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Color name
RGB 140 97 77

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 97 77 it is the complementary color RGB 115 158 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 97 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 97 77 shade: RGB 145 97 72, RGB 162 115 91, RGB 179 133 110, RGB 196 151 129 and RGB 213 169 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 97 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 97 77 shade: RGB 140 97 77, RGB 123 79 58, RGB 106 61 39, RGB 89 43 20 and RGB 72 25 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 97 77 shade: RGB 141 98 77, RGB 141 80 77 and RGB 141 77 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 97 77 shade: RGB 141 98 77, RGB 141 115 77, RGB 141 132 77, RGB 133 141 77 and RGB 116 141 77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 97 77 shade matches the following richer shades: RGB 141 98 77, RGB 159 91 60, RGB 176 85 42, RGB 194 78 24 and RGB 212 72 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 97 77 shade: RGB 141 98 77, RGB 123 104 95, RGB 105 110 113, RGB 88 117 131 and RGB 70 123 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 97 77 shade: RGB 141 77 91, RGB 141 81 77, RGB 141 97 77, RGB 141 114 77 and RGB 141 131 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 97 77 shade: RGB 88 61 48, RGB 114 79 63, RGB 141 98 77, RGB 166 117 94 and RGB 181 139 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 97 77 shade: RGB 140 97 77, RGB 108 141 77 and RGB 77 83 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 97 77 shade: RGB 140 97 77, RGB 77 141 97 and RGB 97 77 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 97 77 shade: RGB 140 97 77, RGB 108 141 77, RGB 77 121 141 and RGB 110 77 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 97 77 shade: RGB 140 97 77, RGB 89 141 77, RGB 77 121 141 and RGB 129 77 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 45 / 45

HEX #8C614D

RGB 140 97 77

HSL 19.05, 0.29%, 0.43%

LAB 45.17, 14.88, 18.39

 

Complementary color

CMYK 35 / 11 / 0 / 30

HEX #739EB2

RGB 115 158 178

HSL 199.05, 0.29%, 0.57%

LAB 62.77, -9.5, -15.04

 

CMYK 0 / 33 / 50 / 43

HEX #916148

RGB 145 97 72

HSL 20.55, 0.34%, 0.43%

LAB 45.68, 16.5, 22.13

 

CMYK 0 / 29 / 44 / 36

HEX #A2735B

RGB 162 115 91

HSL 20.28, 0.28%, 0.5%

LAB 52.62, 15.45, 20.63

 

CMYK 0 / 26 / 39 / 30

HEX #B3856E

RGB 179 133 110

HSL 20, 0.31%, 0.57%

LAB 59.42, 14.56, 19.29

 

CMYK 0 / 23 / 34 / 23

HEX #C49781

RGB 196 151 129

HSL 19.7, 0.36%, 0.64%

LAB 66.1, 13.79, 18.08

 

CMYK 0 / 21 / 31 / 16

HEX #D5A994

RGB 213 169 148

HSL 19.38, 0.44%, 0.71%

LAB 72.67, 13.13, 16.97

 

CMYK 0 / 31 / 45 / 45

HEX #8C614D

RGB 140 97 77

HSL 19.05, 0.29%, 0.43%

LAB 45.17, 14.88, 18.39

 

CMYK 0 / 36 / 53 / 52

HEX #7B4F3A

RGB 123 79 58

HSL 19.38, 0.36%, 0.35%

LAB 38.04, 16.01, 19.98

 

CMYK 0 / 42 / 63 / 58

HEX #6A3D27

RGB 106 61 39

HSL 19.7, 0.46%, 0.28%

LAB 30.76, 17.4, 21.84

 

CMYK 0 / 52 / 78 / 65

HEX #592B14

RGB 89 43 20

HSL 20, 0.63%, 0.21%

LAB 23.35, 19.12, 24.01

 

CMYK 0 / 65 / 99 / 72

HEX #481901

RGB 72 25 1

HSL 20.28, 0.97%, 0.14%

LAB 15.88, 21.06, 23.51

 

CMYK 0 / 30 / 45 / 45

HEX #8D624D

RGB 141 98 77

HSL 19.69, 0.29%, 0.43%

LAB 45.54, 14.73, 18.91

 

CMYK 0 / 43 / 45 / 45

HEX #8D504D

RGB 141 80 77

HSL 2.81, 0.29%, 0.43%

LAB 41.11, 25.17, 12.91

 

CMYK 0 / 45 / 45 / 45

HEX #8D4D4D

RGB 141 77 77

HSL 0, 0.29%, 0.43%

LAB 40.42, 26.88, 11.96

 

CMYK 0 / 30 / 45 / 45

HEX #8D624D

RGB 141 98 77

HSL 19.69, 0.29%, 0.43%

LAB 45.54, 14.73, 18.91

 

CMYK 0 / 18 / 45 / 45

HEX #8D734D

RGB 141 115 77

HSL 35.63, 0.29%, 0.43%

LAB 50.05, 4.83, 24.83

 

CMYK 0 / 6 / 45 / 45

HEX #8D844D

RGB 141 132 77

HSL 51.56, 0.29%, 0.43%

LAB 54.76, -4.79, 30.82

RGB 141 132 77

CMYK 6 / 0 / 45 / 45

HEX #858D4D

RGB 133 141 77

HSL 67.5, 0.29%, 0.43%

LAB 56.66, -13.14, 33.03

RGB 133 141 77

CMYK 18 / 0 / 45 / 45

HEX #748D4D

RGB 116 141 77

HSL 83.44, 0.29%, 0.43%

LAB 55.38, -20.18, 31.16

RGB 116 141 77

CMYK 0 / 30 / 45 / 45

HEX #8D624D

RGB 141 98 77

HSL 19.69, 0.29%, 0.43%

LAB 45.54, 14.73, 18.91

 

CMYK 0 / 43 / 62 / 38

HEX #9F5B3C

RGB 159 91 60

HSL 18.79, 0.45%, 0.43%

LAB 45.88, 24.89, 29.7

 

CMYK 0 / 52 / 76 / 31

HEX #B0552A

RGB 176 85 42

HSL 19.25, 0.61%, 0.43%

LAB 46.84, 34.14, 41.18

 

CMYK 0 / 60 / 88 / 24

HEX #C24E18

RGB 194 78 24

HSL 19.06, 0.78%, 0.43%

LAB 48.24, 44.05, 51.6

 

CMYK 0 / 66 / 97 / 17

HEX #D44806

RGB 212 72 6

HSL 19.22, 0.94%, 0.43%

LAB 50.27, 52.89, 59.65

 

CMYK 0 / 30 / 45 / 45

HEX #8D624D

RGB 141 98 77

HSL 19.69, 0.29%, 0.43%

LAB 45.54, 14.73, 18.91

 

CMYK 0 / 15 / 23 / 52

HEX #7B685F

RGB 123 104 95

HSL 19.29, 0.13%, 0.43%

LAB 45.55, 6.01, 7.87

 

CMYK 7 / 3 / 0 / 56

HEX #696E71

RGB 105 110 113

HSL 202.5, 0.04%, 0.43%

LAB 46.11, -1.26, -2.33

 

CMYK 33 / 11 / 0 / 49

HEX #587583

RGB 88 117 131

HSL 199.53, 0.2%, 0.43%

LAB 47.54, -6.83, -11.06

 

CMYK 53 / 17 / 0 / 42

HEX #467B94

RGB 70 123 148

HSL 199.23, 0.36%, 0.43%

LAB 49.01, -10.31, -18.95

 

CMYK 0 / 45 / 35 / 45

HEX #8D4D5B

RGB 141 77 91

HSL 346.88, 0.29%, 0.43%

LAB 40.78, 28.6, 3.79

 

CMYK 0 / 43 / 45 / 45

HEX #8D514D

RGB 141 81 77

HSL 3.75, 0.29%, 0.43%

LAB 41.35, 24.6, 13.24

 

CMYK 0 / 31 / 45 / 45

HEX #8D614D

RGB 141 97 77

HSL 18.75, 0.29%, 0.43%

LAB 45.29, 15.31, 18.57

 

CMYK 0 / 19 / 45 / 45

HEX #8D724D

RGB 141 114 77

HSL 34.69, 0.29%, 0.43%

LAB 49.78, 5.41, 24.47

 

CMYK 0 / 7 / 45 / 45

HEX #8D834D

RGB 141 131 77

HSL 50.63, 0.29%, 0.43%

LAB 54.48, -4.24, 30.47

 

CMYK 0 / 31 / 45 / 65

HEX #583D30

RGB 88 61 48

HSL 19.5, 0.29%, 0.27%

LAB 28.45, 9.98, 12.72

 

CMYK 0 / 31 / 45 / 55

HEX #724F3F

RGB 114 79 63

HSL 18.82, 0.29%, 0.35%

LAB 36.98, 12.55, 15.32

 

CMYK 0 / 30 / 45 / 45

HEX #8D624D

RGB 141 98 77

HSL 19.69, 0.29%, 0.43%

LAB 45.54, 14.73, 18.91

 

CMYK 0 / 30 / 43 / 35

HEX #A6755E

RGB 166 117 94

HSL 19.17, 0.29%, 0.51%

LAB 53.64, 16.33, 20.35

 

CMYK 0 / 23 / 34 / 29

HEX #B58B78

RGB 181 139 120

HSL 18.69, 0.29%, 0.59%

LAB 61.35, 13.28, 16.32

 

CMYK 0 / 31 / 45 / 45

HEX #8C614D

RGB 140 97 77

HSL 19.05, 0.29%, 0.43%

LAB 45.17, 14.88, 18.39

 

CMYK 23 / 0 / 45 / 45

HEX #6C8D4D

RGB 108 141 77

HSL 90.94, 0.29%, 0.43%

LAB 54.84, -23.36, 30.37

 

CMYK 45 / 41 / 0 / 45

HEX #4D538D

RGB 77 83 141

HSL 234.38, 0.29%, 0.43%

LAB 37.28, 13.74, -33

 

CMYK 0 / 31 / 45 / 45

HEX #8C614D

RGB 140 97 77

HSL 19.05, 0.29%, 0.43%

LAB 45.17, 14.88, 18.39

 

CMYK 45 / 0 / 31 / 45

HEX #4D8D61

RGB 77 141 97

HSL 138.75, 0.29%, 0.43%

LAB 53.48, -30.84, 17.24

 

CMYK 31 / 45 / 0 / 45

HEX #614D8D

RGB 97 77 141

HSL 258.75, 0.29%, 0.43%

LAB 37.43, 23.23, -32.64

 

CMYK 0 / 31 / 45 / 45

HEX #8C614D

RGB 140 97 77

HSL 19.05, 0.29%, 0.43%

LAB 45.17, 14.88, 18.39

 

CMYK 23 / 0 / 45 / 45

HEX #6C8D4D

RGB 108 141 77

HSL 90.94, 0.29%, 0.43%

LAB 54.84, -23.36, 30.37

 

CMYK 45 / 14 / 0 / 45

HEX #4D798D

RGB 77 121 141

HSL 198.75, 0.29%, 0.43%

LAB 48.48, -9.51, -15.61

 

CMYK 22 / 45 / 0 / 45

HEX #6E4D8D

RGB 110 77 141

HSL 270.94, 0.29%, 0.43%

LAB 38.8, 27.15, -30.38

 

CMYK 0 / 31 / 45 / 45

HEX #8C614D

RGB 140 97 77

HSL 19.05, 0.29%, 0.43%

LAB 45.17, 14.88, 18.39

 

CMYK 37 / 0 / 45 / 45

HEX #598D4D

RGB 89 141 77

HSL 108.75, 0.29%, 0.43%

LAB 53.72, -30.4, 28.72

 

CMYK 45 / 14 / 0 / 45

HEX #4D798D

RGB 77 121 141

HSL 198.75, 0.29%, 0.43%

LAB 48.48, -9.51, -15.61

 

CMYK 9 / 45 / 0 / 45

HEX #814D8D

RGB 129 77 141

HSL 288.75, 0.29%, 0.43%

LAB 41.05, 33.09, -26.7

 

Description

Color code: RGB 140 97 77 | qconv.com Color code: RGB 140 97 77 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 97 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 97 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 45 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 45% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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