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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 150 129 it is the complementary color RGB 113 105 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 150 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 150 129 shade: RGB 147 150 124, RGB 164 168 143, RGB 181 186 162, RGB 198 204 181 and RGB 215 222 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 150 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 150 129 shade: RGB 142 150 129, RGB 125 132 110, RGB 108 114 91, RGB 91 96 72 and RGB 74 78 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 150 129 shade: RGB 142 150 129, RGB 148 150 129, RGB 150 147 129, RGB 150 141 129 and RGB 150 136 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 150 129 shade: RGB 142 150 129, RGB 137 150 129, RGB 131 150 129, RGB 129 150 133 and RGB 129 150 139

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 150 129 shade matches the following richer shades: RGB 142 150 129, RGB 147 169 111, RGB 151 187 92, RGB 155 206 74 and RGB 160 224 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 150 129 shade: RGB 142 150 129, RGB 138 132 148, RGB 133 113 167, RGB 129 94 185 and RGB 125 76 204

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 150 129 shade: RGB 150 147 129, RGB 148 150 129, RGB 143 150 129, RGB 137 150 129 and RGB 131 150 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 150 129 shade: RGB 101 107 90, RGB 122 130 108, RGB 142 150 129, RGB 162 169 152 and RGB 183 188 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 150 129 shade: RGB 142 150 129, RGB 129 150 141 and RGB 149 129 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 150 129 shade: RGB 142 150 129, RGB 129 143 150 and RGB 150 129 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 150 129 shade: RGB 142 150 129, RGB 129 150 141, RGB 137 129 150 and RGB 150 129 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 150 129 shade: RGB 142 150 129, RGB 129 150 147, RGB 137 129 150 and RGB 150 129 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 14 / 41

HEX #8E9681

RGB 142 150 129

HSL 82.86, 0.09%, 0.55%

LAB 60.91, -6.84, 10.1

 

Complementary color

CMYK 10 / 17 / 0 / 51

HEX #71697E

RGB 113 105 126

HSL 262.86, 0.09%, 0.45%

LAB 45.8, 7.55, -10.51

 

CMYK 2 / 0 / 17 / 41

HEX #93967C

RGB 147 150 124

HSL 66.92, 0.11%, 0.54%

LAB 61.2, -5.78, 13.37

 

CMYK 2 / 0 / 15 / 34

HEX #A4A88F

RGB 164 168 143

HSL 69.6, 0.13%, 0.61%

LAB 67.93, -5.9, 12.45

 

CMYK 3 / 0 / 13 / 27

HEX #B5BAA2

RGB 181 186 162

HSL 72.5, 0.15%, 0.68%

LAB 74.54, -6.02, 11.58

 

CMYK 3 / 0 / 11 / 20

HEX #C6CCB5

RGB 198 204 181

HSL 75.65, 0.18%, 0.75%

LAB 81.03, -6.12, 10.76

 

CMYK 3 / 0 / 10 / 13

HEX #D7DEC8

RGB 215 222 200

HSL 79.09, 0.25%, 0.83%

LAB 87.42, -6.22, 9.97

 

CMYK 5 / 0 / 14 / 41

HEX #8E9681

RGB 142 150 129

HSL 82.86, 0.09%, 0.55%

LAB 60.91, -6.84, 10.1

 

CMYK 5 / 0 / 17 / 48

HEX #7D846E

RGB 125 132 110

HSL 79.09, 0.09%, 0.47%

LAB 54.01, -6.77, 11.02

 

CMYK 5 / 0 / 20 / 55

HEX #6C725B

RGB 108 114 91

HSL 75.65, 0.11%, 0.4%

LAB 46.95, -6.7, 12.01

 

CMYK 5 / 0 / 25 / 62

HEX #5B6048

RGB 91 96 72

HSL 72.5, 0.14%, 0.33%

LAB 39.68, -6.6, 13.09

 

CMYK 5 / 0 / 32 / 69

HEX #4A4E35

RGB 74 78 53

HSL 69.6, 0.19%, 0.26%

LAB 32.17, -6.46, 14.3

 

CMYK 5 / 0 / 14 / 41

HEX #8E9681

RGB 142 150 129

HSL 82.86, 0.09%, 0.55%

LAB 60.91, -6.84, 10.1

 

CMYK 1 / 0 / 14 / 41

HEX #949681

RGB 148 150 129

HSL 65.71, 0.09%, 0.55%

LAB 61.39, -4.56, 10.84

 

CMYK 0 / 2 / 14 / 41

HEX #969381

RGB 150 147 129

HSL 51.43, 0.09%, 0.55%

LAB 60.73, -2.14, 9.93

 

CMYK 0 / 6 / 14 / 41

HEX #968D81

RGB 150 141 129

HSL 34.29, 0.09%, 0.55%

LAB 59.08, 1.21, 7.6

 

CMYK 0 / 9 / 14 / 41

HEX #968881

RGB 150 136 129

HSL 20, 0.09%, 0.55%

LAB 57.73, 4.02, 5.66

 

CMYK 5 / 0 / 14 / 41

HEX #8E9681

RGB 142 150 129

HSL 82.86, 0.09%, 0.55%

LAB 60.91, -6.84, 10.1

 

CMYK 9 / 0 / 14 / 41

HEX #899681

RGB 137 150 129

HSL 97.14, 0.09%, 0.55%

LAB 60.53, -8.72, 9.51

 

CMYK 13 / 0 / 14 / 41

HEX #839681

RGB 131 150 129

HSL 114.29, 0.09%, 0.55%

LAB 60.09, -10.94, 8.82

 

CMYK 14 / 0 / 11 / 41

HEX #819685

RGB 129 150 133

HSL 131.43, 0.09%, 0.55%

LAB 60.04, -10.9, 6.47

 

CMYK 14 / 0 / 7 / 41

HEX #81968B

RGB 129 150 139

HSL 148.57, 0.09%, 0.55%

LAB 60.2, -9.71, 3.29

 

CMYK 5 / 0 / 14 / 41

HEX #8E9681

RGB 142 150 129

HSL 82.86, 0.09%, 0.55%

LAB 60.91, -6.84, 10.1

 

CMYK 13 / 0 / 34 / 34

HEX #93A96F

RGB 147 169 111

HSL 82.76, 0.25%, 0.55%

LAB 66.31, -17.83, 27.47

 

CMYK 19 / 0 / 51 / 27

HEX #97BB5C

RGB 151 187 92

HSL 82.74, 0.41%, 0.55%

LAB 71.48, -27.57, 43.79

 

CMYK 25 / 0 / 64 / 19

HEX #9BCE4A

RGB 155 206 74

HSL 83.18, 0.57%, 0.55%

LAB 77.04, -36.55, 58.29

 

CMYK 29 / 0 / 75 / 12

HEX #A0E037

RGB 160 224 55

HSL 82.72, 0.73%, 0.55%

LAB 82.41, -43.83, 70.7

 

CMYK 5 / 0 / 14 / 41

HEX #8E9681

RGB 142 150 129

HSL 82.86, 0.09%, 0.55%

LAB 60.91, -6.84, 10.1

 

CMYK 7 / 11 / 0 / 42

HEX #8A8494

RGB 138 132 148

HSL 262.5, 0.07%, 0.55%

LAB 56.13, 5.46, -7.75

 

CMYK 20 / 32 / 0 / 35

HEX #8571A7

RGB 133 113 167

HSL 262.22, 0.23%, 0.55%

LAB 51.37, 19.17, -26.07

 

CMYK 30 / 49 / 0 / 27

HEX #815EB9

RGB 129 94 185

HSL 263.08, 0.39%, 0.55%

LAB 47.2, 33.69, -43.11

 

CMYK 39 / 63 / 0 / 20

HEX #7D4CCC

RGB 125 76 204

HSL 262.97, 0.56%, 0.55%

LAB 44.07, 47.79, -59.16

 

CMYK 0 / 2 / 14 / 41

HEX #969381

RGB 150 147 129

HSL 51.43, 0.09%, 0.55%

LAB 60.73, -2.14, 9.93

 

CMYK 1 / 0 / 14 / 41

HEX #949681

RGB 148 150 129

HSL 65.71, 0.09%, 0.55%

LAB 61.39, -4.56, 10.84

 

CMYK 5 / 0 / 14 / 41

HEX #8F9681

RGB 143 150 129

HSL 80, 0.09%, 0.55%

LAB 60.99, -6.47, 10.22

 

CMYK 9 / 0 / 14 / 41

HEX #899681

RGB 137 150 129

HSL 97.14, 0.09%, 0.55%

LAB 60.53, -8.72, 9.51

 

CMYK 13 / 0 / 14 / 41

HEX #839681

RGB 131 150 129

HSL 114.29, 0.09%, 0.55%

LAB 60.09, -10.94, 8.82

 

CMYK 6 / 0 / 16 / 58

HEX #656B5A

RGB 101 107 90

HSL 81.18, 0.09%, 0.39%

LAB 44.26, -5.68, 8.76

 

CMYK 6 / 0 / 17 / 49

HEX #7A826C

RGB 122 130 108

HSL 81.82, 0.09%, 0.47%

LAB 53.15, -7.18, 10.92

 

CMYK 5 / 0 / 14 / 41

HEX #8E9681

RGB 142 150 129

HSL 82.86, 0.09%, 0.55%

LAB 60.91, -6.84, 10.1

 

CMYK 4 / 0 / 10 / 34

HEX #A2A998

RGB 162 169 152

HSL 84.71, 0.09%, 0.63%

LAB 68.26, -5.64, 7.92

 

CMYK 3 / 0 / 7 / 26

HEX #B7BCAE

RGB 183 188 174

HSL 81.43, 0.09%, 0.71%

LAB 75.51, -4.29, 6.47

 

CMYK 5 / 0 / 14 / 41

HEX #8E9681

RGB 142 150 129

HSL 82.86, 0.09%, 0.55%

LAB 60.91, -6.84, 10.1

 

CMYK 14 / 0 / 6 / 41

HEX #81968D

RGB 129 150 141

HSL 154.29, 0.09%, 0.55%

LAB 60.25, -9.31, 2.23

 

CMYK 1 / 14 / 0 / 41

HEX #958196

RGB 149 129 150

HSL 297.14, 0.09%, 0.55%

LAB 56.38, 11.55, -8.44

 

CMYK 5 / 0 / 14 / 41

HEX #8E9681

RGB 142 150 129

HSL 82.86, 0.09%, 0.55%

LAB 60.91, -6.84, 10.1

 

CMYK 14 / 5 / 0 / 41

HEX #818F96

RGB 129 143 150

HSL 200, 0.09%, 0.55%

LAB 58.52, -3.52, -5.43

 

CMYK 0 / 14 / 5 / 41

HEX #96818F

RGB 150 129 143

HSL 320, 0.09%, 0.55%

LAB 56.26, 10.55, -4.56

 

CMYK 5 / 0 / 14 / 41

HEX #8E9681

RGB 142 150 129

HSL 82.86, 0.09%, 0.55%

LAB 60.91, -6.84, 10.1

 

CMYK 14 / 0 / 6 / 41

HEX #81968D

RGB 129 150 141

HSL 154.29, 0.09%, 0.55%

LAB 60.25, -9.31, 2.23

 

CMYK 9 / 14 / 0 / 41

HEX #898196

RGB 137 129 150

HSL 262.86, 0.09%, 0.55%

LAB 55.3, 7.26, -10.16

 

CMYK 0 / 14 / 8 / 41

HEX #96818A

RGB 150 129 138

HSL 334.29, 0.09%, 0.55%

LAB 56.11, 9.62, -1.89

 

CMYK 5 / 0 / 14 / 41

HEX #8E9681

RGB 142 150 129

HSL 82.86, 0.09%, 0.55%

LAB 60.91, -6.84, 10.1

 

CMYK 14 / 0 / 2 / 41

HEX #819693

RGB 129 150 147

HSL 171.43, 0.09%, 0.55%

LAB 60.41, -8.05, -0.93

 

CMYK 9 / 14 / 0 / 41

HEX #898196

RGB 137 129 150

HSL 262.86, 0.09%, 0.55%

LAB 55.3, 7.26, -10.16

 

CMYK 0 / 14 / 12 / 41

HEX #968184

RGB 150 129 132

HSL 351.43, 0.09%, 0.55%

LAB 55.94, 8.53, 1.34

 

Description

Color code: RGB 142 150 129 | qconv.com Color code: RGB 142 150 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 150 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 150 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 14 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 14% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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