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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 252 160 it is the complementary color RGB 238 3 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 252 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 252 160 shade: RGB 22 252 155, RGB 39 255 174, RGB 56 255 193, RGB 73 255 212 and RGB 90 255 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 252 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 252 160 shade: RGB 17 252 160, RGB 0 234 141, RGB 0 216 122, RGB 0 198 103 and RGB 0 180 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 252 160 shade: RGB 17 252 160, RGB 17 252 97, RGB 17 252 33, RGB 64 252 17 and RGB 128 252 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 252 160 shade: RGB 17 252 160, RGB 17 252 223, RGB 17 217 252, RGB 17 154 252 and RGB 17 91 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 252 160 shade matches the following richer shades: RGB 17 252 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 252 160 shade: RGB 17 252 160, RGB 37 233 156, RGB 56 213 152, RGB 75 194 148 and RGB 95 175 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 252 160 shade: RGB 17 252 33, RGB 17 252 95, RGB 17 252 158, RGB 17 252 221 and RGB 17 221 252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 252 160 shade: RGB 1 185 113, RGB 2 226 138, RGB 17 252 160, RGB 58 253 176 and RGB 99 253 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 252 160 shade: RGB 17 252 160, RGB 17 64 252 and RGB 252 64 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 252 160 shade: RGB 17 252 160, RGB 158 17 252 and RGB 252 158 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 252 160 shade: RGB 17 252 160, RGB 17 64 252, RGB 252 17 111 and RGB 252 205 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 252 160 shade: RGB 17 252 160, RGB 41 17 252, RGB 252 17 111 and RGB 229 252 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 37 / 1

HEX #11FCA0

RGB 17 252 160

HSL 156.51, 0.98%, 0.53%

LAB 88.1, -69.74, 30.48

 

Complementary color

CMYK 0 / 99 / 60 / 7

HEX #EE035F

RGB 238 3 95

HSL 336.51, 0.98%, 0.47%

LAB 50.77, 78.47, 17.81

 

CMYK 91 / 0 / 38 / 1

HEX #16FC9B

RGB 22 252 155

HSL 154.7, 0.97%, 0.54%

LAB 88.04, -70.5, 32.91

 

CMYK 85 / 0 / 32 / 0

HEX #27FFAE

RGB 39 255 174

HSL 157.5, 1%, 0.58%

LAB 89.4, -66.81, 25.2

 

CMYK 78 / 0 / 24 / 0

HEX #38FFC1

RGB 56 255 193

HSL 161.31, 1%, 0.61%

LAB 89.96, -61.28, 16.31

 

CMYK 71 / 0 / 17 / 0

HEX #49FFD4

RGB 73 255 212

HSL 165.82, 1%, 0.64%

LAB 90.64, -54.97, 7.52

 

CMYK 65 / 0 / 9 / 0

HEX #5AFFE7

RGB 90 255 231

HSL 171.27, 1%, 0.68%

LAB 91.44, -47.98, -1.1

 

CMYK 93 / 0 / 37 / 1

HEX #11FCA0

RGB 17 252 160

HSL 156.51, 0.98%, 0.53%

LAB 88.1, -69.74, 30.48

 

CMYK 100 / 0 / 40 / 8

HEX #00EA8D

RGB 0 234 141

HSL 156.15, 1%, 0.46%

LAB 82.25, -67.77, 32.24

 

CMYK 100 / 0 / 44 / 15

HEX #00D87A

RGB 0 216 122

HSL 153.89, 1%, 0.42%

LAB 76.39, -65.25, 34.13

 

CMYK 100 / 0 / 48 / 22

HEX #00C667

RGB 0 198 103

HSL 151.21, 1%, 0.39%

LAB 70.43, -62.6, 36.05

 

CMYK 100 / 0 / 53 / 29

HEX #00B454

RGB 0 180 84

HSL 148, 1%, 0.35%

LAB 64.39, -59.79, 37.98

 

CMYK 93 / 0 / 37 / 1

HEX #11FCA0

RGB 17 252 160

HSL 156.51, 0.98%, 0.53%

LAB 88.1, -69.74, 30.48

 

CMYK 93 / 0 / 62 / 1

HEX #11FC61

RGB 17 252 97

HSL 140.43, 0.98%, 0.53%

LAB 87.29, -79.49, 59.02

 

CMYK 93 / 0 / 87 / 1

HEX #11FC21

RGB 17 252 33

HSL 124.09, 0.98%, 0.53%

LAB 86.92, -84.18, 78.82

 

CMYK 75 / 0 / 93 / 1

HEX #40FC11

RGB 64 252 17

HSL 108, 0.98%, 0.53%

LAB 87.36, -80.37, 81.7

 

CMYK 49 / 0 / 93 / 1

HEX #80FC11

RGB 128 252 17

HSL 91.66, 0.98%, 0.53%

LAB 89.04, -66.52, 83.76

 

CMYK 93 / 0 / 37 / 1

HEX #11FCA0

RGB 17 252 160

HSL 156.51, 0.98%, 0.53%

LAB 88.1, -69.74, 30.48

 

CMYK 93 / 0 / 12 / 1

HEX #11FCDF

RGB 17 252 223

HSL 172.6, 0.98%, 0.53%

LAB 89.42, -55.25, -0.01

 

CMYK 93 / 14 / 0 / 1

HEX #11D9FC

RGB 17 217 252

HSL 188.94, 0.98%, 0.53%

LAB 80.05, -31.33, -29.32

 

CMYK 93 / 39 / 0 / 1

HEX #119AFC

RGB 17 154 252

HSL 205.02, 0.98%, 0.53%

LAB 61.88, 2.31, -57.77

 

CMYK 93 / 64 / 0 / 1

HEX #115BFC

RGB 17 91 252

HSL 221.11, 0.98%, 0.53%

LAB 45.12, 41.39, -84.91

 

CMYK 93 / 0 / 37 / 1

HEX #11FCA0

RGB 17 252 160

HSL 156.51, 0.98%, 0.53%

LAB 88.1, -69.74, 30.48

 

CMYK 93 / 0 / 37 / 1

HEX #11FCA0

RGB 17 252 160

HSL 156.51, 0.98%, 0.53%

LAB 88.1, -69.74, 30.48

 

CMYK 84 / 0 / 33 / 9

HEX #25E99C

RGB 37 233 156

HSL 156.43, 0.82%, 0.53%

LAB 82.42, -62.77, 24.85

 

CMYK 74 / 0 / 29 / 16

HEX #38D598

RGB 56 213 152

HSL 156.69, 0.65%, 0.53%

LAB 76.49, -54.17, 18.84

 

CMYK 61 / 0 / 24 / 24

HEX #4BC294

RGB 75 194 148

HSL 156.81, 0.49%, 0.53%

LAB 71.02, -44.23, 13.41

 

CMYK 46 / 0 / 18 / 31

HEX #5FAF8F

RGB 95 175 143

HSL 156, 0.33%, 0.53%

LAB 65.81, -32.23, 8.86

 

CMYK 93 / 0 / 87 / 1

HEX #11FC21

RGB 17 252 33

HSL 124.09, 0.98%, 0.53%

LAB 86.92, -84.18, 78.82

 

CMYK 93 / 0 / 62 / 1

HEX #11FC5F

RGB 17 252 95

HSL 139.91, 0.98%, 0.53%

LAB 87.27, -79.71, 59.83

 

CMYK 93 / 0 / 37 / 1

HEX #11FC9E

RGB 17 252 158

HSL 156, 0.98%, 0.53%

LAB 88.07, -70.13, 31.44

 

CMYK 93 / 0 / 12 / 1

HEX #11FCDD

RGB 17 252 221

HSL 172.09, 0.98%, 0.53%

LAB 89.37, -55.77, 0.95

 

CMYK 93 / 12 / 0 / 1

HEX #11DDFC

RGB 17 221 252

HSL 187.91, 0.98%, 0.53%

LAB 81.21, -33.24, -27.54

 

CMYK 99 / 0 / 39 / 27

HEX #01B971

RGB 1 185 113

HSL 156.52, 0.99%, 0.36%

LAB 66.44, -56.27, 25.71

 

CMYK 99 / 0 / 39 / 11

HEX #02E28A

RGB 2 226 138

HSL 156.43, 0.98%, 0.45%

LAB 79.75, -65.58, 30.44

 

CMYK 93 / 0 / 37 / 1

HEX #11FCA0

RGB 17 252 160

HSL 156.51, 0.98%, 0.53%

LAB 88.1, -69.74, 30.48

 

CMYK 77 / 0 / 30 / 1

HEX #3AFDB0

RGB 58 253 176

HSL 156.31, 0.98%, 0.61%

LAB 89.06, -63.98, 23.75

 

CMYK 61 / 0 / 24 / 1

HEX #63FDC1

RGB 99 253 193

HSL 156.62, 0.97%, 0.69%

LAB 90.21, -54.44, 16.78

 

CMYK 93 / 0 / 37 / 1

HEX #11FCA0

RGB 17 252 160

HSL 156.51, 0.98%, 0.53%

LAB 88.1, -69.74, 30.48

 

CMYK 93 / 75 / 0 / 1

HEX #1140FC

RGB 17 64 252

HSL 228, 0.98%, 0.53%

LAB 39.27, 57.36, -94.57

 

CMYK 0 / 75 / 93 / 1

HEX #FC4011

RGB 252 64 17

HSL 12, 0.98%, 0.53%

LAB 56.49, 68.63, 64.42

 

CMYK 93 / 0 / 37 / 1

HEX #11FCA0

RGB 17 252 160

HSL 156.51, 0.98%, 0.53%

LAB 88.1, -69.74, 30.48

 

CMYK 37 / 93 / 0 / 1

HEX #9E11FC

RGB 158 17 252

HSL 276, 0.98%, 0.53%

LAB 45.22, 83.5, -84.38

 

CMYK 0 / 37 / 93 / 1

HEX #FC9E11

RGB 252 158 17

HSL 36, 0.98%, 0.53%

LAB 73.02, 26.48, 75.36

 

CMYK 93 / 0 / 37 / 1

HEX #11FCA0

RGB 17 252 160

HSL 156.51, 0.98%, 0.53%

LAB 88.1, -69.74, 30.48

 

CMYK 93 / 75 / 0 / 1

HEX #1140FC

RGB 17 64 252

HSL 228, 0.98%, 0.53%

LAB 39.27, 57.36, -94.57

 

CMYK 0 / 93 / 56 / 1

HEX #FC116F

RGB 252 17 111

HSL 336, 0.98%, 0.53%

LAB 54.28, 81.52, 13.37

 

CMYK 0 / 19 / 93 / 1

HEX #FCCD11

RGB 252 205 17

HSL 48, 0.98%, 0.53%

LAB 84.17, 2.03, 83.42

 

CMYK 93 / 0 / 37 / 1

HEX #11FCA0

RGB 17 252 160

HSL 156.51, 0.98%, 0.53%

LAB 88.1, -69.74, 30.48

 

CMYK 84 / 93 / 0 / 1

HEX #2911FC

RGB 41 17 252

HSL 246.13, 0.98%, 0.53%

LAB 33.77, 76.18, -103.69

 

CMYK 0 / 93 / 56 / 1

HEX #FC116F

RGB 252 17 111

HSL 336, 0.98%, 0.53%

LAB 54.28, 81.52, 13.37

 

CMYK 9 / 0 / 93 / 1

HEX #E5FC11

RGB 229 252 17

HSL 65.87, 0.98%, 0.53%

LAB 94.45, -30.59, 90.34

 

Description

Color code: RGB 17 252 160 | qconv.com Color code: RGB 17 252 160 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 252 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 252 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 37 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 37% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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