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Color name
RGB 142 125 161

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 125 161 it is the complementary color RGB 113 130 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 125 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 125 161 shade: RGB 147 125 156, RGB 164 143 175, RGB 181 161 194, RGB 198 179 213 and RGB 215 197 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 125 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 125 161 shade: RGB 142 125 161, RGB 125 107 142, RGB 108 89 123, RGB 91 71 104 and RGB 74 53 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 125 161 shade: RGB 141 124 160, RGB 151 124 160, RGB 160 124 160, RGB 160 124 150 and RGB 160 124 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 125 161 shade: RGB 141 124 160, RGB 132 124 160 and RGB 124 124 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 125 161 shade matches the following richer shades: RGB 141 124 160, RGB 140 106 178, RGB 139 88 197, RGB 138 70 215 and RGB 137 52 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 125 161 shade: RGB 141 124 160, RGB 142 143 142, RGB 143 161 124, RGB 144 179 106 and RGB 145 197 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 125 161 shade: RGB 124 127 160, RGB 132 124 160, RGB 141 124 160, RGB 151 124 160 and RGB 160 124 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 125 161 shade: RGB 100 85 117, RGB 121 102 141, RGB 141 124 160, RGB 162 148 178 and RGB 183 172 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 125 161 shade: RGB 142 125 161, RGB 160 124 136 and RGB 124 160 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 125 161 shade: RGB 142 125 161, RGB 160 141 124 and RGB 124 160 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 125 161 shade: RGB 142 125 161, RGB 160 124 136, RGB 143 160 124 and RGB 124 160 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 125 161 shade: RGB 142 125 161, RGB 160 124 126, RGB 143 160 124 and RGB 124 160 159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 22 / 0 / 37

HEX #8E7DA1

RGB 142 125 161

HSL 268.33, 0.16%, 0.56%

LAB 55.06, 13.72, -16.84

 

Complementary color

CMYK 13 / 0 / 28 / 49

HEX #71825E

RGB 113 130 94

HSL 88.33, 0.16%, 0.44%

LAB 52.16, -13.1, 17.49

 

CMYK 6 / 20 / 0 / 39

HEX #937D9C

RGB 147 125 156

HSL 282.58, 0.14%, 0.55%

LAB 55.35, 14.38, -13.47

 

CMYK 6 / 18 / 0 / 31

HEX #A48FAF

RGB 164 143 175

HSL 279.38, 0.17%, 0.62%

LAB 62.2, 13.91, -13.86

 

CMYK 7 / 17 / 0 / 24

HEX #B5A1C2

RGB 181 161 194

HSL 276.36, 0.21%, 0.7%

LAB 68.9, 13.48, -14.26

 

CMYK 7 / 16 / 0 / 16

HEX #C6B3D5

RGB 198 179 213

HSL 273.53, 0.29%, 0.77%

LAB 75.48, 13.09, -14.65

 

CMYK 7 / 15 / 0 / 9

HEX #D7C5E8

RGB 215 197 232

HSL 270.86, 0.43%, 0.84%

LAB 81.95, 12.73, -15.04

 

CMYK 12 / 22 / 0 / 37

HEX #8E7DA1

RGB 142 125 161

HSL 268.33, 0.16%, 0.56%

LAB 55.06, 13.72, -16.84

 

CMYK 12 / 25 / 0 / 44

HEX #7D6B8E

RGB 125 107 142

HSL 270.86, 0.14%, 0.49%

LAB 48.04, 14.23, -16.55

 

CMYK 12 / 28 / 0 / 52

HEX #6C597B

RGB 108 89 123

HSL 273.53, 0.16%, 0.42%

LAB 40.84, 14.8, -16.27

 

CMYK 13 / 32 / 0 / 59

HEX #5B4768

RGB 91 71 104

HSL 276.36, 0.19%, 0.34%

LAB 33.41, 15.46, -16.01

 

CMYK 13 / 38 / 0 / 67

HEX #4A3555

RGB 74 53 85

HSL 279.38, 0.23%, 0.27%

LAB 25.74, 16.23, -15.77

 

CMYK 12 / 23 / 0 / 37

HEX #8D7CA0

RGB 141 124 160

HSL 268.33, 0.16%, 0.56%

LAB 54.67, 13.74, -16.86

 

CMYK 6 / 23 / 0 / 37

HEX #977CA0

RGB 151 124 160

HSL 285, 0.16%, 0.56%

LAB 55.62, 17.19, -15.35

 

CMYK 0 / 23 / 0 / 37

HEX #A07CA0

RGB 160 124 160

HSL 300, 0.16%, 0.56%

LAB 56.51, 20.34, -13.9

 

CMYK 0 / 23 / 6 / 37

HEX #A07C96

RGB 160 124 150

HSL 316.67, 0.16%, 0.56%

LAB 56.18, 18.42, -8.62

 

CMYK 0 / 23 / 13 / 37

HEX #A07C8C

RGB 160 124 140

HSL 333.33, 0.16%, 0.56%

LAB 55.87, 16.61, -3.28

 

CMYK 12 / 23 / 0 / 37

HEX #8D7CA0

RGB 141 124 160

HSL 268.33, 0.16%, 0.56%

LAB 54.67, 13.74, -16.86

 

CMYK 18 / 23 / 0 / 37

HEX #847CA0

RGB 132 124 160

HSL 253.33, 0.16%, 0.56%

LAB 53.88, 10.69, -18.15

 

CMYK 23 / 23 / 0 / 37

HEX #7C7CA0

RGB 124 124 160

HSL 240, 0.16%, 0.56%

LAB 53.21, 8.05, -19.23

 

CMYK 12 / 23 / 0 / 37

HEX #8D7CA0

RGB 141 124 160

HSL 268.33, 0.16%, 0.56%

LAB 54.67, 13.74, -16.86

 

CMYK 21 / 40 / 0 / 30

HEX #8C6AB2

RGB 140 106 178

HSL 268.33, 0.32%, 0.56%

LAB 50.8, 28.11, -33.29

 

CMYK 29 / 55 / 0 / 23

HEX #8B58C5

RGB 139 88 197

HSL 268.07, 0.48%, 0.56%

LAB 47.62, 42.73, -49.33

 

CMYK 36 / 67 / 0 / 16

HEX #8A46D7

RGB 138 70 215

HSL 268.14, 0.64%, 0.56%

LAB 45.21, 56.27, -63.57

 

CMYK 41 / 78 / 0 / 9

HEX #8934E9

RGB 137 52 233

HSL 268.18, 0.8%, 0.56%

LAB 43.74, 68.13, -76.22

 

CMYK 12 / 23 / 0 / 37

HEX #8D7CA0

RGB 141 124 160

HSL 268.33, 0.16%, 0.56%

LAB 54.67, 13.74, -16.86

 

CMYK 1 / 0 / 1 / 44

HEX #8E8F8E

RGB 142 143 142

HSL 120, 0%, 0.56%

LAB 59.3, -0.56, 0.4

 

CMYK 11 / 0 / 23 / 37

HEX #8FA17C

RGB 143 161 124

HSL 89.19, 0.16%, 0.56%

LAB 63.99, -13.23, 17.2

 

CMYK 20 / 0 / 41 / 30

HEX #90B36A

RGB 144 179 106

HSL 88.77, 0.32%, 0.56%

LAB 68.9, -24.69, 33.44

 

CMYK 26 / 0 / 55 / 23

HEX #91C558

RGB 145 197 88

HSL 88.62, 0.48%, 0.56%

LAB 73.97, -34.95, 48.54

 

CMYK 23 / 21 / 0 / 37

HEX #7C7FA0

RGB 124 127 160

HSL 235, 0.16%, 0.56%

LAB 54.03, 6.29, -17.98

 

CMYK 18 / 23 / 0 / 37

HEX #847CA0

RGB 132 124 160

HSL 253.33, 0.16%, 0.56%

LAB 53.88, 10.69, -18.15

 

CMYK 12 / 23 / 0 / 37

HEX #8D7CA0

RGB 141 124 160

HSL 268.33, 0.16%, 0.56%

LAB 54.67, 13.74, -16.86

 

CMYK 6 / 23 / 0 / 37

HEX #977CA0

RGB 151 124 160

HSL 285, 0.16%, 0.56%

LAB 55.62, 17.19, -15.35

 

CMYK 0 / 23 / 0 / 37

HEX #A07CA0

RGB 160 124 160

HSL 300, 0.16%, 0.56%

LAB 56.51, 20.34, -13.9

 

CMYK 15 / 27 / 0 / 54

HEX #645575

RGB 100 85 117

HSL 268.13, 0.16%, 0.4%

LAB 38.71, 13.02, -15.92

 

CMYK 14 / 28 / 0 / 45

HEX #79668D

RGB 121 102 141

HSL 269.23, 0.16%, 0.48%

LAB 46.3, 15.61, -18.66

 

CMYK 12 / 23 / 0 / 37

HEX #8D7CA0

RGB 141 124 160

HSL 268.33, 0.16%, 0.56%

LAB 54.67, 13.74, -16.86

 

CMYK 9 / 17 / 0 / 30

HEX #A294B2

RGB 162 148 178

HSL 268, 0.16%, 0.64%

LAB 63.41, 11.02, -13.75

 

CMYK 6 / 12 / 0 / 24

HEX #B7ACC3

RGB 183 172 195

HSL 268.7, 0.16%, 0.72%

LAB 71.9, 8.29, -10.29

 

CMYK 12 / 22 / 0 / 37

HEX #8E7DA1

RGB 142 125 161

HSL 268.33, 0.16%, 0.56%

LAB 55.06, 13.72, -16.84

 

CMYK 0 / 23 / 15 / 37

HEX #A07C88

RGB 160 124 136

HSL 340, 0.16%, 0.56%

LAB 55.75, 15.92, -1.13

 

CMYK 23 / 0 / 21 / 37

HEX #7CA07F

RGB 124 160 127

HSL 125, 0.16%, 0.56%

LAB 62.47, -19.11, 13.24

 

CMYK 12 / 22 / 0 / 37

HEX #8E7DA1

RGB 142 125 161

HSL 268.33, 0.16%, 0.56%

LAB 55.06, 13.72, -16.84

 

CMYK 0 / 12 / 23 / 37

HEX #A08D7C

RGB 160 141 124

HSL 28.33, 0.16%, 0.56%

LAB 59.87, 4.32, 11.68

 

CMYK 23 / 0 / 12 / 37

HEX #7CA08D

RGB 124 160 141

HSL 148.33, 0.16%, 0.56%

LAB 62.8, -16.38, 5.87

 

CMYK 12 / 22 / 0 / 37

HEX #8E7DA1

RGB 142 125 161

HSL 268.33, 0.16%, 0.56%

LAB 55.06, 13.72, -16.84

 

CMYK 0 / 23 / 15 / 37

HEX #A07C88

RGB 160 124 136

HSL 340, 0.16%, 0.56%

LAB 55.75, 15.92, -1.13

 

CMYK 11 / 0 / 23 / 37

HEX #8FA07C

RGB 143 160 124

HSL 88.33, 0.16%, 0.56%

LAB 63.7, -12.7, 16.81

 

CMYK 23 / 0 / 7 / 37

HEX #7CA094

RGB 124 160 148

HSL 160, 0.16%, 0.56%

LAB 62.98, -14.92, 2.2

 

CMYK 12 / 22 / 0 / 37

HEX #8E7DA1

RGB 142 125 161

HSL 268.33, 0.16%, 0.56%

LAB 55.06, 13.72, -16.84

 

CMYK 0 / 23 / 21 / 37

HEX #A07C7E

RGB 160 124 126

HSL 356.67, 0.16%, 0.56%

LAB 55.48, 14.27, 4.28

 

CMYK 11 / 0 / 23 / 37

HEX #8FA07C

RGB 143 160 124

HSL 88.33, 0.16%, 0.56%

LAB 63.7, -12.7, 16.81

 

CMYK 23 / 0 / 1 / 37

HEX #7CA09F

RGB 124 160 159

HSL 178.33, 0.16%, 0.56%

LAB 63.28, -12.49, -3.53

 

Description

Color code: RGB 142 125 161 | qconv.com Color code: RGB 142 125 161 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 125 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 125 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 22 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 22% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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