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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 117 98 it is the complementary color RGB 115 138 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 117 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 117 98 shade: RGB 145 117 93, RGB 162 135 112, RGB 179 153 131, RGB 196 171 150 and RGB 213 189 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 117 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 117 98 shade: RGB 140 117 98, RGB 123 99 79, RGB 106 81 60, RGB 89 63 41 and RGB 72 45 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 117 98 shade: RGB 141 117 98, RGB 141 106 98 and RGB 141 98 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 117 98 shade: RGB 141 117 98, RGB 141 129 98, RGB 141 141 98, RGB 130 141 98 and RGB 118 141 98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 117 98 shade matches the following richer shades: RGB 141 117 98, RGB 160 115 78, RGB 180 114 59, RGB 199 112 40 and RGB 218 110 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 117 98 shade: RGB 141 117 98, RGB 122 119 117, RGB 102 121 137, RGB 83 123 156 and RGB 63 125 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 117 98 shade: RGB 141 98 101, RGB 141 106 98, RGB 141 117 98, RGB 141 129 98 and RGB 141 140 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 117 98 shade: RGB 92 77 64, RGB 117 97 81, RGB 141 117 98, RGB 161 138 119 and RGB 178 159 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 117 98 shade: RGB 140 117 98, RGB 113 141 98 and RGB 100 98 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 117 98 shade: RGB 140 117 98, RGB 98 141 117 and RGB 117 98 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 117 98 shade: RGB 140 117 98, RGB 113 141 98, RGB 98 122 141 and RGB 126 98 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 117 98 shade: RGB 140 117 98, RGB 100 141 98, RGB 98 122 141 and RGB 139 98 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 30 / 45

HEX #8C7562

RGB 140 117 98

HSL 27.14, 0.18%, 0.47%

LAB 50.9, 5.95, 13.83

 

Complementary color

CMYK 27 / 12 / 0 / 38

HEX #738A9D

RGB 115 138 157

HSL 207.14, 0.18%, 0.53%

LAB 56.34, -3.7, -12.8

 

CMYK 0 / 19 / 36 / 43

HEX #91755D

RGB 145 117 93

HSL 27.69, 0.22%, 0.47%

LAB 51.3, 7.36, 17.38

 

CMYK 0 / 17 / 31 / 36

HEX #A28770

RGB 162 135 112

HSL 27.6, 0.21%, 0.54%

LAB 58.21, 6.74, 16.21

 

CMYK 0 / 15 / 27 / 30

HEX #B39983

RGB 179 153 131

HSL 27.5, 0.24%, 0.61%

LAB 64.97, 6.22, 15.14

 

CMYK 0 / 13 / 23 / 23

HEX #C4AB96

RGB 196 171 150

HSL 27.39, 0.28%, 0.68%

LAB 71.6, 5.76, 14.15

 

CMYK 0 / 11 / 21 / 16

HEX #D5BDA9

RGB 213 189 169

HSL 27.27, 0.34%, 0.75%

LAB 78.11, 5.36, 13.22

 

CMYK 0 / 16 / 30 / 45

HEX #8C7562

RGB 140 117 98

HSL 27.14, 0.18%, 0.47%

LAB 50.9, 5.95, 13.83

 

CMYK 0 / 20 / 36 / 52

HEX #7B634F

RGB 123 99 79

HSL 27.27, 0.22%, 0.4%

LAB 43.8, 6.57, 15.02

 

CMYK 0 / 24 / 43 / 58

HEX #6A513C

RGB 106 81 60

HSL 27.39, 0.28%, 0.33%

LAB 36.51, 7.34, 16.36

 

CMYK 0 / 29 / 54 / 65

HEX #593F29

RGB 89 63 41

HSL 27.5, 0.37%, 0.25%

LAB 29, 8.35, 17.91

 

CMYK 0 / 38 / 69 / 72

HEX #482D16

RGB 72 45 22

HSL 27.6, 0.53%, 0.18%

LAB 21.25, 9.72, 19.72

 

CMYK 0 / 17 / 30 / 45

HEX #8D7562

RGB 141 117 98

HSL 26.51, 0.18%, 0.47%

LAB 51, 6.36, 13.99

 

CMYK 0 / 25 / 30 / 45

HEX #8D6A62

RGB 141 106 98

HSL 11.16, 0.18%, 0.47%

LAB 48.07, 12.76, 9.91

 

CMYK 0 / 30 / 30 / 45

HEX #8D6262

RGB 141 98 98

HSL 0, 0.18%, 0.47%

LAB 46.02, 17.45, 7

 

CMYK 0 / 17 / 30 / 45

HEX #8D7562

RGB 141 117 98

HSL 26.51, 0.18%, 0.47%

LAB 51, 6.36, 13.99

 

CMYK 0 / 9 / 30 / 45

HEX #8D8162

RGB 141 129 98

HSL 43.26, 0.18%, 0.47%

LAB 54.29, -0.5, 18.49

 

CMYK 0 / 0 / 30 / 45

HEX #8D8D62

RGB 141 141 98

HSL 60, 0.18%, 0.47%

LAB 57.65, -7.18, 23.01

 

CMYK 8 / 0 / 30 / 45

HEX #828D62

RGB 130 141 98

HSL 75.35, 0.18%, 0.47%

LAB 56.76, -11.66, 21.66

 

CMYK 16 / 0 / 30 / 45

HEX #768D62

RGB 118 141 98

HSL 92.09, 0.18%, 0.47%

LAB 55.87, -16.41, 20.31

 

CMYK 0 / 17 / 30 / 45

HEX #8D7562

RGB 141 117 98

HSL 26.51, 0.18%, 0.47%

LAB 51, 6.36, 13.99

 

CMYK 0 / 28 / 51 / 37

HEX #A0734E

RGB 160 115 78

HSL 27.07, 0.34%, 0.47%

LAB 52.16, 13.22, 27.39

 

CMYK 0 / 37 / 67 / 29

HEX #B4723B

RGB 180 114 59

HSL 27.27, 0.51%, 0.47%

LAB 54.08, 20.94, 40.55

 

CMYK 0 / 44 / 80 / 22

HEX #C77028

RGB 199 112 40

HSL 27.17, 0.67%, 0.47%

LAB 55.97, 29.19, 52.23

 

CMYK 0 / 50 / 91 / 15

HEX #DA6E14

RGB 218 110 20

HSL 27.27, 0.83%, 0.47%

LAB 58.14, 37.5, 62.03

 

CMYK 0 / 17 / 30 / 45

HEX #8D7562

RGB 141 117 98

HSL 26.51, 0.18%, 0.47%

LAB 51, 6.36, 13.99

 

CMYK 0 / 2 / 4 / 52

HEX #7A7775

RGB 122 119 117

HSL 24, 0.02%, 0.47%

LAB 50.23, 0.75, 1.5

 

CMYK 26 / 12 / 0 / 46

HEX #667989

RGB 102 121 137

HSL 207.43, 0.15%, 0.47%

LAB 49.86, -3.12, -11.02

 

CMYK 47 / 21 / 0 / 39

HEX #537B9C

RGB 83 123 156

HSL 207.12, 0.31%, 0.47%

LAB 49.98, -4.64, -22.09

 

CMYK 64 / 29 / 0 / 31

HEX #3F7DAF

RGB 63 125 175

HSL 206.79, 0.47%, 0.47%

LAB 50.47, -4.15, -32.45

 

CMYK 0 / 30 / 28 / 45

HEX #8D6265

RGB 141 98 101

HSL 355.81, 0.18%, 0.47%

LAB 46.09, 17.89, 5.3

 

CMYK 0 / 25 / 30 / 45

HEX #8D6A62

RGB 141 106 98

HSL 11.16, 0.18%, 0.47%

LAB 48.07, 12.76, 9.91

 

CMYK 0 / 17 / 30 / 45

HEX #8D7562

RGB 141 117 98

HSL 26.51, 0.18%, 0.47%

LAB 51, 6.36, 13.99

 

CMYK 0 / 9 / 30 / 45

HEX #8D8162

RGB 141 129 98

HSL 43.26, 0.18%, 0.47%

LAB 54.29, -0.5, 18.49

 

CMYK 0 / 1 / 30 / 45

HEX #8D8C62

RGB 141 140 98

HSL 58.6, 0.18%, 0.47%

LAB 57.37, -6.63, 22.63

 

CMYK 0 / 16 / 30 / 64

HEX #5C4D40

RGB 92 77 64

HSL 27.86, 0.18%, 0.31%

LAB 33.89, 4.04, 10.05

 

CMYK 0 / 17 / 31 / 54

HEX #756151

RGB 117 97 81

HSL 26.67, 0.18%, 0.39%

LAB 42.65, 5.44, 12.14

 

CMYK 0 / 17 / 30 / 45

HEX #8D7562

RGB 141 117 98

HSL 26.51, 0.18%, 0.47%

LAB 51, 6.36, 13.99

 

CMYK 0 / 14 / 26 / 37

HEX #A18A77

RGB 161 138 119

HSL 27.14, 0.18%, 0.55%

LAB 59.05, 5.65, 13.39

 

CMYK 0 / 11 / 19 / 30

HEX #B29F90

RGB 178 159 144

HSL 26.47, 0.18%, 0.63%

LAB 66.73, 4.47, 10.36

 

CMYK 0 / 16 / 30 / 45

HEX #8C7562

RGB 140 117 98

HSL 27.14, 0.18%, 0.47%

LAB 50.9, 5.95, 13.83

 

CMYK 20 / 0 / 30 / 45

HEX #718D62

RGB 113 141 98

HSL 99.07, 0.18%, 0.47%

LAB 55.53, -18.33, 19.79

 

CMYK 29 / 30 / 0 / 45

HEX #64628D

RGB 100 98 141

HSL 242.79, 0.18%, 0.47%

LAB 43.31, 11.08, -23.42

 

CMYK 0 / 16 / 30 / 45

HEX #8C7562

RGB 140 117 98

HSL 27.14, 0.18%, 0.47%

LAB 50.9, 5.95, 13.83

 

CMYK 30 / 0 / 17 / 45

HEX #628D75

RGB 98 141 117

HSL 146.51, 0.18%, 0.47%

LAB 55, -20.12, 8.12

 

CMYK 17 / 30 / 0 / 45

HEX #75628D

RGB 117 98 141

HSL 266.51, 0.18%, 0.47%

LAB 44.86, 16.67, -20.9

 

CMYK 0 / 16 / 30 / 45

HEX #8C7562

RGB 140 117 98

HSL 27.14, 0.18%, 0.47%

LAB 50.9, 5.95, 13.83

 

CMYK 20 / 0 / 30 / 45

HEX #718D62

RGB 113 141 98

HSL 99.07, 0.18%, 0.47%

LAB 55.53, -18.33, 19.79

 

CMYK 30 / 13 / 0 / 45

HEX #627A8D

RGB 98 122 141

HSL 206.51, 0.18%, 0.47%

LAB 50.02, -3.96, -13.16

 

CMYK 11 / 30 / 0 / 45

HEX #7E628D

RGB 126 98 141

HSL 279.07, 0.18%, 0.47%

LAB 45.76, 19.74, -19.43

 

CMYK 0 / 16 / 30 / 45

HEX #8C7562

RGB 140 117 98

HSL 27.14, 0.18%, 0.47%

LAB 50.9, 5.95, 13.83

 

CMYK 29 / 0 / 30 / 45

HEX #648D62

RGB 100 141 98

HSL 117.21, 0.18%, 0.47%

LAB 54.7, -23.11, 18.53

 

CMYK 30 / 13 / 0 / 45

HEX #627A8D

RGB 98 122 141

HSL 206.51, 0.18%, 0.47%

LAB 50.02, -3.96, -13.16

 

CMYK 1 / 30 / 0 / 45

HEX #8B628D

RGB 139 98 141

HSL 297.21, 0.18%, 0.47%

LAB 47.17, 24.24, -17.16

 

Description

Color code: RGB 140 117 98 | qconv.com Color code: RGB 140 117 98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 117 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 117 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 30 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 30% 45% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - Coria - About
Link: http://coriadev.coria.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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