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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 131 60 it is the complementary color RGB 112 124 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 131 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 131 60 shade: RGB 148 131 55, RGB 165 149 74, RGB 182 167 93, RGB 199 185 112 and RGB 216 203 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 131 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 131 60 shade: RGB 143 131 60, RGB 126 113 41, RGB 109 95 22, RGB 92 77 3 and RGB 75 59 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 131 60 shade: RGB 143 131 60, RGB 143 109 60, RGB 143 86 60, RGB 143 64 60 and RGB 143 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 131 60 shade: RGB 143 131 60, RGB 133 143 60, RGB 110 143 60, RGB 88 143 60 and RGB 65 143 60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 131 60 shade matches the following richer shades: RGB 143 131 60, RGB 160 143 43, RGB 176 155 27 and RGB 193 166 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 131 60 shade: RGB 143 131 60, RGB 127 119 76, RGB 110 108 93, RGB 94 96 109 and RGB 77 84 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 131 60 shade: RGB 143 86 60, RGB 143 108 60, RGB 143 131 60, RGB 134 143 60 and RGB 111 143 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 131 60 shade: RGB 85 78 35, RGB 114 105 48, RGB 143 131 60, RGB 172 158 72 and RGB 189 175 97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 131 60 shade: RGB 143 131 60, RGB 60 143 64 and RGB 97 60 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 131 60 shade: RGB 143 131 60, RGB 60 143 131 and RGB 131 60 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 131 60 shade: RGB 143 131 60, RGB 60 143 64, RGB 60 72 143 and RGB 143 60 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 131 60 shade: RGB 143 131 60, RGB 60 143 89, RGB 60 72 143 and RGB 143 60 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 58 / 44

HEX #8F833C

RGB 143 131 60

HSL 51.33, 0.41%, 0.4%

LAB 54.45, -4.98, 39.37

 

Complementary color

CMYK 43 / 36 / 0 / 24

HEX #707CC3

RGB 112 124 195

HSL 231.33, 0.41%, 0.6%

LAB 53.81, 13.96, -38.51

 

CMYK 0 / 11 / 63 / 42

HEX #948337

RGB 148 131 55

HSL 49.03, 0.46%, 0.4%

LAB 54.87, -3.11, 42.42

 

CMYK 0 / 10 / 55 / 35

HEX #A5954A

RGB 165 149 74

HSL 49.45, 0.38%, 0.47%

LAB 61.64, -3.97, 41.24

 

CMYK 0 / 8 / 49 / 29

HEX #B6A75D

RGB 182 167 93

HSL 49.89, 0.38%, 0.54%

LAB 68.29, -4.66, 39.99

 

CMYK 0 / 7 / 44 / 22

HEX #C7B970

RGB 199 185 112

HSL 50.34, 0.44%, 0.61%

LAB 74.83, -5.23, 38.74

 

CMYK 0 / 6 / 39 / 15

HEX #D8CB83

RGB 216 203 131

HSL 50.82, 0.52%, 0.68%

LAB 81.26, -5.71, 37.53

 

CMYK 0 / 8 / 58 / 44

HEX #8F833C

RGB 143 131 60

HSL 51.33, 0.41%, 0.4%

LAB 54.45, -4.98, 39.37

 

CMYK 0 / 10 / 67 / 51

HEX #7E7129

RGB 126 113 41

HSL 50.82, 0.51%, 0.33%

LAB 47.5, -4.06, 40.45

 

CMYK 0 / 13 / 80 / 57

HEX #6D5F16

RGB 109 95 22

HSL 50.34, 0.66%, 0.26%

LAB 40.4, -2.86, 40.99

 

CMYK 0 / 16 / 97 / 64

HEX #5C4D03

RGB 92 77 3

HSL 49.89, 0.94%, 0.19%

LAB 33.11, -1.28, 40.45

 

CMYK 0 / 21 / 100 / 71

HEX #4B3B00

RGB 75 59 0

HSL 47.2, 1%, 0.15%

LAB 25.63, 0.96, 34.8

 

CMYK 0 / 8 / 58 / 44

HEX #8F833C

RGB 143 131 60

HSL 51.33, 0.41%, 0.4%

LAB 54.45, -4.98, 39.37

 

CMYK 0 / 24 / 58 / 44

HEX #8F6D3C

RGB 143 109 60

HSL 35.42, 0.41%, 0.4%

LAB 48.39, 7.51, 32.26

 

CMYK 0 / 40 / 58 / 44

HEX #8F563C

RGB 143 86 60

HSL 18.8, 0.41%, 0.4%

LAB 42.49, 20.88, 25.02

 

CMYK 0 / 55 / 58 / 44

HEX #8F403C

RGB 143 64 60

HSL 2.89, 0.41%, 0.4%

LAB 37.54, 33.13, 18.67

 

CMYK 0 / 58 / 58 / 44

HEX #8F3C3C

RGB 143 60 60

HSL 0, 0.41%, 0.4%

LAB 36.74, 35.21, 17.61

 

CMYK 0 / 8 / 58 / 44

HEX #8F833C

RGB 143 131 60

HSL 51.33, 0.41%, 0.4%

LAB 54.45, -4.98, 39.37

 

CMYK 7 / 0 / 58 / 44

HEX #858F3C

RGB 133 143 60

HSL 67.23, 0.41%, 0.4%

LAB 57.03, -15.87, 42.08

 

CMYK 23 / 0 / 58 / 44

HEX #6E8F3C

RGB 110 143 60

HSL 83.86, 0.41%, 0.4%

LAB 55.37, -25.52, 39.73

 

CMYK 38 / 0 / 58 / 44

HEX #588F3C

RGB 88 143 60

HSL 99.76, 0.41%, 0.4%

LAB 54.08, -33.89, 37.91

 

CMYK 55 / 0 / 58 / 44

HEX #418F3C

RGB 65 143 60

HSL 116.39, 0.41%, 0.4%

LAB 53.05, -41.24, 36.45

 

CMYK 0 / 8 / 58 / 44

HEX #8F833C

RGB 143 131 60

HSL 51.33, 0.41%, 0.4%

LAB 54.45, -4.98, 39.37

 

CMYK 0 / 11 / 73 / 37

HEX #A08F2B

RGB 160 143 43

HSL 51.28, 0.58%, 0.4%

LAB 59.24, -5.02, 52.59

 

CMYK 0 / 12 / 85 / 31

HEX #B09B1B

RGB 176 155 27

HSL 51.54, 0.73%, 0.4%

LAB 63.96, -4.89, 62.67

 

CMYK 0 / 14 / 95 / 24

HEX #C1A60A

RGB 193 166 10

HSL 51.15, 0.9%, 0.4%

LAB 68.48, -3.45, 70.14

 

CMYK 0 / 8 / 58 / 44

HEX #8F833C

RGB 143 131 60

HSL 51.33, 0.41%, 0.4%

LAB 54.45, -4.98, 39.37

 

CMYK 0 / 6 / 40 / 50

HEX #7F774C

RGB 127 119 76

HSL 50.59, 0.25%, 0.4%

LAB 49.77, -3.71, 24.76

 

CMYK 0 / 2 / 15 / 57

HEX #6E6C5D

RGB 110 108 93

HSL 52.94, 0.08%, 0.4%

LAB 45.4, -2.06, 8.68

 

CMYK 14 / 12 / 0 / 57

HEX #5E606D

RGB 94 96 109

HSL 232, 0.07%, 0.4%

LAB 40.98, 2.14, -7.63

 

CMYK 39 / 33 / 0 / 51

HEX #4D547E

RGB 77 84 126

HSL 231.43, 0.24%, 0.4%

LAB 36.79, 8.48, -24.59

 

CMYK 0 / 40 / 58 / 44

HEX #8F563C

RGB 143 86 60

HSL 18.8, 0.41%, 0.4%

LAB 42.49, 20.88, 25.02

 

CMYK 0 / 24 / 58 / 44

HEX #8F6C3C

RGB 143 108 60

HSL 34.7, 0.41%, 0.4%

LAB 48.12, 8.09, 31.94

 

CMYK 0 / 8 / 58 / 44

HEX #8F833C

RGB 143 131 60

HSL 51.33, 0.41%, 0.4%

LAB 54.45, -4.98, 39.37

 

CMYK 6 / 0 / 58 / 44

HEX #868F3C

RGB 134 143 60

HSL 66.51, 0.41%, 0.4%

LAB 57.11, -15.44, 42.19

 

CMYK 22 / 0 / 58 / 44

HEX #6F8F3C

RGB 111 143 60

HSL 83.13, 0.41%, 0.4%

LAB 55.43, -25.12, 39.83

 

CMYK 0 / 8 / 59 / 67

HEX #554E23

RGB 85 78 35

HSL 51.6, 0.42%, 0.24%

LAB 32.92, -3.57, 26.16

 

CMYK 0 / 8 / 58 / 55

HEX #726930

RGB 114 105 48

HSL 51.82, 0.41%, 0.32%

LAB 44.08, -4.53, 32.85

 

CMYK 0 / 8 / 58 / 44

HEX #8F833C

RGB 143 131 60

HSL 51.33, 0.41%, 0.4%

LAB 54.45, -4.98, 39.37

 

CMYK 0 / 8 / 58 / 33

HEX #AC9E48

RGB 172 158 72

HSL 51.6, 0.41%, 0.48%

LAB 64.72, -5.94, 45.93

 

CMYK 0 / 7 / 49 / 26

HEX #BDAF61

RGB 189 175 97

HSL 50.87, 0.41%, 0.56%

LAB 71.11, -5.59, 41.54

 

CMYK 0 / 8 / 58 / 44

HEX #8F833C

RGB 143 131 60

HSL 51.33, 0.41%, 0.4%

LAB 54.45, -4.98, 39.37

 

CMYK 58 / 0 / 55 / 44

HEX #3C8F40

RGB 60 143 64

HSL 122.89, 0.41%, 0.4%

LAB 52.92, -42.06, 34.25

 

CMYK 32 / 58 / 0 / 44

HEX #613C8F

RGB 97 60 143

HSL 266.75, 0.41%, 0.4%

LAB 33.47, 34.09, -40.17

 

CMYK 0 / 8 / 58 / 44

HEX #8F833C

RGB 143 131 60

HSL 51.33, 0.41%, 0.4%

LAB 54.45, -4.98, 39.37

 

CMYK 58 / 0 / 8 / 44

HEX #3C8F83

RGB 60 143 131

HSL 171.33, 0.41%, 0.4%

LAB 54.29, -28.13, -1.18

 

CMYK 8 / 58 / 0 / 44

HEX #833C8F

RGB 131 60 143

HSL 291.33, 0.41%, 0.4%

LAB 37.91, 43.31, -32.83

 

CMYK 0 / 8 / 58 / 44

HEX #8F833C

RGB 143 131 60

HSL 51.33, 0.41%, 0.4%

LAB 54.45, -4.98, 39.37

 

CMYK 58 / 0 / 55 / 44

HEX #3C8F40

RGB 60 143 64

HSL 122.89, 0.41%, 0.4%

LAB 52.92, -42.06, 34.25

 

CMYK 58 / 50 / 0 / 44

HEX #3C488F

RGB 60 72 143

HSL 231.33, 0.41%, 0.4%

LAB 33.09, 17.47, -40.96

 

CMYK 0 / 58 / 3 / 44

HEX #8F3C8B

RGB 143 60 139

HSL 302.89, 0.41%, 0.4%

LAB 39.47, 45.91, -27.81

 

CMYK 0 / 8 / 58 / 44

HEX #8F833C

RGB 143 131 60

HSL 51.33, 0.41%, 0.4%

LAB 54.45, -4.98, 39.37

 

CMYK 58 / 0 / 38 / 44

HEX #3C8F59

RGB 60 143 89

HSL 140.96, 0.41%, 0.4%

LAB 53.31, -37.92, 21.37

 

CMYK 58 / 50 / 0 / 44

HEX #3C488F

RGB 60 72 143

HSL 231.33, 0.41%, 0.4%

LAB 33.09, 17.47, -40.96

 

CMYK 0 / 58 / 20 / 44

HEX #8F3C72

RGB 143 60 114

HSL 320.96, 0.41%, 0.4%

LAB 38.35, 41.69, -14.12

 

Description

Color code: RGB 143 131 60 | qconv.com Color code: RGB 143 131 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 131 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 131 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 58 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 58% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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