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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 59 87 it is the complementary color RGB 114 196 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 59 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 59 87 shade: RGB 146 59 82, RGB 163 77 101, RGB 180 95 120, RGB 197 113 139 and RGB 214 131 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 59 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 59 87 shade: RGB 141 59 87, RGB 124 41 68, RGB 107 23 49, RGB 90 5 30 and RGB 73 0 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 59 87 shade: RGB 140 58 86, RGB 140 58 64 and RGB 140 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 59 87 shade: RGB 140 58 86, RGB 140 58 108, RGB 140 58 130, RGB 127 58 140 and RGB 105 58 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 59 87 shade matches the following richer shades: RGB 140 58 86, RGB 156 42 81, RGB 172 26 76 and RGB 188 10 71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 59 87 shade: RGB 140 58 86, RGB 124 74 91, RGB 108 90 96, RGB 91 106 101 and RGB 75 123 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 59 87 shade: RGB 140 58 130, RGB 140 58 108, RGB 140 58 87, RGB 140 58 65 and RGB 140 73 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 59 87 shade: RGB 82 34 50, RGB 111 46 68, RGB 140 58 86, RGB 169 70 104 and RGB 187 93 125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 59 87 shade: RGB 141 59 87, RGB 140 127 58 and RGB 58 119 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 59 87 shade: RGB 141 59 87, RGB 87 140 58 and RGB 58 87 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 59 87 shade: RGB 141 59 87, RGB 140 127 58, RGB 58 140 111 and RGB 58 70 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 59 87 shade: RGB 141 59 87, RGB 127 140 58, RGB 58 140 111 and RGB 70 58 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 38 / 45

HEX #8D3B57

RGB 141 59 87

HSL 339.51, 0.41%, 0.39%

LAB 36.89, 37.76, 0.67

 

Complementary color

CMYK 42 / 0 / 14 / 23

HEX #72C4A8

RGB 114 196 168

HSL 159.51, 0.41%, 0.61%

LAB 73.47, -31.59, 6.26

 

CMYK 0 / 60 / 44 / 43

HEX #923B52

RGB 146 59 82

HSL 344.14, 0.42%, 0.4%

LAB 37.57, 38.95, 4.93

 

CMYK 0 / 53 / 38 / 36

HEX #A34D65

RGB 163 77 101

HSL 343.26, 0.36%, 0.47%

LAB 44.28, 38.09, 3.08

 

CMYK 0 / 47 / 33 / 29

HEX #B45F78

RGB 180 95 120

HSL 342.35, 0.36%, 0.54%

LAB 50.97, 37.17, 1.59

 

CMYK 0 / 43 / 29 / 23

HEX #C5718B

RGB 197 113 139

HSL 341.43, 0.42%, 0.61%

LAB 57.6, 36.26, 0.35

 

CMYK 0 / 39 / 26 / 16

HEX #D6839E

RGB 214 131 158

HSL 340.48, 0.5%, 0.68%

LAB 64.16, 35.38, -0.73

 

CMYK 0 / 58 / 38 / 45

HEX #8D3B57

RGB 141 59 87

HSL 339.51, 0.41%, 0.39%

LAB 36.89, 37.76, 0.67

 

CMYK 0 / 67 / 45 / 51

HEX #7C2944

RGB 124 41 68

HSL 340.48, 0.5%, 0.32%

LAB 30.13, 38.38, 2.8

 

CMYK 0 / 79 / 54 / 58

HEX #6B1731

RGB 107 23 49

HSL 341.43, 0.65%, 0.25%

LAB 23.54, 38.39, 5.78

 

CMYK 0 / 94 / 67 / 65

HEX #5A051E

RGB 90 5 30

HSL 342.35, 0.89%, 0.19%

LAB 17.35, 37.21, 10.1

 

CMYK 0 / 100 / 85 / 71

HEX #49000B

RGB 73 0 11

HSL 350.96, 1%, 0.14%

LAB 12.23, 32.91, 14.69

 

CMYK 0 / 59 / 39 / 45

HEX #8C3A56

RGB 140 58 86

HSL 339.51, 0.41%, 0.39%

LAB 36.51, 37.79, 0.73

 

CMYK 0 / 59 / 54 / 45

HEX #8C3A40

RGB 140 58 64

HSL 355.61, 0.41%, 0.39%

LAB 35.93, 35.44, 13.92

 

CMYK 0 / 59 / 59 / 45

HEX #8C3A3A

RGB 140 58 58

HSL 0, 0.41%, 0.39%

LAB 35.8, 34.93, 17.55

 

CMYK 0 / 59 / 39 / 45

HEX #8C3A56

RGB 140 58 86

HSL 339.51, 0.41%, 0.39%

LAB 36.51, 37.79, 0.73

 

CMYK 0 / 59 / 23 / 45

HEX #8C3A6C

RGB 140 58 108

HSL 323.41, 0.41%, 0.39%

LAB 37.27, 40.8, -12.05

 

CMYK 0 / 59 / 7 / 45

HEX #8C3A82

RGB 140 58 130

HSL 307.32, 0.41%, 0.39%

LAB 38.22, 44.4, -24.28

 

CMYK 9 / 59 / 0 / 45

HEX #7F3A8C

RGB 127 58 140

HSL 290.49, 0.41%, 0.39%

LAB 36.8, 42.6, -32.79

 

CMYK 25 / 59 / 0 / 45

HEX #693A8C

RGB 105 58 140

HSL 274.39, 0.41%, 0.39%

LAB 33.82, 36.59, -37.71

 

CMYK 0 / 59 / 39 / 45

HEX #8C3A56

RGB 140 58 86

HSL 339.51, 0.41%, 0.39%

LAB 36.51, 37.79, 0.73

 

CMYK 0 / 73 / 48 / 39

HEX #9C2A51

RGB 156 42 81

HSL 339.47, 0.58%, 0.39%

LAB 36.59, 49.53, 4.4

 

CMYK 0 / 85 / 56 / 33

HEX #AC1A4C

RGB 172 26 76

HSL 339.45, 0.74%, 0.39%

LAB 37.9, 58.42, 9.91

 

CMYK 0 / 95 / 62 / 26

HEX #BC0A47

RGB 188 10 71

HSL 339.44, 0.9%, 0.39%

LAB 40.19, 64.74, 16.77

 

CMYK 0 / 59 / 39 / 45

HEX #8C3A56

RGB 140 58 86

HSL 339.51, 0.41%, 0.39%

LAB 36.51, 37.79, 0.73

 

CMYK 0 / 40 / 27 / 51

HEX #7C4A5B

RGB 124 74 91

HSL 339.6, 0.25%, 0.39%

LAB 37.73, 23.68, -0.93

 

CMYK 0 / 17 / 11 / 58

HEX #6C5A60

RGB 108 90 96

HSL 340, 0.09%, 0.39%

LAB 40.16, 8.45, -0.71

 

CMYK 14 / 0 / 5 / 58

HEX #5B6A65

RGB 91 106 101

HSL 160, 0.08%, 0.39%

LAB 43.47, -6.76, 0.89

 

CMYK 39 / 0 / 14 / 52

HEX #4B7B6A

RGB 75 123 106

HSL 158.75, 0.24%, 0.39%

LAB 47.88, -20.51, 4.17

 

CMYK 0 / 59 / 7 / 45

HEX #8C3A82

RGB 140 58 130

HSL 307.32, 0.41%, 0.39%

LAB 38.22, 44.4, -24.28

 

CMYK 0 / 59 / 23 / 45

HEX #8C3A6C

RGB 140 58 108

HSL 323.41, 0.41%, 0.39%

LAB 37.27, 40.8, -12.05

 

CMYK 0 / 59 / 38 / 45

HEX #8C3A57

RGB 140 58 87

HSL 338.78, 0.41%, 0.39%

LAB 36.54, 37.91, 0.14

 

CMYK 0 / 59 / 54 / 45

HEX #8C3A41

RGB 140 58 65

HSL 354.88, 0.41%, 0.39%

LAB 35.95, 35.54, 13.32

 

CMYK 0 / 48 / 59 / 45

HEX #8C493A

RGB 140 73 58

HSL 10.98, 0.41%, 0.39%

LAB 38.98, 26.84, 21.66

 

CMYK 0 / 59 / 39 / 68

HEX #522232

RGB 82 34 50

HSL 340, 0.41%, 0.23%

LAB 20.71, 24.36, 0.4

 

CMYK 0 / 59 / 39 / 56

HEX #6F2E44

RGB 111 46 68

HSL 339.69, 0.41%, 0.31%

LAB 28.77, 31.26, 0.56

 

CMYK 0 / 59 / 39 / 45

HEX #8C3A56

RGB 140 58 86

HSL 339.51, 0.41%, 0.39%

LAB 36.51, 37.79, 0.73

 

CMYK 0 / 59 / 38 / 34

HEX #A94668

RGB 169 70 104

HSL 339.39, 0.41%, 0.47%

LAB 43.97, 44.04, 0.9

 

CMYK 0 / 50 / 33 / 27

HEX #BB5D7D

RGB 187 93 125

HSL 339.57, 0.41%, 0.55%

LAB 51.69, 41.34, -0.21

 

CMYK 0 / 58 / 38 / 45

HEX #8D3B57

RGB 141 59 87

HSL 339.51, 0.41%, 0.39%

LAB 36.89, 37.76, 0.67

 

CMYK 0 / 9 / 59 / 45

HEX #8C7F3A

RGB 140 127 58

HSL 50.49, 0.41%, 0.39%

LAB 53.01, -4.26, 38.65

 

CMYK 59 / 15 / 0 / 45

HEX #3A778C

RGB 58 119 140

HSL 195.37, 0.41%, 0.39%

LAB 46.96, -13.25, -17.43

 

CMYK 0 / 58 / 38 / 45

HEX #8D3B57

RGB 141 59 87

HSL 339.51, 0.41%, 0.39%

LAB 36.89, 37.76, 0.67

 

CMYK 38 / 0 / 59 / 45

HEX #578C3A

RGB 87 140 58

HSL 98.78, 0.41%, 0.39%

LAB 53.05, -33.1, 37.68

 

CMYK 59 / 38 / 0 / 45

HEX #3A578C

RGB 58 87 140

HSL 218.78, 0.41%, 0.39%

LAB 37.13, 6.13, -32.7

 

CMYK 0 / 58 / 38 / 45

HEX #8D3B57

RGB 141 59 87

HSL 339.51, 0.41%, 0.39%

LAB 36.89, 37.76, 0.67

 

CMYK 0 / 9 / 59 / 45

HEX #8C7F3A

RGB 140 127 58

HSL 50.49, 0.41%, 0.39%

LAB 53.01, -4.26, 38.65

 

CMYK 59 / 0 / 21 / 45

HEX #3A8C6F

RGB 58 140 111

HSL 158.78, 0.41%, 0.39%

LAB 52.73, -32.26, 8.1

 

CMYK 59 / 50 / 0 / 45

HEX #3A468C

RGB 58 70 140

HSL 231.22, 0.41%, 0.39%

LAB 32.2, 17.31, -40.56

 

CMYK 0 / 58 / 38 / 45

HEX #8D3B57

RGB 141 59 87

HSL 339.51, 0.41%, 0.39%

LAB 36.89, 37.76, 0.67

 

CMYK 9 / 0 / 59 / 45

HEX #7F8C3A

RGB 127 140 58

HSL 69.51, 0.41%, 0.39%

LAB 55.66, -17.06, 41.36

 

CMYK 59 / 0 / 21 / 45

HEX #3A8C6F

RGB 58 140 111

HSL 158.78, 0.41%, 0.39%

LAB 52.73, -32.26, 8.1

 

CMYK 50 / 59 / 0 / 45

HEX #463A8C

RGB 70 58 140

HSL 248.78, 0.41%, 0.39%

LAB 29.96, 27.84, -44.11

 

Description

Color code: RGB 141 59 87 | qconv.com Color code: RGB 141 59 87 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 59 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 59 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 38 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 38% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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