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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 187 57 it is the complementary color RGB 112 68 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 187 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 187 57 shade: RGB 148 187 52, RGB 165 205 71, RGB 182 223 90, RGB 199 241 109 and RGB 216 255 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 187 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 187 57 shade: RGB 143 187 57, RGB 126 169 38, RGB 109 151 19, RGB 92 133 0 and RGB 75 115 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 187 57 shade: RGB 143 187 57, RGB 178 187 57, RGB 187 161 57, RGB 187 126 57 and RGB 187 91 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 187 57 shade: RGB 143 187 57, RGB 108 187 57, RGB 73 187 57, RGB 57 187 76 and RGB 57 187 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 187 57 shade matches the following richer shades: RGB 143 187 57, RGB 149 207 37 and RGB 156 226 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 187 57 shade: RGB 143 187 57, RGB 136 167 77, RGB 130 147 97, RGB 124 127 116 and RGB 117 108 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 187 57 shade: RGB 187 161 57, RGB 178 187 57, RGB 144 187 57, RGB 109 187 57 and RGB 74 187 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 187 57 shade: RGB 95 124 38, RGB 119 155 47, RGB 143 187 57, RGB 162 202 83 and RGB 179 212 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 187 57 shade: RGB 143 187 57, RGB 57 187 126 and RGB 178 57 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 187 57 shade: RGB 143 187 57, RGB 57 144 187 and RGB 187 57 144

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 187 57 shade: RGB 143 187 57, RGB 57 187 126, RGB 100 57 187 and RGB 187 57 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 187 57 shade: RGB 143 187 57, RGB 57 187 165, RGB 100 57 187 and RGB 187 57 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 70 / 27

HEX #8FBB39

RGB 143 187 57

HSL 80.31, 0.53%, 0.48%

LAB 70.65, -33.66, 58.14

 

Complementary color

CMYK 43 / 66 / 0 / 22

HEX #7044C6

RGB 112 68 198

HSL 260.31, 0.53%, 0.52%

LAB 40.66, 47.81, -61.27

 

CMYK 21 / 0 / 72 / 27

HEX #94BB34

RGB 148 187 52

HSL 77.33, 0.56%, 0.47%

LAB 70.93, -32, 60.37

 

CMYK 20 / 0 / 65 / 20

HEX #A5CD47

RGB 165 205 71

HSL 77.91, 0.57%, 0.54%

LAB 77.35, -32.47, 60.02

 

CMYK 18 / 0 / 60 / 13

HEX #B6DF5A

RGB 182 223 90

HSL 78.5, 0.68%, 0.61%

LAB 83.68, -32.82, 59.29

 

CMYK 17 / 0 / 55 / 5

HEX #C7F16D

RGB 199 241 109

HSL 79.09, 0.83%, 0.69%

LAB 89.93, -33.07, 58.37

 

CMYK 15 / 0 / 50 / 0

HEX #D8FF80

RGB 216 255 128

HSL 78.43, 1%, 0.75%

LAB 95.02, -31.42, 56.05

 

CMYK 24 / 0 / 70 / 27

HEX #8FBB39

RGB 143 187 57

HSL 80.31, 0.53%, 0.48%

LAB 70.65, -33.66, 58.14

 

CMYK 25 / 0 / 78 / 34

HEX #7EA926

RGB 126 169 38

HSL 79.69, 0.63%, 0.41%

LAB 64.12, -33.13, 58.12

 

CMYK 28 / 0 / 87 / 41

HEX #6D9713

RGB 109 151 19

HSL 79.09, 0.78%, 0.33%

LAB 57.49, -32.38, 57.04

 

CMYK 31 / 0 / 100 / 48

HEX #5C8500

RGB 92 133 0

HSL 78.5, 1%, 0.26%

LAB 50.75, -31.4, 54.66

 

CMYK 35 / 0 / 100 / 55

HEX #4B7300

RGB 75 115 0

HSL 80.87, 1%, 0.23%

LAB 43.88, -29.95, 48.94

 

CMYK 24 / 0 / 70 / 27

HEX #8FBB39

RGB 143 187 57

HSL 80.31, 0.53%, 0.48%

LAB 70.65, -33.66, 58.14

 

CMYK 5 / 0 / 70 / 27

HEX #B2BB39

RGB 178 187 57

HSL 64.15, 0.53%, 0.48%

LAB 73.09, -19.36, 61.39

 

CMYK 0 / 14 / 70 / 27

HEX #BBA139

RGB 187 161 57

HSL 48, 0.53%, 0.48%

LAB 66.79, -1.98, 55.3

 

CMYK 0 / 33 / 70 / 27

HEX #BB7E39

RGB 187 126 57

HSL 31.85, 0.53%, 0.48%

LAB 57.83, 17.18, 45.91

 

CMYK 0 / 51 / 70 / 27

HEX #BB5B39

RGB 187 91 57

HSL 15.69, 0.53%, 0.48%

LAB 49.91, 36.15, 37.13

 

CMYK 24 / 0 / 70 / 27

HEX #8FBB39

RGB 143 187 57

HSL 80.31, 0.53%, 0.48%

LAB 70.65, -33.66, 58.14

 

CMYK 42 / 0 / 70 / 27

HEX #6CBB39

RGB 108 187 57

HSL 96.46, 0.53%, 0.48%

LAB 68.77, -46.34, 55.61

 

CMYK 61 / 0 / 70 / 27

HEX #49BB39

RGB 73 187 57

HSL 112.62, 0.53%, 0.48%

LAB 67.47, -56.27, 53.85

 

CMYK 70 / 0 / 59 / 27

HEX #39BB4C

RGB 57 187 76

HSL 128.77, 0.53%, 0.48%

LAB 67.23, -57.61, 45.34

 

CMYK 70 / 0 / 41 / 27

HEX #39BB6F

RGB 57 187 111

HSL 144.92, 0.53%, 0.48%

LAB 67.69, -52.24, 28.54

 

CMYK 24 / 0 / 70 / 27

HEX #8FBB39

RGB 143 187 57

HSL 80.31, 0.53%, 0.48%

LAB 70.65, -33.66, 58.14

 

CMYK 28 / 0 / 82 / 19

HEX #95CF25

RGB 149 207 37

HSL 80.47, 0.7%, 0.48%

LAB 76.77, -41.34, 70.39

 

CMYK 31 / 0 / 92 / 11

HEX #9CE211

RGB 156 226 17

HSL 80.1, 0.86%, 0.48%

LAB 82.65, -47.39, 79.13

 

CMYK 24 / 0 / 70 / 27

HEX #8FBB39

RGB 143 187 57

HSL 80.31, 0.53%, 0.48%

LAB 70.65, -33.66, 58.14

 

CMYK 19 / 0 / 54 / 35

HEX #88A74D

RGB 136 167 77

HSL 80.67, 0.37%, 0.48%

LAB 64.49, -25.25, 42.53

 

CMYK 12 / 0 / 34 / 42

HEX #829361

RGB 130 147 97

HSL 80.4, 0.2%, 0.48%

LAB 58.49, -15.01, 24.51

 

CMYK 2 / 0 / 9 / 50

HEX #7C7F74

RGB 124 127 116

HSL 76.36, 0.05%, 0.48%

LAB 52.65, -3.26, 5.59

 

CMYK 14 / 21 / 0 / 47

HEX #756C88

RGB 117 108 136

HSL 259.29, 0.11%, 0.48%

LAB 47.35, 9.46, -14.11

 

CMYK 0 / 14 / 70 / 27

HEX #BBA139

RGB 187 161 57

HSL 48, 0.53%, 0.48%

LAB 66.79, -1.98, 55.3

 

CMYK 5 / 0 / 70 / 27

HEX #B2BB39

RGB 178 187 57

HSL 64.15, 0.53%, 0.48%

LAB 73.09, -19.36, 61.39

 

CMYK 23 / 0 / 70 / 27

HEX #90BB39

RGB 144 187 57

HSL 79.85, 0.53%, 0.48%

LAB 70.71, -33.27, 58.22

 

CMYK 42 / 0 / 70 / 27

HEX #6DBB39

RGB 109 187 57

HSL 96, 0.53%, 0.48%

LAB 68.81, -46.01, 55.67

 

CMYK 60 / 0 / 70 / 27

HEX #4ABB39

RGB 74 187 57

HSL 112.15, 0.53%, 0.48%

LAB 67.5, -56.03, 53.89

 

CMYK 23 / 0 / 69 / 51

HEX #5F7C26

RGB 95 124 38

HSL 80.23, 0.53%, 0.32%

LAB 48.25, -24.17, 41.8

 

CMYK 23 / 0 / 70 / 39

HEX #779B2F

RGB 119 155 47

HSL 80, 0.53%, 0.4%

LAB 59.5, -28.81, 50.18

 

CMYK 24 / 0 / 70 / 27

HEX #8FBB39

RGB 143 187 57

HSL 80.31, 0.53%, 0.48%

LAB 70.65, -33.66, 58.14

 

CMYK 20 / 0 / 59 / 21

HEX #A2CA53

RGB 162 202 83

HSL 80.17, 0.53%, 0.56%

LAB 76.4, -31.3, 53.87

 

CMYK 16 / 0 / 46 / 17

HEX #B3D473

RGB 179 212 115

HSL 80.41, 0.53%, 0.64%

LAB 80.69, -26.4, 44.21

 

CMYK 24 / 0 / 70 / 27

HEX #8FBB39

RGB 143 187 57

HSL 80.31, 0.53%, 0.48%

LAB 70.65, -33.66, 58.14

 

CMYK 70 / 0 / 33 / 27

HEX #39BB7E

RGB 57 187 126

HSL 151.85, 0.53%, 0.48%

LAB 67.96, -49.31, 20.94

 

CMYK 5 / 70 / 0 / 27

HEX #B239BB

RGB 178 57 187

HSL 295.85, 0.53%, 0.48%

LAB 46.95, 64.48, -44.3

 

CMYK 24 / 0 / 70 / 27

HEX #8FBB39

RGB 143 187 57

HSL 80.31, 0.53%, 0.48%

LAB 70.65, -33.66, 58.14

 

CMYK 70 / 23 / 0 / 27

HEX #3990BB

RGB 57 144 187

HSL 199.85, 0.53%, 0.48%

LAB 56.49, -11.97, -29.97

 

CMYK 0 / 70 / 23 / 27

HEX #BB3990

RGB 187 57 144

HSL 319.85, 0.53%, 0.48%

LAB 46.32, 60.03, -19.67

 

CMYK 24 / 0 / 70 / 27

HEX #8FBB39

RGB 143 187 57

HSL 80.31, 0.53%, 0.48%

LAB 70.65, -33.66, 58.14

 

CMYK 70 / 0 / 33 / 27

HEX #39BB7E

RGB 57 187 126

HSL 151.85, 0.53%, 0.48%

LAB 67.96, -49.31, 20.94

 

CMYK 47 / 70 / 0 / 27

HEX #6439BB

RGB 100 57 187

HSL 259.85, 0.53%, 0.48%

LAB 36.41, 48.36, -61.82

 

CMYK 0 / 70 / 37 / 27

HEX #BB3976

RGB 187 57 118

HSL 331.85, 0.53%, 0.48%

LAB 45.36, 56.85, -5.32

 

CMYK 24 / 0 / 70 / 27

HEX #8FBB39

RGB 143 187 57

HSL 80.31, 0.53%, 0.48%

LAB 70.65, -33.66, 58.14

 

CMYK 70 / 0 / 12 / 27

HEX #39BBA5

RGB 57 187 165

HSL 169.85, 0.53%, 0.48%

LAB 68.84, -40.1, 0.96

 

CMYK 47 / 70 / 0 / 27

HEX #6439BB

RGB 100 57 187

HSL 259.85, 0.53%, 0.48%

LAB 36.41, 48.36, -61.82

 

CMYK 0 / 70 / 58 / 27

HEX #BB394F

RGB 187 57 79

HSL 349.85, 0.53%, 0.48%

LAB 44.31, 53.26, 17.26

 

Description

Color code: RGB 143 187 57 | qconv.com Color code: RGB 143 187 57 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 187 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 187 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 70 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 70% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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