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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 218 144 it is the complementary color RGB 113 37 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 218 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 218 144 shade: RGB 147 218 139, RGB 164 236 158, RGB 181 254 177, RGB 198 255 196 and RGB 215 255 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 218 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 218 144 shade: RGB 142 218 144, RGB 125 200 125, RGB 108 182 106, RGB 91 164 87 and RGB 74 146 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 218 144 shade: RGB 143 218 145, RGB 161 218 143, RGB 182 218 143, RGB 202 218 143 and RGB 218 214 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 218 144 shade: RGB 143 218 145, RGB 143 218 165, RGB 143 218 186, RGB 143 218 206 and RGB 143 210 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 218 144 shade matches the following richer shades: RGB 143 218 145, RGB 131 230 133, RGB 119 242 122 and RGB 107 254 111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 218 144 shade: RGB 143 218 145, RGB 155 206 156, RGB 167 194 167, RGB 179 182 179 and RGB 191 170 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 218 144 shade: RGB 182 218 143, RGB 162 218 143, RGB 143 218 144, RGB 143 218 164 and RGB 143 218 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 218 144 shade: RGB 81 198 84, RGB 112 208 114, RGB 143 218 145, RGB 174 228 175 and RGB 205 238 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 218 144 shade: RGB 142 218 144, RGB 143 202 218 and RGB 218 143 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 218 144 shade: RGB 142 218 144, RGB 144 143 218 and RGB 218 144 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 218 144 shade: RGB 142 218 144, RGB 143 202 218, RGB 218 143 217 and RGB 218 159 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 218 144 shade: RGB 142 218 144, RGB 143 179 218, RGB 218 143 217 and RGB 218 182 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 34 / 15

HEX #8EDA90

RGB 142 218 144

HSL 121.58, 0.51%, 0.71%

LAB 80.69, -38.16, 29.19

 

Complementary color

CMYK 0 / 67 / 2 / 56

HEX #71256F

RGB 113 37 111

HSL 301.58, 0.51%, 0.29%

LAB 29.37, 43.15, -26.54

 

CMYK 33 / 0 / 36 / 15

HEX #93DA8B

RGB 147 218 139

HSL 113.92, 0.52%, 0.7%

LAB 80.86, -37.36, 32.03

 

CMYK 31 / 0 / 33 / 7

HEX #A4EC9E

RGB 164 236 158

HSL 115.38, 0.67%, 0.77%

LAB 87.17, -37.13, 30.9

 

CMYK 29 / 0 / 30 / 0

HEX #B5FEB1

RGB 181 254 177

HSL 116.88, 0.97%, 0.85%

LAB 93.4, -36.91, 29.83

 

CMYK 22 / 0 / 23 / 0

HEX #C6FFC4

RGB 198 255 196

HSL 117.97, 1%, 0.88%

LAB 94.95, -28.85, 22.49

 

CMYK 16 / 0 / 16 / 0

HEX #D7FFD7

RGB 215 255 215

HSL 120, 1%, 0.92%

LAB 96.36, -20.12, 14.9

 

CMYK 35 / 0 / 34 / 15

HEX #8EDA90

RGB 142 218 144

HSL 121.58, 0.51%, 0.71%

LAB 80.69, -38.16, 29.19

 

CMYK 38 / 0 / 38 / 22

HEX #7DC87D

RGB 125 200 125

HSL 120, 0.41%, 0.64%

LAB 74.29, -38.4, 30.37

 

CMYK 41 / 0 / 42 / 29

HEX #6CB66A

RGB 108 182 106

HSL 118.42, 0.34%, 0.56%

LAB 67.79, -38.61, 31.6

 

CMYK 45 / 0 / 47 / 36

HEX #5BA457

RGB 91 164 87

HSL 116.88, 0.31%, 0.49%

LAB 61.19, -38.77, 32.9

 

CMYK 49 / 0 / 53 / 43

HEX #4A9244

RGB 74 146 68

HSL 115.38, 0.36%, 0.42%

LAB 54.48, -38.82, 34.23

 

CMYK 34 / 0 / 33 / 15

HEX #8FDA91

RGB 143 218 145

HSL 121.6, 0.5%, 0.71%

LAB 80.75, -37.69, 28.78

 

CMYK 26 / 0 / 34 / 15

HEX #A1DA8F

RGB 161 218 143

HSL 105.6, 0.5%, 0.71%

LAB 81.68, -32.11, 31.2

 

CMYK 17 / 0 / 34 / 15

HEX #B6DA8F

RGB 182 218 143

HSL 88.8, 0.5%, 0.71%

LAB 82.95, -24.72, 33.12

 

CMYK 7 / 0 / 34 / 15

HEX #CADA8F

RGB 202 218 143

HSL 72.8, 0.5%, 0.71%

LAB 84.32, -17.31, 35.18

 

CMYK 0 / 2 / 34 / 15

HEX #DAD68F

RGB 218 214 143

HSL 56.8, 0.5%, 0.71%

LAB 84.47, -9.18, 35.61

 

CMYK 34 / 0 / 33 / 15

HEX #8FDA91

RGB 143 218 145

HSL 121.6, 0.5%, 0.71%

LAB 80.75, -37.69, 28.78

 

CMYK 34 / 0 / 24 / 15

HEX #8FDAA5

RGB 143 218 165

HSL 137.6, 0.5%, 0.71%

LAB 81.13, -34.24, 18.87

 

CMYK 34 / 0 / 15 / 15

HEX #8FDABA

RGB 143 218 186

HSL 154.4, 0.5%, 0.71%

LAB 81.58, -30.15, 8.42

 

CMYK 34 / 0 / 6 / 15

HEX #8FDACE

RGB 143 218 206

HSL 170.4, 0.5%, 0.71%

LAB 82.08, -25.85, -1.48

 

CMYK 34 / 4 / 0 / 15

HEX #8FD2DA

RGB 143 210 218

HSL 186.4, 0.5%, 0.71%

LAB 80.18, -19.09, -10.69

 

CMYK 34 / 0 / 33 / 15

HEX #8FDA91

RGB 143 218 145

HSL 121.6, 0.5%, 0.71%

LAB 80.75, -37.69, 28.78

 

CMYK 43 / 0 / 42 / 10

HEX #83E685

RGB 131 230 133

HSL 121.21, 0.66%, 0.71%

LAB 83.5, -48.38, 38.36

 

CMYK 51 / 0 / 50 / 5

HEX #77F27A

RGB 119 242 122

HSL 121.46, 0.83%, 0.71%

LAB 86.42, -58.01, 47.26

 

CMYK 58 / 0 / 56 / 0

HEX #6BFE6F

RGB 107 254 111

HSL 121.63, 0.99%, 0.71%

LAB 89.47, -66.71, 55.87

 

CMYK 34 / 0 / 33 / 15

HEX #8FDA91

RGB 143 218 145

HSL 121.6, 0.5%, 0.71%

LAB 80.75, -37.69, 28.78

 

CMYK 25 / 0 / 24 / 19

HEX #9BCE9C

RGB 155 206 156

HSL 121.18, 0.34%, 0.71%

LAB 78.18, -26.34, 19.62

 

CMYK 14 / 0 / 14 / 24

HEX #A7C2A7

RGB 167 194 167

HSL 120, 0.18%, 0.71%

LAB 75.82, -14.31, 10.55

 

CMYK 2 / 0 / 2 / 29

HEX #B3B6B3

RGB 179 182 179

HSL 120, 0.02%, 0.71%

LAB 73.74, -1.61, 1.15

 

CMYK 0 / 11 / 1 / 25

HEX #BFAABE

RGB 191 170 190

HSL 302.86, 0.14%, 0.71%

LAB 71.92, 11.17, -7.44

 

CMYK 17 / 0 / 34 / 15

HEX #B6DA8F

RGB 182 218 143

HSL 88.8, 0.5%, 0.71%

LAB 82.95, -24.72, 33.12

 

CMYK 26 / 0 / 34 / 15

HEX #A2DA8F

RGB 162 218 143

HSL 104.8, 0.5%, 0.71%

LAB 81.73, -31.77, 31.29

 

CMYK 34 / 0 / 34 / 15

HEX #8FDA90

RGB 143 218 144

HSL 120.8, 0.5%, 0.71%

LAB 80.74, -37.85, 29.27

 

CMYK 34 / 0 / 25 / 15

HEX #8FDAA4

RGB 143 218 164

HSL 136.8, 0.5%, 0.71%

LAB 81.11, -34.43, 19.37

 

CMYK 34 / 0 / 16 / 15

HEX #8FDAB8

RGB 143 218 184

HSL 152.8, 0.5%, 0.71%

LAB 81.53, -30.56, 9.42

 

CMYK 59 / 0 / 58 / 22

HEX #51C654

RGB 81 198 84

HSL 121.54, 0.51%, 0.55%

LAB 71.4, -55.58, 46.68

 

CMYK 46 / 0 / 45 / 18

HEX #70D072

RGB 112 208 114

HSL 121.25, 0.51%, 0.63%

LAB 75.93, -47.41, 37.98

 

CMYK 34 / 0 / 33 / 15

HEX #8FDA91

RGB 143 218 145

HSL 121.6, 0.5%, 0.71%

LAB 80.75, -37.69, 28.78

 

CMYK 24 / 0 / 23 / 11

HEX #AEE4AF

RGB 174 228 175

HSL 121.11, 0.5%, 0.79%

LAB 85.8, -27.4, 20.38

 

CMYK 14 / 0 / 13 / 7

HEX #CDEECE

RGB 205 238 206

HSL 121.82, 0.49%, 0.87%

LAB 91.05, -16.66, 11.92

 

CMYK 35 / 0 / 34 / 15

HEX #8EDA90

RGB 142 218 144

HSL 121.58, 0.51%, 0.71%

LAB 80.69, -38.16, 29.19

 

CMYK 34 / 7 / 0 / 15

HEX #8FCADA

RGB 143 202 218

HSL 192.8, 0.5%, 0.71%

LAB 77.96, -15, -14.01

 

CMYK 0 / 34 / 21 / 15

HEX #DA8FAC

RGB 218 143 172

HSL 336.8, 0.5%, 0.71%

LAB 67.67, 32.43, -3.42

 

CMYK 35 / 0 / 34 / 15

HEX #8EDA90

RGB 142 218 144

HSL 121.58, 0.51%, 0.71%

LAB 80.69, -38.16, 29.19

 

CMYK 34 / 34 / 0 / 15

HEX #908FDA

RGB 144 143 218

HSL 240.8, 0.5%, 0.71%

LAB 62.2, 17.8, -38.16

 

CMYK 0 / 34 / 34 / 15

HEX #DA908F

RGB 218 144 143

HSL 0.8, 0.5%, 0.71%

LAB 67.15, 27.92, 12.1

 

CMYK 35 / 0 / 34 / 15

HEX #8EDA90

RGB 142 218 144

HSL 121.58, 0.51%, 0.71%

LAB 80.69, -38.16, 29.19

 

CMYK 34 / 7 / 0 / 15

HEX #8FCADA

RGB 143 202 218

HSL 192.8, 0.5%, 0.71%

LAB 77.96, -15, -14.01

 

CMYK 0 / 34 / 0 / 15

HEX #DA8FD9

RGB 218 143 217

HSL 300.8, 0.5%, 0.71%

LAB 69.16, 39.94, -26.27

 

CMYK 0 / 27 / 34 / 15

HEX #DA9F8F

RGB 218 159 143

HSL 12.8, 0.5%, 0.71%

LAB 70.65, 19.82, 16.99

 

CMYK 35 / 0 / 34 / 15

HEX #8EDA90

RGB 142 218 144

HSL 121.58, 0.51%, 0.71%

LAB 80.69, -38.16, 29.19

 

CMYK 34 / 18 / 0 / 15

HEX #8FB3DA

RGB 143 179 218

HSL 211.2, 0.5%, 0.71%

LAB 71.65, -2.79, -23.56

 

CMYK 0 / 34 / 0 / 15

HEX #DA8FD9

RGB 218 143 217

HSL 300.8, 0.5%, 0.71%

LAB 69.16, 39.94, -26.27

 

CMYK 0 / 17 / 34 / 15

HEX #DAB68F

RGB 218 182 143

HSL 31.2, 0.5%, 0.71%

LAB 76.28, 7.47, 24.71

 

Description

Color code: RGB 142 218 144 | qconv.com Color code: RGB 142 218 144 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 218 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 218 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 34 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 34% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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