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Color name
RGB 140 58 112

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 58 112 it is the complementary color RGB 115 197 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 58 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 58 112 shade: RGB 145 58 107, RGB 162 76 126, RGB 179 94 145, RGB 196 112 164 and RGB 213 130 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 58 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 58 112 shade: RGB 140 58 112, RGB 123 40 93, RGB 106 22 74, RGB 89 4 55 and RGB 72 0 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 58 112 shade: RGB 140 58 112, RGB 140 58 90, RGB 140 58 68 and RGB 140 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 58 112 shade: RGB 140 58 112, RGB 140 58 134, RGB 124 58 140, RGB 102 58 140 and RGB 80 58 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 58 112 shade matches the following richer shades: RGB 140 58 112, RGB 156 42 117, RGB 172 26 122 and RGB 188 10 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 58 112 shade: RGB 140 58 112, RGB 124 74 107, RGB 108 90 102, RGB 91 106 97 and RGB 75 123 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 58 112 shade: RGB 123 58 140, RGB 140 58 134, RGB 140 58 113, RGB 140 58 91 and RGB 140 58 69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 58 112 shade: RGB 82 34 65, RGB 111 46 89, RGB 140 58 112, RGB 169 70 135 and RGB 187 93 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 58 112 shade: RGB 140 58 112, RGB 140 102 58 and RGB 58 140 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 58 112 shade: RGB 140 58 112, RGB 113 140 58 and RGB 58 113 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 58 112 shade: RGB 140 58 112, RGB 140 102 58, RGB 58 140 85 and RGB 58 96 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 58 112 shade: RGB 140 58 112, RGB 140 126 58, RGB 58 140 85 and RGB 58 72 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 20 / 45

HEX #8C3A70

RGB 140 58 112

HSL 320.49, 0.41%, 0.39%

LAB 37.43, 41.41, -14.32

 

Complementary color

CMYK 42 / 0 / 27 / 23

HEX #73C58F

RGB 115 197 143

HSL 140.49, 0.41%, 0.61%

LAB 73.26, -36.92, 19.42

 

CMYK 0 / 60 / 26 / 43

HEX #913A6B

RGB 145 58 107

HSL 326.21, 0.43%, 0.4%

LAB 38.03, 42.27, -10.19

 

CMYK 0 / 53 / 22 / 36

HEX #A24C7E

RGB 162 76 126

HSL 325.12, 0.36%, 0.47%

LAB 44.74, 41.66, -11.54

 

CMYK 0 / 47 / 19 / 30

HEX #B35E91

RGB 179 94 145

HSL 324, 0.36%, 0.54%

LAB 51.42, 40.91, -12.61

 

CMYK 0 / 43 / 16 / 23

HEX #C470A4

RGB 196 112 164

HSL 322.86, 0.42%, 0.6%

LAB 58.04, 40.12, -13.5

 

CMYK 0 / 39 / 14 / 16

HEX #D582B7

RGB 213 130 183

HSL 321.69, 0.5%, 0.67%

LAB 64.59, 39.34, -14.27

 

CMYK 0 / 59 / 20 / 45

HEX #8C3A70

RGB 140 58 112

HSL 320.49, 0.41%, 0.39%

LAB 37.43, 41.41, -14.32

 

CMYK 0 / 67 / 24 / 52

HEX #7B285D

RGB 123 40 93

HSL 321.69, 0.51%, 0.32%

LAB 30.69, 41.71, -12.77

 

CMYK 0 / 79 / 30 / 58

HEX #6A164A

RGB 106 22 74

HSL 322.86, 0.66%, 0.25%

LAB 24.1, 41.28, -10.52

 

CMYK 0 / 96 / 38 / 65

HEX #590437

RGB 89 4 55

HSL 324, 0.91%, 0.18%

LAB 17.86, 39.55, -7.2

 

CMYK 0 / 100 / 50 / 72

HEX #480024

RGB 72 0 36

HSL 330, 1%, 0.14%

LAB 12.64, 34.41, -1.59

 

CMYK 0 / 59 / 20 / 45

HEX #8C3A70

RGB 140 58 112

HSL 320.49, 0.41%, 0.39%

LAB 37.43, 41.41, -14.32

 

CMYK 0 / 59 / 36 / 45

HEX #8C3A5A

RGB 140 58 90

HSL 336.59, 0.41%, 0.39%

LAB 36.63, 38.29, -1.63

 

CMYK 0 / 59 / 51 / 45

HEX #8C3A44

RGB 140 58 68

HSL 352.68, 0.41%, 0.39%

LAB 36.02, 35.82, 11.51

 

CMYK 0 / 59 / 59 / 45

HEX #8C3A3A

RGB 140 58 58

HSL 0, 0.41%, 0.39%

LAB 35.8, 34.93, 17.55

 

CMYK 0 / 59 / 20 / 45

HEX #8C3A70

RGB 140 58 112

HSL 320.49, 0.41%, 0.39%

LAB 37.43, 41.41, -14.32

 

CMYK 0 / 59 / 4 / 45

HEX #8C3A86

RGB 140 58 134

HSL 304.39, 0.41%, 0.39%

LAB 38.42, 45.11, -26.44

 

CMYK 11 / 59 / 0 / 45

HEX #7C3A8C

RGB 124 58 140

HSL 288.29, 0.41%, 0.39%

LAB 36.38, 41.77, -33.49

 

CMYK 27 / 59 / 0 / 45

HEX #663A8C

RGB 102 58 140

HSL 272.2, 0.41%, 0.39%

LAB 33.44, 35.79, -38.33

 

CMYK 43 / 59 / 0 / 45

HEX #503A8C

RGB 80 58 140

HSL 256.1, 0.41%, 0.39%

LAB 30.94, 30.17, -42.49

 

CMYK 0 / 59 / 20 / 45

HEX #8C3A70

RGB 140 58 112

HSL 320.49, 0.41%, 0.39%

LAB 37.43, 41.41, -14.32

 

CMYK 0 / 73 / 25 / 39

HEX #9C2A75

RGB 156 42 117

HSL 320.53, 0.58%, 0.39%

LAB 37.86, 53.65, -16.55

 

CMYK 0 / 85 / 29 / 33

HEX #AC1A7A

RGB 172 26 122

HSL 320.55, 0.74%, 0.39%

LAB 39.44, 62.82, -17

 

CMYK 0 / 95 / 32 / 26

HEX #BC0A7F

RGB 188 10 127

HSL 320.56, 0.9%, 0.39%

LAB 41.91, 69.37, -16.04

 

CMYK 0 / 59 / 20 / 45

HEX #8C3A70

RGB 140 58 112

HSL 320.49, 0.41%, 0.39%

LAB 37.43, 41.41, -14.32

 

CMYK 0 / 40 / 14 / 51

HEX #7C4A6B

RGB 124 74 107

HSL 320.4, 0.25%, 0.39%

LAB 38.28, 26.37, -10.12

 

CMYK 0 / 17 / 6 / 58

HEX #6C5A66

RGB 108 90 102

HSL 320, 0.09%, 0.39%

LAB 40.34, 9.62, -4.13

 

CMYK 14 / 0 / 8 / 58

HEX #5B6A61

RGB 91 106 97

HSL 144, 0.08%, 0.39%

LAB 43.35, -7.63, 3.14

 

CMYK 39 / 0 / 26 / 52

HEX #4B7B5B

RGB 75 123 91

HSL 140, 0.24%, 0.39%

LAB 47.52, -23.84, 12.46

 

CMYK 12 / 59 / 0 / 45

HEX #7B3A8C

RGB 123 58 140

HSL 287.56, 0.41%, 0.39%

LAB 36.23, 41.49, -33.72

 

CMYK 0 / 59 / 4 / 45

HEX #8C3A86

RGB 140 58 134

HSL 304.39, 0.41%, 0.39%

LAB 38.42, 45.11, -26.44

 

CMYK 0 / 59 / 19 / 45

HEX #8C3A71

RGB 140 58 113

HSL 319.76, 0.41%, 0.39%

LAB 37.47, 41.57, -14.88

 

CMYK 0 / 59 / 35 / 45

HEX #8C3A5B

RGB 140 58 91

HSL 335.85, 0.41%, 0.39%

LAB 36.66, 38.42, -2.22

 

CMYK 0 / 59 / 51 / 45

HEX #8C3A45

RGB 140 58 69

HSL 351.95, 0.41%, 0.39%

LAB 36.04, 35.92, 10.9

 

CMYK 0 / 59 / 21 / 68

HEX #522241

RGB 82 34 65

HSL 321.25, 0.41%, 0.23%

LAB 21.28, 26.73, -9.1

 

CMYK 0 / 59 / 20 / 56

HEX #6F2E59

RGB 111 46 89

HSL 320.31, 0.41%, 0.31%

LAB 29.55, 34.36, -12.08

 

CMYK 0 / 59 / 20 / 45

HEX #8C3A70

RGB 140 58 112

HSL 320.49, 0.41%, 0.39%

LAB 37.43, 41.41, -14.32

 

CMYK 0 / 59 / 20 / 34

HEX #A94687

RGB 169 70 135

HSL 320.61, 0.41%, 0.47%

LAB 45.03, 48.17, -16.46

 

CMYK 0 / 50 / 17 / 27

HEX #BB5D9B

RGB 187 93 155

HSL 320.43, 0.41%, 0.55%

LAB 52.69, 45.59, -16.49

 

CMYK 0 / 59 / 20 / 45

HEX #8C3A70

RGB 140 58 112

HSL 320.49, 0.41%, 0.39%

LAB 37.43, 41.41, -14.32

 

CMYK 0 / 27 / 59 / 45

HEX #8C663A

RGB 140 102 58

HSL 32.2, 0.41%, 0.39%

LAB 46.16, 10.05, 30.59

 

CMYK 59 / 0 / 4 / 45

HEX #3A8C86

RGB 58 140 134

HSL 175.61, 0.41%, 0.39%

LAB 53.36, -26.23, -4.28

 

CMYK 0 / 59 / 20 / 45

HEX #8C3A70

RGB 140 58 112

HSL 320.49, 0.41%, 0.39%

LAB 37.43, 41.41, -14.32

 

CMYK 19 / 0 / 59 / 45

HEX #718C3A

RGB 113 140 58

HSL 79.76, 0.41%, 0.39%

LAB 54.63, -22.99, 39.91

 

CMYK 59 / 19 / 0 / 45

HEX #3A718C

RGB 58 113 140

HSL 199.76, 0.41%, 0.39%

LAB 45.09, -9.82, -20.29

 

CMYK 0 / 59 / 20 / 45

HEX #8C3A70

RGB 140 58 112

HSL 320.49, 0.41%, 0.39%

LAB 37.43, 41.41, -14.32

 

CMYK 0 / 27 / 59 / 45

HEX #8C663A

RGB 140 102 58

HSL 32.2, 0.41%, 0.39%

LAB 46.16, 10.05, 30.59

 

CMYK 59 / 0 / 39 / 45

HEX #3A8C55

RGB 58 140 85

HSL 139.76, 0.41%, 0.39%

LAB 52.19, -37.87, 22.1

 

CMYK 59 / 31 / 0 / 45

HEX #3A608C

RGB 58 96 140

HSL 212.2, 0.41%, 0.39%

LAB 39.85, 0.42, -28.43

 

CMYK 0 / 59 / 20 / 45

HEX #8C3A70

RGB 140 58 112

HSL 320.49, 0.41%, 0.39%

LAB 37.43, 41.41, -14.32

 

CMYK 0 / 10 / 59 / 45

HEX #8C7E3A

RGB 140 126 58

HSL 49.76, 0.41%, 0.39%

LAB 52.73, -3.7, 38.33

 

CMYK 59 / 0 / 39 / 45

HEX #3A8C55

RGB 58 140 85

HSL 139.76, 0.41%, 0.39%

LAB 52.19, -37.87, 22.1

 

CMYK 59 / 49 / 0 / 45

HEX #3A488C

RGB 58 72 140

HSL 229.76, 0.41%, 0.39%

LAB 32.76, 15.98, -39.66

 

Description

Color code: RGB 140 58 112 | qconv.com Color code: RGB 140 58 112 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 58 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 58 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 20 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 20% 45% C M Y K

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Provide designers and agencies with accurate color values.

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