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Color name
RGB 140 112 149

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 112 149 it is the complementary color RGB 115 143 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 112 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 112 149 shade: RGB 145 112 144, RGB 162 130 163, RGB 179 148 182, RGB 196 166 201 and RGB 213 184 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 112 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 112 149 shade: RGB 140 112 149, RGB 123 94 130, RGB 106 76 111, RGB 89 58 92 and RGB 72 40 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 112 149 shade: RGB 139 111 148, RGB 148 111 147, RGB 148 111 137, RGB 148 111 127 and RGB 148 111 117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 112 149 shade: RGB 139 111 148, RGB 129 111 148, RGB 119 111 148 and RGB 111 111 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 112 149 shade matches the following richer shades: RGB 139 111 148, RGB 150 91 169, RGB 160 70 189, RGB 170 50 209 and RGB 181 30 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 112 149 shade: RGB 139 111 148, RGB 129 131 128, RGB 118 151 108, RGB 108 171 88 and RGB 98 192 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 112 149 shade: RGB 119 111 148, RGB 129 111 148, RGB 139 111 148, RGB 148 111 148 and RGB 148 111 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 112 149 shade: RGB 95 75 102, RGB 117 93 125, RGB 139 111 148, RGB 158 135 166 and RGB 177 158 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 112 149 shade: RGB 140 112 149, RGB 148 111 113 and RGB 111 148 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 112 149 shade: RGB 140 112 149, RGB 148 139 111 and RGB 111 148 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 112 149 shade: RGB 140 112 149, RGB 148 111 113, RGB 120 148 111 and RGB 111 148 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 112 149 shade: RGB 140 112 149, RGB 148 120 111, RGB 120 148 111 and RGB 111 139 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 25 / 0 / 42

HEX #8C7095

RGB 140 112 149

HSL 285.41, 0.15%, 0.51%

LAB 51.08, 18.04, -15.93

 

Complementary color

CMYK 20 / 0 / 26 / 44

HEX #738F6A

RGB 115 143 106

HSL 105.41, 0.15%, 0.49%

LAB 56.42, -17.28, 16.52

 

CMYK 0 / 23 / 1 / 43

HEX #917090

RGB 145 112 144

HSL 301.82, 0.13%, 0.5%

LAB 51.41, 18.78, -12.44

 

CMYK 1 / 20 / 0 / 36

HEX #A282A3

RGB 162 130 163

HSL 298.18, 0.15%, 0.57%

LAB 58.31, 18.2, -12.9

 

CMYK 2 / 19 / 0 / 29

HEX #B394B6

RGB 179 148 182

HSL 294.71, 0.19%, 0.65%

LAB 65.07, 17.66, -13.34

 

CMYK 2 / 17 / 0 / 21

HEX #C4A6C9

RGB 196 166 201

HSL 291.43, 0.24%, 0.72%

LAB 71.71, 17.18, -13.77

 

CMYK 3 / 16 / 0 / 14

HEX #D5B8DC

RGB 213 184 220

HSL 288.33, 0.34%, 0.79%

LAB 78.22, 16.73, -14.19

 

CMYK 6 / 25 / 0 / 42

HEX #8C7095

RGB 140 112 149

HSL 285.41, 0.15%, 0.51%

LAB 51.08, 18.04, -15.93

 

CMYK 5 / 28 / 0 / 49

HEX #7B5E82

RGB 123 94 130

HSL 288.33, 0.16%, 0.44%

LAB 43.99, 18.67, -15.57

 

CMYK 5 / 32 / 0 / 56

HEX #6A4C6F

RGB 106 76 111

HSL 291.43, 0.19%, 0.37%

LAB 36.71, 19.38, -15.21

 

CMYK 3 / 37 / 0 / 64

HEX #593A5C

RGB 89 58 92

HSL 294.71, 0.23%, 0.29%

LAB 29.22, 20.17, -14.82

 

CMYK 1 / 45 / 0 / 71

HEX #482849

RGB 72 40 73

HSL 298.18, 0.29%, 0.22%

LAB 21.49, 21.05, -14.36

 

CMYK 6 / 25 / 0 / 42

HEX #8B6F94

RGB 139 111 148

HSL 285.41, 0.15%, 0.51%

LAB 50.68, 18.06, -15.95

 

CMYK 0 / 25 / 1 / 42

HEX #946F93

RGB 148 111 147

HSL 301.62, 0.15%, 0.51%

LAB 51.58, 21.03, -13.92

 

CMYK 0 / 25 / 7 / 42

HEX #946F89

RGB 148 111 137

HSL 317.84, 0.15%, 0.51%

LAB 51.23, 19.1, -8.55

 

CMYK 0 / 25 / 14 / 42

HEX #946F7F

RGB 148 111 127

HSL 334.05, 0.15%, 0.51%

LAB 50.92, 17.29, -3.11

 

CMYK 0 / 25 / 21 / 42

HEX #946F75

RGB 148 111 117

HSL 350.27, 0.15%, 0.51%

LAB 50.63, 15.6, 2.38

 

CMYK 6 / 25 / 0 / 42

HEX #8B6F94

RGB 139 111 148

HSL 285.41, 0.15%, 0.51%

LAB 50.68, 18.06, -15.95

 

CMYK 13 / 25 / 0 / 42

HEX #816F94

RGB 129 111 148

HSL 269.19, 0.15%, 0.51%

LAB 49.71, 14.59, -17.53

 

CMYK 20 / 25 / 0 / 42

HEX #776F94

RGB 119 111 148

HSL 252.97, 0.15%, 0.51%

LAB 48.8, 11.19, -19

 

CMYK 25 / 25 / 0 / 42

HEX #6F6F94

RGB 111 111 148

HSL 240, 0.15%, 0.51%

LAB 48.12, 8.54, -20.1

 

CMYK 6 / 25 / 0 / 42

HEX #8B6F94

RGB 139 111 148

HSL 285.41, 0.15%, 0.51%

LAB 50.68, 18.06, -15.95

 

CMYK 11 / 46 / 0 / 34

HEX #965BA9

RGB 150 91 169

HSL 285.38, 0.31%, 0.51%

LAB 48.05, 37.67, -32.27

 

CMYK 15 / 63 / 0 / 26

HEX #A046BD

RGB 160 70 189

HSL 285.38, 0.47%, 0.51%

LAB 46.35, 55.3, -46.57

 

CMYK 19 / 76 / 0 / 18

HEX #AA32D1

RGB 170 50 209

HSL 285.28, 0.63%, 0.51%

LAB 46.22, 69.3, -58.28

 

CMYK 21 / 87 / 0 / 10

HEX #B51EE5

RGB 181 30 229

HSL 285.53, 0.79%, 0.51%

LAB 47.51, 80.02, -67.54

 

CMYK 6 / 25 / 0 / 42

HEX #8B6F94

RGB 139 111 148

HSL 285.41, 0.15%, 0.51%

LAB 50.68, 18.06, -15.95

 

CMYK 2 / 0 / 2 / 49

HEX #818380

RGB 129 131 128

HSL 100, 0.01%, 0.51%

LAB 54.51, -1.33, 1.35

 

CMYK 22 / 0 / 28 / 41

HEX #76976C

RGB 118 151 108

HSL 106.05, 0.17%, 0.51%

LAB 59.04, -19.99, 19.02

 

CMYK 37 / 0 / 49 / 33

HEX #6CAB58

RGB 108 171 88

HSL 105.54, 0.33%, 0.51%

LAB 64.18, -36.24, 36.29

 

CMYK 49 / 0 / 65 / 25

HEX #62C043

RGB 98 192 67

HSL 105.12, 0.5%, 0.51%

LAB 69.97, -50.61, 52.72

 

CMYK 20 / 25 / 0 / 42

HEX #776F94

RGB 119 111 148

HSL 252.97, 0.15%, 0.51%

LAB 48.8, 11.19, -19

 

CMYK 13 / 25 / 0 / 42

HEX #816F94

RGB 129 111 148

HSL 269.19, 0.15%, 0.51%

LAB 49.71, 14.59, -17.53

 

CMYK 6 / 25 / 0 / 42

HEX #8B6F94

RGB 139 111 148

HSL 285.41, 0.15%, 0.51%

LAB 50.68, 18.06, -15.95

 

CMYK 0 / 25 / 0 / 42

HEX #946F94

RGB 148 111 148

HSL 300, 0.15%, 0.51%

LAB 51.61, 21.23, -14.45

 

CMYK 0 / 25 / 7 / 42

HEX #946F8A

RGB 148 111 138

HSL 316.22, 0.15%, 0.51%

LAB 51.27, 19.29, -9.09

 

CMYK 7 / 26 / 0 / 60

HEX #5F4B66

RGB 95 75 102

HSL 284.44, 0.15%, 0.35%

LAB 34.85, 13.94, -12.52

 

CMYK 6 / 26 / 0 / 51

HEX #755D7D

RGB 117 93 125

HSL 285, 0.15%, 0.43%

LAB 42.9, 16.03, -14.26

 

CMYK 6 / 25 / 0 / 42

HEX #8B6F94

RGB 139 111 148

HSL 285.41, 0.15%, 0.51%

LAB 50.68, 18.06, -15.95

 

CMYK 5 / 19 / 0 / 35

HEX #9E87A6

RGB 158 135 166

HSL 284.52, 0.15%, 0.59%

LAB 59.3, 14.54, -13.17

 

CMYK 3 / 14 / 0 / 28

HEX #B19EB7

RGB 177 158 183

HSL 285.6, 0.15%, 0.67%

LAB 67.44, 11.58, -10.37

 

CMYK 6 / 25 / 0 / 42

HEX #8C7095

RGB 140 112 149

HSL 285.41, 0.15%, 0.51%

LAB 51.08, 18.04, -15.93

 

CMYK 0 / 25 / 24 / 42

HEX #946F71

RGB 148 111 113

HSL 356.76, 0.15%, 0.51%

LAB 50.52, 14.96, 4.59

 

CMYK 25 / 0 / 16 / 42

HEX #6F947C

RGB 111 148 124

HSL 141.08, 0.15%, 0.51%

LAB 58.05, -17.96, 8.57

 

CMYK 6 / 25 / 0 / 42

HEX #8C7095

RGB 140 112 149

HSL 285.41, 0.15%, 0.51%

LAB 51.08, 18.04, -15.93

 

CMYK 0 / 6 / 25 / 42

HEX #948B6F

RGB 148 139 111

HSL 45.41, 0.15%, 0.51%

LAB 57.95, -1.35, 16.21

 

CMYK 25 / 0 / 6 / 42

HEX #6F948B

RGB 111 148 139

HSL 165.41, 0.15%, 0.51%

LAB 58.44, -14.76, 0.59

 

CMYK 6 / 25 / 0 / 42

HEX #8C7095

RGB 140 112 149

HSL 285.41, 0.15%, 0.51%

LAB 51.08, 18.04, -15.93

 

CMYK 0 / 25 / 24 / 42

HEX #946F71

RGB 148 111 113

HSL 356.76, 0.15%, 0.51%

LAB 50.52, 14.96, 4.59

 

CMYK 19 / 0 / 25 / 42

HEX #78946F

RGB 120 148 111

HSL 105.41, 0.15%, 0.51%

LAB 58.34, -17.18, 16.41

 

CMYK 25 / 0 / 1 / 42

HEX #6F9492

RGB 111 148 146

HSL 176.76, 0.15%, 0.51%

LAB 58.63, -13.16, -3.11

 

CMYK 6 / 25 / 0 / 42

HEX #8C7095

RGB 140 112 149

HSL 285.41, 0.15%, 0.51%

LAB 51.08, 18.04, -15.93

 

CMYK 0 / 19 / 25 / 42

HEX #94786F

RGB 148 120 111

HSL 14.59, 0.15%, 0.51%

LAB 52.81, 9.44, 9.04

 

CMYK 19 / 0 / 25 / 42

HEX #78946F

RGB 120 148 111

HSL 105.41, 0.15%, 0.51%

LAB 58.34, -17.18, 16.41

 

CMYK 25 / 6 / 0 / 42

HEX #6F8B94

RGB 111 139 148

HSL 194.59, 0.15%, 0.51%

LAB 56.07, -7.74, -8.06

 

Description

Color code: RGB 140 112 149 | qconv.com Color code: RGB 140 112 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 112 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 112 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 25 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 25% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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