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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 123 78 it is the complementary color RGB 115 132 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 123 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 123 78 shade: RGB 145 123 73, RGB 162 141 92, RGB 179 159 111, RGB 196 177 130 and RGB 213 195 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 123 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 123 78 shade: RGB 140 123 78, RGB 123 105 59, RGB 106 87 40, RGB 89 69 21 and RGB 72 51 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 123 78 shade: RGB 140 123 78, RGB 140 106 78, RGB 140 90 78 and RGB 140 78 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 123 78 shade: RGB 140 123 78, RGB 140 140 78, RGB 124 140 78, RGB 107 140 78 and RGB 90 140 78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 123 78 shade matches the following richer shades: RGB 140 123 78, RGB 158 131 61, RGB 175 139 43, RGB 193 147 25 and RGB 211 155 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 123 78 shade: RGB 140 123 78, RGB 122 115 96, RGB 104 107 114, RGB 87 99 132 and RGB 69 91 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 123 78 shade: RGB 140 90 78, RGB 140 106 78, RGB 140 122 78, RGB 140 139 78 and RGB 125 140 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 123 78 shade: RGB 87 77 49, RGB 113 100 64, RGB 140 123 78, RGB 165 146 95 and RGB 180 164 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 123 78 shade: RGB 140 123 78, RGB 84 140 78 and RGB 98 78 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 123 78 shade: RGB 140 123 78, RGB 78 140 122 and RGB 122 78 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 123 78 shade: RGB 140 123 78, RGB 84 140 78, RGB 78 96 140 and RGB 135 78 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 123 78 shade: RGB 140 123 78, RGB 78 140 92, RGB 78 96 140 and RGB 140 78 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 44 / 45

HEX #8C7B4E

RGB 140 123 78

HSL 43.55, 0.28%, 0.43%

LAB 52.17, -0.07, 26.97

 

Complementary color

CMYK 35 / 25 / 0 / 31

HEX #7384B1

RGB 115 132 177

HSL 223.55, 0.28%, 0.57%

LAB 55.4, 4.97, -25.73

 

CMYK 0 / 15 / 50 / 43

HEX #917B49

RGB 145 123 73

HSL 41.67, 0.33%, 0.43%

LAB 52.58, 1.59, 30.36

 

CMYK 0 / 13 / 43 / 36

HEX #A28D5C

RGB 162 141 92

HSL 42, 0.28%, 0.5%

LAB 59.44, 0.89, 29.01

 

CMYK 0 / 11 / 38 / 30

HEX #B39F6F

RGB 179 159 111

HSL 42.35, 0.31%, 0.57%

LAB 66.16, 0.31, 27.75

 

CMYK 0 / 10 / 34 / 23

HEX #C4B182

RGB 196 177 130

HSL 42.73, 0.36%, 0.64%

LAB 72.75, -0.17, 26.57

 

CMYK 0 / 8 / 30 / 16

HEX #D5C395

RGB 213 195 149

HSL 43.13, 0.43%, 0.71%

LAB 79.24, -0.58, 25.46

 

CMYK 0 / 12 / 44 / 45

HEX #8C7B4E

RGB 140 123 78

HSL 43.55, 0.28%, 0.43%

LAB 52.17, -0.07, 26.97

 

CMYK 0 / 15 / 52 / 52

HEX #7B693B

RGB 123 105 59

HSL 43.13, 0.35%, 0.36%

LAB 45.12, 0.66, 28.35

 

CMYK 0 / 18 / 62 / 58

HEX #6A5728

RGB 106 87 40

HSL 42.73, 0.45%, 0.29%

LAB 37.9, 1.6, 29.76

 

CMYK 0 / 22 / 76 / 65

HEX #594515

RGB 89 69 21

HSL 42.35, 0.62%, 0.22%

LAB 30.48, 2.88, 31

 

CMYK 0 / 29 / 97 / 72

HEX #483302

RGB 72 51 2

HSL 42, 0.95%, 0.15%

LAB 22.83, 4.62, 31.1

 

CMYK 0 / 12 / 44 / 45

HEX #8C7B4E

RGB 140 123 78

HSL 43.55, 0.28%, 0.43%

LAB 52.17, -0.07, 26.97

 

CMYK 0 / 24 / 44 / 45

HEX #8C6A4E

RGB 140 106 78

HSL 27.1, 0.28%, 0.43%

LAB 47.54, 9.73, 20.95

 

CMYK 0 / 36 / 44 / 45

HEX #8C5A4E

RGB 140 90 78

HSL 11.61, 0.28%, 0.43%

LAB 43.42, 19.09, 15.43

 

CMYK 0 / 44 / 44 / 45

HEX #8C4E4E

RGB 140 78 78

HSL 0, 0.28%, 0.43%

LAB 40.53, 26.02, 11.47

 

CMYK 0 / 12 / 44 / 45

HEX #8C7B4E

RGB 140 123 78

HSL 43.55, 0.28%, 0.43%

LAB 52.17, -0.07, 26.97

 

CMYK 0 / 0 / 44 / 45

HEX #8C8C4E

RGB 140 140 78

HSL 60, 0.28%, 0.43%

LAB 56.96, -9.51, 33

 

CMYK 11 / 0 / 44 / 45

HEX #7C8C4E

RGB 124 140 78

HSL 75.48, 0.28%, 0.43%

LAB 55.68, -16.26, 31.12

 

CMYK 24 / 0 / 44 / 45

HEX #6B8C4E

RGB 107 140 78

HSL 91.94, 0.28%, 0.43%

LAB 54.48, -23.11, 29.37

 

CMYK 36 / 0 / 44 / 45

HEX #5A8C4E

RGB 90 140 78

HSL 108.39, 0.28%, 0.43%

LAB 53.47, -29.42, 27.87

 

CMYK 0 / 12 / 44 / 45

HEX #8C7B4E

RGB 140 123 78

HSL 43.55, 0.28%, 0.43%

LAB 52.17, -0.07, 26.97

 

CMYK 0 / 17 / 61 / 38

HEX #9E833D

RGB 158 131 61

HSL 43.3, 0.44%, 0.43%

LAB 55.93, 1.82, 40.94

 

CMYK 0 / 21 / 75 / 31

HEX #AF8B2B

RGB 175 139 43

HSL 43.64, 0.61%, 0.43%

LAB 59.67, 3.95, 53.51

 

CMYK 0 / 24 / 87 / 24

HEX #C19319

RGB 193 147 25

HSL 43.57, 0.77%, 0.43%

LAB 63.57, 7.03, 63.57

 

CMYK 0 / 27 / 97 / 17

HEX #D39B07

RGB 211 155 7

HSL 43.53, 0.94%, 0.43%

LAB 67.51, 10.4, 70.65

 

CMYK 0 / 12 / 44 / 45

HEX #8C7B4E

RGB 140 123 78

HSL 43.55, 0.28%, 0.43%

LAB 52.17, -0.07, 26.97

 

CMYK 0 / 6 / 21 / 52

HEX #7A7360

RGB 122 115 96

HSL 43.85, 0.12%, 0.43%

LAB 48.57, -0.69, 11.5

 

CMYK 9 / 6 / 0 / 55

HEX #686B72

RGB 104 107 114

HSL 222, 0.05%, 0.43%

LAB 45.18, 0.36, -4.31

 

CMYK 34 / 25 / 0 / 48

HEX #576384

RGB 87 99 132

HSL 224, 0.21%, 0.43%

LAB 42.18, 3.89, -19.84

 

CMYK 54 / 39 / 0 / 42

HEX #455B95

RGB 69 91 149

HSL 223.5, 0.37%, 0.43%

LAB 39.44, 9.19, -34.45

 

CMYK 0 / 36 / 44 / 45

HEX #8C5A4E

RGB 140 90 78

HSL 11.61, 0.28%, 0.43%

LAB 43.42, 19.09, 15.43

 

CMYK 0 / 24 / 44 / 45

HEX #8C6A4E

RGB 140 106 78

HSL 27.1, 0.28%, 0.43%

LAB 47.54, 9.73, 20.95

 

CMYK 0 / 13 / 44 / 45

HEX #8C7A4E

RGB 140 122 78

HSL 42.58, 0.28%, 0.43%

LAB 51.89, 0.5, 26.61

 

CMYK 0 / 1 / 44 / 45

HEX #8C8B4E

RGB 140 139 78

HSL 59.03, 0.28%, 0.43%

LAB 56.67, -8.96, 32.65

 

CMYK 11 / 0 / 44 / 45

HEX #7D8C4E

RGB 125 140 78

HSL 74.52, 0.28%, 0.43%

LAB 55.75, -15.85, 31.24

 

CMYK 0 / 11 / 44 / 66

HEX #574D31

RGB 87 77 49

HSL 44.21, 0.28%, 0.27%

LAB 33.04, -0.42, 18.13

 

CMYK 0 / 12 / 43 / 56

HEX #716440

RGB 113 100 64

HSL 44.08, 0.28%, 0.35%

LAB 42.76, -0.4, 22.3

 

CMYK 0 / 12 / 44 / 45

HEX #8C7B4E

RGB 140 123 78

HSL 43.55, 0.28%, 0.43%

LAB 52.17, -0.07, 26.97

 

CMYK 0 / 12 / 42 / 35

HEX #A5925F

RGB 165 146 95

HSL 43.71, 0.28%, 0.51%

LAB 61.12, -0.26, 29.6

 

CMYK 0 / 9 / 33 / 29

HEX #B4A479

RGB 180 164 121

HSL 43.73, 0.28%, 0.59%

LAB 67.75, -0.75, 24.46

 

CMYK 0 / 12 / 44 / 45

HEX #8C7B4E

RGB 140 123 78

HSL 43.55, 0.28%, 0.43%

LAB 52.17, -0.07, 26.97

 

CMYK 40 / 0 / 44 / 45

HEX #548C4E

RGB 84 140 78

HSL 114.19, 0.28%, 0.43%

LAB 53.16, -31.49, 27.41

 

CMYK 30 / 44 / 0 / 45

HEX #624E8C

RGB 98 78 140

HSL 259.35, 0.28%, 0.43%

LAB 37.73, 22.63, -31.55

 

CMYK 0 / 12 / 44 / 45

HEX #8C7B4E

RGB 140 123 78

HSL 43.55, 0.28%, 0.43%

LAB 52.17, -0.07, 26.97

 

CMYK 44 / 0 / 13 / 45

HEX #4E8C7A

RGB 78 140 122

HSL 162.58, 0.28%, 0.43%

LAB 53.79, -24.57, 3.38

 

CMYK 13 / 44 / 0 / 45

HEX #7A4E8C

RGB 122 78 140

HSL 282.58, 0.28%, 0.43%

LAB 40.38, 30.07, -27.21

 

CMYK 0 / 12 / 44 / 45

HEX #8C7B4E

RGB 140 123 78

HSL 43.55, 0.28%, 0.43%

LAB 52.17, -0.07, 26.97

 

CMYK 40 / 0 / 44 / 45

HEX #548C4E

RGB 84 140 78

HSL 114.19, 0.28%, 0.43%

LAB 53.16, -31.49, 27.41

 

CMYK 44 / 31 / 0 / 45

HEX #4E608C

RGB 78 96 140

HSL 222.58, 0.28%, 0.43%

LAB 41.02, 5.45, -26.5

 

CMYK 4 / 44 / 0 / 45

HEX #874E8C

RGB 135 78 140

HSL 295.16, 0.28%, 0.43%

LAB 41.99, 34.22, -24.58

 

CMYK 0 / 12 / 44 / 45

HEX #8C7B4E

RGB 140 123 78

HSL 43.55, 0.28%, 0.43%

LAB 52.17, -0.07, 26.97

 

CMYK 44 / 0 / 34 / 45

HEX #4E8C5C

RGB 78 140 92

HSL 133.55, 0.28%, 0.43%

LAB 53.11, -31.03, 19.56

 

CMYK 44 / 31 / 0 / 45

HEX #4E608C

RGB 78 96 140

HSL 222.58, 0.28%, 0.43%

LAB 41.02, 5.45, -26.5

 

CMYK 0 / 44 / 9 / 45

HEX #8C4E7F

RGB 140 78 127

HSL 312.58, 0.28%, 0.43%

LAB 42.09, 33.37, -16.47

 

Description

Color code: RGB 140 123 78 | qconv.com Color code: RGB 140 123 78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 123 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 123 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 44 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 44% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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