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Color name
RGB 140 165 99

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 165 99 it is the complementary color RGB 115 90 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 165 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 165 99 shade: RGB 145 165 94, RGB 162 183 113, RGB 179 201 132, RGB 196 219 151 and RGB 213 237 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 165 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 165 99 shade: RGB 140 165 99, RGB 123 147 80, RGB 106 129 61, RGB 89 111 42 and RGB 72 93 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 165 99 shade: RGB 140 165 99, RGB 158 165 99, RGB 165 155 99, RGB 165 137 99 and RGB 165 119 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 165 99 shade: RGB 140 165 99, RGB 122 165 99, RGB 104 165 99, RGB 99 165 111 and RGB 99 165 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 165 99 shade matches the following richer shades: RGB 140 165 99, RGB 145 185 79, RGB 150 205 59, RGB 155 225 40 and RGB 159 244 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 165 99 shade: RGB 140 165 99, RGB 135 145 119, RGB 131 126 139, RGB 126 106 158 and RGB 121 86 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 165 99 shade: RGB 165 154 99, RGB 159 165 99, RGB 141 165 99, RGB 123 165 99 and RGB 106 165 99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 165 99 shade: RGB 97 116 66, RGB 119 142 81, RGB 140 165 99, RGB 159 180 125 and RGB 179 195 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 165 99 shade: RGB 140 165 99, RGB 99 165 137 and RGB 163 99 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 165 99 shade: RGB 140 165 99, RGB 99 141 165 and RGB 165 99 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 165 99 shade: RGB 140 165 99, RGB 99 165 137, RGB 123 99 165 and RGB 165 99 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 165 99 shade: RGB 140 165 99, RGB 99 165 156, RGB 123 99 165 and RGB 165 99 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 40 / 35

HEX #8CA563

RGB 140 165 99

HSL 82.73, 0.27%, 0.52%

LAB 64.47, -20.13, 31.37

 

Complementary color

CMYK 26 / 42 / 0 / 39

HEX #735A9C

RGB 115 90 156

HSL 262.73, 0.27%, 0.48%

LAB 43.3, 24.61, -32.31

 

CMYK 12 / 0 / 43 / 35

HEX #91A55E

RGB 145 165 94

HSL 76.9, 0.28%, 0.51%

LAB 64.75, -18.78, 34.42

 

CMYK 11 / 0 / 38 / 28

HEX #A2B771

RGB 162 183 113

HSL 78, 0.33%, 0.58%

LAB 71.38, -18.88, 33.23

 

CMYK 11 / 0 / 34 / 21

HEX #B3C984

RGB 179 201 132

HSL 79.13, 0.39%, 0.65%

LAB 77.89, -18.95, 32.08

 

CMYK 11 / 0 / 31 / 14

HEX #C4DB97

RGB 196 219 151

HSL 80.29, 0.49%, 0.73%

LAB 84.29, -19, 30.98

 

CMYK 10 / 0 / 28 / 7

HEX #D5EDAA

RGB 213 237 170

HSL 81.49, 0.65%, 0.8%

LAB 90.6, -19.03, 29.93

 

CMYK 15 / 0 / 40 / 35

HEX #8CA563

RGB 140 165 99

HSL 82.73, 0.27%, 0.52%

LAB 64.47, -20.13, 31.37

 

CMYK 16 / 0 / 46 / 42

HEX #7B9350

RGB 123 147 80

HSL 81.49, 0.3%, 0.45%

LAB 57.71, -20.07, 32.59

 

CMYK 18 / 0 / 53 / 49

HEX #6A813D

RGB 106 129 61

HSL 80.29, 0.36%, 0.37%

LAB 50.81, -19.96, 33.82

 

CMYK 20 / 0 / 62 / 56

HEX #596F2A

RGB 89 111 42

HSL 79.13, 0.45%, 0.3%

LAB 43.74, -19.73, 34.96

 

CMYK 23 / 0 / 75 / 64

HEX #485D17

RGB 72 93 23

HSL 78, 0.6%, 0.23%

LAB 36.5, -19.3, 35.67

 

CMYK 15 / 0 / 40 / 35

HEX #8CA563

RGB 140 165 99

HSL 82.73, 0.27%, 0.52%

LAB 64.47, -20.13, 31.37

 

CMYK 4 / 0 / 40 / 35

HEX #9EA563

RGB 158 165 99

HSL 66.36, 0.27%, 0.52%

LAB 65.81, -12.93, 33.35

 

CMYK 0 / 6 / 40 / 35

HEX #A59B63

RGB 165 155 99

HSL 50.91, 0.27%, 0.52%

LAB 63.63, -4.72, 30.67

 

CMYK 0 / 17 / 40 / 35

HEX #A58963

RGB 165 137 99

HSL 34.55, 0.27%, 0.52%

LAB 58.78, 5.19, 24.35

 

CMYK 0 / 28 / 40 / 35

HEX #A57763

RGB 165 119 99

HSL 18.18, 0.27%, 0.52%

LAB 54.13, 15.36, 18.11

 

CMYK 15 / 0 / 40 / 35

HEX #8CA563

RGB 140 165 99

HSL 82.73, 0.27%, 0.52%

LAB 64.47, -20.13, 31.37

 

CMYK 26 / 0 / 40 / 35

HEX #7AA563

RGB 122 165 99

HSL 99.09, 0.27%, 0.52%

LAB 63.3, -26.96, 29.62

 

CMYK 37 / 0 / 40 / 35

HEX #68A563

RGB 104 165 99

HSL 115.45, 0.27%, 0.52%

LAB 62.3, -33.24, 28.13

 

CMYK 40 / 0 / 33 / 35

HEX #63A56F

RGB 99 165 111

HSL 130.91, 0.27%, 0.52%

LAB 62.26, -32.83, 21.56

 

CMYK 40 / 0 / 22 / 35

HEX #63A581

RGB 99 165 129

HSL 147.27, 0.27%, 0.52%

LAB 62.63, -29.34, 12.15

 

CMYK 15 / 0 / 40 / 35

HEX #8CA563

RGB 140 165 99

HSL 82.73, 0.27%, 0.52%

LAB 64.47, -20.13, 31.37

 

CMYK 22 / 0 / 57 / 27

HEX #91B94F

RGB 145 185 79

HSL 82.64, 0.43%, 0.52%

LAB 70.37, -30.22, 48.55

 

CMYK 27 / 0 / 71 / 20

HEX #96CD3B

RGB 150 205 59

HSL 82.6, 0.59%, 0.52%

LAB 76.35, -39.01, 63.28

 

CMYK 31 / 0 / 82 / 12

HEX #9BE128

RGB 155 225 40

HSL 82.7, 0.76%, 0.52%

LAB 82.36, -46.73, 74.71

 

CMYK 35 / 0 / 92 / 4

HEX #9FF414

RGB 159 244 20

HSL 82.77, 0.91%, 0.52%

LAB 88.03, -53.64, 83.16

 

CMYK 15 / 0 / 40 / 35

HEX #8CA563

RGB 140 165 99

HSL 82.73, 0.27%, 0.52%

LAB 64.47, -20.13, 31.37

 

CMYK 7 / 0 / 18 / 43

HEX #879177

RGB 135 145 119

HSL 83.08, 0.11%, 0.52%

LAB 58.73, -8.52, 12.6

 

CMYK 6 / 9 / 0 / 45

HEX #837E8B

RGB 131 126 139

HSL 263.08, 0.05%, 0.52%

LAB 53.61, 4.51, -6.35

 

CMYK 20 / 33 / 0 / 38

HEX #7E6A9E

RGB 126 106 158

HSL 263.08, 0.21%, 0.52%

LAB 48.53, 18.92, -25.25

 

CMYK 32 / 52 / 0 / 30

HEX #7956B2

RGB 121 86 178

HSL 262.83, 0.37%, 0.52%

LAB 44.14, 34.4, -43.94

 

CMYK 0 / 7 / 40 / 35

HEX #A59A63

RGB 165 154 99

HSL 50, 0.27%, 0.52%

LAB 63.35, -4.18, 30.32

 

CMYK 4 / 0 / 40 / 35

HEX #9FA563

RGB 159 165 99

HSL 65.45, 0.27%, 0.52%

LAB 65.89, -12.52, 33.47

 

CMYK 15 / 0 / 40 / 35

HEX #8DA563

RGB 141 165 99

HSL 81.82, 0.27%, 0.52%

LAB 64.54, -19.74, 31.47

 

CMYK 25 / 0 / 40 / 35

HEX #7BA563

RGB 123 165 99

HSL 98.18, 0.27%, 0.52%

LAB 63.36, -26.59, 29.72

 

CMYK 36 / 0 / 40 / 35

HEX #6AA563

RGB 106 165 99

HSL 113.64, 0.27%, 0.52%

LAB 62.4, -32.58, 28.28

 

CMYK 16 / 0 / 43 / 55

HEX #617442

RGB 97 116 66

HSL 82.8, 0.27%, 0.36%

LAB 46.21, -16.22, 25.31

 

CMYK 16 / 0 / 43 / 44

HEX #778E51

RGB 119 142 81

HSL 82.62, 0.27%, 0.44%

LAB 55.95, -18.98, 29.78

 

CMYK 15 / 0 / 40 / 35

HEX #8CA563

RGB 140 165 99

HSL 82.73, 0.27%, 0.52%

LAB 64.47, -20.13, 31.37

 

CMYK 12 / 0 / 31 / 29

HEX #9FB47D

RGB 159 180 125

HSL 82.91, 0.27%, 0.6%

LAB 70.52, -16.88, 25.73

 

CMYK 8 / 0 / 23 / 24

HEX #B3C397

RGB 179 195 151

HSL 81.82, 0.27%, 0.68%

LAB 76.59, -13.2, 20.33

 

CMYK 15 / 0 / 40 / 35

HEX #8CA563

RGB 140 165 99

HSL 82.73, 0.27%, 0.52%

LAB 64.47, -20.13, 31.37

 

CMYK 40 / 0 / 17 / 35

HEX #63A589

RGB 99 165 137

HSL 154.55, 0.27%, 0.52%

LAB 62.82, -27.63, 7.95

 

CMYK 1 / 40 / 0 / 35

HEX #A363A5

RGB 163 99 165

HSL 298.18, 0.27%, 0.52%

LAB 51.18, 36.47, -24.93

 

CMYK 15 / 0 / 40 / 35

HEX #8CA563

RGB 140 165 99

HSL 82.73, 0.27%, 0.52%

LAB 64.47, -20.13, 31.37

 

CMYK 40 / 15 / 0 / 35

HEX #638DA5

RGB 99 141 165

HSL 201.82, 0.27%, 0.52%

LAB 56.5, -8.05, -17.25

 

CMYK 0 / 40 / 15 / 35

HEX #A5638D

RGB 165 99 141

HSL 321.82, 0.27%, 0.52%

LAB 50.51, 32.78, -11.8

 

CMYK 15 / 0 / 40 / 35

HEX #8CA563

RGB 140 165 99

HSL 82.73, 0.27%, 0.52%

LAB 64.47, -20.13, 31.37

 

CMYK 40 / 0 / 17 / 35

HEX #63A589

RGB 99 165 137

HSL 154.55, 0.27%, 0.52%

LAB 62.82, -27.63, 7.95

 

CMYK 25 / 40 / 0 / 35

HEX #7B63A5

RGB 123 99 165

HSL 261.82, 0.27%, 0.52%

LAB 46.78, 23.9, -32.12

 

CMYK 0 / 40 / 22 / 35

HEX #A56380

RGB 165 99 128

HSL 333.64, 0.27%, 0.52%

LAB 50.08, 30.67, -4.72

 

CMYK 15 / 0 / 40 / 35

HEX #8CA563

RGB 140 165 99

HSL 82.73, 0.27%, 0.52%

LAB 64.47, -20.13, 31.37

 

CMYK 40 / 0 / 5 / 35

HEX #63A59C

RGB 99 165 156

HSL 171.82, 0.27%, 0.52%

LAB 63.31, -23.22, -1.97

 

CMYK 25 / 40 / 0 / 35

HEX #7B63A5

RGB 123 99 165

HSL 261.82, 0.27%, 0.52%

LAB 46.78, 23.9, -32.12

 

CMYK 0 / 40 / 35 / 35

HEX #A5636C

RGB 165 99 108

HSL 351.82, 0.27%, 0.52%

LAB 49.5, 27.81, 6.38

 

Description

Color code: RGB 140 165 99 | qconv.com Color code: RGB 140 165 99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 165 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 165 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 40 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 40% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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