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Color name
RGB 141 17 26

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 17 26 it is the complementary color RGB 114 238 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 17 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 17 26 shade: RGB 146 17 21, RGB 163 35 40, RGB 180 53 59, RGB 197 71 78 and RGB 214 89 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 17 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 17 26 shade: RGB 141 17 26, RGB 124 0 7, RGB 107 0 0, RGB 90 0 0 and RGB 73 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 17 26 shade: RGB 140 17 26 and RGB 140 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 17 26 shade: RGB 140 17 26, RGB 140 17 59, RGB 140 17 92, RGB 140 17 126 and RGB 122 17 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 17 26 shade matches the following richer shades: RGB 140 17 26 and RGB 153 4 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 17 26 shade: RGB 140 17 26, RGB 127 30 37, RGB 115 42 48, RGB 102 55 59 and RGB 89 68 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 17 26 shade: RGB 140 17 93, RGB 140 17 60, RGB 140 17 27, RGB 140 39 17 and RGB 140 72 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 17 26 shade: RGB 67 8 12, RGB 103 12 19, RGB 140 17 26, RGB 177 21 33 and RGB 214 26 40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 17 26 shade: RGB 141 17 26, RGB 126 140 17 and RGB 17 76 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 17 26 shade: RGB 141 17 26, RGB 27 140 17 and RGB 17 27 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 17 26 shade: RGB 141 17 26, RGB 126 140 17, RGB 17 140 130 and RGB 31 17 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 17 26 shade: RGB 141 17 26, RGB 89 140 17, RGB 17 140 130 and RGB 68 17 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 82 / 45

HEX #8D111A

RGB 141 17 26

HSL 355.65, 0.78%, 0.31%

LAB 29.76, 49.14, 30.29

 

Complementary color

CMYK 52 / 0 / 4 / 7

HEX #72EEE5

RGB 114 238 229

HSL 175.65, 0.78%, 0.69%

LAB 87.18, -36.72, -6.24

 

CMYK 0 / 88 / 86 / 43

HEX #921115

RGB 146 17 21

HSL 358.14, 0.79%, 0.32%

LAB 30.8, 50.43, 34.58

 

CMYK 0 / 79 / 75 / 36

HEX #A32328

RGB 163 35 40

HSL 357.66, 0.65%, 0.39%

LAB 36.26, 51.34, 30.2

 

CMYK 0 / 71 / 67 / 29

HEX #B4353B

RGB 180 53 59

HSL 357.17, 0.55%, 0.46%

LAB 42.1, 51.28, 26.41

 

CMYK 0 / 64 / 60 / 23

HEX #C5474E

RGB 197 71 78

HSL 356.67, 0.52%, 0.53%

LAB 48.17, 50.69, 23.29

 

CMYK 0 / 58 / 55 / 16

HEX #D65961

RGB 214 89 97

HSL 356.16, 0.6%, 0.59%

LAB 54.35, 49.83, 20.7

 

CMYK 0 / 88 / 82 / 45

HEX #8D111A

RGB 141 17 26

HSL 355.65, 0.78%, 0.31%

LAB 29.76, 49.14, 30.29

 

CMYK 0 / 100 / 94 / 51

HEX #7C0007

RGB 124 0 7

HSL 356.61, 1%, 0.24%

LAB 24.64, 47.1, 34.03

 

CMYK 0 / 100 / 100 / 58

HEX #6B0000

RGB 107 0 0

HSL 0, 1%, 0.21%

LAB 20.54, 42.28, 31.36

 

CMYK 0 / 100 / 100 / 65

HEX #5A0000

RGB 90 0 0

HSL 0, 1%, 0.18%

LAB 16.37, 37.46, 25.41

 

CMYK 0 / 100 / 100 / 71

HEX #490000

RGB 73 0 0

HSL 0, 1%, 0.14%

LAB 12.07, 32.48, 18.97

 

CMYK 0 / 88 / 81 / 45

HEX #8C111A

RGB 140 17 26

HSL 355.61, 0.78%, 0.31%

LAB 29.54, 48.85, 30

 

CMYK 0 / 88 / 88 / 45

HEX #8C1111

RGB 140 17 17

HSL 0, 0.78%, 0.31%

LAB 29.45, 48.6, 35.06

 

CMYK 0 / 88 / 81 / 45

HEX #8C111A

RGB 140 17 26

HSL 355.61, 0.78%, 0.31%

LAB 29.54, 48.85, 30

 

CMYK 0 / 88 / 58 / 45

HEX #8C113B

RGB 140 17 59

HSL 339.51, 0.78%, 0.31%

LAB 30.14, 50.6, 9.24

 

CMYK 0 / 88 / 34 / 45

HEX #8C115C

RGB 140 17 92

HSL 323.41, 0.78%, 0.31%

LAB 31.23, 53.7, -11

 

CMYK 0 / 88 / 10 / 45

HEX #8C117E

RGB 140 17 126

HSL 306.83, 0.78%, 0.31%

LAB 32.88, 58.19, -30.17

 

CMYK 13 / 88 / 0 / 45

HEX #7A118C

RGB 122 17 140

HSL 291.22, 0.78%, 0.31%

LAB 30.48, 57.02, -42.94

 

CMYK 0 / 88 / 81 / 45

HEX #8C111A

RGB 140 17 26

HSL 355.61, 0.78%, 0.31%

LAB 29.54, 48.85, 30

 

CMYK 0 / 97 / 90 / 40

HEX #99040F

RGB 153 4 15

HSL 355.57, 0.95%, 0.31%

LAB 31.56, 54.35, 38.99

 

CMYK 0 / 88 / 81 / 45

HEX #8C111A

RGB 140 17 26

HSL 355.61, 0.78%, 0.31%

LAB 29.54, 48.85, 30

 

CMYK 0 / 76 / 71 / 50

HEX #7F1E25

RGB 127 30 37

HSL 355.67, 0.62%, 0.31%

LAB 28.31, 41.45, 20.93

 

CMYK 0 / 63 / 58 / 55

HEX #732A30

RGB 115 42 48

HSL 355.07, 0.46%, 0.31%

LAB 28.15, 32.68, 13.04

 

CMYK 0 / 46 / 42 / 60

HEX #66373B

RGB 102 55 59

HSL 354.89, 0.3%, 0.31%

LAB 29.09, 21.39, 6.75

 

CMYK 0 / 24 / 21 / 65

HEX #594446

RGB 89 68 70

HSL 354.29, 0.13%, 0.31%

LAB 31.11, 9.38, 2.26

 

CMYK 0 / 88 / 34 / 45

HEX #8C115D

RGB 140 17 93

HSL 322.93, 0.78%, 0.31%

LAB 31.27, 53.81, -11.58

 

CMYK 0 / 88 / 57 / 45

HEX #8C113C

RGB 140 17 60

HSL 339.02, 0.78%, 0.31%

LAB 30.16, 50.67, 8.61

 

CMYK 0 / 88 / 81 / 45

HEX #8C111B

RGB 140 17 27

HSL 355.12, 0.78%, 0.31%

LAB 29.55, 48.88, 29.4

 

CMYK 0 / 72 / 88 / 45

HEX #8C2711

RGB 140 39 17

HSL 10.73, 0.78%, 0.31%

LAB 31.96, 41.59, 37.2

 

CMYK 0 / 49 / 88 / 45

HEX #8C4811

RGB 140 72 17

HSL 26.83, 0.78%, 0.31%

LAB 38.29, 25.15, 42.54

 

CMYK 0 / 88 / 82 / 74

HEX #43080C

RGB 67 8 12

HSL 355.93, 0.79%, 0.15%

LAB 11.91, 27.74, 13.58

 

CMYK 0 / 88 / 82 / 60

HEX #670C13

RGB 103 12 19

HSL 355.38, 0.79%, 0.23%

LAB 20.8, 38.7, 22.64

 

CMYK 0 / 88 / 81 / 45

HEX #8C111A

RGB 140 17 26

HSL 355.61, 0.78%, 0.31%

LAB 29.54, 48.85, 30

 

CMYK 0 / 88 / 81 / 31

HEX #B11521

RGB 177 21 33

HSL 355.38, 0.79%, 0.39%

LAB 37.83, 58.65, 36.86

 

CMYK 0 / 88 / 81 / 16

HEX #D61A28

RGB 214 26 40

HSL 355.53, 0.78%, 0.47%

LAB 45.89, 67.83, 43.5

 

CMYK 0 / 88 / 82 / 45

HEX #8D111A

RGB 141 17 26

HSL 355.65, 0.78%, 0.31%

LAB 29.76, 49.14, 30.29

 

CMYK 10 / 0 / 88 / 45

HEX #7E8C11

RGB 126 140 17

HSL 66.83, 0.78%, 0.31%

LAB 55.31, -19.8, 56.12

 

CMYK 88 / 46 / 0 / 45

HEX #114C8C

RGB 17 76 140

HSL 211.22, 0.78%, 0.31%

LAB 32.22, 7.1, -40.63

 

CMYK 0 / 88 / 82 / 45

HEX #8D111A

RGB 141 17 26

HSL 355.65, 0.78%, 0.31%

LAB 29.76, 49.14, 30.29

 

CMYK 81 / 0 / 88 / 45

HEX #1B8C11

RGB 27 140 17

HSL 115.12, 0.78%, 0.31%

LAB 50.72, -52.09, 50.37

 

CMYK 88 / 81 / 0 / 45

HEX #111B8C

RGB 17 27 140

HSL 235.12, 0.78%, 0.31%

LAB 19.21, 39.93, -61.87

 

CMYK 0 / 88 / 82 / 45

HEX #8D111A

RGB 141 17 26

HSL 355.65, 0.78%, 0.31%

LAB 29.76, 49.14, 30.29

 

CMYK 10 / 0 / 88 / 45

HEX #7E8C11

RGB 126 140 17

HSL 66.83, 0.78%, 0.31%

LAB 55.31, -19.8, 56.12

 

CMYK 88 / 0 / 7 / 45

HEX #118C82

RGB 17 140 130

HSL 175.12, 0.78%, 0.31%

LAB 52.38, -32.99, -3.5

 

CMYK 78 / 88 / 0 / 45

HEX #1F118C

RGB 31 17 140

HSL 246.83, 0.78%, 0.31%

LAB 18.3, 45.53, -63.36

 

CMYK 0 / 88 / 82 / 45

HEX #8D111A

RGB 141 17 26

HSL 355.65, 0.78%, 0.31%

LAB 29.76, 49.14, 30.29

 

CMYK 36 / 0 / 88 / 45

HEX #598C11

RGB 89 140 17

HSL 84.88, 0.78%, 0.31%

LAB 52.86, -35.31, 53.07

 

CMYK 88 / 0 / 7 / 45

HEX #118C82

RGB 17 140 130

HSL 175.12, 0.78%, 0.31%

LAB 52.38, -32.99, -3.5

 

CMYK 51 / 88 / 0 / 45

HEX #44118C

RGB 68 17 140

HSL 264.88, 0.78%, 0.31%

LAB 22.03, 48.79, -57.07

 

Description

Color code: RGB 141 17 26 | qconv.com Color code: RGB 141 17 26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 17 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 17 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 82 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 82% 45% C M Y K

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Provide designers and agencies with accurate color values.

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