAB 34.57, -15.04, -15.25

 

CMYK 100 / 17 / 0 / 66

HEX #004756

RGB 0 71 86

HSL 190.47, 1%, 0.17%

LAB 27.24, -13.43, -14.46

 

CMYK 100 / 21 / 0 / 74

HEX #003543

RGB 0 53 67

HSL 192.54, 1%, 0.13%

LAB 19.85, -10.19, -13.27

 

CMYK 100 / 27 / 0 / 81

HEX #002330

RGB 0 35 48

HSL 196.25, 1%, 0.09%

LAB 12.06, -6.68, -12.09

 

CMYK 100 / 41 / 0 / 89

HEX #00111D

RGB 0 17 29

HSL 204.83, 1%, 0.06%

LAB 4.42, -1.77, -9.72

 

CMYK 84 / 15 / 0 / 59

HEX #115969

RGB 17 89 105

HSL 190.91, 0.72%, 0.24%

LAB 34.57, -15.04, -15.25

 

CMYK 84 / 38 / 0 / 59

HEX #114169

RGB 17 65 105

HSL 207.27, 0.72%, 0.24%

LAB 26.5, -0.06, -27.82

 

CMYK 84 / 61 / 0 / 59

HEX #112969

RGB 17 41 105

HSL 223.64, 0.72%, 0.24%

LAB 18.91, 17.05, -40.04

 

CMYK 84 / 84 / 0 / 59

HEX #111169

RGB 17 17 105

HSL 240, 0.72%, 0.24%

LAB 12.86, 33.29, -49.98

 

CMYK 62 / 84 / 0 / 59

HEX #281169

RGB 40 17 105

HSL 255.68, 0.72%, 0.24%

LAB 14.8, 35.55, -46.71

 

CMYK 84 / 15 / 0 / 59

HEX #115969

RGB 17 89 105

HSL 190.91, 0.72%, 0.24%

LAB 34.57, -15.04, -15.25

 

CMYK 84 / 38 / 0 / 59

HEX #114169

RGB 17 65 105

HSL 207.27, 0.72%, 0.24%

LAB 26.5, -0.06, -27.82

 

CMYK 84 / 61 / 0 / 59

HEX #112969

RGB 17 41 105

HSL 223.64, 0.72%, 0.24%

LAB 18.91, 17.05, -40.04

 

CMYK 84 / 84 / 0 / 59

HEX #111169

RGB 17 17 105

HSL 240, 0.72%, 0.24%

LAB 12.86, 33.29, -49.98

 

CMYK 84 / 84 / 0 / 59

HEX #111169

RGB 17 17 105

HSL 240, 0.72%, 0.24%

LAB 12.86, 33.29, -49.98

 

CMYK 84 / 15 / 0 / 59

HEX #115969

RGB 17 89 105

HSL 190.91, 0.72%, 0.24%

LAB 34.57, -15.04, -15.25

 

CMYK 94 / 17 / 0 / 55

HEX #075F73

RGB 7 95 115

HSL 191.11, 0.89%, 0.24%

LAB 36.87, -15.6, -17.92

 

CMYK 84 / 15 / 0 / 59

HEX #115969

RGB 17 89 105

HSL 190.91, 0.72%, 0.24%

LAB 34.57, -15.04, -15.25

 

CMYK 72 / 14 / 0 / 63

HEX #1B525F

RGB 27 82 95

HSL 191.47, 0.56%, 0.24%

LAB 32.02, -13.18, -12.84

 

CMYK 58 / 11 / 0 / 67

HEX #244C55

RGB 36 76 85

HSL 191.02, 0.4%, 0.24%

LAB 29.91, -11.15, -9.64

 

CMYK 39 / 7 / 0 / 71

HEX #2E464B

RGB 46 70 75

HSL 190.34, 0.24%, 0.24%

LAB 28.03, -7.75, -5.96

 

CMYK 14 / 2 / 0 / 75

HEX #384041

RGB 56 64 65

HSL 186.67, 0.07%, 0.24%

LAB 26.42, -3.05, -1.74

 

CMYK 84 / 0 / 31 / 59

HEX #116948

RGB 17 105 72

HSL 157.5, 0.72%, 0.24%

LAB 39.05, -33.33, 11.67

 

CMYK 84 / 0 / 9 / 59

HEX #116960

RGB 17 105 96

HSL 173.86, 0.72%, 0.24%

LAB 39.69, -26.61, -1.98

 

CMYK 84 / 14 / 0 / 59

HEX #115A69

RGB 17 90 105

HSL 190.23, 0.72%, 0.24%

LAB 34.91, -15.61, -14.73

 

CMYK 84 / 36 / 0 / 59

HEX #114369

RGB 17 67 105

HSL 205.91, 0.72%, 0.24%

LAB 27.17, -1.4, -26.78

 

CMYK 84 / 59 / 0 / 59

HEX #112B69

RGB 17 43 105

HSL 222.27, 0.72%, 0.24%

LAB 19.5, 15.58, -39.07

 

CMYK 85 / 15 / 0 / 87

HEX #051D22

RGB 5 29 34

HSL 190.34, 0.74%, 0.08%

LAB 9.21, -7.31, -6.22

 

CMYK 84 / 14 / 0 / 73

HEX #0B3B45

RGB 11 59 69

HSL 190.34, 0.73%, 0.16%

LAB 22.4, -11.55, -10.67

 

CMYK 84 / 15 / 0 / 59

HEX #115969

RGB 17 89 105

HSL 190.91, 0.72%, 0.24%

LAB 34.57, -15.04, -15.25

 

CMYK 84 / 15 / 0 / 45

HEX #16778C

RGB 22 119 140

HSL 190.68, 0.73%, 0.32%

LAB 45.99, -18.73, -19

 

CMYK 84 / 15 / 0 / 31

HEX #1C95B0

RGB 28 149 176

HSL 190.95, 0.73%, 0.4%

LAB 56.95, -21.78, -23.05

 

CMYK 84 / 15 / 0 / 59

HEX #115969

RGB 17 89 105

HSL 190.91, 0.72%, 0.24%

LAB 34.57, -15.04, -15.25

 

CMYK 53 / 84 / 0 / 59

HEX #311169

RGB 49 17 105

HSL 261.82, 0.72%, 0.24%

LAB 15.87, 36.79, -44.91

 

CMYK 0 / 20 / 84 / 59

HEX #695411

RGB 105 84 17

HSL 45.68, 0.72%, 0.24%

LAB 36.71, 1.5, 39.36

 

CMYK 84 / 15 / 0 / 59

HEX #115969

RGB 17 89 105

HSL 190.91, 0.72%, 0.24%

LAB 34.57, -15.04, -15.25

 

CMYK 0 / 84 / 14 / 59

HEX #69115A

RGB 105 17 90

HSL 310.23, 0.72%, 0.24%

LAB 24.14, 44.94, -21.21

 

CMYK 14 / 0 / 84 / 59

HEX #5A6911

RGB 90 105 17

HSL 70.23, 0.72%, 0.24%

LAB 41.72, -17.8, 43.33

 

CMYK 84 / 15 / 0 / 59

HEX #115969

RGB 17 89 105

HSL 190.91, 0.72%, 0.24%

LAB 34.57, -15.04, -15.25

 

CMYK 53 / 84 / 0 / 59

HEX #311169

RGB 49 17 105

HSL 261.82, 0.72%, 0.24%

LAB 15.87, 36.79, -44.91

 

CMYK 0 / 70 / 84 / 59

HEX #691F11

RGB 105 31 17

HSL 9.55, 0.72%, 0.24%

LAB 23.75, 32.26, 27.09

 

CMYK 31 / 0 / 84 / 59

HEX #486911

RGB 72 105 17

HSL 82.5, 0.72%, 0.24%

LAB 40.45, -25.78, 41.7

 

CMYK 84 / 15 / 0 / 59

HEX #115969

RGB 17 89 105

HSL 190.91, 0.72%, 0.24%

LAB 34.57, -15.04, -15.25

 

CMYK 29 / 84 / 0 / 59

HEX #4B1169

RGB 75 17 105

HSL 279.55, 0.72%, 0.24%

LAB 19.71, 41.25, -38.48

 

CMYK 0 / 70 / 84 / 59

HEX #691F11

RGB 105 31 17

HSL 9.55, 0.72%, 0.24%

LAB 23.75, 32.26, 27.09

 

CMYK 56 / 0 / 84 / 59

HEX #2E6911

RGB 46 105 17

HSL 100.23, 0.72%, 0.24%

LAB 39.11, -35.42, 39.98

 

Description

Color code: RGB 17 89 105 | qconv.com Color code: RGB 17 89 105 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 89 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 89 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 15 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 15% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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