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Color name
RGB 141 81 21

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 81 21 it is the complementary color RGB 114 174 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 81 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 81 21 shade: RGB 146 81 16, RGB 163 99 35, RGB 180 117 54, RGB 197 135 73 and RGB 214 153 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 81 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 81 21 shade: RGB 141 81 21, RGB 124 63 2, RGB 107 45 0, RGB 90 27 0 and RGB 73 9 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 81 21 shade: RGB 141 81 21, RGB 141 49 21 and RGB 141 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 81 21 shade: RGB 141 81 21, RGB 141 114 21, RGB 137 141 21, RGB 104 141 21 and RGB 72 141 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 81 21 shade matches the following richer shades: RGB 141 81 21 and RGB 155 81 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 81 21 shade: RGB 141 81 21, RGB 128 81 34, RGB 115 81 47, RGB 102 81 60 and RGB 89 81 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 81 21 shade: RGB 141 21 25, RGB 141 49 21, RGB 141 81 21, RGB 141 113 21 and RGB 137 141 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 81 21 shade: RGB 70 40 10, RGB 106 60 15, RGB 141 81 21, RGB 177 102 26 and RGB 213 122 31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 81 21 shade: RGB 141 81 21, RGB 57 141 21 and RGB 33 21 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 81 21 shade: RGB 141 81 21, RGB 21 141 81 and RGB 81 21 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 81 21 shade: RGB 141 81 21, RGB 57 141 21, RGB 21 81 141 and RGB 105 21 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 81 21 shade: RGB 141 81 21, RGB 21 141 21, RGB 21 81 141 and RGB 141 21 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 85 / 45

HEX #8D5115

RGB 141 81 21

HSL 30, 0.74%, 0.32%

LAB 40.58, 20.59, 43.01

 

Complementary color

CMYK 51 / 26 / 0 / 8

HEX #72AEEA

RGB 114 174 234

HSL 210, 0.74%, 0.68%

LAB 69.32, -2.92, -36.02

 

CMYK 0 / 45 / 89 / 43

HEX #925110

RGB 146 81 16

HSL 30, 0.8%, 0.32%

LAB 41.27, 22.69, 45.72

 

CMYK 0 / 39 / 79 / 36

HEX #A36323

RGB 163 99 35

HSL 30, 0.65%, 0.39%

LAB 48.05, 20.68, 45.11

 

CMYK 0 / 35 / 70 / 29

HEX #B47536

RGB 180 117 54

HSL 30, 0.54%, 0.46%

LAB 54.75, 18.97, 43.79

 

CMYK 0 / 31 / 63 / 23

HEX #C58749

RGB 197 135 73

HSL 30, 0.52%, 0.53%

LAB 61.38, 17.52, 42.28

 

CMYK 0 / 29 / 57 / 16

HEX #D6995C

RGB 214 153 92

HSL 30, 0.6%, 0.6%

LAB 67.91, 16.27, 40.77

 

CMYK 0 / 43 / 85 / 45

HEX #8D5115

RGB 141 81 21

HSL 30, 0.74%, 0.32%

LAB 40.58, 20.59, 43.01

 

CMYK 0 / 49 / 98 / 51

HEX #7C3F02

RGB 124 63 2

HSL 30, 0.97%, 0.25%

LAB 33.66, 22.79, 43.19

 

CMYK 0 / 58 / 100 / 58

HEX #6B2D00

RGB 107 45 0

HSL 25.23, 1%, 0.21%

LAB 26.74, 25.37, 37.57

 

CMYK 0 / 70 / 100 / 65

HEX #5A1B00

RGB 90 27 0

HSL 18, 1%, 0.18%

LAB 19.87, 27.7, 29.57

 

CMYK 0 / 88 / 100 / 71

HEX #490900

RGB 73 9 0

HSL 7.4, 1%, 0.14%

LAB 13.3, 28.95, 20.63

 

CMYK 0 / 43 / 85 / 45

HEX #8D5115

RGB 141 81 21

HSL 30, 0.74%, 0.32%

LAB 40.58, 20.59, 43.01

 

CMYK 0 / 65 / 85 / 45

HEX #8D3115

RGB 141 49 21

HSL 14, 0.74%, 0.32%

LAB 33.8, 37.68, 36.95

 

CMYK 0 / 85 / 85 / 45

HEX #8D1515

RGB 141 21 21

HSL 0, 0.74%, 0.32%

LAB 30.04, 48.04, 33.48

 

CMYK 0 / 43 / 85 / 45

HEX #8D5115

RGB 141 81 21

HSL 30, 0.74%, 0.32%

LAB 40.58, 20.59, 43.01

 

CMYK 0 / 19 / 85 / 45

HEX #8D7215

RGB 141 114 21

HSL 46.5, 0.74%, 0.32%

LAB 49.19, 1.46, 50.47

 

CMYK 3 / 0 / 85 / 45

HEX #898D15

RGB 137 141 21

HSL 62, 0.74%, 0.32%

LAB 56.51, -15.26, 56.54

 

CMYK 26 / 0 / 85 / 45

HEX #688D15

RGB 104 141 21

HSL 78.5, 0.74%, 0.32%

LAB 54.08, -29.66, 53.49

 

CMYK 49 / 0 / 85 / 45

HEX #488D15

RGB 72 141 21

HSL 94.5, 0.74%, 0.32%

LAB 52.38, -41.6, 51.34

 

CMYK 0 / 43 / 85 / 45

HEX #8D5115

RGB 141 81 21

HSL 30, 0.74%, 0.32%

LAB 40.58, 20.59, 43.01

 

CMYK 0 / 48 / 95 / 39

HEX #9B5108

RGB 155 81 8

HSL 29.8, 0.9%, 0.32%

LAB 42.57, 26.5, 49.62

 

CMYK 0 / 43 / 85 / 45

HEX #8D5115

RGB 141 81 21

HSL 30, 0.74%, 0.32%

LAB 40.58, 20.59, 43.01

 

CMYK 0 / 37 / 73 / 50

HEX #805122

RGB 128 81 34

HSL 30, 0.58%, 0.32%

LAB 38.88, 15.2, 34.77

 

CMYK 0 / 30 / 59 / 55

HEX #73512F

RGB 115 81 47

HSL 30, 0.42%, 0.32%

LAB 37.36, 10.1, 25.44

 

CMYK 0 / 21 / 41 / 60

HEX #66513C

RGB 102 81 60

HSL 30, 0.26%, 0.32%

LAB 36.05, 5.52, 15.67

 

CMYK 0 / 9 / 17 / 65

HEX #59514A

RGB 89 81 74

HSL 28, 0.09%, 0.32%

LAB 35.01, 1.94, 5.3

 

CMYK 0 / 85 / 82 / 45

HEX #8D1519

RGB 141 21 25

HSL 358, 0.74%, 0.32%

LAB 30.08, 48.15, 31.22

 

CMYK 0 / 65 / 85 / 45

HEX #8D3115

RGB 141 49 21

HSL 14, 0.74%, 0.32%

LAB 33.8, 37.68, 36.95

 

CMYK 0 / 43 / 85 / 45

HEX #8D5115

RGB 141 81 21

HSL 30, 0.74%, 0.32%

LAB 40.58, 20.59, 43.01

 

CMYK 0 / 20 / 85 / 45

HEX #8D7115

RGB 141 113 21

HSL 46, 0.74%, 0.32%

LAB 48.92, 2.03, 50.24

 

CMYK 3 / 0 / 85 / 45

HEX #898D15

RGB 137 141 21

HSL 62, 0.74%, 0.32%

LAB 56.51, -15.26, 56.54

 

CMYK 0 / 43 / 86 / 73

HEX #46280A

RGB 70 40 10

HSL 30, 0.75%, 0.16%

LAB 19.4, 11.18, 24.01

 

CMYK 0 / 43 / 86 / 58

HEX #6A3C0F

RGB 106 60 15

HSL 29.67, 0.75%, 0.24%

LAB 30.23, 16.57, 34.34

 

CMYK 0 / 43 / 85 / 45

HEX #8D5115

RGB 141 81 21

HSL 30, 0.74%, 0.32%

LAB 40.58, 20.59, 43.01

 

CMYK 0 / 42 / 85 / 31

HEX #B1661A

RGB 177 102 26

HSL 30.2, 0.74%, 0.4%

LAB 50.6, 24.83, 51.76

 

CMYK 0 / 43 / 85 / 16

HEX #D57A1F

RGB 213 122 31

HSL 30, 0.75%, 0.48%

LAB 60.04, 29.43, 59.93

 

CMYK 0 / 43 / 85 / 45

HEX #8D5115

RGB 141 81 21

HSL 30, 0.74%, 0.32%

LAB 40.58, 20.59, 43.01

 

CMYK 60 / 0 / 85 / 45

HEX #398D15

RGB 57 141 21

HSL 102, 0.74%, 0.32%

LAB 51.81, -46.07, 50.61

 

CMYK 77 / 85 / 0 / 45

HEX #21158D

RGB 33 21 141

HSL 246, 0.74%, 0.32%

LAB 19.15, 44.23, -62.57

 

CMYK 0 / 43 / 85 / 45

HEX #8D5115

RGB 141 81 21

HSL 30, 0.74%, 0.32%

LAB 40.58, 20.59, 43.01

 

CMYK 85 / 0 / 43 / 45

HEX #158D51

RGB 21 141 81

HSL 150, 0.74%, 0.32%

LAB 51.61, -45.44, 23.4

 

CMYK 43 / 85 / 0 / 45

HEX #51158D

RGB 81 21 141

HSL 270, 0.74%, 0.32%

LAB 24.35, 49.4, -53.82

 

CMYK 0 / 43 / 85 / 45

HEX #8D5115

RGB 141 81 21

HSL 30, 0.74%, 0.32%

LAB 40.58, 20.59, 43.01

 

CMYK 60 / 0 / 85 / 45

HEX #398D15

RGB 57 141 21

HSL 102, 0.74%, 0.32%

LAB 51.81, -46.07, 50.61

 

CMYK 85 / 43 / 0 / 45

HEX #15518D

RGB 21 81 141

HSL 210, 0.74%, 0.32%

LAB 33.91, 4.51, -38.51

 

CMYK 26 / 85 / 0 / 45

HEX #69158D

RGB 105 21 141

HSL 282, 0.74%, 0.32%

LAB 28.01, 53.22, -47.68

 

CMYK 0 / 43 / 85 / 45

HEX #8D5115

RGB 141 81 21

HSL 30, 0.74%, 0.32%

LAB 40.58, 20.59, 43.01

 

CMYK 85 / 0 / 85 / 45

HEX #158D15

RGB 21 141 21

HSL 120, 0.74%, 0.32%

LAB 50.99, -52.96, 49.57

 

CMYK 85 / 43 / 0 / 45

HEX #15518D

RGB 21 81 141

HSL 210, 0.74%, 0.32%

LAB 33.91, 4.51, -38.51

 

CMYK 0 / 85 / 0 / 45

HEX #8D158D

RGB 141 21 141

HSL 300, 0.74%, 0.32%

LAB 34.24, 59.89, -37.34

 

Description

Color code: RGB 141 81 21 | qconv.com Color code: RGB 141 81 21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 81 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 81 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 85 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 85% 45% C M Y K

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Provide designers and agencies with accurate color values.

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