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Color name
RGB 140 156 78

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 156 78 it is the complementary color RGB 115 99 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 156 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 156 78 shade: RGB 145 156 73, RGB 162 174 92, RGB 179 192 111, RGB 196 210 130 and RGB 213 228 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 156 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 156 78 shade: RGB 140 156 78, RGB 123 138 59, RGB 106 120 40, RGB 89 102 21 and RGB 72 84 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 156 78 shade: RGB 140 156 78, RGB 156 151 78, RGB 156 130 78, RGB 156 109 78 and RGB 156 88 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 156 78 shade: RGB 140 156 78, RGB 119 156 78, RGB 98 156 78, RGB 78 156 79 and RGB 78 156 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 156 78 shade matches the following richer shades: RGB 140 156 78, RGB 151 174 59, RGB 162 193 40, RGB 173 212 21 and RGB 184 231 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 156 78 shade: RGB 140 156 78, RGB 128 137 97, RGB 117 118 116, RGB 106 99 135 and RGB 95 80 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 156 78 shade: RGB 156 130 78, RGB 156 150 78, RGB 140 156 78, RGB 119 156 78 and RGB 99 156 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 156 78 shade: RGB 90 101 50, RGB 115 128 64, RGB 140 156 78, RGB 160 176 99 and RGB 177 190 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 156 78 shade: RGB 140 156 78, RGB 78 156 109 and RGB 140 78 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 156 78 shade: RGB 140 156 78, RGB 78 140 156 and RGB 156 78 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 156 78 shade: RGB 140 156 78, RGB 78 156 109, RGB 94 78 156 and RGB 156 78 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 156 78 shade: RGB 140 156 78, RGB 78 156 132, RGB 94 78 156 and RGB 156 78 101

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 50 / 39

HEX #8C9C4E

RGB 140 156 78

HSL 72.31, 0.33%, 0.46%

LAB 61.57, -17.98, 38.63

 

Complementary color

CMYK 35 / 44 / 0 / 31

HEX #7363B1

RGB 115 99 177

HSL 252.31, 0.33%, 0.54%

LAB 46.64, 24.75, -39.43

 

CMYK 7 / 0 / 53 / 39

HEX #919C49

RGB 145 156 73

HSL 67.95, 0.36%, 0.45%

LAB 61.89, -16.38, 41.6

 

CMYK 7 / 0 / 47 / 32

HEX #A2AE5C

RGB 162 174 92

HSL 68.78, 0.34%, 0.52%

LAB 68.55, -16.73, 40.43

 

CMYK 7 / 0 / 42 / 25

HEX #B3C06F

RGB 179 192 111

HSL 69.63, 0.39%, 0.59%

LAB 75.1, -17, 39.24

 

CMYK 7 / 0 / 38 / 18

HEX #C4D282

RGB 196 210 130

HSL 70.5, 0.47%, 0.67%

LAB 81.53, -17.2, 38.07

 

CMYK 7 / 0 / 35 / 11

HEX #D5E495

RGB 213 228 149

HSL 71.39, 0.59%, 0.74%

LAB 87.87, -17.37, 36.94

 

CMYK 10 / 0 / 50 / 39

HEX #8C9C4E

RGB 140 156 78

HSL 72.31, 0.33%, 0.46%

LAB 61.57, -17.98, 38.63

 

CMYK 11 / 0 / 57 / 46

HEX #7B8A3B

RGB 123 138 59

HSL 71.39, 0.4%, 0.39%

LAB 54.77, -17.65, 39.78

 

CMYK 12 / 0 / 67 / 53

HEX #6A7828

RGB 106 120 40

HSL 70.5, 0.5%, 0.31%

LAB 47.82, -17.17, 40.71

 

CMYK 13 / 0 / 79 / 60

HEX #596615

RGB 89 102 21

HSL 69.63, 0.66%, 0.24%

LAB 40.7, -16.46, 41

 

CMYK 14 / 0 / 98 / 67

HEX #485402

RGB 72 84 2

HSL 68.78, 0.95%, 0.17%

LAB 33.4, -15.47, 40.18

 

CMYK 10 / 0 / 50 / 39

HEX #8C9C4E

RGB 140 156 78

HSL 72.31, 0.33%, 0.46%

LAB 61.57, -17.98, 38.63

 

CMYK 0 / 3 / 50 / 39

HEX #9C974E

RGB 156 151 78

HSL 56.15, 0.33%, 0.46%

LAB 61.44, -8.58, 38.78

 

CMYK 0 / 17 / 50 / 39

HEX #9C824E

RGB 156 130 78

HSL 40, 0.33%, 0.46%

LAB 55.67, 2.97, 31.72

 

CMYK 0 / 30 / 50 / 39

HEX #9C6D4E

RGB 156 109 78

HSL 23.85, 0.33%, 0.46%

LAB 50.16, 14.93, 24.73

 

CMYK 0 / 44 / 50 / 39

HEX #9C584E

RGB 156 88 78

HSL 7.69, 0.33%, 0.46%

LAB 45.08, 26.89, 18.04

 

CMYK 10 / 0 / 50 / 39

HEX #8C9C4E

RGB 140 156 78

HSL 72.31, 0.33%, 0.46%

LAB 61.57, -17.98, 38.63

 

CMYK 24 / 0 / 50 / 39

HEX #779C4E

RGB 119 156 78

HSL 88.46, 0.33%, 0.46%

LAB 60.11, -26.42, 36.53

 

CMYK 37 / 0 / 50 / 39

HEX #629C4E

RGB 98 156 78

HSL 104.62, 0.33%, 0.46%

LAB 58.9, -34.14, 34.77

 

CMYK 50 / 0 / 49 / 39

HEX #4E9C4F

RGB 78 156 79

HSL 120.77, 0.33%, 0.46%

LAB 58, -40.37, 32.93

 

CMYK 50 / 0 / 36 / 39

HEX #4E9C64

RGB 78 156 100

HSL 136.92, 0.33%, 0.46%

LAB 58.34, -36.89, 22.14

 

CMYK 10 / 0 / 50 / 39

HEX #8C9C4E

RGB 140 156 78

HSL 72.31, 0.33%, 0.46%

LAB 61.57, -17.98, 38.63

 

CMYK 13 / 0 / 66 / 32

HEX #97AE3B

RGB 151 174 59

HSL 72, 0.49%, 0.46%

LAB 67.4, -24.1, 54.17

 

CMYK 16 / 0 / 79 / 24

HEX #A2C128

RGB 162 193 40

HSL 72.16, 0.66%, 0.46%

LAB 73.53, -29.74, 67.01

 

CMYK 18 / 0 / 90 / 17

HEX #ADD415

RGB 173 212 21

HSL 72.25, 0.82%, 0.46%

LAB 79.63, -34.67, 76.59

 

CMYK 20 / 0 / 99 / 9

HEX #B8E702

RGB 184 231 2

HSL 72.31, 0.98%, 0.46%

LAB 85.68, -39.12, 83.57

 

CMYK 10 / 0 / 50 / 39

HEX #8C9C4E

RGB 140 156 78

HSL 72.31, 0.33%, 0.46%

LAB 61.57, -17.98, 38.63

 

CMYK 7 / 0 / 29 / 46

HEX #808961

RGB 128 137 97

HSL 73.5, 0.17%, 0.46%

LAB 55.42, -10.44, 20.4

 

CMYK 1 / 0 / 2 / 54

HEX #757674

RGB 117 118 116

HSL 90, 0.01%, 0.46%

LAB 49.5, -0.78, 0.96

 

CMYK 21 / 27 / 0 / 47

HEX #6A6387

RGB 106 99 135

HSL 251.67, 0.15%, 0.46%

LAB 43.85, 10.88, -18.94

 

CMYK 38 / 48 / 0 / 40

HEX #5F509A

RGB 95 80 154

HSL 252.16, 0.32%, 0.46%

LAB 38.73, 24.46, -38.46

 

CMYK 0 / 17 / 50 / 39

HEX #9C824E

RGB 156 130 78

HSL 40, 0.33%, 0.46%

LAB 55.67, 2.97, 31.72

 

CMYK 0 / 4 / 50 / 39

HEX #9C964E

RGB 156 150 78

HSL 55.38, 0.33%, 0.46%

LAB 61.16, -8.04, 38.44

 

CMYK 10 / 0 / 50 / 39

HEX #8C9C4E

RGB 140 156 78

HSL 72.31, 0.33%, 0.46%

LAB 61.57, -17.98, 38.63

 

CMYK 24 / 0 / 50 / 39

HEX #779C4E

RGB 119 156 78

HSL 88.46, 0.33%, 0.46%

LAB 60.11, -26.42, 36.53

 

CMYK 37 / 0 / 50 / 39

HEX #639C4E

RGB 99 156 78

HSL 103.85, 0.33%, 0.46%

LAB 58.96, -33.79, 34.85

 

CMYK 11 / 0 / 50 / 60

HEX #5A6532

RGB 90 101 50

HSL 72.94, 0.34%, 0.3%

LAB 40.75, -13.03, 27.3

 

CMYK 10 / 0 / 50 / 50

HEX #738040

RGB 115 128 64

HSL 72.19, 0.33%, 0.38%

LAB 51.21, -15.29, 32.9

 

CMYK 10 / 0 / 50 / 39

HEX #8C9C4E

RGB 140 156 78

HSL 72.31, 0.33%, 0.46%

LAB 61.57, -17.98, 38.63

 

CMYK 9 / 0 / 44 / 31

HEX #A0B063

RGB 160 176 99

HSL 72.47, 0.33%, 0.54%

LAB 69.06, -17.8, 37.47

 

CMYK 7 / 0 / 34 / 25

HEX #B1BE7E

RGB 177 190 126

HSL 72.19, 0.33%, 0.62%

LAB 74.62, -14.95, 30.88

 

CMYK 10 / 0 / 50 / 39

HEX #8C9C4E

RGB 140 156 78

HSL 72.31, 0.33%, 0.46%

LAB 61.57, -17.98, 38.63

 

CMYK 50 / 0 / 30 / 39

HEX #4E9C6D

RGB 78 156 109

HSL 143.85, 0.33%, 0.46%

LAB 58.51, -35.15, 17.4

 

CMYK 10 / 50 / 0 / 39

HEX #8C4E9C

RGB 140 78 156

HSL 287.69, 0.33%, 0.46%

LAB 43.4, 39.08, -31.95

 

CMYK 10 / 0 / 50 / 39

HEX #8C9C4E

RGB 140 156 78

HSL 72.31, 0.33%, 0.46%

LAB 61.57, -17.98, 38.63

 

CMYK 50 / 10 / 0 / 39

HEX #4E8C9C

RGB 78 140 156

HSL 192.31, 0.33%, 0.46%

LAB 54.84, -15.47, -14.7

 

CMYK 0 / 50 / 10 / 39

HEX #9C4E8C

RGB 156 78 140

HSL 312.31, 0.33%, 0.46%

LAB 44.82, 40.94, -19.98

 

CMYK 10 / 0 / 50 / 39

HEX #8C9C4E

RGB 140 156 78

HSL 72.31, 0.33%, 0.46%

LAB 61.57, -17.98, 38.63

 

CMYK 50 / 0 / 30 / 39

HEX #4E9C6D

RGB 78 156 109

HSL 143.85, 0.33%, 0.46%

LAB 58.51, -35.15, 17.4

 

CMYK 40 / 50 / 0 / 39

HEX #5E4E9C

RGB 94 78 156

HSL 252.31, 0.33%, 0.46%

LAB 38.25, 26.01, -40.43

 

CMYK 0 / 50 / 20 / 39

HEX #9C4E7D

RGB 156 78 125

HSL 323.85, 0.33%, 0.46%

LAB 44.23, 38.46, -11.79

 

CMYK 10 / 0 / 50 / 39

HEX #8C9C4E

RGB 140 156 78

HSL 72.31, 0.33%, 0.46%

LAB 61.57, -17.98, 38.63

 

CMYK 50 / 0 / 15 / 39

HEX #4E9C84

RGB 78 156 132

HSL 161.54, 0.33%, 0.46%

LAB 59.03, -30.06, 5.22

 

CMYK 40 / 50 / 0 / 39

HEX #5E4E9C

RGB 94 78 156

HSL 252.31, 0.33%, 0.46%

LAB 38.25, 26.01, -40.43

 

CMYK 0 / 50 / 35 / 39

HEX #9C4E65

RGB 156 78 101

HSL 342.31, 0.33%, 0.46%

LAB 43.44, 35.02, 1.74

 

Description

Color code: RGB 140 156 78 | qconv.com Color code: RGB 140 156 78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 156 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 156 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 50 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 50% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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