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Color name
RGB 140 242 182

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 242 182 it is the complementary color RGB 115 13 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 242 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 242 182 shade: RGB 145 242 177, RGB 162 255 196, RGB 179 255 215, RGB 196 255 234 and RGB 213 255 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 242 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 242 182 shade: RGB 140 242 182, RGB 123 224 163, RGB 106 206 144, RGB 89 188 125 and RGB 72 170 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 242 182 shade: RGB 140 242 182, RGB 140 242 154, RGB 153 242 140, RGB 180 242 140 and RGB 208 242 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 242 182 shade: RGB 140 242 182, RGB 140 242 209, RGB 140 242 237, RGB 140 219 242 and RGB 140 192 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 242 182 shade matches the following richer shades: RGB 140 242 182 and RGB 129 252 180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 242 182 shade: RGB 140 242 182, RGB 150 231 184, RGB 160 221 185, RGB 171 211 187 and RGB 181 200 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 242 182 shade: RGB 153 242 140, RGB 140 242 153, RGB 140 242 181, RGB 140 242 208 and RGB 140 242 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 242 182 shade: RGB 65 233 135, RGB 103 238 158, RGB 140 242 182, RGB 177 246 205 and RGB 214 250 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 242 182 shade: RGB 140 242 182, RGB 140 181 242 and RGB 242 140 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 242 182 shade: RGB 140 242 182, RGB 181 140 242 and RGB 242 181 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 242 182 shade: RGB 140 242 182, RGB 140 181 242, RGB 242 140 201 and RGB 242 201 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 242 182 shade: RGB 140 242 182, RGB 140 150 242, RGB 242 140 201 and RGB 242 232 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 25 / 5

HEX #8CF2B6

RGB 140 242 182

HSL 144.71, 0.8%, 0.75%

LAB 88.19, -42.76, 19.82

 

Complementary color

CMYK 0 / 89 / 37 / 55

HEX #730D49

RGB 115 13 73

HSL 324.71, 0.8%, 0.25%

LAB 24.99, 46.16, -8.32

 

CMYK 40 / 0 / 27 / 5

HEX #91F2B1

RGB 145 242 177

HSL 139.79, 0.79%, 0.76%

LAB 88.3, -42.32, 22.59

 

CMYK 36 / 0 / 23 / 0

HEX #A2FFC4

RGB 162 255 196

HSL 141.94, 1%, 0.82%

LAB 93.1, -39.84, 19.62

 

CMYK 30 / 0 / 16 / 0

HEX #B3FFD7

RGB 179 255 215

HSL 148.42, 1%, 0.85%

LAB 94.32, -31.37, 11.72

 

CMYK 23 / 0 / 8 / 0

HEX #C4FFEA

RGB 196 255 234

HSL 158.64, 1%, 0.88%

LAB 95.66, -22.62, 4

 

CMYK 16 / 0 / 1 / 0

HEX #D5FFFD

RGB 213 255 253

HSL 177.14, 1%, 0.92%

LAB 97.13, -13.72, -3.52

 

CMYK 42 / 0 / 25 / 5

HEX #8CF2B6

RGB 140 242 182

HSL 144.71, 0.8%, 0.75%

LAB 88.19, -42.76, 19.82

 

CMYK 45 / 0 / 27 / 12

HEX #7BE0A3

RGB 123 224 163

HSL 143.76, 0.62%, 0.68%

LAB 81.93, -42.98, 20.89

 

CMYK 49 / 0 / 30 / 19

HEX #6ACE90

RGB 106 206 144

HSL 142.8, 0.51%, 0.61%

LAB 75.59, -43.18, 22.03

 

CMYK 53 / 0 / 34 / 26

HEX #59BC7D

RGB 89 188 125

HSL 141.82, 0.42%, 0.54%

LAB 69.16, -43.32, 23.26

 

CMYK 58 / 0 / 38 / 33

HEX #48AA6A

RGB 72 170 106

HSL 140.82, 0.4%, 0.47%

LAB 62.65, -43.36, 24.6

 

CMYK 42 / 0 / 25 / 5

HEX #8CF2B6

RGB 140 242 182

HSL 144.71, 0.8%, 0.75%

LAB 88.19, -42.76, 19.82

 

CMYK 42 / 0 / 36 / 5

HEX #8CF29A

RGB 140 242 154

HSL 128.24, 0.8%, 0.75%

LAB 87.69, -47.64, 33.41

 

CMYK 37 / 0 / 42 / 5

HEX #99F28C

RGB 153 242 140

HSL 112.35, 0.8%, 0.75%

LAB 88.05, -45.88, 40.94

 

CMYK 26 / 0 / 42 / 5

HEX #B4F28C

RGB 180 242 140

HSL 96.47, 0.8%, 0.75%

LAB 89.44, -37.05, 43

 

CMYK 14 / 0 / 42 / 5

HEX #D0F28C

RGB 208 242 140

HSL 80, 0.8%, 0.75%

LAB 91.15, -27.05, 45.51

 

CMYK 42 / 0 / 25 / 5

HEX #8CF2B6

RGB 140 242 182

HSL 144.71, 0.8%, 0.75%

LAB 88.19, -42.76, 19.82

 

CMYK 42 / 0 / 14 / 5

HEX #8CF2D1

RGB 140 242 209

HSL 160.59, 0.8%, 0.75%

LAB 88.77, -37.3, 6.65

 

CMYK 42 / 0 / 2 / 5

HEX #8CF2ED

RGB 140 242 237

HSL 177.06, 0.8%, 0.75%

LAB 89.48, -30.93, -6.92

 

CMYK 42 / 10 / 0 / 5

HEX #8CDBF2

RGB 140 219 242

HSL 193.53, 0.8%, 0.75%

LAB 83.26, -18.44, -18.86

 

CMYK 42 / 21 / 0 / 5

HEX #8CC0F2

RGB 140 192 242

HSL 209.41, 0.8%, 0.75%

LAB 75.88, -4.33, -30.11

 

CMYK 42 / 0 / 25 / 5

HEX #8CF2B6

RGB 140 242 182

HSL 144.71, 0.8%, 0.75%

LAB 88.19, -42.76, 19.82

 

CMYK 49 / 0 / 29 / 1

HEX #81FCB4

RGB 129 252 180

HSL 144.88, 0.95%, 0.75%

LAB 90.59, -50.23, 24.1

 

CMYK 42 / 0 / 25 / 5

HEX #8CF2B6

RGB 140 242 182

HSL 144.71, 0.8%, 0.75%

LAB 88.19, -42.76, 19.82

 

CMYK 35 / 0 / 20 / 9

HEX #96E7B8

RGB 150 231 184

HSL 145.19, 0.63%, 0.75%

LAB 85.55, -34.62, 15.16

 

CMYK 28 / 0 / 16 / 13

HEX #A0DDB9

RGB 160 221 185

HSL 144.59, 0.47%, 0.75%

LAB 83.28, -26.71, 11.49

 

CMYK 19 / 0 / 11 / 17

HEX #ABD3BB

RGB 171 211 187

HSL 144, 0.31%, 0.75%

LAB 81.2, -17.89, 7.55

 

CMYK 10 / 0 / 5 / 22

HEX #B5C8BD

RGB 181 200 189

HSL 145.26, 0.15%, 0.75%

LAB 78.93, -8.55, 3.29

 

CMYK 37 / 0 / 42 / 5

HEX #99F28C

RGB 153 242 140

HSL 112.35, 0.8%, 0.75%

LAB 88.05, -45.88, 40.94

 

CMYK 42 / 0 / 37 / 5

HEX #8CF299

RGB 140 242 153

HSL 127.65, 0.8%, 0.75%

LAB 87.67, -47.8, 33.89

 

CMYK 42 / 0 / 25 / 5

HEX #8CF2B5

RGB 140 242 181

HSL 144.12, 0.8%, 0.75%

LAB 88.17, -42.95, 20.31

 

CMYK 42 / 0 / 14 / 5

HEX #8CF2D0

RGB 140 242 208

HSL 160, 0.8%, 0.75%

LAB 88.75, -37.51, 7.13

 

CMYK 42 / 0 / 3 / 5

HEX #8CF2EB

RGB 140 242 235

HSL 175.88, 0.8%, 0.75%

LAB 89.43, -31.41, -5.96

 

CMYK 72 / 0 / 42 / 9

HEX #41E987

RGB 65 233 135

HSL 145, 0.79%, 0.58%

LAB 82.46, -63.67, 35.63

 

CMYK 57 / 0 / 34 / 7

HEX #67EE9E

RGB 103 238 158

HSL 144.44, 0.8%, 0.67%

LAB 85.25, -54.57, 27.89

 

CMYK 42 / 0 / 25 / 5

HEX #8CF2B6

RGB 140 242 182

HSL 144.71, 0.8%, 0.75%

LAB 88.19, -42.76, 19.82

 

CMYK 28 / 0 / 17 / 4

HEX #B1F6CD

RGB 177 246 205

HSL 144.35, 0.79%, 0.83%

LAB 91.53, -29.63, 12.91

 

CMYK 14 / 0 / 8 / 2

HEX #D6FAE5

RGB 214 250 229

HSL 145, 0.78%, 0.91%

LAB 95.3, -15.53, 6.18

 

CMYK 42 / 0 / 25 / 5

HEX #8CF2B6

RGB 140 242 182

HSL 144.71, 0.8%, 0.75%

LAB 88.19, -42.76, 19.82

 

CMYK 42 / 25 / 0 / 5

HEX #8CB5F2

RGB 140 181 242

HSL 215.88, 0.8%, 0.75%

LAB 72.91, 1.67, -34.68

 

CMYK 0 / 42 / 42 / 5

HEX #F28C8C

RGB 242 140 140

HSL 0, 0.8%, 0.75%

LAB 69.13, 38.64, 16.97

 

CMYK 42 / 0 / 25 / 5

HEX #8CF2B6

RGB 140 242 182

HSL 144.71, 0.8%, 0.75%

LAB 88.19, -42.76, 19.82

 

CMYK 25 / 42 / 0 / 5

HEX #B58CF2

RGB 181 140 242

HSL 264.12, 0.8%, 0.75%

LAB 65.74, 35.8, -45.66

 

CMYK 0 / 25 / 42 / 5

HEX #F2B58C

RGB 242 181 140

HSL 24.12, 0.8%, 0.75%

LAB 78.36, 17.09, 29.5

 

CMYK 42 / 0 / 25 / 5

HEX #8CF2B6

RGB 140 242 182

HSL 144.71, 0.8%, 0.75%

LAB 88.19, -42.76, 19.82

 

CMYK 42 / 25 / 0 / 5

HEX #8CB5F2

RGB 140 181 242

HSL 215.88, 0.8%, 0.75%

LAB 72.91, 1.67, -34.68

 

CMYK 0 / 42 / 17 / 5

HEX #F28CC9

RGB 242 140 201

HSL 324.12, 0.8%, 0.75%

LAB 70.77, 46.51, -14.69

 

CMYK 0 / 17 / 42 / 5

HEX #F2C98C

RGB 242 201 140

HSL 35.88, 0.8%, 0.75%

LAB 83.2, 6.59, 35.88

 

CMYK 42 / 0 / 25 / 5

HEX #8CF2B6

RGB 140 242 182

HSL 144.71, 0.8%, 0.75%

LAB 88.19, -42.76, 19.82

 

CMYK 42 / 38 / 0 / 5

HEX #8C96F2

RGB 140 150 242

HSL 234.12, 0.8%, 0.75%

LAB 64.8, 19.24, -47.36

 

CMYK 0 / 42 / 17 / 5

HEX #F28CC9

RGB 242 140 201

HSL 324.12, 0.8%, 0.75%

LAB 70.77, 46.51, -14.69

 

CMYK 0 / 4 / 42 / 5

HEX #F2E88C

RGB 242 232 140

HSL 54.12, 0.8%, 0.75%

LAB 91, -9.23, 45.86

 

Description

Color code: RGB 140 242 182 | qconv.com Color code: RGB 140 242 182 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 242 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 242 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 25 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 25% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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