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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 64 51 it is the complementary color RGB 114 191 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 64 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 64 51 shade: RGB 146 64 46, RGB 163 82 65, RGB 180 100 84, RGB 197 118 103 and RGB 214 136 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 64 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 64 51 shade: RGB 141 64 51, RGB 124 46 32, RGB 107 28 13, RGB 90 10 0 and RGB 73 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 64 51 shade: RGB 142 64 51 and RGB 142 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 64 51 shade: RGB 142 64 51, RGB 142 89 51, RGB 142 113 51, RGB 142 138 51 and RGB 122 142 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 64 51 shade matches the following richer shades: RGB 142 64 51, RGB 158 53 35, RGB 173 42 20 and RGB 189 31 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 64 51 shade: RGB 142 64 51, RGB 126 75 67, RGB 111 86 82, RGB 95 97 98 and RGB 79 109 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 64 51 shade: RGB 142 51 87, RGB 142 51 63, RGB 142 63 51, RGB 142 87 51 and RGB 142 112 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 64 51 shade: RGB 81 37 29, RGB 112 50 40, RGB 142 64 51, RGB 172 78 62 and RGB 193 99 83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 64 51 shade: RGB 141 64 51, RGB 112 142 51 and RGB 51 75 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 64 51 shade: RGB 141 64 51, RGB 51 142 63 and RGB 63 51 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 64 51 shade: RGB 141 64 51, RGB 112 142 51, RGB 51 130 142 and RGB 81 51 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 64 51 shade: RGB 141 64 51, RGB 84 142 51, RGB 51 130 142 and RGB 109 51 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 64 / 45

HEX #8D4033

RGB 141 64 51

HSL 8.67, 0.47%, 0.38%

LAB 37.06, 31.64, 23.52

 

Complementary color

CMYK 44 / 6 / 0 / 20

HEX #72BFCC

RGB 114 191 204

HSL 188.67, 0.47%, 0.62%

LAB 73.02, -20.39, -13.98

 

CMYK 0 / 56 / 68 / 43

HEX #92402E

RGB 146 64 46

HSL 10.8, 0.52%, 0.38%

LAB 37.8, 33.3, 27.61

 

CMYK 0 / 50 / 60 / 36

HEX #A35241

RGB 163 82 65

HSL 10.41, 0.43%, 0.45%

LAB 44.52, 31.87, 25.24

 

CMYK 0 / 44 / 53 / 29

HEX #B46454

RGB 180 100 84

HSL 10, 0.39%, 0.52%

LAB 51.22, 30.54, 23.24

 

CMYK 0 / 40 / 48 / 23

HEX #C57667

RGB 197 118 103

HSL 9.57, 0.45%, 0.59%

LAB 57.85, 29.33, 21.51

 

CMYK 0 / 36 / 43 / 16

HEX #D6887A

RGB 214 136 122

HSL 9.13, 0.53%, 0.66%

LAB 64.41, 28.25, 19.99

 

CMYK 0 / 55 / 64 / 45

HEX #8D4033

RGB 141 64 51

HSL 8.67, 0.47%, 0.38%

LAB 37.06, 31.64, 23.52

 

CMYK 0 / 63 / 74 / 51

HEX #7C2E20

RGB 124 46 32

HSL 9.13, 0.59%, 0.31%

LAB 30.26, 33.04, 26.23

 

CMYK 0 / 74 / 88 / 58

HEX #6B1C0D

RGB 107 28 13

HSL 9.57, 0.78%, 0.24%

LAB 23.62, 34.22, 29.22

 

CMYK 0 / 89 / 100 / 65

HEX #5A0A00

RGB 90 10 0

HSL 6.67, 1%, 0.18%

LAB 17.42, 34.47, 26.69

 

CMYK 0 / 100 / 100 / 71

HEX #490000

RGB 73 0 0

HSL 0, 1%, 0.14%

LAB 12.07, 32.48, 18.97

 

CMYK 0 / 55 / 64 / 44

HEX #8E4033

RGB 142 64 51

HSL 8.57, 0.47%, 0.38%

LAB 37.22, 32.04, 23.76

 

CMYK 0 / 64 / 64 / 44

HEX #8E3333

RGB 142 51 51

HSL 0, 0.47%, 0.38%

LAB 34.72, 38.59, 20.61

 

CMYK 0 / 55 / 64 / 44

HEX #8E4033

RGB 142 64 51

HSL 8.57, 0.47%, 0.38%

LAB 37.22, 32.04, 23.76

 

CMYK 0 / 37 / 64 / 44

HEX #8E5933

RGB 142 89 51

HSL 25.05, 0.47%, 0.38%

LAB 42.97, 17.98, 30.72

 

CMYK 0 / 20 / 64 / 44

HEX #8E7133

RGB 142 113 51

HSL 40.88, 0.47%, 0.38%

LAB 49.25, 4.04, 37.96

 

CMYK 0 / 3 / 64 / 44

HEX #8E8A33

RGB 142 138 51

HSL 57.36, 0.47%, 0.38%

LAB 56.25, -9.93, 45.62

 

CMYK 14 / 0 / 64 / 44

HEX #7A8E33

RGB 122 142 51

HSL 73.19, 0.47%, 0.38%

LAB 55.81, -20.82, 44.67

 

CMYK 0 / 55 / 64 / 44

HEX #8E4033

RGB 142 64 51

HSL 8.57, 0.47%, 0.38%

LAB 37.22, 32.04, 23.76

 

CMYK 0 / 66 / 78 / 38

HEX #9E3523

RGB 158 53 35

HSL 8.78, 0.64%, 0.38%

LAB 37.73, 42.62, 34.44

 

CMYK 0 / 76 / 88 / 32

HEX #AD2A14

RGB 173 42 20

HSL 8.63, 0.79%, 0.38%

LAB 38.88, 51.57, 44.18

 

CMYK 0 / 84 / 98 / 26

HEX #BD1F04

RGB 189 31 4

HSL 8.76, 0.96%, 0.38%

LAB 40.91, 59.35, 52.87

 

CMYK 0 / 55 / 64 / 44

HEX #8E4033

RGB 142 64 51

HSL 8.57, 0.47%, 0.38%

LAB 37.22, 32.04, 23.76

 

CMYK 0 / 40 / 47 / 51

HEX #7E4B43

RGB 126 75 67

HSL 8.14, 0.31%, 0.38%

LAB 37.61, 20.67, 13.97

 

CMYK 0 / 23 / 26 / 56

HEX #6F5652

RGB 111 86 82

HSL 8.28, 0.15%, 0.38%

LAB 38.97, 9.67, 6.28

 

CMYK 3 / 1 / 0 / 62

HEX #5F6162

RGB 95 97 98

HSL 200, 0.02%, 0.38%

LAB 41, -0.57, -0.85

 

CMYK 31 / 4 / 0 / 55

HEX #4F6D72

RGB 79 109 114

HSL 188.57, 0.18%, 0.38%

LAB 43.97, -9.53, -6.31

 

CMYK 0 / 64 / 39 / 44

HEX #8E3357

RGB 142 51 87

HSL 336.26, 0.47%, 0.38%

LAB 35.61, 41.98, -1.18

 

CMYK 0 / 64 / 56 / 44

HEX #8E333F

RGB 142 51 63

HSL 352.09, 0.47%, 0.38%

LAB 34.96, 39.52, 13.3

 

CMYK 0 / 56 / 64 / 44

HEX #8E3F33

RGB 142 63 51

HSL 7.91, 0.47%, 0.38%

LAB 37.01, 32.57, 23.5

 

CMYK 0 / 39 / 64 / 44

HEX #8E5733

RGB 142 87 51

HSL 23.74, 0.47%, 0.38%

LAB 42.47, 19.14, 30.13

 

CMYK 0 / 21 / 64 / 44

HEX #8E7033

RGB 142 112 51

HSL 40.22, 0.47%, 0.38%

LAB 48.98, 4.61, 37.66

 

CMYK 0 / 54 / 64 / 68

HEX #51251D

RGB 81 37 29

HSL 9.23, 0.47%, 0.22%

LAB 20.68, 19.74, 14.8

 

CMYK 0 / 55 / 64 / 56

HEX #703228

RGB 112 50 40

HSL 8.33, 0.47%, 0.3%

LAB 29.11, 26.56, 19.38

 

CMYK 0 / 55 / 64 / 44

HEX #8E4033

RGB 142 64 51

HSL 8.57, 0.47%, 0.38%

LAB 37.22, 32.04, 23.76

 

CMYK 0 / 55 / 64 / 33

HEX #AC4E3E

RGB 172 78 62

HSL 8.73, 0.47%, 0.46%

LAB 45.04, 37.29, 27.95

 

CMYK 0 / 49 / 57 / 24

HEX #C16353

RGB 193 99 83

HSL 8.73, 0.47%, 0.54%

LAB 52.82, 36.1, 26.26

 

CMYK 0 / 55 / 64 / 45

HEX #8D4033

RGB 141 64 51

HSL 8.67, 0.47%, 0.38%

LAB 37.06, 31.64, 23.52

 

CMYK 21 / 0 / 64 / 44

HEX #708E33

RGB 112 142 51

HSL 79.78, 0.47%, 0.38%

LAB 55.1, -25.03, 43.7

 

CMYK 64 / 47 / 0 / 44

HEX #334B8E

RGB 51 75 142

HSL 224.18, 0.47%, 0.38%

LAB 33.33, 13.27, -40

 

CMYK 0 / 55 / 64 / 45

HEX #8D4033

RGB 141 64 51

HSL 8.67, 0.47%, 0.38%

LAB 37.06, 31.64, 23.52

 

CMYK 64 / 0 / 56 / 44

HEX #338E3F

RGB 51 142 63

HSL 127.91, 0.47%, 0.38%

LAB 52.3, -44, 33.94

 

CMYK 56 / 64 / 0 / 44

HEX #3F338E

RGB 63 51 142

HSL 247.91, 0.47%, 0.38%

LAB 27.78, 31.45, -48.91

 

CMYK 0 / 55 / 64 / 45

HEX #8D4033

RGB 141 64 51

HSL 8.67, 0.47%, 0.38%

LAB 37.06, 31.64, 23.52

 

CMYK 21 / 0 / 64 / 44

HEX #708E33

RGB 112 142 51

HSL 79.78, 0.47%, 0.38%

LAB 55.1, -25.03, 43.7

 

CMYK 64 / 8 / 0 / 44

HEX #33828E

RGB 51 130 142

HSL 187.91, 0.47%, 0.38%

LAB 50.24, -20.03, -13.63

 

CMYK 43 / 64 / 0 / 44

HEX #51338E

RGB 81 51 142

HSL 259.78, 0.47%, 0.38%

LAB 29.59, 35.21, -45.9

 

CMYK 0 / 55 / 64 / 45

HEX #8D4033

RGB 141 64 51

HSL 8.67, 0.47%, 0.38%

LAB 37.06, 31.64, 23.52

 

CMYK 41 / 0 / 64 / 44

HEX #548E33

RGB 84 142 51

HSL 98.24, 0.47%, 0.38%

LAB 53.46, -35.8, 41.42

 

CMYK 64 / 8 / 0 / 44

HEX #33828E

RGB 51 130 142

HSL 187.91, 0.47%, 0.38%

LAB 50.24, -20.03, -13.63

 

CMYK 23 / 64 / 0 / 44

HEX #6D338E

RGB 109 51 142

HSL 278.24, 0.47%, 0.38%

LAB 33.07, 41.88, -40.1

 

Description

Color code: RGB 141 64 51 | qconv.com Color code: RGB 141 64 51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 64 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 64 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 64 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 64% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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