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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 162 71 it is the complementary color RGB 113 93 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 162 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 162 71 shade: RGB 147 162 66, RGB 164 180 85, RGB 181 198 104, RGB 198 216 123 and RGB 215 234 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 162 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 162 71 shade: RGB 142 162 71, RGB 125 144 52, RGB 108 126 33, RGB 91 108 14 and RGB 74 90 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 162 71 shade: RGB 142 163 71, RGB 163 158 71, RGB 163 133 71, RGB 163 109 71 and RGB 163 84 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 162 71 shade: RGB 142 163 71, RGB 118 163 71, RGB 93 163 71, RGB 71 163 74 and RGB 71 163 98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 162 71 shade matches the following richer shades: RGB 142 163 71, RGB 153 182 52, RGB 164 201 33 and RGB 174 219 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 162 71 shade: RGB 142 163 71, RGB 132 144 90, RGB 121 125 109, RGB 111 106 128 and RGB 100 87 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 162 71 shade: RGB 163 134 71, RGB 163 158 71, RGB 143 163 71, RGB 118 163 71 and RGB 94 163 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 162 71 shade: RGB 92 105 46, RGB 117 134 58, RGB 142 163 71, RGB 163 183 92 and RGB 179 196 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 162 71 shade: RGB 142 162 71, RGB 71 163 109 and RGB 146 71 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 162 71 shade: RGB 142 162 71, RGB 71 143 163 and RGB 163 71 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 162 71 shade: RGB 142 162 71, RGB 71 163 109, RGB 91 71 163 and RGB 163 71 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 162 71 shade: RGB 142 162 71, RGB 71 163 137, RGB 91 71 163 and RGB 163 71 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 56 / 36

HEX #8EA247

RGB 142 162 71

HSL 73.19, 0.39%, 0.46%

LAB 63.38, -20.89, 44.23

 

Complementary color

CMYK 39 / 49 / 0 / 28

HEX #715DB8

RGB 113 93 184

HSL 253.19, 0.39%, 0.54%

LAB 45.36, 29.79, -45.55

 

CMYK 9 / 0 / 59 / 36

HEX #93A242

RGB 147 162 66

HSL 69.38, 0.42%, 0.45%

LAB 63.7, -19.24, 47.04

 

CMYK 9 / 0 / 53 / 29

HEX #A4B455

RGB 164 180 85

HSL 70.11, 0.39%, 0.52%

LAB 70.31, -19.64, 46

 

CMYK 9 / 0 / 47 / 22

HEX #B5C668

RGB 181 198 104

HSL 70.85, 0.45%, 0.59%

LAB 76.81, -19.95, 44.86

 

CMYK 8 / 0 / 43 / 15

HEX #C6D87B

RGB 198 216 123

HSL 71.61, 0.54%, 0.66%

LAB 83.2, -20.19, 43.7

 

CMYK 8 / 0 / 39 / 8

HEX #D7EA8E

RGB 215 234 142

HSL 72.39, 0.69%, 0.74%

LAB 89.51, -20.38, 42.56

 

CMYK 12 / 0 / 56 / 36

HEX #8EA247

RGB 142 162 71

HSL 73.19, 0.39%, 0.46%

LAB 63.38, -20.89, 44.23

 

CMYK 13 / 0 / 64 / 44

HEX #7D9034

RGB 125 144 52

HSL 72.39, 0.47%, 0.38%

LAB 56.64, -20.49, 45.18

 

CMYK 14 / 0 / 74 / 51

HEX #6C7E21

RGB 108 126 33

HSL 71.61, 0.58%, 0.31%

LAB 49.76, -19.9, 45.69

 

CMYK 16 / 0 / 87 / 58

HEX #5B6C0E

RGB 91 108 14

HSL 70.85, 0.77%, 0.24%

LAB 42.73, -19.06, 45.14

 

CMYK 18 / 0 / 100 / 65

HEX #4A5A00

RGB 74 90 0

HSL 70.67, 1%, 0.18%

LAB 35.53, -17.87, 42.55

 

CMYK 13 / 0 / 56 / 36

HEX #8EA347

RGB 142 163 71

HSL 73.7, 0.39%, 0.46%

LAB 63.67, -21.4, 44.57

 

CMYK 0 / 3 / 56 / 36

HEX #A39E47

RGB 163 158 71

HSL 56.74, 0.39%, 0.46%

LAB 63.91, -9.92, 45.28

 

CMYK 0 / 18 / 56 / 36

HEX #A38547

RGB 163 133 71

HSL 40.43, 0.39%, 0.46%

LAB 57.09, 3.72, 37.34

 

CMYK 0 / 33 / 56 / 36

HEX #A36D47

RGB 163 109 71

HSL 24.78, 0.39%, 0.46%

LAB 50.9, 17.3, 29.8

 

CMYK 0 / 48 / 56 / 36

HEX #A35447

RGB 163 84 71

HSL 8.48, 0.39%, 0.46%

LAB 45.06, 31.28, 22.37

 

CMYK 13 / 0 / 56 / 36

HEX #8EA347

RGB 142 163 71

HSL 73.7, 0.39%, 0.46%

LAB 63.67, -21.4, 44.57

 

CMYK 28 / 0 / 56 / 36

HEX #76A347

RGB 118 163 71

HSL 89.35, 0.39%, 0.46%

LAB 62.08, -30.95, 42.32

 

CMYK 43 / 0 / 56 / 36

HEX #5DA347

RGB 93 163 71

HSL 105.65, 0.39%, 0.46%

LAB 60.76, -39.81, 40.44

 

CMYK 56 / 0 / 55 / 36

HEX #47A34A

RGB 71 163 74

HSL 121.96, 0.39%, 0.46%

LAB 59.91, -45.88, 37.75

 

CMYK 56 / 0 / 40 / 36

HEX #47A362

RGB 71 163 98

HSL 137.61, 0.39%, 0.46%

LAB 60.26, -42.12, 25.74

 

CMYK 13 / 0 / 56 / 36

HEX #8EA347

RGB 142 163 71

HSL 73.7, 0.39%, 0.46%

LAB 63.67, -21.4, 44.57

 

CMYK 16 / 0 / 71 / 29

HEX #99B634

RGB 153 182 52

HSL 73.38, 0.56%, 0.46%

LAB 69.81, -27.6, 59.38

 

CMYK 18 / 0 / 84 / 21

HEX #A4C921

RGB 164 201 33

HSL 73.21, 0.72%, 0.46%

LAB 75.93, -32.92, 70.98

 

CMYK 21 / 0 / 94 / 14

HEX #AEDB0E

RGB 174 219 14

HSL 73.17, 0.88%, 0.46%

LAB 81.67, -37.56, 79.14

 

CMYK 13 / 0 / 56 / 36

HEX #8EA347

RGB 142 163 71

HSL 73.7, 0.39%, 0.46%

LAB 63.67, -21.4, 44.57

 

CMYK 8 / 0 / 38 / 44

HEX #84905A

RGB 132 144 90

HSL 73.33, 0.23%, 0.46%

LAB 57.65, -13.57, 27.28

 

CMYK 3 / 0 / 13 / 51

HEX #797D6D

RGB 121 125 109

HSL 75, 0.07%, 0.46%

LAB 51.65, -4.58, 8.21

 

CMYK 13 / 17 / 0 / 50

HEX #6F6A80

RGB 111 106 128

HSL 253.64, 0.09%, 0.46%

LAB 45.97, 6.68, -11.47

 

CMYK 32 / 41 / 0 / 42

HEX #645793

RGB 100 87 147

HSL 253, 0.26%, 0.46%

LAB 40.63, 19.54, -31.22

 

CMYK 0 / 18 / 56 / 36

HEX #A38647

RGB 163 134 71

HSL 41.09, 0.39%, 0.46%

LAB 57.36, 3.16, 37.66

 

CMYK 0 / 3 / 56 / 36

HEX #A39E47

RGB 163 158 71

HSL 56.74, 0.39%, 0.46%

LAB 63.91, -9.92, 45.28

 

CMYK 12 / 0 / 56 / 36

HEX #8FA347

RGB 143 163 71

HSL 73.04, 0.39%, 0.46%

LAB 63.74, -20.99, 44.67

 

CMYK 28 / 0 / 56 / 36

HEX #76A347

RGB 118 163 71

HSL 89.35, 0.39%, 0.46%

LAB 62.08, -30.95, 42.32

 

CMYK 42 / 0 / 56 / 36

HEX #5EA347

RGB 94 163 71

HSL 105, 0.39%, 0.46%

LAB 60.81, -39.48, 40.51

 

CMYK 12 / 0 / 56 / 59

HEX #5C692E

RGB 92 105 46

HSL 73.22, 0.39%, 0.3%

LAB 42.12, -14.79, 31.12

 

CMYK 13 / 0 / 57 / 47

HEX #75863A

RGB 117 134 58

HSL 73.42, 0.4%, 0.38%

LAB 53.1, -18.22, 38.24

 

CMYK 13 / 0 / 56 / 36

HEX #8EA347

RGB 142 163 71

HSL 73.7, 0.39%, 0.46%

LAB 63.67, -21.4, 44.57

 

CMYK 11 / 0 / 50 / 28

HEX #A3B75C

RGB 163 183 92

HSL 73.19, 0.39%, 0.54%

LAB 71.16, -20.88, 43.6

 

CMYK 9 / 0 / 39 / 23

HEX #B3C478

RGB 179 196 120

HSL 73.42, 0.39%, 0.62%

LAB 76.33, -17.97, 36.22

 

CMYK 12 / 0 / 56 / 36

HEX #8EA247

RGB 142 162 71

HSL 73.19, 0.39%, 0.46%

LAB 63.38, -20.89, 44.23

 

CMYK 56 / 0 / 33 / 36

HEX #47A36D

RGB 71 163 109

HSL 144.78, 0.39%, 0.46%

LAB 60.46, -40.04, 20.02

 

CMYK 10 / 56 / 0 / 36

HEX #9247A3

RGB 146 71 163

HSL 288.91, 0.39%, 0.46%

LAB 43.16, 45.93, -36.46

 

CMYK 12 / 0 / 56 / 36

HEX #8EA247

RGB 142 162 71

HSL 73.19, 0.39%, 0.46%

LAB 63.38, -20.89, 44.23

 

CMYK 56 / 12 / 0 / 36

HEX #478FA3

RGB 71 143 163

HSL 193.04, 0.39%, 0.46%

LAB 55.71, -16.6, -17.42

 

CMYK 0 / 56 / 12 / 36

HEX #A3478F

RGB 163 71 143

HSL 313.04, 0.39%, 0.46%

LAB 44.63, 47.13, -21.99

 

CMYK 12 / 0 / 56 / 36

HEX #8EA247

RGB 142 162 71

HSL 73.19, 0.39%, 0.46%

LAB 63.38, -20.89, 44.23

 

CMYK 56 / 0 / 33 / 36

HEX #47A36D

RGB 71 163 109

HSL 144.78, 0.39%, 0.46%

LAB 60.46, -40.04, 20.02

 

CMYK 44 / 56 / 0 / 36

HEX #5B47A3

RGB 91 71 163

HSL 253.04, 0.39%, 0.46%

LAB 36.7, 31.65, -47.14

 

CMYK 0 / 56 / 24 / 36

HEX #A3477C

RGB 163 71 124

HSL 325.43, 0.39%, 0.46%

LAB 43.87, 44.19, -11.62

 

CMYK 12 / 0 / 56 / 36

HEX #8EA247

RGB 142 162 71

HSL 73.19, 0.39%, 0.46%

LAB 63.38, -20.89, 44.23

 

CMYK 56 / 0 / 16 / 36

HEX #47A389

RGB 71 163 137

HSL 163.04, 0.39%, 0.46%

LAB 61.08, -33.81, 5.31

 

CMYK 44 / 56 / 0 / 36

HEX #5B47A3

RGB 91 71 163

HSL 253.04, 0.39%, 0.46%

LAB 36.7, 31.65, -47.14

 

CMYK 0 / 56 / 40 / 36

HEX #A34761

RGB 163 71 97

HSL 343.04, 0.39%, 0.46%

LAB 43, 40.67, 3.69

 

Description

Color code: RGB 142 162 71 | qconv.com Color code: RGB 142 162 71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 162 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 162 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 56 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 56% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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