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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 147 128 it is the complementary color RGB 114 108 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 147 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 147 128 shade: RGB 146 147 123, RGB 163 165 142, RGB 180 183 161, RGB 197 201 180 and RGB 214 219 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 147 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 147 128 shade: RGB 141 147 128, RGB 124 129 109, RGB 107 111 90, RGB 90 93 71 and RGB 73 75 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 147 128 shade: RGB 141 147 128, RGB 146 147 128, RGB 147 142 128, RGB 147 137 128 and RGB 147 132 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 147 128 shade: RGB 141 147 128, RGB 136 147 128, RGB 131 147 128, RGB 128 147 130 and RGB 128 147 135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 147 128 shade matches the following richer shades: RGB 141 147 128, RGB 148 166 109, RGB 155 185 90, RGB 162 204 71 and RGB 169 223 52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 147 128 shade: RGB 141 147 128, RGB 134 128 147, RGB 127 109 166, RGB 120 90 185 and RGB 113 71 204

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 147 128 shade: RGB 147 142 128, RGB 146 147 128, RGB 141 147 128, RGB 136 147 128 and RGB 131 147 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 147 128 shade: RGB 99 104 88, RGB 120 126 107, RGB 141 147 128, RGB 161 166 150 and RGB 181 185 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 147 128 shade: RGB 141 147 128, RGB 128 147 137 and RGB 145 128 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 147 128 shade: RGB 141 147 128, RGB 128 141 147 and RGB 147 128 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 147 128 shade: RGB 141 147 128, RGB 128 147 137, RGB 133 128 147 and RGB 147 128 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 147 128 shade: RGB 141 147 128, RGB 128 147 143, RGB 133 128 147 and RGB 147 128 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 13 / 42

HEX #8D9380

RGB 141 147 128

HSL 78.95, 0.08%, 0.54%

LAB 59.97, -5.75, 9.32

 

Complementary color

CMYK 10 / 15 / 0 / 50

HEX #726C7F

RGB 114 108 127

HSL 258.95, 0.08%, 0.46%

LAB 46.76, 6.33, -9.66

 

CMYK 1 / 0 / 16 / 42

HEX #92937B

RGB 146 147 123

HSL 62.5, 0.1%, 0.53%

LAB 60.26, -4.69, 12.61

 

CMYK 1 / 0 / 14 / 35

HEX #A3A58E

RGB 163 165 142

HSL 65.22, 0.11%, 0.6%

LAB 67.01, -4.83, 11.69

 

CMYK 2 / 0 / 12 / 28

HEX #B4B7A1

RGB 180 183 161

HSL 68.18, 0.13%, 0.67%

LAB 73.64, -4.96, 10.83

 

CMYK 2 / 0 / 10 / 21

HEX #C5C9B4

RGB 197 201 180

HSL 71.43, 0.16%, 0.75%

LAB 80.15, -5.09, 10.02

 

CMYK 2 / 0 / 9 / 14

HEX #D6DBC7

RGB 214 219 199

HSL 75, 0.22%, 0.82%

LAB 86.54, -5.2, 9.24

 

CMYK 4 / 0 / 13 / 42

HEX #8D9380

RGB 141 147 128

HSL 78.95, 0.08%, 0.54%

LAB 59.97, -5.75, 9.32

 

CMYK 4 / 0 / 16 / 49

HEX #7C816D

RGB 124 129 109

HSL 75, 0.08%, 0.47%

LAB 53.05, -5.66, 10.22

 

CMYK 4 / 0 / 19 / 56

HEX #6B6F5A

RGB 107 111 90

HSL 71.43, 0.1%, 0.39%

LAB 45.95, -5.56, 11.2

 

CMYK 3 / 0 / 24 / 64

HEX #5A5D47

RGB 90 93 71

HSL 68.18, 0.13%, 0.32%

LAB 38.65, -5.43, 12.27

 

CMYK 3 / 0 / 31 / 71

HEX #494B34

RGB 73 75 52

HSL 65.22, 0.18%, 0.25%

LAB 31.11, -5.25, 13.47

 

CMYK 4 / 0 / 13 / 42

HEX #8D9380

RGB 141 147 128

HSL 78.95, 0.08%, 0.54%

LAB 59.97, -5.75, 9.32

 

CMYK 1 / 0 / 13 / 42

HEX #929380

RGB 146 147 128

HSL 63.16, 0.08%, 0.54%

LAB 60.37, -3.85, 9.94

 

CMYK 0 / 3 / 13 / 42

HEX #938E80

RGB 147 142 128

HSL 44.21, 0.08%, 0.54%

LAB 59.07, -0.68, 8.11

 

CMYK 0 / 7 / 13 / 42

HEX #938980

RGB 147 137 128

HSL 28.42, 0.08%, 0.54%

LAB 57.71, 2.12, 6.16

 

CMYK 0 / 10 / 13 / 42

HEX #938480

RGB 147 132 128

HSL 12.63, 0.08%, 0.54%

LAB 56.35, 4.96, 4.21

 

CMYK 4 / 0 / 13 / 42

HEX #8D9380

RGB 141 147 128

HSL 78.95, 0.08%, 0.54%

LAB 59.97, -5.75, 9.32

 

CMYK 7 / 0 / 13 / 42

HEX #889380

RGB 136 147 128

HSL 94.74, 0.08%, 0.54%

LAB 59.58, -7.64, 8.71

 

CMYK 11 / 0 / 13 / 42

HEX #839380

RGB 131 147 128

HSL 110.53, 0.08%, 0.54%

LAB 59.21, -9.5, 8.13

 

CMYK 13 / 0 / 12 / 42

HEX #809382

RGB 128 147 130

HSL 126.32, 0.08%, 0.54%

LAB 59.04, -10.22, 6.72

 

CMYK 13 / 0 / 8 / 42

HEX #809387

RGB 128 147 135

HSL 142.11, 0.08%, 0.54%

LAB 59.16, -9.24, 4.06

 

CMYK 4 / 0 / 13 / 42

HEX #8D9380

RGB 141 147 128

HSL 78.95, 0.08%, 0.54%

LAB 59.97, -5.75, 9.32

 

CMYK 11 / 0 / 34 / 35

HEX #94A66D

RGB 148 166 109

HSL 78.95, 0.24%, 0.54%

LAB 65.49, -16.17, 27.48

 

CMYK 16 / 0 / 51 / 27

HEX #9BB95A

RGB 155 185 90

HSL 78.95, 0.4%, 0.54%

LAB 71.15, -25.25, 44.42

 

CMYK 21 / 0 / 65 / 20

HEX #A2CC47

RGB 162 204 71

HSL 78.95, 0.57%, 0.54%

LAB 76.87, -33.17, 59.46

 

CMYK 24 / 0 / 77 / 13

HEX #A9DF34

RGB 169 223 52

HSL 78.95, 0.73%, 0.54%

LAB 82.62, -40.17, 72

 

CMYK 4 / 0 / 13 / 42

HEX #8D9380

RGB 141 147 128

HSL 78.95, 0.08%, 0.54%

LAB 59.97, -5.75, 9.32

 

CMYK 9 / 13 / 0 / 42

HEX #868093

RGB 134 128 147

HSL 258.95, 0.08%, 0.54%

LAB 54.67, 6.13, -9.39

 

CMYK 23 / 34 / 0 / 35

HEX #7F6DA6

RGB 127 109 166

HSL 258.95, 0.24%, 0.54%

LAB 49.74, 19.4, -28.05

 

CMYK 35 / 51 / 0 / 27

HEX #785AB9

RGB 120 90 185

HSL 258.95, 0.4%, 0.54%

LAB 45.37, 33.65, -46.08

 

CMYK 45 / 65 / 0 / 20

HEX #7147CC

RGB 113 71 204

HSL 258.95, 0.57%, 0.54%

LAB 41.81, 48.03, -62.89

 

CMYK 0 / 3 / 13 / 42

HEX #938E80

RGB 147 142 128

HSL 44.21, 0.08%, 0.54%

LAB 59.07, -0.68, 8.11

 

CMYK 1 / 0 / 13 / 42

HEX #929380

RGB 146 147 128

HSL 63.16, 0.08%, 0.54%

LAB 60.37, -3.85, 9.94

 

CMYK 4 / 0 / 13 / 42

HEX #8D9380

RGB 141 147 128

HSL 78.95, 0.08%, 0.54%

LAB 59.97, -5.75, 9.32

 

CMYK 7 / 0 / 13 / 42

HEX #889380

RGB 136 147 128

HSL 94.74, 0.08%, 0.54%

LAB 59.58, -7.64, 8.71

 

CMYK 11 / 0 / 13 / 42

HEX #839380

RGB 131 147 128

HSL 110.53, 0.08%, 0.54%

LAB 59.21, -9.5, 8.13

 

CMYK 5 / 0 / 15 / 59

HEX #636858

RGB 99 104 88

HSL 78.75, 0.08%, 0.38%

LAB 43.15, -5.12, 8.37

 

CMYK 5 / 0 / 15 / 51

HEX #787E6B

RGB 120 126 107

HSL 78.95, 0.08%, 0.46%

LAB 51.81, -5.9, 9.59

 

CMYK 4 / 0 / 13 / 42

HEX #8D9380

RGB 141 147 128

HSL 78.95, 0.08%, 0.54%

LAB 59.97, -5.75, 9.32

 

CMYK 3 / 0 / 10 / 35

HEX #A1A696

RGB 161 166 150

HSL 78.75, 0.08%, 0.62%

LAB 67.32, -4.74, 7.67

 

CMYK 2 / 0 / 7 / 27

HEX #B5B9AC

RGB 181 185 172

HSL 78.46, 0.08%, 0.7%

LAB 74.51, -3.77, 6.1

 

CMYK 4 / 0 / 13 / 42

HEX #8D9380

RGB 141 147 128

HSL 78.95, 0.08%, 0.54%

LAB 59.97, -5.75, 9.32

 

CMYK 13 / 0 / 7 / 42

HEX #809389

RGB 128 147 137

HSL 148.42, 0.08%, 0.54%

LAB 59.22, -8.84, 3

 

CMYK 1 / 13 / 0 / 42

HEX #918093

RGB 145 128 147

HSL 293.68, 0.08%, 0.54%

LAB 55.65, 10.08, -7.83

 

CMYK 4 / 0 / 13 / 42

HEX #8D9380

RGB 141 147 128

HSL 78.95, 0.08%, 0.54%

LAB 59.97, -5.75, 9.32

 

CMYK 13 / 4 / 0 / 42

HEX #808D93

RGB 128 141 147

HSL 198.95, 0.08%, 0.54%

LAB 57.79, -3.4, -4.8

 

CMYK 0 / 13 / 4 / 42

HEX #93808D

RGB 147 128 141

HSL 318.95, 0.08%, 0.54%

LAB 55.65, 9.63, -4.33

 

CMYK 4 / 0 / 13 / 42

HEX #8D9380

RGB 141 147 128

HSL 78.95, 0.08%, 0.54%

LAB 59.97, -5.75, 9.32

 

CMYK 13 / 0 / 7 / 42

HEX #809389

RGB 128 147 137

HSL 148.42, 0.08%, 0.54%

LAB 59.22, -8.84, 3

 

CMYK 10 / 13 / 0 / 42

HEX #858093

RGB 133 128 147

HSL 255.79, 0.08%, 0.54%

LAB 54.59, 5.78, -9.53

 

CMYK 0 / 13 / 7 / 42

HEX #938089

RGB 147 128 137

HSL 331.58, 0.08%, 0.54%

LAB 55.53, 8.88, -2.19

 

CMYK 4 / 0 / 13 / 42

HEX #8D9380

RGB 141 147 128

HSL 78.95, 0.08%, 0.54%

LAB 59.97, -5.75, 9.32

 

CMYK 13 / 0 / 3 / 42

HEX #80938F

RGB 128 147 143

HSL 167.37, 0.08%, 0.54%

LAB 59.38, -7.6, -0.18

 

CMYK 10 / 13 / 0 / 42

HEX #858093

RGB 133 128 147

HSL 255.79, 0.08%, 0.54%

LAB 54.59, 5.78, -9.53

 

CMYK 0 / 13 / 10 / 42

HEX #938084

RGB 147 128 132

HSL 347.37, 0.08%, 0.54%

LAB 55.39, 7.96, 0.5

 

Description

Color code: RGB 141 147 128 | qconv.com Color code: RGB 141 147 128 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 147 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 147 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 13 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 13% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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