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Color name
RGB 140 122 20

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 122 20 it is the complementary color RGB 115 133 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 122 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 122 20 shade: RGB 145 122 15, RGB 162 140 34, RGB 179 158 53, RGB 196 176 72 and RGB 213 194 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 122 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 122 20 shade: RGB 140 122 20, RGB 123 104 1, RGB 106 86 0, RGB 89 68 0 and RGB 72 50 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 122 20 shade: RGB 138 120 19, RGB 138 88 19, RGB 138 56 19, RGB 138 24 19 and RGB 138 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 122 20 shade: RGB 138 120 19, RGB 124 138 19, RGB 92 138 19, RGB 60 138 19 and RGB 28 138 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 122 20 shade matches the following richer shades: RGB 138 120 19 and RGB 151 129 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 122 20 shade: RGB 138 120 19, RGB 125 111 32, RGB 112 102 45, RGB 99 93 58 and RGB 87 84 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 122 20 shade: RGB 138 57 19, RGB 138 88 19, RGB 138 120 19, RGB 124 138 19 and RGB 92 138 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 122 20 shade: RGB 66 57 9, RGB 102 89 14, RGB 138 120 19, RGB 174 152 24 and RGB 210 183 30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 122 20 shade: RGB 140 122 20, RGB 19 138 25 and RGB 73 19 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 122 20 shade: RGB 140 122 20, RGB 19 138 120 and RGB 120 19 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 122 20 shade: RGB 140 122 20, RGB 19 138 25, RGB 19 37 138 and RGB 138 19 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 122 20 shade: RGB 140 122 20, RGB 19 138 61, RGB 19 37 138 and RGB 138 19 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 86 / 45

HEX #8C7A14

RGB 140 122 20

HSL 51, 0.75%, 0.31%

LAB 51.32, -3.56, 52.53

 

Complementary color

CMYK 51 / 43 / 0 / 8

HEX #7385EB

RGB 115 133 235

HSL 231, 0.75%, 0.69%

LAB 58.43, 21.31, -53.7

 

CMYK 0 / 16 / 90 / 43

HEX #917A0F

RGB 145 122 15

HSL 49.38, 0.81%, 0.31%

LAB 51.81, -1.35, 54.42

 

CMYK 0 / 14 / 79 / 36

HEX #A28C22

RGB 162 140 34

HSL 49.69, 0.65%, 0.38%

LAB 58.56, -2.87, 55.32

 

CMYK 0 / 12 / 70 / 30

HEX #B39E35

RGB 179 158 53

HSL 50, 0.54%, 0.45%

LAB 65.2, -4.11, 55.09

 

CMYK 0 / 10 / 63 / 23

HEX #C4B048

RGB 196 176 72

HSL 50.32, 0.51%, 0.53%

LAB 71.73, -5.13, 54.31

 

CMYK 0 / 9 / 57 / 16

HEX #D5C25B

RGB 213 194 91

HSL 50.66, 0.59%, 0.6%

LAB 78.16, -5.98, 53.28

 

CMYK 0 / 13 / 86 / 45

HEX #8C7A14

RGB 140 122 20

HSL 51, 0.75%, 0.31%

LAB 51.32, -3.56, 52.53

 

CMYK 0 / 15 / 99 / 52

HEX #7B6801

RGB 123 104 1

HSL 50.66, 0.98%, 0.24%

LAB 44.4, -1.89, 50.83

 

CMYK 0 / 19 / 100 / 58

HEX #6A5600

RGB 106 86 0

HSL 48.68, 1%, 0.21%

LAB 37.33, 0.28, 45.24

 

CMYK 0 / 24 / 100 / 65

HEX #594400

RGB 89 68 0

HSL 45.84, 1%, 0.17%

LAB 30.05, 2.62, 39.2

 

CMYK 0 / 31 / 100 / 72

HEX #483200

RGB 72 50 0

HSL 41.67, 1%, 0.14%

LAB 22.51, 5.17, 31.58

 

CMYK 0 / 13 / 86 / 46

HEX #8A7813

RGB 138 120 19

HSL 50.92, 0.76%, 0.31%

LAB 50.55, -3.41, 52.08

 

CMYK 0 / 36 / 86 / 46

HEX #8A5813

RGB 138 88 19

HSL 34.79, 0.76%, 0.31%

LAB 41.89, 15.08, 44.75

 

CMYK 0 / 59 / 86 / 46

HEX #8A3813

RGB 138 56 19

HSL 18.66, 0.76%, 0.31%

LAB 34.56, 33.01, 38.38

 

CMYK 0 / 83 / 86 / 46

HEX #8A1813

RGB 138 24 19

HSL 2.52, 0.76%, 0.31%

LAB 29.67, 46.25, 34.01

 

CMYK 0 / 86 / 86 / 46

HEX #8A1313

RGB 138 19 19

HSL 0, 0.76%, 0.31%

LAB 29.2, 47.59, 33.58

 

CMYK 0 / 13 / 86 / 46

HEX #8A7813

RGB 138 120 19

HSL 50.92, 0.76%, 0.31%

LAB 50.55, -3.41, 52.08

 

CMYK 10 / 0 / 86 / 46

HEX #7C8A13

RGB 124 138 19

HSL 67.06, 0.76%, 0.31%

LAB 54.56, -19.6, 54.97

 

CMYK 33 / 0 / 86 / 46

HEX #5C8A13

RGB 92 138 19

HSL 83.19, 0.76%, 0.31%

LAB 52.4, -33.17, 52.25

 

CMYK 57 / 0 / 86 / 46

HEX #3C8A13

RGB 60 138 19

HSL 99.33, 0.76%, 0.31%

LAB 50.9, -44.2, 50.36

 

CMYK 80 / 0 / 86 / 46

HEX #1C8A13

RGB 28 138 19

HSL 115.46, 0.76%, 0.31%

LAB 50.06, -51.21, 49.29

 

CMYK 0 / 13 / 86 / 46

HEX #8A7813

RGB 138 120 19

HSL 50.92, 0.76%, 0.31%

LAB 50.55, -3.41, 52.08

 

CMYK 0 / 15 / 96 / 41

HEX #978106

RGB 151 129 6

HSL 50.9, 0.92%, 0.31%

LAB 54.34, -2.61, 58.37

 

CMYK 0 / 13 / 86 / 46

HEX #8A7813

RGB 138 120 19

HSL 50.92, 0.76%, 0.31%

LAB 50.55, -3.41, 52.08

 

CMYK 0 / 11 / 74 / 51

HEX #7D6F20

RGB 125 111 32

HSL 50.97, 0.59%, 0.31%

LAB 46.75, -3.93, 43.63

 

CMYK 0 / 9 / 60 / 56

HEX #70662D

RGB 112 102 45

HSL 51.04, 0.43%, 0.31%

LAB 42.97, -3.99, 33.09

 

CMYK 0 / 6 / 41 / 61

HEX #635D3A

RGB 99 93 58

HSL 51.22, 0.26%, 0.31%

LAB 39.22, -3.37, 20.97

 

CMYK 0 / 3 / 20 / 66

HEX #575446

RGB 87 84 70

HSL 49.41, 0.11%, 0.31%

LAB 35.61, -1.48, 8.63

 

CMYK 0 / 59 / 86 / 46

HEX #8A3913

RGB 138 57 19

HSL 19.16, 0.76%, 0.31%

LAB 34.76, 32.49, 38.55

 

CMYK 0 / 36 / 86 / 46

HEX #8A5813

RGB 138 88 19

HSL 34.79, 0.76%, 0.31%

LAB 41.89, 15.08, 44.75

 

CMYK 0 / 13 / 86 / 46

HEX #8A7813

RGB 138 120 19

HSL 50.92, 0.76%, 0.31%

LAB 50.55, -3.41, 52.08

 

CMYK 10 / 0 / 86 / 46

HEX #7C8A13

RGB 124 138 19

HSL 67.06, 0.76%, 0.31%

LAB 54.56, -19.6, 54.97

 

CMYK 33 / 0 / 86 / 46

HEX #5C8A13

RGB 92 138 19

HSL 83.19, 0.76%, 0.31%

LAB 52.4, -33.17, 52.25

 

CMYK 0 / 14 / 86 / 74

HEX #423909

RGB 66 57 9

HSL 50.53, 0.76%, 0.15%

LAB 24.01, -2.11, 29.21

 

CMYK 0 / 13 / 86 / 60

HEX #66590E

RGB 102 89 14

HSL 51.14, 0.76%, 0.23%

LAB 37.84, -3.09, 41.28

 

CMYK 0 / 13 / 86 / 46

HEX #8A7813

RGB 138 120 19

HSL 50.92, 0.76%, 0.31%

LAB 50.55, -3.41, 52.08

 

CMYK 0 / 13 / 86 / 32

HEX #AE9818

RGB 174 152 24

HSL 51.2, 0.76%, 0.39%

LAB 62.95, -4.26, 62.51

 

CMYK 0 / 13 / 86 / 18

HEX #D2B71E

RGB 210 183 30

HSL 51, 0.75%, 0.47%

LAB 74.61, -4.52, 72.03

 

CMYK 0 / 13 / 86 / 45

HEX #8C7A14

RGB 140 122 20

HSL 51, 0.75%, 0.31%

LAB 51.32, -3.56, 52.53

 

CMYK 86 / 0 / 82 / 46

HEX #138A19

RGB 19 138 25

HSL 123.03, 0.76%, 0.31%

LAB 49.96, -52.01, 47.43

 

CMYK 47 / 86 / 0 / 46

HEX #49138A

RGB 73 19 138

HSL 267.23, 0.76%, 0.31%

LAB 22.71, 48.24, -54.67

 

CMYK 0 / 13 / 86 / 45

HEX #8C7A14

RGB 140 122 20

HSL 51, 0.75%, 0.31%

LAB 51.32, -3.56, 52.53

 

CMYK 86 / 0 / 13 / 46

HEX #138A78

RGB 19 138 120

HSL 170.92, 0.76%, 0.31%

LAB 51.46, -34.86, 0.96

 

CMYK 13 / 86 / 0 / 46

HEX #78138A

RGB 120 19 138

HSL 290.92, 0.76%, 0.31%

LAB 30.14, 55.83, -42.25

 

CMYK 0 / 13 / 86 / 45

HEX #8C7A14

RGB 140 122 20

HSL 51, 0.75%, 0.31%

LAB 51.32, -3.56, 52.53

 

CMYK 86 / 0 / 82 / 46

HEX #138A19

RGB 19 138 25

HSL 123.03, 0.76%, 0.31%

LAB 49.96, -52.01, 47.43

 

CMYK 86 / 73 / 0 / 46

HEX #13258A

RGB 19 37 138

HSL 230.92, 0.76%, 0.31%

LAB 21.19, 33.28, -57.34

 

CMYK 0 / 86 / 4 / 46

HEX #8A1384

RGB 138 19 132

HSL 303.03, 0.76%, 0.31%

LAB 32.99, 58.29, -33.77

 

CMYK 0 / 13 / 86 / 45

HEX #8C7A14

RGB 140 122 20

HSL 51, 0.75%, 0.31%

LAB 51.32, -3.56, 52.53

 

CMYK 86 / 0 / 56 / 46

HEX #138A3D

RGB 19 138 61

HSL 141.18, 0.76%, 0.31%

LAB 50.28, -48.08, 32.37

 

CMYK 86 / 73 / 0 / 46

HEX #13258A

RGB 19 37 138

HSL 230.92, 0.76%, 0.31%

LAB 21.19, 33.28, -57.34

 

CMYK 0 / 86 / 30 / 46

HEX #8A1360

RGB 138 19 96

HSL 321.18, 0.76%, 0.31%

LAB 31.15, 53.24, -13.76

 

Description

Color code: RGB 140 122 20 | qconv.com Color code: RGB 140 122 20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 122 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 122 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 86 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 86% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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