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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 192 180 it is the complementary color RGB 238 63 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 192 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 192 180 shade: RGB 22 192 175, RGB 39 210 194, RGB 56 228 213, RGB 73 246 232 and RGB 90 255 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 192 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 192 180 shade: RGB 17 192 180, RGB 0 174 161, RGB 0 156 142, RGB 0 138 123 and RGB 0 120 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 192 180 shade: RGB 16 192 180, RGB 16 192 132, RGB 16 192 85, RGB 16 192 38 and RGB 42 192 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 192 180 shade: RGB 16 192 180, RGB 16 157 192, RGB 16 109 192, RGB 16 62 192 and RGB 16 16 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 192 180 shade matches the following richer shades: RGB 16 192 180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 192 180 shade: RGB 16 192 180, RGB 33 175 165, RGB 50 158 151, RGB 67 141 136 and RGB 84 124 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 192 180 shade: RGB 16 192 84, RGB 16 192 130, RGB 16 192 177, RGB 16 160 192 and RGB 16 113 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 192 180 shade: RGB 10 116 109, RGB 13 154 144, RGB 16 192 180, RGB 20 230 215 and RGB 54 237 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 192 180 shade: RGB 17 192 180, RGB 37 16 192 and RGB 192 107 16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 192 180 shade: RGB 17 192 180, RGB 177 16 192 and RGB 192 177 16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 192 180 shade: RGB 17 192 180, RGB 37 16 192, RGB 192 16 31 and RGB 171 192 16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 192 180 shade: RGB 17 192 180, RGB 89 16 192, RGB 192 16 31 and RGB 119 192 16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 6 / 25

HEX #11C0B4

RGB 17 192 180

HSL 175.89, 0.84%, 0.41%

LAB 70.26, -41.82, -5.25

 

Complementary color

CMYK 0 / 74 / 68 / 7

HEX #EE3F4B

RGB 238 63 75

HSL 355.89, 0.84%, 0.59%

LAB 54.28, 66.4, 34.28

 

CMYK 89 / 0 / 9 / 25

HEX #16C0AF

RGB 22 192 175

HSL 174, 0.79%, 0.42%

LAB 70.15, -42.99, -2.66

 

CMYK 81 / 0 / 8 / 18

HEX #27D2C2

RGB 39 210 194

HSL 174.39, 0.69%, 0.49%

LAB 76.33, -44.35, -3.87

 

CMYK 75 / 0 / 7 / 11

HEX #38E4D5

RGB 56 228 213

HSL 174.77, 0.76%, 0.56%

LAB 82.45, -45.38, -4.96

 

CMYK 70 / 0 / 6 / 4

HEX #49F6E8

RGB 73 246 232

HSL 175.14, 0.91%, 0.63%

LAB 88.52, -46.17, -5.96

 

CMYK 65 / 0 / 2 / 0

HEX #5AFFFB

RGB 90 255 251

HSL 178.55, 1%, 0.68%

LAB 91.98, -42.83, -10.67

 

CMYK 91 / 0 / 6 / 25

HEX #11C0B4

RGB 17 192 180

HSL 175.89, 0.84%, 0.41%

LAB 70.26, -41.82, -5.25

 

CMYK 100 / 0 / 7 / 32

HEX #00AEA1

RGB 0 174 161

HSL 175.52, 1%, 0.34%

LAB 64.04, -40, -3.95

 

CMYK 100 / 0 / 9 / 39

HEX #009C8E

RGB 0 156 142

HSL 174.62, 1%, 0.31%

LAB 57.78, -37.57, -2.46

 

CMYK 100 / 0 / 11 / 46

HEX #008A7B

RGB 0 138 123

HSL 173.48, 1%, 0.27%

LAB 51.39, -35.1, -0.91

 

CMYK 100 / 0 / 13 / 53

HEX #007868

RGB 0 120 104

HSL 172, 1%, 0.24%

LAB 44.85, -32.57, 0.71

 

CMYK 92 / 0 / 6 / 25

HEX #10C0B4

RGB 16 192 180

HSL 175.91, 0.85%, 0.41%

LAB 70.25, -41.86, -5.26

 

CMYK 92 / 0 / 31 / 25

HEX #10C084

RGB 16 192 132

HSL 159.55, 0.85%, 0.41%

LAB 69.09, -54.18, 19.19

 

CMYK 92 / 0 / 56 / 25

HEX #10C055

RGB 16 192 85

HSL 143.52, 0.85%, 0.41%

LAB 68.36, -62.79, 42.32

 

CMYK 92 / 0 / 80 / 25

HEX #10C026

RGB 16 192 38

HSL 127.5, 0.85%, 0.41%

LAB 67.98, -67.54, 60.56

 

CMYK 78 / 0 / 92 / 25

HEX #2AC010

RGB 42 192 16

HSL 111.14, 0.85%, 0.41%

LAB 68.19, -65.99, 65.72

 

CMYK 92 / 0 / 6 / 25

HEX #10C0B4

RGB 16 192 180

HSL 175.91, 0.85%, 0.41%

LAB 70.25, -41.86, -5.26

 

CMYK 92 / 18 / 0 / 25

HEX #109DC0

RGB 16 157 192

HSL 191.93, 0.85%, 0.41%

LAB 59.92, -21.23, -27.55

 

CMYK 92 / 43 / 0 / 25

HEX #106DC0

RGB 16 109 192

HSL 208.3, 0.85%, 0.41%

LAB 45.43, 6.58, -50.35

 

CMYK 92 / 68 / 0 / 25

HEX #103EC0

RGB 16 62 192

HSL 224.32, 0.85%, 0.41%

LAB 32.62, 37.4, -71.18

 

CMYK 92 / 92 / 0 / 25

HEX #1010C0

RGB 16 16 192

HSL 240, 0.85%, 0.41%

LAB 24.6, 60.37, -84.48

 

CMYK 92 / 0 / 6 / 25

HEX #10C0B4

RGB 16 192 180

HSL 175.91, 0.85%, 0.41%

LAB 70.25, -41.86, -5.26

 

CMYK 92 / 0 / 6 / 25

HEX #10C0B4

RGB 16 192 180

HSL 175.91, 0.85%, 0.41%

LAB 70.25, -41.86, -5.26

 

CMYK 81 / 0 / 6 / 31

HEX #21AFA5

RGB 33 175 165

HSL 175.77, 0.68%, 0.41%

LAB 64.72, -37.51, -5.13

 

CMYK 68 / 0 / 4 / 38

HEX #329E97

RGB 50 158 151

HSL 176.11, 0.52%, 0.41%

LAB 59.31, -31.61, -5.24

 

CMYK 52 / 0 / 4 / 45

HEX #438D88

RGB 67 141 136

HSL 175.95, 0.36%, 0.41%

LAB 54.05, -24.24, -4.39

 

CMYK 32 / 0 / 2 / 51

HEX #547C79

RGB 84 124 121

HSL 175.5, 0.19%, 0.41%

LAB 49.11, -14.61, -2.84

 

CMYK 92 / 0 / 56 / 25

HEX #10C054

RGB 16 192 84

HSL 143.18, 0.85%, 0.41%

LAB 68.35, -62.93, 42.79

 

CMYK 92 / 0 / 32 / 25

HEX #10C082

RGB 16 192 130

HSL 158.86, 0.85%, 0.41%

LAB 69.06, -54.62, 20.21

 

CMYK 92 / 0 / 8 / 25

HEX #10C0B1

RGB 16 192 177

HSL 174.89, 0.85%, 0.41%

LAB 70.16, -42.72, -3.74

 

CMYK 92 / 17 / 0 / 25

HEX #10A0C0

RGB 16 160 192

HSL 190.91, 0.85%, 0.41%

LAB 60.83, -22.79, -26.14

 

CMYK 92 / 41 / 0 / 25

HEX #1071C0

RGB 16 113 192

HSL 206.93, 0.85%, 0.41%

LAB 46.61, 4.07, -48.46

 

CMYK 91 / 0 / 6 / 55

HEX #0A746D

RGB 10 116 109

HSL 176.04, 0.84%, 0.25%

LAB 43.74, -28.51, -3.89

 

CMYK 92 / 0 / 6 / 40

HEX #0D9A90

RGB 13 154 144

HSL 175.74, 0.84%, 0.33%

LAB 57.28, -35.5, -4.33

 

CMYK 92 / 0 / 6 / 25

HEX #10C0B4

RGB 16 192 180

HSL 175.91, 0.85%, 0.41%

LAB 70.25, -41.86, -5.26

 

CMYK 91 / 0 / 7 / 10

HEX #14E6D7

RGB 20 230 215

HSL 175.71, 0.84%, 0.49%

LAB 82.73, -48.21, -5.65

 

CMYK 77 / 0 / 5 / 7

HEX #36EDE0

RGB 54 237 224

HSL 175.74, 0.84%, 0.57%

LAB 85.37, -46.49, -6.46

 

CMYK 91 / 0 / 6 / 25

HEX #11C0B4

RGB 17 192 180

HSL 175.89, 0.84%, 0.41%

LAB 70.26, -41.82, -5.25

 

CMYK 81 / 92 / 0 / 25

HEX #2510C0

RGB 37 16 192

HSL 247.16, 0.85%, 0.41%

LAB 25.47, 60.87, -83

 

CMYK 0 / 44 / 92 / 25

HEX #C06B10

RGB 192 107 16

HSL 31.02, 0.85%, 0.41%

LAB 53.77, 28.31, 58.18

 

CMYK 91 / 0 / 6 / 25

HEX #11C0B4

RGB 17 192 180

HSL 175.89, 0.84%, 0.41%

LAB 70.26, -41.82, -5.25

 

CMYK 8 / 92 / 0 / 25

HEX #B110C0

RGB 177 16 192

HSL 294.89, 0.85%, 0.41%

LAB 43.54, 75.38, -52.68

 

CMYK 0 / 8 / 92 / 25

HEX #C0B110

RGB 192 177 16

HSL 54.89, 0.85%, 0.41%

LAB 71.34, -9.58, 71.43

 

CMYK 91 / 0 / 6 / 25

HEX #11C0B4

RGB 17 192 180

HSL 175.89, 0.84%, 0.41%

LAB 70.26, -41.82, -5.25

 

CMYK 81 / 92 / 0 / 25

HEX #2510C0

RGB 37 16 192

HSL 247.16, 0.85%, 0.41%

LAB 25.47, 60.87, -83

 

CMYK 0 / 92 / 84 / 25

HEX #C0101F

RGB 192 16 31

HSL 354.89, 0.85%, 0.41%

LAB 40.7, 63.41, 41.82

 

CMYK 11 / 0 / 92 / 25

HEX #ABC010

RGB 171 192 16

HSL 67.16, 0.85%, 0.41%

LAB 73.8, -26.19, 72.62

 

CMYK 91 / 0 / 6 / 25

HEX #11C0B4

RGB 17 192 180

HSL 175.89, 0.84%, 0.41%

LAB 70.26, -41.82, -5.25

 

CMYK 54 / 92 / 0 / 25

HEX #5910C0

RGB 89 16 192

HSL 264.89, 0.85%, 0.41%

LAB 30.16, 63.96, -75.08

 

CMYK 0 / 92 / 84 / 25

HEX #C0101F

RGB 192 16 31

HSL 354.89, 0.85%, 0.41%

LAB 40.7, 63.41, 41.82

 

CMYK 38 / 0 / 92 / 25

HEX #77C010

RGB 119 192 16

HSL 84.89, 0.85%, 0.41%

LAB 70.63, -46.57, 68.75

 

Description

Color code: RGB 17 192 180 | qconv.com Color code: RGB 17 192 180 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 192 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 192 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 6 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 6% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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