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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 86 57 it is the complementary color RGB 115 169 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 86 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 86 57 shade: RGB 145 86 52, RGB 162 104 71, RGB 179 122 90, RGB 196 140 109 and RGB 213 158 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 86 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 86 57 shade: RGB 140 86 57, RGB 123 68 38, RGB 106 50 19, RGB 89 32 0 and RGB 72 14 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 86 57 shade: RGB 141 86 57, RGB 141 64 57 and RGB 141 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 86 57 shade: RGB 141 86 57, RGB 141 109 57, RGB 141 131 57, RGB 127 141 57 and RGB 105 141 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 86 57 shade matches the following richer shades: RGB 141 86 57, RGB 157 82 41, RGB 173 77 25 and RGB 189 72 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 86 57 shade: RGB 141 86 57, RGB 125 91 73, RGB 109 96 89, RGB 92 101 105 and RGB 76 106 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 86 57 shade: RGB 141 57 74, RGB 141 63 57, RGB 141 85 57, RGB 141 107 57 and RGB 141 130 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 86 57 shade: RGB 82 50 33, RGB 111 68 45, RGB 141 86 57, RGB 170 104 69 and RGB 188 126 92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 86 57 shade: RGB 140 86 57, RGB 96 141 57 and RGB 57 63 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 86 57 shade: RGB 140 86 57, RGB 57 141 85 and RGB 85 57 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 86 57 shade: RGB 140 86 57, RGB 96 141 57, RGB 57 113 141 and RGB 102 57 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 86 57 shade: RGB 140 86 57, RGB 71 141 57, RGB 57 113 141 and RGB 127 57 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 59 / 45

HEX #8C5639

RGB 140 86 57

HSL 20.96, 0.42%, 0.39%

LAB 42.04, 19.31, 26.12

 

Complementary color

CMYK 42 / 15 / 0 / 22

HEX #73A9C6

RGB 115 169 198

HSL 200.96, 0.42%, 0.61%

LAB 66.59, -10.18, -20.4

 

CMYK 0 / 41 / 64 / 43

HEX #915634

RGB 145 86 52

HSL 21.94, 0.47%, 0.39%

LAB 42.65, 21.11, 29.88

 

CMYK 0 / 36 / 56 / 36

HEX #A26847

RGB 162 104 71

HSL 21.76, 0.39%, 0.46%

LAB 49.54, 19.71, 28.08

 

CMYK 0 / 32 / 50 / 30

HEX #B37A5A

RGB 179 122 90

HSL 21.57, 0.37%, 0.53%

LAB 56.33, 18.52, 26.45

 

CMYK 0 / 29 / 44 / 23

HEX #C48C6D

RGB 196 140 109

HSL 21.38, 0.42%, 0.6%

LAB 63.01, 17.5, 25

 

CMYK 0 / 26 / 40 / 16

HEX #D59E80

RGB 213 158 128

HSL 21.18, 0.5%, 0.67%

LAB 69.58, 16.62, 23.67

 

CMYK 0 / 39 / 59 / 45

HEX #8C5639

RGB 140 86 57

HSL 20.96, 0.42%, 0.39%

LAB 42.04, 19.31, 26.12

 

CMYK 0 / 45 / 69 / 52

HEX #7B4426

RGB 123 68 38

HSL 21.18, 0.53%, 0.32%

LAB 34.97, 20.85, 28.06

 

CMYK 0 / 53 / 82 / 58

HEX #6A3213

RGB 106 50 19

HSL 21.38, 0.7%, 0.25%

LAB 27.82, 22.68, 30.12

 

CMYK 0 / 64 / 100 / 65

HEX #592000

RGB 89 32 0

HSL 21.57, 1%, 0.17%

LAB 20.66, 24.67, 30.4

 

CMYK 0 / 81 / 100 / 72

HEX #480E00

RGB 72 14 0

HSL 11.67, 1%, 0.14%

LAB 13.78, 26.61, 21.22

 

CMYK 0 / 39 / 60 / 45

HEX #8D5639

RGB 141 86 57

HSL 20.71, 0.42%, 0.39%

LAB 42.18, 19.75, 26.32

 

CMYK 0 / 55 / 60 / 45

HEX #8D4039

RGB 141 64 57

HSL 5, 0.42%, 0.39%

LAB 37.16, 32.1, 19.97

 

CMYK 0 / 60 / 60 / 45

HEX #8D3939

RGB 141 57 57

HSL 0, 0.42%, 0.39%

LAB 35.76, 35.73, 18.15

 

CMYK 0 / 39 / 60 / 45

HEX #8D5639

RGB 141 86 57

HSL 20.71, 0.42%, 0.39%

LAB 42.18, 19.75, 26.32

 

CMYK 0 / 23 / 60 / 45

HEX #8D6D39

RGB 141 109 57

HSL 37.14, 0.42%, 0.39%

LAB 48.13, 6.35, 33.51

 

CMYK 0 / 7 / 60 / 45

HEX #8D8339

RGB 141 131 57

HSL 52.86, 0.42%, 0.39%

LAB 54.23, -6.11, 40.55

 

CMYK 10 / 0 / 60 / 45

HEX #7F8D39

RGB 127 141 57

HSL 70, 0.42%, 0.39%

LAB 55.94, -17.67, 42.15

 

CMYK 26 / 0 / 60 / 45

HEX #698D39

RGB 105 141 57

HSL 85.71, 0.42%, 0.39%

LAB 54.39, -26.84, 39.99

 

CMYK 0 / 39 / 60 / 45

HEX #8D5639

RGB 141 86 57

HSL 20.71, 0.42%, 0.39%

LAB 42.18, 19.75, 26.32

 

CMYK 0 / 48 / 74 / 38

HEX #9D5229

RGB 157 82 41

HSL 21.21, 0.59%, 0.39%

LAB 43.3, 27.86, 37.1

 

CMYK 0 / 55 / 86 / 32

HEX #AD4D19

RGB 173 77 25

HSL 21.08, 0.75%, 0.39%

LAB 44.61, 36.47, 46.79

 

CMYK 0 / 62 / 95 / 26

HEX #BD4809

RGB 189 72 9

HSL 21, 0.91%, 0.39%

LAB 46.28, 44.73, 54.48

 

CMYK 0 / 39 / 60 / 45

HEX #8D5639

RGB 141 86 57

HSL 20.71, 0.42%, 0.39%

LAB 42.18, 19.75, 26.32

 

CMYK 0 / 27 / 42 / 51

HEX #7D5B49

RGB 125 91 73

HSL 20.77, 0.26%, 0.39%

LAB 41.73, 11.42, 15.84

 

CMYK 0 / 12 / 18 / 57

HEX #6D6059

RGB 109 96 89

HSL 21, 0.1%, 0.39%

LAB 41.75, 3.94, 5.9

 

CMYK 12 / 4 / 0 / 59

HEX #5C6569

RGB 92 101 105

HSL 198.46, 0.07%, 0.39%

LAB 42.16, -2.55, -3.44

 

CMYK 38 / 13 / 0 / 52

HEX #4C6A7A

RGB 76 106 122

HSL 200.87, 0.23%, 0.39%

LAB 43.14, -6.55, -12.4

 

CMYK 0 / 60 / 48 / 45

HEX #8D394A

RGB 141 57 74

HSL 347.86, 0.42%, 0.39%

LAB 36.14, 37.29, 7.88

 

CMYK 0 / 55 / 60 / 45

HEX #8D3F39

RGB 141 63 57

HSL 4.29, 0.42%, 0.39%

LAB 36.95, 32.63, 19.7

 

CMYK 0 / 40 / 60 / 45

HEX #8D5539

RGB 141 85 57

HSL 20, 0.42%, 0.39%

LAB 41.93, 20.33, 26.01

 

CMYK 0 / 24 / 60 / 45

HEX #8D6B39

RGB 141 107 57

HSL 35.71, 0.42%, 0.39%

LAB 47.59, 7.51, 32.88

 

CMYK 0 / 8 / 60 / 45

HEX #8D8239

RGB 141 130 57

HSL 52.14, 0.42%, 0.39%

LAB 53.95, -5.56, 40.23

 

CMYK 0 / 39 / 60 / 68

HEX #523221

RGB 82 50 33

HSL 20.82, 0.43%, 0.23%

LAB 24.27, 12.43, 16.77

 

CMYK 0 / 39 / 59 / 56

HEX #6F442D

RGB 111 68 45

HSL 20.91, 0.42%, 0.31%

LAB 33.36, 15.96, 21.57

 

CMYK 0 / 39 / 60 / 45

HEX #8D5639

RGB 141 86 57

HSL 20.71, 0.42%, 0.39%

LAB 42.18, 19.75, 26.32

 

CMYK 0 / 39 / 59 / 33

HEX #AA6845

RGB 170 104 69

HSL 20.79, 0.42%, 0.47%

LAB 50.54, 22.95, 30.67

 

CMYK 0 / 33 / 51 / 26

HEX #BC7E5C

RGB 188 126 92

HSL 21.25, 0.42%, 0.55%

LAB 58.4, 20.23, 28.23

 

CMYK 0 / 39 / 59 / 45

HEX #8C5639

RGB 140 86 57

HSL 20.96, 0.42%, 0.39%

LAB 42.04, 19.31, 26.12

 

CMYK 32 / 0 / 60 / 45

HEX #608D39

RGB 96 141 57

HSL 92.14, 0.42%, 0.39%

LAB 53.85, -30.35, 39.22

 

CMYK 60 / 55 / 0 / 45

HEX #393F8D

RGB 57 63 141

HSL 235.71, 0.42%, 0.39%

LAB 30.27, 22.13, -44.28

 

CMYK 0 / 39 / 59 / 45

HEX #8C5639

RGB 140 86 57

HSL 20.96, 0.42%, 0.39%

LAB 42.04, 19.31, 26.12

 

CMYK 60 / 0 / 40 / 45

HEX #398D55

RGB 57 141 85

HSL 140, 0.42%, 0.39%

LAB 52.48, -38.55, 22.48

 

CMYK 40 / 60 / 0 / 45

HEX #55398D

RGB 85 57 141

HSL 260, 0.42%, 0.39%

LAB 31.3, 32.29, -42.49

 

CMYK 0 / 39 / 59 / 45

HEX #8C5639

RGB 140 86 57

HSL 20.96, 0.42%, 0.39%

LAB 42.04, 19.31, 26.12

 

CMYK 32 / 0 / 60 / 45

HEX #608D39

RGB 96 141 57

HSL 92.14, 0.42%, 0.39%

LAB 53.85, -30.35, 39.22

 

CMYK 60 / 20 / 0 / 45

HEX #39718D

RGB 57 113 141

HSL 200, 0.42%, 0.39%

LAB 45.09, -9.71, -20.89

 

CMYK 28 / 60 / 0 / 45

HEX #66398D

RGB 102 57 141

HSL 272.14, 0.42%, 0.39%

LAB 33.29, 36.6, -39.19

 

CMYK 0 / 39 / 59 / 45

HEX #8C5639

RGB 140 86 57

HSL 20.96, 0.42%, 0.39%

LAB 42.04, 19.31, 26.12

 

CMYK 50 / 0 / 60 / 45

HEX #478D39

RGB 71 141 57

HSL 110, 0.42%, 0.39%

LAB 52.6, -39, 37.46

 

CMYK 60 / 20 / 0 / 45

HEX #39718D

RGB 57 113 141

HSL 200, 0.42%, 0.39%

LAB 45.09, -9.71, -20.89

 

CMYK 10 / 60 / 0 / 45

HEX #7F398D

RGB 127 57 141

HSL 290, 0.42%, 0.39%

LAB 36.67, 43.31, -33.61

 

Description

Color code: RGB 140 86 57 | qconv.com Color code: RGB 140 86 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 86 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 86 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 59 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 59% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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