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Color name
RGB 17 128 9

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 128 9 it is the complementary color RGB 238 127 246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 128 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 128 9 shade: RGB 22 128 4, RGB 39 146 23, RGB 56 164 42, RGB 73 182 61 and RGB 90 200 80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 128 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 128 9 shade: RGB 17 128 9, RGB 0 110 0, RGB 0 92 0, RGB 0 74 0 and RGB 0 56 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 128 9 shade: RGB 16 128 8, RGB 49 128 8, RGB 81 128 8, RGB 113 128 8 and RGB 128 111 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 128 9 shade: RGB 16 128 8, RGB 8 128 33, RGB 8 128 65, RGB 8 128 97 and RGB 8 127 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 128 9 shade matches the following richer shades: RGB 16 128 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 128 9 shade: RGB 16 128 8, RGB 26 117 20, RGB 36 106 31, RGB 45 95 42 and RGB 55 84 53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 128 9 shade: RGB 82 128 8, RGB 50 128 8, RGB 18 128 8, RGB 8 128 30 and RGB 8 128 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 128 9 shade: RGB 6 51 3, RGB 11 90 6, RGB 16 128 8, RGB 22 167 11 and RGB 27 205 14

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 128 9 shade: RGB 17 128 9, RGB 8 114 128 and RGB 128 8 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 128 9 shade: RGB 17 128 9, RGB 8 18 128 and RGB 128 8 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 128 9 shade: RGB 17 128 9, RGB 8 114 128, RGB 118 8 128 and RGB 128 22 8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 128 9 shade: RGB 17 128 9, RGB 8 78 128, RGB 118 8 128 and RGB 128 58 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 93 / 50

HEX #118009

RGB 17 128 9

HSL 115.97, 0.87%, 0.27%

LAB 46.41, -49.91, 48.27

 

Complementary color

CMYK 3 / 48 / 0 / 4

HEX #EE7FF6

RGB 238 127 246

HSL 295.97, 0.87%, 0.73%

LAB 69.48, 59.25, -41.55

 

CMYK 83 / 0 / 97 / 50

HEX #168004

RGB 22 128 4

HSL 111.29, 0.94%, 0.26%

LAB 46.47, -49.48, 49.35

 

CMYK 73 / 0 / 84 / 43

HEX #279217

RGB 39 146 23

HSL 112.2, 0.73%, 0.33%

LAB 53.01, -51.79, 50.97

 

CMYK 66 / 0 / 74 / 36

HEX #38A42A

RGB 56 164 42

HSL 113.11, 0.59%, 0.4%

LAB 59.49, -53.25, 51.18

 

CMYK 60 / 0 / 66 / 29

HEX #49B63D

RGB 73 182 61

HSL 114.05, 0.5%, 0.48%

LAB 65.91, -54.1, 50.57

 

CMYK 55 / 0 / 60 / 22

HEX #5AC850

RGB 90 200 80

HSL 115, 0.52%, 0.55%

LAB 72.27, -54.58, 49.57

 

CMYK 87 / 0 / 93 / 50

HEX #118009

RGB 17 128 9

HSL 115.97, 0.87%, 0.27%

LAB 46.41, -49.91, 48.27

 

CMYK 100 / 0 / 100 / 57

HEX #006E00

RGB 0 110 0

HSL 120, 1%, 0.22%

LAB 39.84, -46.39, 44.77

 

CMYK 100 / 0 / 100 / 64

HEX #005C00

RGB 0 92 0

HSL 120, 1%, 0.18%

LAB 33.25, -40.92, 39.49

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 88 / 0 / 94 / 50

HEX #108008

RGB 16 128 8

HSL 116, 0.88%, 0.27%

LAB 46.4, -50.06, 48.46

 

CMYK 62 / 0 / 94 / 50

HEX #318008

RGB 49 128 8

HSL 99.5, 0.88%, 0.27%

LAB 47.12, -43.91, 49.35

 

CMYK 37 / 0 / 94 / 50

HEX #518008

RGB 81 128 8

HSL 83.5, 0.88%, 0.27%

LAB 48.52, -33.28, 51.08

 

CMYK 12 / 0 / 94 / 50

HEX #718008

RGB 113 128 8

HSL 67.5, 0.88%, 0.27%

LAB 50.65, -19.66, 53.69

 

CMYK 0 / 13 / 94 / 50

HEX #806F08

RGB 128 111 8

HSL 51.5, 0.88%, 0.27%

LAB 46.94, -3.34, 51.36

 

CMYK 88 / 0 / 94 / 50

HEX #108008

RGB 16 128 8

HSL 116, 0.88%, 0.27%

LAB 46.4, -50.06, 48.46

 

CMYK 94 / 0 / 74 / 50

HEX #088021

RGB 8 128 33

HSL 132.5, 0.88%, 0.27%

LAB 46.44, -49.18, 41.05

 

CMYK 94 / 0 / 49 / 50

HEX #088041

RGB 8 128 65

HSL 148.5, 0.88%, 0.27%

LAB 46.81, -44.75, 25.93

 

CMYK 94 / 0 / 24 / 50

HEX #088061

RGB 8 128 97

HSL 164.5, 0.88%, 0.27%

LAB 47.43, -37.56, 8.57

 

CMYK 94 / 1 / 0 / 50

HEX #087F80

RGB 8 127 128

HSL 180.5, 0.88%, 0.27%

LAB 47.99, -27.92, -8.87

 

CMYK 88 / 0 / 94 / 50

HEX #108008

RGB 16 128 8

HSL 116, 0.88%, 0.27%

LAB 46.4, -50.06, 48.46

 

CMYK 88 / 0 / 94 / 50

HEX #108008

RGB 16 128 8

HSL 116, 0.88%, 0.27%

LAB 46.4, -50.06, 48.46

 

CMYK 78 / 0 / 83 / 54

HEX #1A7514

RGB 26 117 20

HSL 116.29, 0.71%, 0.27%

LAB 42.75, -44.53, 42.23

 

CMYK 66 / 0 / 71 / 58

HEX #246A1F

RGB 36 106 31

HSL 116, 0.55%, 0.27%

LAB 39.21, -37.48, 34.42

 

CMYK 53 / 0 / 56 / 63

HEX #2D5F2A

RGB 45 95 42

HSL 116.6, 0.39%, 0.27%

LAB 35.81, -28.85, 25.04

 

CMYK 35 / 0 / 37 / 67

HEX #375435

RGB 55 84 53

HSL 116.13, 0.23%, 0.27%

LAB 32.72, -17.93, 14.78

 

CMYK 36 / 0 / 94 / 50

HEX #528008

RGB 82 128 8

HSL 83, 0.88%, 0.27%

LAB 48.57, -32.89, 51.15

 

CMYK 61 / 0 / 94 / 50

HEX #328008

RGB 50 128 8

HSL 99, 0.88%, 0.27%

LAB 47.15, -43.64, 49.39

 

CMYK 86 / 0 / 94 / 50

HEX #128008

RGB 18 128 8

HSL 115, 0.88%, 0.27%

LAB 46.42, -49.84, 48.49

 

CMYK 94 / 0 / 77 / 50

HEX #08801E

RGB 8 128 30

HSL 131, 0.88%, 0.27%

LAB 46.42, -49.46, 42.2

 

CMYK 94 / 0 / 52 / 50

HEX #08803E

RGB 8 128 62

HSL 147, 0.88%, 0.27%

LAB 46.76, -45.28, 27.5

 

CMYK 88 / 0 / 94 / 80

HEX #063303

RGB 6 51 3

HSL 116.25, 0.89%, 0.11%

LAB 17.52, -25.67, 23.27

 

CMYK 88 / 0 / 93 / 65

HEX #0B5A06

RGB 11 90 6

HSL 116.43, 0.88%, 0.19%

LAB 32.69, -38.51, 37.12

 

CMYK 88 / 0 / 94 / 50

HEX #108008

RGB 16 128 8

HSL 116, 0.88%, 0.27%

LAB 46.4, -50.06, 48.46

 

CMYK 87 / 0 / 93 / 35

HEX #16A70B

RGB 22 167 11

HSL 115.77, 0.88%, 0.35%

LAB 59.74, -61.08, 59.25

 

CMYK 87 / 0 / 93 / 20

HEX #1BCD0E

RGB 27 205 14

HSL 115.92, 0.87%, 0.43%

LAB 72.18, -71.41, 69.27

 

CMYK 87 / 0 / 93 / 50

HEX #118009

RGB 17 128 9

HSL 115.97, 0.87%, 0.27%

LAB 46.41, -49.91, 48.27

 

CMYK 94 / 11 / 0 / 50

HEX #087280

RGB 8 114 128

HSL 187, 0.88%, 0.27%

LAB 43.72, -21.26, -15.33

 

CMYK 0 / 94 / 48 / 50

HEX #800842

RGB 128 8 66

HSL 331, 0.88%, 0.27%

LAB 27.18, 49.72, -0.04

 

CMYK 87 / 0 / 93 / 50

HEX #118009

RGB 17 128 9

HSL 115.97, 0.87%, 0.27%

LAB 46.41, -49.91, 48.27

 

CMYK 94 / 86 / 0 / 50

HEX #081280

RGB 8 18 128

HSL 235, 0.88%, 0.27%

LAB 15.71, 40.27, -60.13

 

CMYK 0 / 94 / 86 / 50

HEX #800812

RGB 128 8 18

HSL 355, 0.88%, 0.27%

LAB 26.18, 46.93, 30.55

 

CMYK 87 / 0 / 93 / 50

HEX #118009

RGB 17 128 9

HSL 115.97, 0.87%, 0.27%

LAB 46.41, -49.91, 48.27

 

CMYK 94 / 11 / 0 / 50

HEX #087280

RGB 8 114 128

HSL 187, 0.88%, 0.27%

LAB 43.72, -21.26, -15.33

 

CMYK 8 / 94 / 0 / 50

HEX #760880

RGB 118 8 128

HSL 295, 0.88%, 0.27%

LAB 28.34, 55.86, -38.92

 

CMYK 0 / 83 / 94 / 50

HEX #801608

RGB 128 22 8

HSL 7, 0.88%, 0.27%

LAB 27.24, 43.45, 36.34

 

CMYK 87 / 0 / 93 / 50

HEX #118009

RGB 17 128 9

HSL 115.97, 0.87%, 0.27%

LAB 46.41, -49.91, 48.27

 

CMYK 94 / 39 / 0 / 50

HEX #084E80

RGB 8 78 128

HSL 205, 0.88%, 0.27%

LAB 31.94, 0.12, -33.68

 

CMYK 8 / 94 / 0 / 50

HEX #760880

RGB 118 8 128

HSL 295, 0.88%, 0.27%

LAB 28.34, 55.86, -38.92

 

CMYK 0 / 55 / 94 / 50

HEX #803A08

RGB 128 58 8

HSL 25, 0.88%, 0.27%

LAB 33.21, 27.5, 40.93

 

Description

Color code: RGB 17 128 9 | qconv.com Color code: RGB 17 128 9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 128 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 128 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 93 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 93% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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