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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 59 230 it is the complementary color RGB 114 196 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 59 230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 59 230 shade: RGB 146 59 225, RGB 163 77 244, RGB 180 95 255, RGB 197 113 255 and RGB 214 131 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 59 230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 59 230 shade: RGB 141 59 230, RGB 124 41 211, RGB 107 23 192, RGB 90 5 173 and RGB 73 0 154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 59 230 shade: RGB 141 60 229, RGB 187 60 229, RGB 229 60 226, RGB 229 60 181 and RGB 229 60 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 59 230 shade: RGB 141 60 229, RGB 96 60 229 and RGB 60 60 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 59 230 shade matches the following richer shades: RGB 141 60 229 and RGB 141 43 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 59 230 shade: RGB 141 60 229, RGB 142 78 212, RGB 143 96 194, RGB 144 114 176 and RGB 144 131 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 59 230 shade: RGB 60 72 229, RGB 94 60 229, RGB 139 60 229, RGB 184 60 229 and RGB 229 60 229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 59 230 shade: RGB 100 23 184, RGB 120 28 220, RGB 141 60 229, RGB 163 97 234 and RGB 184 133 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 59 230 shade: RGB 141 59 230, RGB 229 60 117 and RGB 60 229 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 59 230 shade: RGB 141 59 230, RGB 229 139 60 and RGB 60 229 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 59 230 shade: RGB 141 59 230, RGB 229 60 117, RGB 150 229 60 and RGB 60 229 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 59 230 shade: RGB 141 59 230, RGB 229 60 66, RGB 150 229 60 and RGB 60 229 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 74 / 0 / 10

HEX #8D3BE6

RGB 141 59 230

HSL 268.77, 0.77%, 0.57%

LAB 44.95, 65.3, -72.52

 

Complementary color

CMYK 42 / 0 / 87 / 23

HEX #72C419

RGB 114 196 25

HSL 88.77, 0.77%, 0.43%

LAB 71.64, -49.67, 67.94

 

CMYK 35 / 74 / 0 / 12

HEX #923BE1

RGB 146 59 225

HSL 271.45, 0.73%, 0.56%

LAB 45.19, 64.99, -69.27

 

CMYK 33 / 68 / 0 / 4

HEX #A34DF4

RGB 163 77 244

HSL 270.9, 0.88%, 0.63%

LAB 51.41, 64.67, -69.77

 

CMYK 29 / 63 / 0 / 0

HEX #B45FFF

RGB 180 95 255

HSL 271.88, 1%, 0.69%

LAB 57.18, 62.25, -66.46

 

CMYK 23 / 56 / 0 / 0

HEX #C571FF

RGB 197 113 255

HSL 275.49, 1%, 0.72%

LAB 62.42, 57.3, -57.95

 

CMYK 16 / 49 / 0 / 0

HEX #D683FF

RGB 214 131 255

HSL 280.16, 1%, 0.76%

LAB 67.84, 52.5, -49.25

 

CMYK 39 / 74 / 0 / 10

HEX #8D3BE6

RGB 141 59 230

HSL 268.77, 0.77%, 0.57%

LAB 44.95, 65.3, -72.52

 

CMYK 41 / 81 / 0 / 17

HEX #7C29D3

RGB 124 41 211

HSL 269.29, 0.67%, 0.49%

LAB 38.85, 65.17, -71.7

 

CMYK 44 / 88 / 0 / 25

HEX #6B17C0

RGB 107 23 192

HSL 269.82, 0.79%, 0.42%

LAB 33.02, 64.14, -70.29

 

CMYK 48 / 97 / 0 / 32

HEX #5A05AD

RGB 90 5 173

HSL 270.36, 0.94%, 0.35%

LAB 27.57, 61.72, -68.04

 

CMYK 53 / 100 / 0 / 40

HEX #49009A

RGB 73 0 154

HSL 268.44, 1%, 0.3%

LAB 22.83, 56.95, -64.41

 

CMYK 38 / 74 / 0 / 10

HEX #8D3CE5

RGB 141 60 229

HSL 268.76, 0.76%, 0.57%

LAB 45.01, 64.65, -71.85

 

CMYK 18 / 74 / 0 / 10

HEX #BB3CE5

RGB 187 60 229

HSL 285.09, 0.76%, 0.57%

LAB 51.21, 72.89, -61.5

 

CMYK 0 / 74 / 1 / 10

HEX #E53CE2

RGB 229 60 226

HSL 301.07, 0.76%, 0.57%

LAB 57.44, 80.65, -49.48

 

CMYK 0 / 74 / 21 / 10

HEX #E53CB5

RGB 229 60 181

HSL 317.04, 0.76%, 0.57%

LAB 55.3, 74.3, -27.1

 

CMYK 0 / 74 / 41 / 10

HEX #E53C87

RGB 229 60 135

HSL 333.37, 0.76%, 0.57%

LAB 53.64, 69.14, -2.53

 

CMYK 38 / 74 / 0 / 10

HEX #8D3CE5

RGB 141 60 229

HSL 268.76, 0.76%, 0.57%

LAB 45.01, 64.65, -71.85

 

CMYK 58 / 74 / 0 / 10

HEX #603CE5

RGB 96 60 229

HSL 252.78, 0.76%, 0.57%

LAB 40.21, 57.99, -79.91

 

CMYK 74 / 74 / 0 / 10

HEX #3C3CE5

RGB 60 60 229

HSL 240, 0.76%, 0.57%

LAB 37.57, 54.2, -84.35

 

CMYK 38 / 74 / 0 / 10

HEX #8D3CE5

RGB 141 60 229

HSL 268.76, 0.76%, 0.57%

LAB 45.01, 64.65, -71.85

 

CMYK 43 / 83 / 0 / 3

HEX #8D2BF7

RGB 141 43 247

HSL 268.82, 0.93%, 0.57%

LAB 44.38, 74.92, -83.03

 

CMYK 38 / 74 / 0 / 10

HEX #8D3CE5

RGB 141 60 229

HSL 268.76, 0.76%, 0.57%

LAB 45.01, 64.65, -71.85

 

CMYK 33 / 63 / 0 / 17

HEX #8E4ED4

RGB 142 78 212

HSL 268.66, 0.61%, 0.57%

LAB 46.91, 52.41, -59.07

 

CMYK 26 / 51 / 0 / 24

HEX #8F60C2

RGB 143 96 194

HSL 268.78, 0.45%, 0.57%

LAB 49.62, 38.58, -44.39

 

CMYK 18 / 35 / 0 / 31

HEX #9072B0

RGB 144 114 176

HSL 269.03, 0.28%, 0.57%

LAB 53.06, 24.21, -28.59

 

CMYK 9 / 17 / 0 / 38

HEX #90839E

RGB 144 131 158

HSL 268.89, 0.12%, 0.57%

LAB 56.71, 10.28, -12.6

 

CMYK 74 / 69 / 0 / 10

HEX #3C48E5

RGB 60 72 229

HSL 235.74, 0.76%, 0.57%

LAB 40, 47.45, -80.34

 

CMYK 59 / 74 / 0 / 10

HEX #5E3CE5

RGB 94 60 229

HSL 252.07, 0.76%, 0.57%

LAB 40.03, 57.74, -80.21

 

CMYK 39 / 74 / 0 / 10

HEX #8B3CE5

RGB 139 60 229

HSL 268.05, 0.76%, 0.57%

LAB 44.77, 64.32, -72.26

 

CMYK 20 / 74 / 0 / 10

HEX #B83CE5

RGB 184 60 229

HSL 284.02, 0.76%, 0.57%

LAB 50.78, 72.32, -62.23

 

CMYK 0 / 74 / 0 / 10

HEX #E53CE5

RGB 229 60 229

HSL 300, 0.76%, 0.57%

LAB 57.6, 81.11, -50.92

 

CMYK 46 / 88 / 0 / 28

HEX #6417B8

RGB 100 23 184

HSL 268.7, 0.78%, 0.41%

LAB 31.31, 61.48, -68.41

 

CMYK 45 / 87 / 0 / 14

HEX #781CDC

RGB 120 28 220

HSL 268.75, 0.77%, 0.49%

LAB 37.83, 70.64, -78.59

 

CMYK 38 / 74 / 0 / 10

HEX #8D3CE5

RGB 141 60 229

HSL 268.76, 0.76%, 0.57%

LAB 45.01, 64.65, -71.85

 

CMYK 30 / 59 / 0 / 8

HEX #A361EA

RGB 163 97 234

HSL 268.91, 0.77%, 0.65%

LAB 54.32, 52.64, -59.48

 

CMYK 23 / 44 / 0 / 6

HEX #B885EF

RGB 184 133 239

HSL 268.87, 0.77%, 0.73%

LAB 64.32, 39.8, -46.22

 

CMYK 39 / 74 / 0 / 10

HEX #8D3BE6

RGB 141 59 230

HSL 268.77, 0.77%, 0.57%

LAB 44.95, 65.3, -72.52

 

CMYK 0 / 74 / 49 / 10

HEX #E53C75

RGB 229 60 117

HSL 339.76, 0.76%, 0.57%

LAB 53.14, 67.53, 7.52

 

CMYK 74 / 0 / 69 / 10

HEX #3CE548

RGB 60 229 72

HSL 124.26, 0.76%, 0.57%

LAB 80.44, -71.33, 61.66

 

CMYK 39 / 74 / 0 / 10

HEX #8D3BE6

RGB 141 59 230

HSL 268.77, 0.77%, 0.57%

LAB 44.95, 65.3, -72.52

 

CMYK 0 / 39 / 74 / 10

HEX #E58B3C

RGB 229 139 60

HSL 28.05, 0.76%, 0.57%

LAB 66.1, 28.06, 54.8

 

CMYK 74 / 0 / 39 / 10

HEX #3CE58B

RGB 60 229 139

HSL 148.05, 0.76%, 0.57%

LAB 81.22, -62.22, 31.97

 

CMYK 39 / 74 / 0 / 10

HEX #8D3BE6

RGB 141 59 230

HSL 268.77, 0.77%, 0.57%

LAB 44.95, 65.3, -72.52

 

CMYK 0 / 74 / 49 / 10

HEX #E53C75

RGB 229 60 117

HSL 339.76, 0.76%, 0.57%

LAB 53.14, 67.53, 7.52

 

CMYK 34 / 0 / 74 / 10

HEX #96E53C

RGB 150 229 60

HSL 88.05, 0.76%, 0.57%

LAB 83.36, -49.23, 69.84

 

CMYK 74 / 0 / 24 / 10

HEX #3CE5AD

RGB 60 229 173

HSL 160.12, 0.76%, 0.57%

LAB 81.85, -55.28, 15.28

 

CMYK 39 / 74 / 0 / 10

HEX #8D3BE6

RGB 141 59 230

HSL 268.77, 0.77%, 0.57%

LAB 44.95, 65.3, -72.52

 

CMYK 0 / 74 / 71 / 10

HEX #E53C42

RGB 229 60 66

HSL 357.87, 0.76%, 0.57%

LAB 52.16, 64.31, 36.52

 

CMYK 34 / 0 / 74 / 10

HEX #96E53C

RGB 150 229 60

HSL 88.05, 0.76%, 0.57%

LAB 83.36, -49.23, 69.84

 

CMYK 74 / 0 / 2 / 10

HEX #3CE5E0

RGB 60 229 224

HSL 178.22, 0.76%, 0.57%

LAB 83.12, -42.38, -9.79

 

Description

Color code: RGB 141 59 230 | qconv.com Color code: RGB 141 59 230 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 59 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 59 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 74 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 74% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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