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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 62 243 it is the complementary color RGB 113 193 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 62 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 62 243 shade: RGB 147 62 238, RGB 164 80 255, RGB 181 98 255, RGB 198 116 255 and RGB 215 134 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 62 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 62 243 shade: RGB 142 62 243, RGB 125 44 224, RGB 108 26 205, RGB 91 8 186 and RGB 74 0 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 62 243 shade: RGB 142 63 242, RGB 190 63 242, RGB 239 63 242, RGB 242 63 197 and RGB 242 63 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 62 243 shade: RGB 142 63 242, RGB 94 63 242 and RGB 63 63 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 62 243 shade matches the following richer shades: RGB 142 63 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 62 243 shade: RGB 142 63 242, RGB 144 79 226, RGB 146 96 209, RGB 148 112 193 and RGB 150 129 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 62 243 shade: RGB 63 81 242, RGB 93 63 242, RGB 141 63 242, RGB 188 63 242 and RGB 236 63 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 62 243 shade: RGB 100 13 210, RGB 119 24 240, RGB 142 63 242, RGB 165 102 245 and RGB 188 140 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 62 243 shade: RGB 142 62 243, RGB 242 63 129 and RGB 63 242 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 62 243 shade: RGB 142 62 243, RGB 242 141 63 and RGB 63 242 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 62 243 shade: RGB 142 62 243, RGB 242 63 129, RGB 164 242 63 and RGB 63 242 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 62 243 shade: RGB 142 62 243, RGB 242 63 75, RGB 164 242 63 and RGB 63 242 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 74 / 0 / 5

HEX #8E3EF3

RGB 142 62 243

HSL 266.52, 0.88%, 0.6%

LAB 46.53, 67.28, -77.26

 

Complementary color

CMYK 41 / 0 / 94 / 24

HEX #71C10C

RGB 113 193 12

HSL 86.52, 0.88%, 0.4%

LAB 70.65, -49.13, 69.18

 

CMYK 38 / 74 / 0 / 7

HEX #933EEE

RGB 147 62 238

HSL 268.98, 0.84%, 0.59%

LAB 46.74, 66.9, -74.09

 

CMYK 36 / 69 / 0 / 0

HEX #A450FF

RGB 164 80 255

HSL 268.8, 1%, 0.66%

LAB 52.78, 66.04, -73.66

 

CMYK 29 / 62 / 0 / 0

HEX #B562FF

RGB 181 98 255

HSL 271.72, 1%, 0.69%

LAB 57.83, 61.02, -65.42

 

CMYK 22 / 55 / 0 / 0

HEX #C674FF

RGB 198 116 255

HSL 275.4, 1%, 0.73%

LAB 63.11, 56.04, -56.85

 

CMYK 16 / 47 / 0 / 0

HEX #D786FF

RGB 215 134 255

HSL 280.17, 1%, 0.76%

LAB 68.55, 51.22, -48.12

 

CMYK 42 / 74 / 0 / 5

HEX #8E3EF3

RGB 142 62 243

HSL 266.52, 0.88%, 0.6%

LAB 46.53, 67.28, -77.26

 

CMYK 44 / 80 / 0 / 12

HEX #7D2CE0

RGB 125 44 224

HSL 267, 0.74%, 0.53%

LAB 40.48, 67.28, -76.5

 

CMYK 47 / 87 / 0 / 20

HEX #6C1ACD

RGB 108 26 205

HSL 267.49, 0.77%, 0.45%

LAB 34.67, 66.44, -75.17

 

CMYK 51 / 96 / 0 / 27

HEX #5B08BA

RGB 91 8 186

HSL 267.98, 0.92%, 0.38%

LAB 29.27, 64.23, -73

 

CMYK 56 / 100 / 0 / 35

HEX #4A00A7

RGB 74 0 167

HSL 266.59, 1%, 0.33%

LAB 24.47, 60.02, -69.62

 

CMYK 41 / 74 / 0 / 5

HEX #8E3FF2

RGB 142 63 242

HSL 266.48, 0.87%, 0.6%

LAB 46.6, 66.62, -76.59

 

CMYK 21 / 74 / 0 / 5

HEX #BE3FF2

RGB 190 63 242

HSL 282.57, 0.87%, 0.6%

LAB 52.85, 74.89, -66.15

 

CMYK 1 / 74 / 0 / 5

HEX #EF3FF2

RGB 239 63 242

HSL 298.99, 0.87%, 0.6%

LAB 60.17, 84.24, -54.01

 

CMYK 0 / 74 / 19 / 5

HEX #F23FC5

RGB 242 63 197

HSL 315.08, 0.87%, 0.6%

LAB 58.47, 78.47, -31.24

 

CMYK 0 / 74 / 38 / 5

HEX #F23F95

RGB 242 63 149

HSL 331.17, 0.87%, 0.6%

LAB 56.69, 72.96, -6.07

 

CMYK 41 / 74 / 0 / 5

HEX #8E3FF2

RGB 142 63 242

HSL 266.48, 0.87%, 0.6%

LAB 46.6, 66.62, -76.59

 

CMYK 61 / 74 / 0 / 5

HEX #5E3FF2

RGB 94 63 242

HSL 250.39, 0.87%, 0.6%

LAB 41.76, 59.97, -84.72

 

CMYK 74 / 74 / 0 / 5

HEX #3F3FF2

RGB 63 63 242

HSL 240, 0.87%, 0.6%

LAB 39.62, 56.94, -88.32

 

CMYK 41 / 74 / 0 / 5

HEX #8E3FF2

RGB 142 63 242

HSL 266.48, 0.87%, 0.6%

LAB 46.6, 66.62, -76.59

 

CMYK 41 / 74 / 0 / 5

HEX #8E3FF2

RGB 142 63 242

HSL 266.48, 0.87%, 0.6%

LAB 46.6, 66.62, -76.59

 

CMYK 36 / 65 / 0 / 11

HEX #904FE2

RGB 144 79 226

HSL 266.53, 0.72%, 0.6%

LAB 48.28, 55.74, -64.83

 

CMYK 30 / 54 / 0 / 18

HEX #9260D1

RGB 146 96 209

HSL 266.55, 0.55%, 0.6%

LAB 50.78, 43.03, -51.12

 

CMYK 23 / 42 / 0 / 24

HEX #9470C1

RGB 148 112 193

HSL 266.67, 0.4%, 0.6%

LAB 53.74, 30.61, -37.27

 

CMYK 15 / 27 / 0 / 31

HEX #9681B0

RGB 150 129 176

HSL 266.81, 0.23%, 0.6%

LAB 57.39, 17.42, -21.86

 

CMYK 74 / 67 / 0 / 5

HEX #3F51F2

RGB 63 81 242

HSL 233.97, 0.87%, 0.6%

LAB 43.29, 46.81, -82.27

 

CMYK 62 / 74 / 0 / 5

HEX #5D3FF2

RGB 93 63 242

HSL 250.06, 0.87%, 0.6%

LAB 41.68, 59.86, -84.85

 

CMYK 42 / 74 / 0 / 5

HEX #8D3FF2

RGB 141 63 242

HSL 266.15, 0.87%, 0.6%

LAB 46.48, 66.46, -76.79

 

CMYK 22 / 74 / 0 / 5

HEX #BC3FF2

RGB 188 63 242

HSL 281.9, 0.87%, 0.6%

LAB 52.57, 74.52, -66.62

 

CMYK 2 / 74 / 0 / 5

HEX #EC3FF2

RGB 236 63 242

HSL 297.99, 0.87%, 0.6%

LAB 59.71, 83.65, -54.78

 

CMYK 52 / 94 / 0 / 18

HEX #640DD2

RGB 100 13 210

HSL 266.5, 0.88%, 0.44%

LAB 33.24, 69.63, -80.47

 

CMYK 50 / 90 / 0 / 6

HEX #7718F0

RGB 119 24 240

HSL 266.39, 0.88%, 0.52%

LAB 39.35, 75.94, -87.47

 

CMYK 41 / 74 / 0 / 5

HEX #8E3FF2

RGB 142 63 242

HSL 266.48, 0.87%, 0.6%

LAB 46.6, 66.62, -76.59

 

CMYK 33 / 58 / 0 / 4

HEX #A566F5

RGB 165 102 245

HSL 266.43, 0.88%, 0.68%

LAB 56.18, 53.13, -62.62

 

CMYK 24 / 43 / 0 / 3

HEX #BC8CF7

RGB 188 140 247

HSL 266.92, 0.87%, 0.76%

LAB 66.64, 38.9, -46.93

 

CMYK 42 / 74 / 0 / 5

HEX #8E3EF3

RGB 142 62 243

HSL 266.52, 0.88%, 0.6%

LAB 46.53, 67.28, -77.26

 

CMYK 0 / 74 / 47 / 5

HEX #F23F81

RGB 242 63 129

HSL 337.88, 0.87%, 0.6%

LAB 56.11, 71.12, 4.91

 

CMYK 74 / 0 / 71 / 5

HEX #3FF245

RGB 63 242 69

HSL 122.01, 0.87%, 0.6%

LAB 84.48, -75.14, 66.96

 

CMYK 42 / 74 / 0 / 5

HEX #8E3EF3

RGB 142 62 243

HSL 266.52, 0.88%, 0.6%

LAB 46.53, 67.28, -77.26

 

CMYK 0 / 42 / 74 / 5

HEX #F28D3F

RGB 242 141 63

HSL 26.15, 0.87%, 0.6%

LAB 68.23, 32.44, 56.17

 

CMYK 74 / 0 / 42 / 5

HEX #3FF28D

RGB 63 242 141

HSL 146.15, 0.87%, 0.6%

LAB 85.24, -66.09, 36.26

 

CMYK 42 / 74 / 0 / 5

HEX #8E3EF3

RGB 142 62 243

HSL 266.52, 0.88%, 0.6%

LAB 46.53, 67.28, -77.26

 

CMYK 0 / 74 / 47 / 5

HEX #F23F81

RGB 242 63 129

HSL 337.88, 0.87%, 0.6%

LAB 56.11, 71.12, 4.91

 

CMYK 32 / 0 / 74 / 5

HEX #A4F23F

RGB 164 242 63

HSL 86.15, 0.87%, 0.6%

LAB 87.85, -49.57, 73.46

 

CMYK 74 / 0 / 27 / 5

HEX #3FF2B0

RGB 63 242 176

HSL 157.88, 0.87%, 0.6%

LAB 85.85, -59.28, 19.33

 

CMYK 42 / 74 / 0 / 5

HEX #8E3EF3

RGB 142 62 243

HSL 266.52, 0.88%, 0.6%

LAB 46.53, 67.28, -77.26

 

CMYK 0 / 74 / 69 / 5

HEX #F23F4B

RGB 242 63 75

HSL 355.98, 0.87%, 0.6%

LAB 55.01, 67.57, 35.33

 

CMYK 32 / 0 / 74 / 5

HEX #A4F23F

RGB 164 242 63

HSL 86.15, 0.87%, 0.6%

LAB 87.85, -49.57, 73.46

 

CMYK 74 / 0 / 5 / 5

HEX #3FF2E6

RGB 63 242 230

HSL 175.98, 0.87%, 0.6%

LAB 87.13, -46.12, -6.98

 

Description

Color code: RGB 142 62 243 | qconv.com Color code: RGB 142 62 243 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 62 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 62 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 74 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 74% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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