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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 139 102 it is the complementary color RGB 113 116 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 139 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 139 102 shade: RGB 147 139 97, RGB 164 157 116, RGB 181 175 135, RGB 198 193 154 and RGB 215 211 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 139 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 139 102 shade: RGB 142 139 102, RGB 125 121 83, RGB 108 103 64, RGB 91 85 45 and RGB 74 67 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 139 102 shade: RGB 141 139 102, RGB 141 128 102, RGB 141 117 102, RGB 141 107 102 and RGB 141 102 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 139 102 shade: RGB 141 139 102, RGB 134 141 102, RGB 123 141 102, RGB 113 141 102 and RGB 102 141 102

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 139 102 shade matches the following richer shades: RGB 141 139 102, RGB 161 155 83, RGB 181 172 63, RGB 201 189 43 and RGB 221 206 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 139 102 shade: RGB 141 139 102, RGB 122 122 122, RGB 102 105 142, RGB 82 88 162 and RGB 62 71 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 139 102 shade: RGB 141 117 102, RGB 141 128 102, RGB 141 138 102, RGB 134 141 102 and RGB 124 141 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 139 102 shade: RGB 94 92 68, RGB 118 115 85, RGB 141 139 102, RGB 160 158 125 and RGB 178 176 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 139 102 shade: RGB 142 139 102, RGB 102 141 107 and RGB 123 102 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 139 102 shade: RGB 142 139 102, RGB 102 141 138 and RGB 138 102 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 139 102 shade: RGB 142 139 102, RGB 102 141 107, RGB 102 106 141 and RGB 141 102 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 139 102 shade: RGB 142 139 102, RGB 102 141 119, RGB 102 106 141 and RGB 141 102 125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 28 / 44

HEX #8E8B66

RGB 142 139 102

HSL 55.5, 0.16%, 0.48%

LAB 57.25, -5.11, 20.25

 

Complementary color

CMYK 26 / 24 / 0 / 40

HEX #717499

RGB 113 116 153

HSL 235.5, 0.16%, 0.52%

LAB 49.86, 7.47, -20.35

 

CMYK 0 / 5 / 34 / 42

HEX #938B61

RGB 147 139 97

HSL 50.4, 0.2%, 0.48%

LAB 57.59, -3.72, 23.58

 

CMYK 0 / 4 / 29 / 36

HEX #A49D74

RGB 164 157 116

HSL 51.25, 0.21%, 0.55%

LAB 64.38, -4.07, 22.41

 

CMYK 0 / 3 / 25 / 29

HEX #B5AF87

RGB 181 175 135

HSL 52.17, 0.24%, 0.62%

LAB 71.03, -4.36, 21.33

 

CMYK 0 / 3 / 22 / 22

HEX #C6C19A

RGB 198 193 154

HSL 53.18, 0.28%, 0.69%

LAB 77.57, -4.6, 20.31

 

CMYK 0 / 2 / 20 / 16

HEX #D7D3AD

RGB 215 211 173

HSL 54.29, 0.34%, 0.76%

LAB 83.99, -4.82, 19.35

 

CMYK 0 / 2 / 28 / 44

HEX #8E8B66

RGB 142 139 102

HSL 55.5, 0.16%, 0.48%

LAB 57.25, -5.11, 20.25

 

CMYK 0 / 3 / 34 / 51

HEX #7D7953

RGB 125 121 83

HSL 54.29, 0.2%, 0.41%

LAB 50.29, -4.8, 21.43

 

CMYK 0 / 5 / 41 / 58

HEX #6C6740

RGB 108 103 64

HSL 53.18, 0.26%, 0.34%

LAB 43.15, -4.41, 22.71

 

CMYK 0 / 7 / 51 / 64

HEX #5B552D

RGB 91 85 45

HSL 52.17, 0.34%, 0.27%

LAB 35.81, -3.87, 24.09

 

CMYK 0 / 9 / 65 / 71

HEX #4A431A

RGB 74 67 26

HSL 51.25, 0.48%, 0.2%

LAB 28.23, -3.09, 25.48

 

CMYK 0 / 1 / 28 / 45

HEX #8D8B66

RGB 141 139 102

HSL 56.92, 0.16%, 0.48%

LAB 57.16, -5.52, 20.12

 

CMYK 0 / 9 / 28 / 45

HEX #8D8066

RGB 141 128 102

HSL 40, 0.16%, 0.48%

LAB 54.09, 0.64, 15.93

 

CMYK 0 / 17 / 28 / 45

HEX #8D7566

RGB 141 117 102

HSL 23.08, 0.16%, 0.48%

LAB 51.09, 6.95, 11.77

 

CMYK 0 / 24 / 28 / 45

HEX #8D6B66

RGB 141 107 102

HSL 7.69, 0.16%, 0.48%

LAB 48.43, 12.77, 8.04

 

CMYK 0 / 28 / 28 / 45

HEX #8D6666

RGB 141 102 102

HSL 0, 0.16%, 0.48%

LAB 47.14, 15.7, 6.2

 

CMYK 0 / 1 / 28 / 45

HEX #8D8B66

RGB 141 139 102

HSL 56.92, 0.16%, 0.48%

LAB 57.16, -5.52, 20.12

 

CMYK 5 / 0 / 28 / 45

HEX #868D66

RGB 134 141 102

HSL 70.77, 0.16%, 0.48%

LAB 57.15, -9.46, 20

 

CMYK 13 / 0 / 28 / 45

HEX #7B8D66

RGB 123 141 102

HSL 87.69, 0.16%, 0.48%

LAB 56.31, -13.82, 18.72

 

CMYK 20 / 0 / 28 / 45

HEX #718D66

RGB 113 141 102

HSL 103.08, 0.16%, 0.48%

LAB 55.6, -17.66, 17.65

 

CMYK 28 / 0 / 28 / 45

HEX #668D66

RGB 102 141 102

HSL 120, 0.16%, 0.48%

LAB 54.9, -21.69, 16.57

 

CMYK 0 / 1 / 28 / 45

HEX #8D8B66

RGB 141 139 102

HSL 56.92, 0.16%, 0.48%

LAB 57.16, -5.52, 20.12

 

CMYK 0 / 4 / 48 / 37

HEX #A19B53

RGB 161 155 83

HSL 55.38, 0.32%, 0.48%

LAB 63.05, -8.11, 38.27

 

CMYK 0 / 5 / 65 / 29

HEX #B5AC3F

RGB 181 172 63

HSL 55.42, 0.48%, 0.48%

LAB 69.25, -10.07, 55.16

 

CMYK 0 / 6 / 79 / 21

HEX #C9BD2B

RGB 201 189 43

HSL 55.44, 0.65%, 0.48%

LAB 75.44, -11.15, 68.99

 

CMYK 0 / 7 / 90 / 13

HEX #DDCE17

RGB 221 206 23

HSL 55.45, 0.81%, 0.48%

LAB 81.61, -11.67, 79.38

 

CMYK 0 / 1 / 28 / 45

HEX #8D8B66

RGB 141 139 102

HSL 56.92, 0.16%, 0.48%

LAB 57.16, -5.52, 20.12

 

CMYK 0 / 0 / 0 / 52

HEX #7A7A7A

RGB 122 122 122

HSL 0, 0%, 0.48%

LAB 51.22, 0, -0.01

 

CMYK 28 / 26 / 0 / 44

HEX #66698E

RGB 102 105 142

HSL 235.5, 0.16%, 0.48%

LAB 45.47, 7.7, -20.67

 

CMYK 49 / 46 / 0 / 36

HEX #5258A2

RGB 82 88 162

HSL 235.5, 0.33%, 0.48%

LAB 40.22, 18.51, -40.95

 

CMYK 66 / 61 / 0 / 29

HEX #3E47B6

RGB 62 71 182

HSL 235.5, 0.49%, 0.48%

LAB 35.81, 32.2, -59.99

 

CMYK 0 / 17 / 28 / 45

HEX #8D7566

RGB 141 117 102

HSL 23.08, 0.16%, 0.48%

LAB 51.09, 6.95, 11.77

 

CMYK 0 / 9 / 28 / 45

HEX #8D8066

RGB 141 128 102

HSL 40, 0.16%, 0.48%

LAB 54.09, 0.64, 15.93

 

CMYK 0 / 2 / 28 / 45

HEX #8D8A66

RGB 141 138 102

HSL 55.38, 0.16%, 0.48%

LAB 56.88, -4.96, 19.74

 

CMYK 5 / 0 / 28 / 45

HEX #868D66

RGB 134 141 102

HSL 70.77, 0.16%, 0.48%

LAB 57.15, -9.46, 20

 

CMYK 12 / 0 / 28 / 45

HEX #7C8D66

RGB 124 141 102

HSL 86.15, 0.16%, 0.48%

LAB 56.38, -13.43, 18.83

 

CMYK 0 / 2 / 28 / 63

HEX #5E5C44

RGB 94 92 68

HSL 55.38, 0.16%, 0.32%

LAB 38.64, -3.59, 14.14

 

CMYK 0 / 3 / 28 / 54

HEX #767355

RGB 118 115 85

HSL 54.55, 0.16%, 0.4%

LAB 47.97, -4.08, 17.06

 

CMYK 0 / 1 / 28 / 45

HEX #8D8B66

RGB 141 139 102

HSL 56.92, 0.16%, 0.48%

LAB 57.16, -5.52, 20.12

 

CMYK 0 / 1 / 22 / 37

HEX #A09E7D

RGB 160 158 125

HSL 56.57, 0.16%, 0.56%

LAB 64.49, -4.9, 17.55

 

CMYK 0 / 1 / 16 / 30

HEX #B2B095

RGB 178 176 149

HSL 55.86, 0.16%, 0.64%

LAB 71.34, -3.94, 14.11

 

CMYK 0 / 2 / 28 / 44

HEX #8E8B66

RGB 142 139 102

HSL 55.5, 0.16%, 0.48%

LAB 57.25, -5.11, 20.25

 

CMYK 28 / 0 / 24 / 45

HEX #668D6B

RGB 102 141 107

HSL 127.69, 0.16%, 0.48%

LAB 55.01, -20.76, 13.88

 

CMYK 13 / 28 / 0 / 45

HEX #7B668D

RGB 123 102 141

HSL 272.31, 0.16%, 0.48%

LAB 46.49, 16.3, -18.34

 

CMYK 0 / 2 / 28 / 44

HEX #8E8B66

RGB 142 139 102

HSL 55.5, 0.16%, 0.48%

LAB 57.25, -5.11, 20.25

 

CMYK 28 / 0 / 2 / 45

HEX #668D8A

RGB 102 141 138

HSL 175.38, 0.16%, 0.48%

LAB 55.8, -14.11, -2.77

 

CMYK 2 / 28 / 0 / 45

HEX #8A668D

RGB 138 102 141

HSL 295.38, 0.16%, 0.48%

LAB 48.04, 21.54, -15.83

 

CMYK 0 / 2 / 28 / 44

HEX #8E8B66

RGB 142 139 102

HSL 55.5, 0.16%, 0.48%

LAB 57.25, -5.11, 20.25

 

CMYK 28 / 0 / 24 / 45

HEX #668D6B

RGB 102 141 107

HSL 127.69, 0.16%, 0.48%

LAB 55.01, -20.76, 13.88

 

CMYK 28 / 25 / 0 / 45

HEX #666A8D

RGB 102 106 141

HSL 233.85, 0.16%, 0.48%

LAB 45.71, 6.83, -19.7

 

CMYK 0 / 28 / 3 / 45

HEX #8D6689

RGB 141 102 137

HSL 306.15, 0.16%, 0.48%

LAB 48.22, 21.81, -13.15

 

CMYK 0 / 2 / 28 / 44

HEX #8E8B66

RGB 142 139 102

HSL 55.5, 0.16%, 0.48%

LAB 57.25, -5.11, 20.25

 

CMYK 28 / 0 / 16 / 45

HEX #668D77

RGB 102 141 119

HSL 146.15, 0.16%, 0.48%

LAB 55.28, -18.36, 7.41

 

CMYK 28 / 25 / 0 / 45

HEX #666A8D

RGB 102 106 141

HSL 233.85, 0.16%, 0.48%

LAB 45.71, 6.83, -19.7

 

CMYK 0 / 28 / 11 / 45

HEX #8D667D

RGB 141 102 125

HSL 324.62, 0.16%, 0.48%

LAB 47.81, 19.53, -6.61

 

Description

Color code: RGB 142 139 102 | qconv.com Color code: RGB 142 139 102 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 139 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 139 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 28 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 28% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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