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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 157 43 it is the complementary color RGB 238 98 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 157 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 157 43 shade: RGB 22 157 38, RGB 39 175 57, RGB 56 193 76, RGB 73 211 95 and RGB 90 229 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 157 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 157 43 shade: RGB 17 157 43, RGB 0 139 24, RGB 0 121 5, RGB 0 103 0 and RGB 0 85 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 157 43 shade: RGB 17 156 43, RGB 28 156 17, RGB 66 156 17, RGB 103 156 17 and RGB 141 156 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 157 43 shade: RGB 17 156 43, RGB 17 156 80, RGB 17 156 117, RGB 17 156 155 and RGB 17 119 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 157 43 shade matches the following richer shades: RGB 17 156 43 and RGB 3 170 34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 157 43 shade: RGB 17 156 43, RGB 31 142 51, RGB 45 128 60, RGB 59 113 69 and RGB 73 99 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 157 43 shade: RGB 65 156 17, RGB 28 156 17, RGB 17 156 42, RGB 17 156 79 and RGB 17 156 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 157 43 shade: RGB 9 81 22, RGB 13 118 32, RGB 17 156 43, RGB 21 193 53 and RGB 26 229 64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 157 43 shade: RGB 17 157 43, RGB 17 102 156 and RGB 156 17 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 157 43 shade: RGB 17 157 43, RGB 42 17 156 and RGB 156 42 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 157 43 shade: RGB 17 157 43, RGB 17 102 156, RGB 156 17 130 and RGB 156 70 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 157 43 shade: RGB 17 157 43, RGB 17 61 156, RGB 156 17 130 and RGB 156 112 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 73 / 38

HEX #119D2B

RGB 17 157 43

HSL 131.14, 0.8%, 0.34%

LAB 56.49, -56.69, 47.53

 

Complementary color

CMYK 0 / 59 / 11 / 7

HEX #EE62D4

RGB 238 98 212

HSL 311.14, 0.8%, 0.66%

LAB 63.07, 66.85, -32.67

 

CMYK 86 / 0 / 76 / 38

HEX #169D26

RGB 22 157 38

HSL 127.11, 0.75%, 0.35%

LAB 56.51, -56.67, 49.43

 

CMYK 78 / 0 / 67 / 31

HEX #27AF39

RGB 39 175 57

HSL 127.94, 0.64%, 0.42%

LAB 62.83, -58.61, 48.67

 

CMYK 71 / 0 / 61 / 24

HEX #38C14C

RGB 56 193 76

HSL 128.76, 0.55%, 0.49%

LAB 69.11, -59.85, 47.51

 

CMYK 65 / 0 / 55 / 17

HEX #49D35F

RGB 73 211 95

HSL 129.57, 0.61%, 0.56%

LAB 75.35, -60.62, 46.18

 

CMYK 61 / 0 / 50 / 10

HEX #5AE572

RGB 90 229 114

HSL 130.36, 0.73%, 0.63%

LAB 81.53, -61.06, 44.82

 

CMYK 89 / 0 / 73 / 38

HEX #119D2B

RGB 17 157 43

HSL 131.14, 0.8%, 0.34%

LAB 56.49, -56.69, 47.53

 

CMYK 100 / 0 / 83 / 45

HEX #008B18

RGB 0 139 24

HSL 130.36, 1%, 0.27%

LAB 50.13, -53.86, 47.84

 

CMYK 100 / 0 / 96 / 53

HEX #007905

RGB 0 121 5

HSL 122.48, 1%, 0.24%

LAB 43.78, -49.44, 46.81

 

CMYK 100 / 0 / 100 / 60

HEX #006700

RGB 0 103 0

HSL 120, 1%, 0.2%

LAB 37.3, -44.28, 42.74

 

CMYK 100 / 0 / 100 / 67

HEX #005500

RGB 0 85 0

HSL 120, 1%, 0.17%

LAB 30.63, -38.74, 37.39

 

CMYK 89 / 0 / 72 / 39

HEX #119C2B

RGB 17 156 43

HSL 131.22, 0.8%, 0.34%

LAB 56.16, -56.38, 47.18

 

CMYK 82 / 0 / 89 / 39

HEX #1C9C11

RGB 28 156 17

HSL 115.25, 0.8%, 0.34%

LAB 56.15, -56.94, 55.16

 

CMYK 58 / 0 / 89 / 39

HEX #429C11

RGB 66 156 17

HSL 98.85, 0.8%, 0.34%

LAB 57.05, -49.34, 56.29

 

CMYK 34 / 0 / 89 / 39

HEX #679C11

RGB 103 156 17

HSL 82.88, 0.8%, 0.34%

LAB 58.7, -37.07, 58.34

 

CMYK 10 / 0 / 89 / 39

HEX #8D9C11

RGB 141 156 17

HSL 66.47, 0.8%, 0.34%

LAB 61.2, -21.31, 61.44

 

CMYK 89 / 0 / 72 / 39

HEX #119C2B

RGB 17 156 43

HSL 131.22, 0.8%, 0.34%

LAB 56.16, -56.38, 47.18

 

CMYK 89 / 0 / 49 / 39

HEX #119C50

RGB 17 156 80

HSL 147.19, 0.8%, 0.34%

LAB 56.56, -51.45, 30.3

 

CMYK 89 / 0 / 25 / 39

HEX #119C75

RGB 17 156 117

HSL 163.17, 0.8%, 0.34%

LAB 57.25, -43.56, 10.96

 

CMYK 89 / 0 / 1 / 39

HEX #119C9B

RGB 17 156 155

HSL 179.57, 0.8%, 0.34%

LAB 58.29, -32.87, -9.09

 

CMYK 89 / 24 / 0 / 39

HEX #11779C

RGB 17 119 156

HSL 195.97, 0.8%, 0.34%

LAB 46.6, -13.33, -27.51

 

CMYK 89 / 0 / 72 / 39

HEX #119C2B

RGB 17 156 43

HSL 131.22, 0.8%, 0.34%

LAB 56.16, -56.38, 47.18

 

CMYK 98 / 0 / 80 / 33

HEX #03AA22

RGB 3 170 34

HSL 131.14, 0.97%, 0.34%

LAB 60.68, -62.12, 54.79

 

CMYK 89 / 0 / 72 / 39

HEX #119C2B

RGB 17 156 43

HSL 131.22, 0.8%, 0.34%

LAB 56.16, -56.38, 47.18

 

CMYK 78 / 0 / 64 / 44

HEX #1F8E33

RGB 31 142 51

HSL 130.81, 0.64%, 0.34%

LAB 51.7, -49.36, 38.97

 

CMYK 65 / 0 / 53 / 50

HEX #2D803C

RGB 45 128 60

HSL 130.84, 0.48%, 0.34%

LAB 47.39, -40.26, 29.49

 

CMYK 48 / 0 / 39 / 56

HEX #3B7145

RGB 59 113 69

HSL 131.11, 0.31%, 0.34%

LAB 43.02, -28.34, 19.01

 

CMYK 26 / 0 / 21 / 61

HEX #49634E

RGB 73 99 78

HSL 131.54, 0.15%, 0.34%

LAB 39.39, -14.44, 8.85

 

CMYK 58 / 0 / 89 / 39

HEX #419C11

RGB 65 156 17

HSL 99.28, 0.8%, 0.34%

LAB 57.02, -49.61, 56.25

 

CMYK 82 / 0 / 89 / 39

HEX #1C9C11

RGB 28 156 17

HSL 115.25, 0.8%, 0.34%

LAB 56.15, -56.94, 55.16

 

CMYK 89 / 0 / 73 / 39

HEX #119C2A

RGB 17 156 42

HSL 130.79, 0.8%, 0.34%

LAB 56.15, -56.47, 47.56

 

CMYK 89 / 0 / 49 / 39

HEX #119C4F

RGB 17 156 79

HSL 146.76, 0.8%, 0.34%

LAB 56.55, -51.62, 30.8

 

CMYK 89 / 0 / 26 / 39

HEX #119C74

RGB 17 156 116

HSL 162.73, 0.8%, 0.34%

LAB 57.23, -43.81, 11.49

 

CMYK 89 / 0 / 73 / 68

HEX #095116

RGB 9 81 22

HSL 130.83, 0.8%, 0.18%

LAB 29.41, -34.3, 27.84

 

CMYK 89 / 0 / 73 / 54

HEX #0D7620

RGB 13 118 32

HSL 130.86, 0.8%, 0.26%

LAB 42.98, -45.61, 37.86

 

CMYK 89 / 0 / 72 / 39

HEX #119C2B

RGB 17 156 43

HSL 131.22, 0.8%, 0.34%

LAB 56.16, -56.38, 47.18

 

CMYK 89 / 0 / 73 / 24

HEX #15C135

RGB 21 193 53

HSL 131.16, 0.8%, 0.42%

LAB 68.43, -66.41, 56.07

 

CMYK 89 / 0 / 72 / 10

HEX #1AE540

RGB 26 229 64

HSL 131.23, 0.8%, 0.5%

LAB 79.97, -75.63, 63.96

 

CMYK 89 / 0 / 73 / 38

HEX #119D2B

RGB 17 157 43

HSL 131.14, 0.8%, 0.34%

LAB 56.49, -56.69, 47.53

 

CMYK 89 / 35 / 0 / 39

HEX #11669C

RGB 17 102 156

HSL 203.31, 0.8%, 0.34%

LAB 41.25, -3.23, -35.9

 

CMYK 0 / 89 / 70 / 39

HEX #9C112F

RGB 156 17 47

HSL 347.05, 0.8%, 0.34%

LAB 33.29, 54.22, 21.95

 

CMYK 89 / 0 / 73 / 38

HEX #119D2B

RGB 17 157 43

HSL 131.14, 0.8%, 0.34%

LAB 56.49, -56.69, 47.53

 

CMYK 73 / 89 / 0 / 39

HEX #2A119C

RGB 42 17 156

HSL 250.79, 0.8%, 0.34%

LAB 21.18, 50.86, -68.46

 

CMYK 0 / 73 / 89 / 39

HEX #9C2A11

RGB 156 42 17

HSL 10.79, 0.8%, 0.34%

LAB 35.53, 45.92, 41.43

 

CMYK 89 / 0 / 73 / 38

HEX #119D2B

RGB 17 157 43

HSL 131.14, 0.8%, 0.34%

LAB 56.49, -56.69, 47.53

 

CMYK 89 / 35 / 0 / 39

HEX #11669C

RGB 17 102 156

HSL 203.31, 0.8%, 0.34%

LAB 41.25, -3.23, -35.9

 

CMYK 0 / 89 / 17 / 39

HEX #9C1182

RGB 156 17 130

HSL 311.22, 0.8%, 0.34%

LAB 36.14, 62.08, -27.33

 

CMYK 0 / 55 / 89 / 39

HEX #9C4611

RGB 156 70 17

HSL 22.88, 0.8%, 0.34%

LAB 40.39, 33.02, 45.31

 

CMYK 89 / 0 / 73 / 38

HEX #119D2B

RGB 17 157 43

HSL 131.14, 0.8%, 0.34%

LAB 56.49, -56.69, 47.53

 

CMYK 89 / 61 / 0 / 39

HEX #113D9C

RGB 17 61 156

HSL 221.01, 0.8%, 0.34%

LAB 29.05, 24.04, -55.53

 

CMYK 0 / 89 / 17 / 39

HEX #9C1182

RGB 156 17 130

HSL 311.22, 0.8%, 0.34%

LAB 36.14, 62.08, -27.33

 

CMYK 0 / 28 / 89 / 39

HEX #9C7011

RGB 156 112 17

HSL 41.01, 0.8%, 0.34%

LAB 50.33, 9.52, 53.25

 

Description

Color code: RGB 17 157 43 | qconv.com Color code: RGB 17 157 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 157 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 157 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 73 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 73% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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