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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 145 211 it is the complementary color RGB 114 110 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 145 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 145 211 shade: RGB 146 145 206, RGB 163 163 225, RGB 180 181 244, RGB 197 199 255 and RGB 214 217 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 145 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 145 211 shade: RGB 141 145 211, RGB 124 127 192, RGB 107 109 173, RGB 90 91 154 and RGB 73 73 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 145 211 shade: RGB 141 145 210, RGB 155 141 210, RGB 174 141 210, RGB 193 141 210 and RGB 210 141 209

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 145 211 shade: RGB 141 145 210 and RGB 141 141 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 145 211 shade matches the following richer shades: RGB 141 145 210, RGB 128 133 223, RGB 115 122 236 and RGB 102 111 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 145 211 shade: RGB 141 145 210, RGB 153 156 197, RGB 166 167 185, RGB 179 179 172 and RGB 192 190 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 145 211 shade: RGB 141 182 210, RGB 141 164 210, RGB 141 145 210, RGB 155 141 210 and RGB 173 141 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 145 211 shade: RGB 81 87 187, RGB 111 116 199, RGB 141 145 210, RGB 170 173 222 and RGB 200 202 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 145 211 shade: RGB 141 145 211, RGB 210 141 201 and RGB 173 210 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 145 211 shade: RGB 141 145 211, RGB 210 141 145 and RGB 145 210 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 145 211 shade: RGB 141 145 211, RGB 210 141 201, RGB 210 206 141 and RGB 141 210 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 145 211 shade: RGB 141 145 211, RGB 210 141 180, RGB 210 206 141 and RGB 141 210 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 31 / 0 / 17

HEX #8D91D3

RGB 141 145 211

HSL 236.57, 0.44%, 0.69%

LAB 62.18, 13.96, -34.3

 

Complementary color

CMYK 0 / 4 / 61 / 55

HEX #726E2C

RGB 114 110 44

HSL 56.57, 0.44%, 0.31%

LAB 45.51, -7.72, 36.51

 

CMYK 29 / 30 / 0 / 19

HEX #9291CE

RGB 146 145 206

HSL 240.98, 0.38%, 0.69%

LAB 62.35, 14.12, -31.21

 

CMYK 28 / 28 / 0 / 12

HEX #A3A3E1

RGB 163 163 225

HSL 240, 0.51%, 0.76%

LAB 69.05, 13.6, -31.27

 

CMYK 26 / 26 / 0 / 4

HEX #B4B5F4

RGB 180 181 244

HSL 239.06, 0.74%, 0.83%

LAB 75.63, 13.14, -31.36

 

CMYK 23 / 22 / 0 / 0

HEX #C5C7FF

RGB 197 199 255

HSL 237.93, 1%, 0.89%

LAB 81.8, 10.89, -27.66

 

CMYK 16 / 15 / 0 / 0

HEX #D6D9FF

RGB 214 217 255

HSL 235.61, 1%, 0.92%

LAB 87.55, 6.45, -18.81

 

CMYK 33 / 31 / 0 / 17

HEX #8D91D3

RGB 141 145 211

HSL 236.57, 0.44%, 0.69%

LAB 62.18, 13.96, -34.3

 

CMYK 35 / 34 / 0 / 25

HEX #7C7FC0

RGB 124 127 192

HSL 237.35, 0.35%, 0.62%

LAB 55.35, 14.59, -34.33

 

CMYK 38 / 37 / 0 / 32

HEX #6B6DAD

RGB 107 109 173

HSL 238.18, 0.29%, 0.55%

LAB 48.36, 15.32, -34.42

 

CMYK 42 / 41 / 0 / 40

HEX #5A5B9A

RGB 90 91 154

HSL 239.06, 0.26%, 0.48%

LAB 41.2, 16.19, -34.57

 

CMYK 46 / 46 / 0 / 47

HEX #494987

RGB 73 73 135

HSL 240, 0.3%, 0.41%

LAB 33.84, 17.25, -34.8

 

CMYK 33 / 31 / 0 / 18

HEX #8D91D2

RGB 141 145 210

HSL 236.52, 0.43%, 0.69%

LAB 62.14, 13.7, -33.8

 

CMYK 26 / 33 / 0 / 18

HEX #9B8DD2

RGB 155 141 210

HSL 252.17, 0.43%, 0.69%

LAB 62.23, 20.08, -33.58

 

CMYK 17 / 33 / 0 / 18

HEX #AE8DD2

RGB 174 141 210

HSL 268.7, 0.43%, 0.69%

LAB 63.92, 25.84, -30.83

 

CMYK 8 / 33 / 0 / 18

HEX #C18DD2

RGB 193 141 210

HSL 285.22, 0.43%, 0.69%

LAB 65.78, 31.78, -27.8

 

CMYK 0 / 33 / 0 / 18

HEX #D28DD1

RGB 210 141 209

HSL 300.87, 0.43%, 0.69%

LAB 67.54, 37, -24.38

 

CMYK 33 / 31 / 0 / 18

HEX #8D91D2

RGB 141 145 210

HSL 236.52, 0.43%, 0.69%

LAB 62.14, 13.7, -33.8

 

CMYK 33 / 33 / 0 / 18

HEX #8D8DD2

RGB 141 141 210

HSL 240, 0.43%, 0.69%

LAB 61.1, 16.01, -35.42

 

CMYK 33 / 31 / 0 / 18

HEX #8D91D2

RGB 141 145 210

HSL 236.52, 0.43%, 0.69%

LAB 62.14, 13.7, -33.8

 

CMYK 43 / 40 / 0 / 13

HEX #8085DF

RGB 128 133 223

HSL 236.84, 0.6%, 0.69%

LAB 58.69, 20.79, -46.55

 

CMYK 51 / 48 / 0 / 7

HEX #737AEC

RGB 115 122 236

HSL 236.53, 0.76%, 0.69%

LAB 55.71, 28.19, -58.61

 

CMYK 59 / 55 / 0 / 2

HEX #666FF9

RGB 102 111 249

HSL 236.33, 0.92%, 0.69%

LAB 52.99, 36.38, -70.27

 

CMYK 33 / 31 / 0 / 18

HEX #8D91D2

RGB 141 145 210

HSL 236.52, 0.43%, 0.69%

LAB 62.14, 13.7, -33.8

 

CMYK 22 / 21 / 0 / 23

HEX #999CC5

RGB 153 156 197

HSL 235.91, 0.28%, 0.69%

LAB 65.42, 7.78, -21.42

 

CMYK 10 / 10 / 0 / 27

HEX #A6A7B9

RGB 166 167 185

HSL 236.84, 0.12%, 0.69%

LAB 68.93, 3.24, -9.35

 

CMYK 0 / 0 / 4 / 30

HEX #B3B3AC

RGB 179 179 172

HSL 60, 0.04%, 0.69%

LAB 72.76, -1.28, 3.56

 

CMYK 0 / 1 / 17 / 25

HEX #C0BE9F

RGB 192 190 159

HSL 56.36, 0.21%, 0.69%

LAB 76.4, -4.54, 15.94

 

CMYK 33 / 13 / 0 / 18

HEX #8DB6D2

RGB 141 182 210

HSL 204.35, 0.43%, 0.69%

LAB 72.08, -7, -18.55

 

CMYK 33 / 22 / 0 / 18

HEX #8DA4D2

RGB 141 164 210

HSL 220, 0.43%, 0.69%

LAB 67.18, 2.88, -26.02

 

CMYK 33 / 31 / 0 / 18

HEX #8D91D2

RGB 141 145 210

HSL 236.52, 0.43%, 0.69%

LAB 62.14, 13.7, -33.8

 

CMYK 26 / 33 / 0 / 18

HEX #9B8DD2

RGB 155 141 210

HSL 252.17, 0.43%, 0.69%

LAB 62.23, 20.08, -33.58

 

CMYK 18 / 33 / 0 / 18

HEX #AD8DD2

RGB 173 141 210

HSL 267.83, 0.43%, 0.69%

LAB 63.83, 25.53, -30.98

 

CMYK 57 / 53 / 0 / 27

HEX #5157BB

RGB 81 87 187

HSL 236.6, 0.44%, 0.53%

LAB 41.46, 27.09, -53.7

 

CMYK 44 / 42 / 0 / 22

HEX #6F74C7

RGB 111 116 199

HSL 236.59, 0.44%, 0.61%

LAB 51.83, 19.7, -43.93

 

CMYK 33 / 31 / 0 / 18

HEX #8D91D2

RGB 141 145 210

HSL 236.52, 0.43%, 0.69%

LAB 62.14, 13.7, -33.8

 

CMYK 23 / 22 / 0 / 13

HEX #AAADDE

RGB 170 173 222

HSL 236.54, 0.44%, 0.77%

LAB 72.03, 9.4, -25

 

CMYK 14 / 13 / 0 / 9

HEX #C8CAE9

RGB 200 202 233

HSL 236.36, 0.43%, 0.85%

LAB 82.06, 5.42, -15.53

 

CMYK 33 / 31 / 0 / 17

HEX #8D91D3

RGB 141 145 211

HSL 236.57, 0.44%, 0.69%

LAB 62.18, 13.96, -34.3

 

CMYK 0 / 33 / 4 / 18

HEX #D28DC9

RGB 210 141 201

HSL 307.83, 0.43%, 0.69%

LAB 67.25, 35.54, -20.37

 

CMYK 18 / 0 / 33 / 18

HEX #ADD28D

RGB 173 210 141

HSL 92.17, 0.43%, 0.69%

LAB 80.12, -24.37, 30.3

 

CMYK 33 / 31 / 0 / 17

HEX #8D91D3

RGB 141 145 211

HSL 236.57, 0.44%, 0.69%

LAB 62.18, 13.96, -34.3

 

CMYK 0 / 33 / 31 / 18

HEX #D28D91

RGB 210 141 145

HSL 356.52, 0.43%, 0.69%

LAB 65.59, 26.77, 8.63

 

CMYK 31 / 0 / 33 / 18

HEX #91D28D

RGB 145 210 141

HSL 116.52, 0.43%, 0.69%

LAB 78.48, -34.03, 27.82

 

CMYK 33 / 31 / 0 / 17

HEX #8D91D3

RGB 141 145 211

HSL 236.57, 0.44%, 0.69%

LAB 62.18, 13.96, -34.3

 

CMYK 0 / 33 / 4 / 18

HEX #D28DC9

RGB 210 141 201

HSL 307.83, 0.43%, 0.69%

LAB 67.25, 35.54, -20.37

 

CMYK 0 / 2 / 33 / 18

HEX #D2CE8D

RGB 210 206 141

HSL 56.52, 0.43%, 0.69%

LAB 81.71, -8.45, 32.89

 

CMYK 33 / 0 / 29 / 18

HEX #8DD296

RGB 141 210 150

HSL 127.83, 0.43%, 0.69%

LAB 78.44, -33.82, 23.02

 

CMYK 33 / 31 / 0 / 17

HEX #8D91D3

RGB 141 145 211

HSL 236.57, 0.44%, 0.69%

LAB 62.18, 13.96, -34.3

 

CMYK 0 / 33 / 14 / 18

HEX #D28DB4

RGB 210 141 180

HSL 326.09, 0.43%, 0.69%

LAB 66.56, 31.94, -9.67

 

CMYK 0 / 2 / 33 / 18

HEX #D2CE8D

RGB 210 206 141

HSL 56.52, 0.43%, 0.69%

LAB 81.71, -8.45, 32.89

 

CMYK 33 / 0 / 19 / 18

HEX #8DD2AB

RGB 141 210 171

HSL 146.09, 0.43%, 0.69%

LAB 78.87, -29.94, 12.51

 

Description

Color code: RGB 141 145 211 | qconv.com Color code: RGB 141 145 211 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 145 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 145 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 31 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 31% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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