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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 51 64 it is the complementary color RGB 114 204 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 51 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 51 64 shade: RGB 146 51 59, RGB 163 69 78, RGB 180 87 97, RGB 197 105 116 and RGB 214 123 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 51 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 51 64 shade: RGB 141 51 64, RGB 124 33 45, RGB 107 15 26, RGB 90 0 7 and RGB 73 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 51 64 shade: RGB 142 51 64 and RGB 142 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 51 64 shade: RGB 142 51 64, RGB 142 51 89, RGB 142 51 113, RGB 142 51 138 and RGB 122 51 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 51 64 shade matches the following richer shades: RGB 142 51 64, RGB 158 35 53, RGB 173 20 42 and RGB 189 4 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 51 64 shade: RGB 142 51 64, RGB 126 67 75, RGB 111 82 86, RGB 95 98 97 and RGB 79 114 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 51 64 shade: RGB 142 51 113, RGB 142 51 89, RGB 142 51 65, RGB 142 61 51 and RGB 142 86 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 51 64 shade: RGB 81 29 37, RGB 112 40 50, RGB 142 51 64, RGB 172 62 78 and RGB 193 83 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 51 64 shade: RGB 141 51 64, RGB 137 142 51 and RGB 51 101 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 51 64 shade: RGB 141 51 64, RGB 65 142 51 and RGB 51 65 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 51 64 shade: RGB 141 51 64, RGB 137 142 51, RGB 51 142 128 and RGB 55 51 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 51 64 shade: RGB 141 51 64, RGB 110 142 51, RGB 51 142 128 and RGB 83 51 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 55 / 45

HEX #8D3340

RGB 141 51 64

HSL 351.33, 0.47%, 0.38%

LAB 34.8, 39.25, 12.42

 

Complementary color

CMYK 44 / 0 / 6 / 20

HEX #72CCBF

RGB 114 204 191

HSL 171.33, 0.47%, 0.62%

LAB 76.39, -30.1, -1.94

 

CMYK 0 / 65 / 60 / 43

HEX #92333B

RGB 146 51 59

HSL 354.95, 0.48%, 0.39%

LAB 35.59, 40.62, 16.82

 

CMYK 0 / 58 / 52 / 36

HEX #A3454E

RGB 163 69 78

HSL 354.26, 0.41%, 0.45%

LAB 42.14, 39.71, 14.24

 

CMYK 0 / 52 / 46 / 29

HEX #B45761

RGB 180 87 97

HSL 353.55, 0.38%, 0.52%

LAB 48.74, 38.68, 12.19

 

CMYK 0 / 47 / 41 / 23

HEX #C56974

RGB 197 105 116

HSL 352.83, 0.44%, 0.59%

LAB 55.31, 37.64, 10.49

 

CMYK 0 / 43 / 37 / 16

HEX #D67B87

RGB 214 123 135

HSL 352.09, 0.53%, 0.66%

LAB 61.84, 36.64, 9.04

 

CMYK 0 / 64 / 55 / 45

HEX #8D3340

RGB 141 51 64

HSL 351.33, 0.47%, 0.38%

LAB 34.8, 39.25, 12.42

 

CMYK 0 / 73 / 64 / 51

HEX #7C212D

RGB 124 33 45

HSL 352.09, 0.58%, 0.31%

LAB 28.28, 39.78, 15.51

 

CMYK 0 / 86 / 76 / 58

HEX #6B0F1A

RGB 107 15 26

HSL 352.83, 0.75%, 0.24%

LAB 22.1, 39.43, 19.71

 

CMYK 0 / 100 / 92 / 65

HEX #5A0007

RGB 90 0 7

HSL 355.33, 1%, 0.18%

LAB 16.45, 37.67, 22.65

 

CMYK 0 / 100 / 100 / 71

HEX #490000

RGB 73 0 0

HSL 0, 1%, 0.14%

LAB 12.07, 32.48, 18.97

 

CMYK 0 / 64 / 55 / 44

HEX #8E3340

RGB 142 51 64

HSL 351.43, 0.47%, 0.38%

LAB 34.98, 39.61, 12.69

 

CMYK 0 / 64 / 64 / 44

HEX #8E3333

RGB 142 51 51

HSL 0, 0.47%, 0.38%

LAB 34.72, 38.59, 20.61

 

CMYK 0 / 64 / 55 / 44

HEX #8E3340

RGB 142 51 64

HSL 351.43, 0.47%, 0.38%

LAB 34.98, 39.61, 12.69

 

CMYK 0 / 64 / 37 / 44

HEX #8E3359

RGB 142 51 89

HSL 334.95, 0.47%, 0.38%

LAB 35.67, 42.22, -2.37

 

CMYK 0 / 64 / 20 / 44

HEX #8E3371

RGB 142 51 113

HSL 319.12, 0.47%, 0.38%

LAB 36.58, 45.49, -16.22

 

CMYK 0 / 64 / 3 / 44

HEX #8E338A

RGB 142 51 138

HSL 302.64, 0.47%, 0.38%

LAB 37.76, 49.59, -29.9

 

CMYK 14 / 64 / 0 / 44

HEX #7A338E

RGB 122 51 142

HSL 286.81, 0.47%, 0.38%

LAB 34.92, 45.16, -37.05

 

CMYK 0 / 64 / 55 / 44

HEX #8E3340

RGB 142 51 64

HSL 351.43, 0.47%, 0.38%

LAB 34.98, 39.61, 12.69

 

CMYK 0 / 78 / 66 / 38

HEX #9E2335

RGB 158 35 53

HSL 351.22, 0.64%, 0.38%

LAB 35.46, 50.46, 20.9

 

CMYK 0 / 88 / 76 / 32

HEX #AD142A

RGB 173 20 42

HSL 351.37, 0.79%, 0.38%

LAB 37.03, 58.05, 30.41

 

CMYK 0 / 98 / 84 / 26

HEX #BD041F

RGB 189 4 31

HSL 351.24, 0.96%, 0.38%

LAB 39.59, 63.99, 40.56

 

CMYK 0 / 64 / 55 / 44

HEX #8E3340

RGB 142 51 64

HSL 351.43, 0.47%, 0.38%

LAB 34.98, 39.61, 12.69

 

CMYK 0 / 47 / 40 / 51

HEX #7E434B

RGB 126 67 75

HSL 351.86, 0.31%, 0.38%

LAB 35.9, 26.28, 6.57

 

CMYK 0 / 26 / 23 / 56

HEX #6F5256

RGB 111 82 86

HSL 351.72, 0.15%, 0.38%

LAB 38, 12.77, 2.39

 

CMYK 3 / 0 / 1 / 62

HEX #5F6261

RGB 95 98 97

HSL 160, 0.02%, 0.38%

LAB 41.27, -1.38, 0.15

 

CMYK 31 / 0 / 4 / 55

HEX #4F726D

RGB 79 114 109

HSL 171.43, 0.18%, 0.38%

LAB 45.36, -13.64, -1.25

 

CMYK 0 / 64 / 20 / 44

HEX #8E3371

RGB 142 51 113

HSL 319.12, 0.47%, 0.38%

LAB 36.58, 45.49, -16.22

 

CMYK 0 / 64 / 37 / 44

HEX #8E3359

RGB 142 51 89

HSL 334.95, 0.47%, 0.38%

LAB 35.67, 42.22, -2.37

 

CMYK 0 / 64 / 54 / 44

HEX #8E3341

RGB 142 51 65

HSL 350.77, 0.47%, 0.38%

LAB 35, 39.7, 12.08

 

CMYK 0 / 57 / 64 / 44

HEX #8E3D33

RGB 142 61 51

HSL 6.59, 0.47%, 0.38%

LAB 36.61, 33.62, 22.99

 

CMYK 0 / 39 / 64 / 44

HEX #8E5633

RGB 142 86 51

HSL 23.08, 0.47%, 0.38%

LAB 42.22, 19.72, 29.84

 

CMYK 0 / 64 / 54 / 68

HEX #511D25

RGB 81 29 37

HSL 350.77, 0.47%, 0.22%

LAB 19.06, 25.17, 7.13

 

CMYK 0 / 64 / 55 / 56

HEX #702832

RGB 112 40 50

HSL 351.67, 0.47%, 0.3%

LAB 27.28, 32.74, 10.44

 

CMYK 0 / 64 / 55 / 44

HEX #8E3340

RGB 142 51 64

HSL 351.43, 0.47%, 0.38%

LAB 34.98, 39.61, 12.69

 

CMYK 0 / 64 / 55 / 33

HEX #AC3E4E

RGB 172 62 78

HSL 351.27, 0.47%, 0.46%

LAB 42.41, 46.18, 14.85

 

CMYK 0 / 57 / 49 / 24

HEX #C15363

RGB 193 83 99

HSL 351.27, 0.47%, 0.54%

LAB 50.01, 45.53, 13.05

 

CMYK 0 / 64 / 55 / 45

HEX #8D3340

RGB 141 51 64

HSL 351.33, 0.47%, 0.38%

LAB 34.8, 39.25, 12.42

 

CMYK 4 / 0 / 64 / 44

HEX #898E33

RGB 137 142 51

HSL 63.3, 0.47%, 0.38%

LAB 56.98, -14.3, 46.27

 

CMYK 64 / 29 / 0 / 44

HEX #33658E

RGB 51 101 142

HSL 207.03, 0.47%, 0.38%

LAB 41.16, -3.44, -27.6

 

CMYK 0 / 64 / 55 / 45

HEX #8D3340

RGB 141 51 64

HSL 351.33, 0.47%, 0.38%

LAB 34.8, 39.25, 12.42

 

CMYK 54 / 0 / 64 / 44

HEX #418E33

RGB 65 142 51

HSL 110.77, 0.47%, 0.38%

LAB 52.63, -41.88, 40.27

 

CMYK 64 / 54 / 0 / 44

HEX #33418E

RGB 51 65 142

HSL 230.77, 0.47%, 0.38%

LAB 30.49, 19.99, -44.56

 

CMYK 0 / 64 / 55 / 45

HEX #8D3340

RGB 141 51 64

HSL 351.33, 0.47%, 0.38%

LAB 34.8, 39.25, 12.42

 

CMYK 4 / 0 / 64 / 44

HEX #898E33

RGB 137 142 51

HSL 63.3, 0.47%, 0.38%

LAB 56.98, -14.3, 46.27

 

CMYK 64 / 0 / 10 / 44

HEX #338E80

RGB 51 142 128

HSL 170.77, 0.47%, 0.38%

LAB 53.61, -30.23, -0.47

 

CMYK 61 / 64 / 0 / 44

HEX #37338E

RGB 55 51 142

HSL 242.64, 0.47%, 0.38%

LAB 27.11, 29.98, -50.04

 

CMYK 0 / 64 / 55 / 45

HEX #8D3340

RGB 141 51 64

HSL 351.33, 0.47%, 0.38%

LAB 34.8, 39.25, 12.42

 

CMYK 23 / 0 / 64 / 44

HEX #6E8E33

RGB 110 142 51

HSL 81.1, 0.47%, 0.38%

LAB 54.97, -25.85, 43.51

 

CMYK 64 / 0 / 10 / 44

HEX #338E80

RGB 51 142 128

HSL 170.77, 0.47%, 0.38%

LAB 53.61, -30.23, -0.47

 

CMYK 42 / 64 / 0 / 44

HEX #53338E

RGB 83 51 142

HSL 261.1, 0.47%, 0.38%

LAB 29.81, 35.66, -45.53

 

Description

Color code: RGB 141 51 64 | qconv.com Color code: RGB 141 51 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 51 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 51 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 55 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 55% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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