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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 250 253 it is the complementary color RGB 112 5 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 250 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 250 253 shade: RGB 148 250 248, RGB 165 255 255, RGB 182 255 255, RGB 199 255 255 and RGB 216 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 250 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 250 253 shade: RGB 143 250 253, RGB 126 232 234, RGB 109 214 215, RGB 92 196 196 and RGB 75 178 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 250 253 shade: RGB 145 249 252, RGB 145 220 252, RGB 145 191 252, RGB 145 162 252 and RGB 156 145 252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 250 253 shade: RGB 145 249 252, RGB 145 220 252, RGB 145 191 252, RGB 145 162 252 and RGB 145 145 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 250 253 shade matches the following richer shades: RGB 145 249 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 250 253 shade: RGB 145 249 252, RGB 154 241 243, RGB 163 232 234, RGB 172 224 225 and RGB 181 215 216

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 250 253 shade: RGB 145 252 197, RGB 145 252 225, RGB 145 250 252, RGB 145 222 252 and RGB 145 193 252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 250 253 shade: RGB 64 245 251, RGB 104 247 251, RGB 145 249 252, RGB 185 251 253 and RGB 225 253 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 250 253 shade: RGB 143 250 253, RGB 168 145 252 and RGB 252 211 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 250 253 shade: RGB 143 250 253, RGB 252 145 250 and RGB 250 252 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 250 253 shade: RGB 143 250 253, RGB 168 145 252, RGB 252 146 145 and RGB 229 252 145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 250 253 shade: RGB 143 250 253, RGB 200 145 252, RGB 252 146 145 and RGB 197 252 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 1 / 0 / 1

HEX #8FFAFD

RGB 143 250 253

HSL 181.64, 0.96%, 0.78%

LAB 92.27, -30.15, -11.11

 

Complementary color

CMYK 0 / 96 / 98 / 56

HEX #700502

RGB 112 5 2

HSL 1.64, 0.96%, 0.22%

LAB 22.15, 42.58, 32.64

 

CMYK 41 / 0 / 1 / 2

HEX #94FAF8

RGB 148 250 248

HSL 178.82, 0.91%, 0.78%

LAB 92.33, -30.2, -8.4

 

CMYK 35 / 0 / 0 / 0

HEX #A5FFFF

RGB 165 255 255

HSL 180, 1%, 0.82%

LAB 94.63, -26.76, -8.53

 

CMYK 29 / 0 / 0 / 0

HEX #B6FFFF

RGB 182 255 255

HSL 180, 1%, 0.86%

LAB 95.45, -22.28, -7.23

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 43 / 1 / 0 / 1

HEX #8FFAFD

RGB 143 250 253

HSL 181.64, 0.96%, 0.78%

LAB 92.27, -30.15, -11.11

 

CMYK 46 / 1 / 0 / 8

HEX #7EE8EA

RGB 126 232 234

HSL 181.11, 0.72%, 0.71%

LAB 86.05, -30.12, -10.51

 

CMYK 49 / 0 / 0 / 16

HEX #6DD6D7

RGB 109 214 215

HSL 180.57, 0.57%, 0.64%

LAB 79.76, -30.04, -9.87

 

CMYK 53 / 0 / 0 / 23

HEX #5CC4C4

RGB 92 196 196

HSL 180, 0.47%, 0.56%

LAB 73.38, -29.9, -9.19

 

CMYK 58 / 0 / 1 / 30

HEX #4BB2B1

RGB 75 178 177

HSL 179.42, 0.41%, 0.5%

LAB 66.91, -29.67, -8.45

 

CMYK 42 / 1 / 0 / 1

HEX #91F9FC

RGB 145 249 252

HSL 181.68, 0.95%, 0.78%

LAB 92.04, -29.46, -10.91

 

CMYK 42 / 13 / 0 / 1

HEX #91DCFC

RGB 145 220 252

HSL 197.94, 0.95%, 0.78%

LAB 84.09, -15.16, -22.87

 

CMYK 42 / 24 / 0 / 1

HEX #91BFFC

RGB 145 191 252

HSL 214.21, 0.95%, 0.78%

LAB 76.26, 0.17, -34.87

 

CMYK 42 / 36 / 0 / 1

HEX #91A2FC

RGB 145 162 252

HSL 230.47, 0.95%, 0.78%

LAB 68.67, 16.39, -46.71

 

CMYK 38 / 42 / 0 / 1

HEX #9C91FC

RGB 156 145 252

HSL 246.17, 0.95%, 0.78%

LAB 65.24, 28.88, -52.08

 

CMYK 42 / 1 / 0 / 1

HEX #91F9FC

RGB 145 249 252

HSL 181.68, 0.95%, 0.78%

LAB 92.04, -29.46, -10.91

 

CMYK 42 / 13 / 0 / 1

HEX #91DCFC

RGB 145 220 252

HSL 197.94, 0.95%, 0.78%

LAB 84.09, -15.16, -22.87

 

CMYK 42 / 24 / 0 / 1

HEX #91BFFC

RGB 145 191 252

HSL 214.21, 0.95%, 0.78%

LAB 76.26, 0.17, -34.87

 

CMYK 42 / 36 / 0 / 1

HEX #91A2FC

RGB 145 162 252

HSL 230.47, 0.95%, 0.78%

LAB 68.67, 16.39, -46.71

 

CMYK 42 / 42 / 0 / 1

HEX #9191FC

RGB 145 145 252

HSL 240, 0.95%, 0.78%

LAB 64.4, 26.17, -53.45

 

CMYK 42 / 1 / 0 / 1

HEX #91F9FC

RGB 145 249 252

HSL 181.68, 0.95%, 0.78%

LAB 92.04, -29.46, -10.91

 

CMYK 42 / 1 / 0 / 1

HEX #91F9FC

RGB 145 249 252

HSL 181.68, 0.95%, 0.78%

LAB 92.04, -29.46, -10.91

 

CMYK 37 / 1 / 0 / 5

HEX #9AF1F3

RGB 154 241 243

HSL 181.35, 0.79%, 0.78%

LAB 89.98, -25.6, -9.26

 

CMYK 30 / 1 / 0 / 8

HEX #A3E8EA

RGB 163 232 234

HSL 181.69, 0.63%, 0.78%

LAB 87.7, -20.91, -7.88

 

CMYK 24 / 0 / 0 / 12

HEX #ACE0E1

RGB 172 224 225

HSL 181.13, 0.47%, 0.78%

LAB 85.76, -16.36, -5.95

 

CMYK 16 / 0 / 0 / 15

HEX #B5D7D8

RGB 181 215 216

HSL 181.71, 0.31%, 0.78%

LAB 83.64, -10.95, -4.25

 

CMYK 42 / 0 / 22 / 1

HEX #91FCC5

RGB 145 252 197

HSL 149.16, 0.95%, 0.78%

LAB 91.54, -42.95, 16.82

 

CMYK 42 / 0 / 11 / 1

HEX #91FCE1

RGB 145 252 225

HSL 164.86, 0.95%, 0.78%

LAB 92.17, -37.13, 3.27

 

CMYK 42 / 1 / 0 / 1

HEX #91FAFC

RGB 145 250 252

HSL 181.12, 0.95%, 0.78%

LAB 92.32, -29.94, -10.5

 

CMYK 42 / 12 / 0 / 1

HEX #91DEFC

RGB 145 222 252

HSL 196.82, 0.95%, 0.78%

LAB 84.63, -16.18, -22.05

 

CMYK 42 / 23 / 0 / 1

HEX #91C1FC

RGB 145 193 252

HSL 213.08, 0.95%, 0.78%

LAB 76.79, -0.92, -34.05

 

CMYK 75 / 2 / 0 / 2

HEX #40F5FB

RGB 64 245 251

HSL 181.93, 0.96%, 0.62%

LAB 88.62, -41.54, -15.75

 

CMYK 59 / 2 / 0 / 2

HEX #68F7FB

RGB 104 247 251

HSL 181.63, 0.95%, 0.7%

LAB 90.06, -37.03, -13.5

 

CMYK 42 / 1 / 0 / 1

HEX #91F9FC

RGB 145 249 252

HSL 181.68, 0.95%, 0.78%

LAB 92.04, -29.46, -10.91

 

CMYK 27 / 1 / 0 / 1

HEX #B9FBFD

RGB 185 251 253

HSL 181.76, 0.94%, 0.86%

LAB 94.48, -19.93, -7.6

 

CMYK 11 / 0 / 0 / 0

HEX #E1FDFE

RGB 225 253 254

HSL 182.07, 0.94%, 0.94%

LAB 97.4, -8.82, -3.56

 

CMYK 43 / 1 / 0 / 1

HEX #8FFAFD

RGB 143 250 253

HSL 181.64, 0.96%, 0.78%

LAB 92.27, -30.15, -11.11

 

CMYK 33 / 42 / 0 / 1

HEX #A891FC

RGB 168 145 252

HSL 252.9, 0.95%, 0.78%

LAB 66.22, 31.95, -50.46

 

CMYK 0 / 16 / 42 / 1

HEX #FCD391

RGB 252 211 145

HSL 37.01, 0.95%, 0.78%

LAB 86.67, 5.87, 38.01

 

CMYK 43 / 1 / 0 / 1

HEX #8FFAFD

RGB 143 250 253

HSL 181.64, 0.96%, 0.78%

LAB 92.27, -30.15, -11.11

 

CMYK 0 / 42 / 1 / 1

HEX #FC91FA

RGB 252 145 250

HSL 301.12, 0.95%, 0.78%

LAB 74.73, 55.07, -35.43

 

CMYK 1 / 0 / 42 / 1

HEX #FAFC91

RGB 250 252 145

HSL 61.12, 0.95%, 0.78%

LAB 96.82, -15.48, 50.84

 

CMYK 43 / 1 / 0 / 1

HEX #8FFAFD

RGB 143 250 253

HSL 181.64, 0.96%, 0.78%

LAB 92.27, -30.15, -11.11

 

CMYK 33 / 42 / 0 / 1

HEX #A891FC

RGB 168 145 252

HSL 252.9, 0.95%, 0.78%

LAB 66.22, 31.95, -50.46

 

CMYK 0 / 42 / 42 / 1

HEX #FC9291

RGB 252 146 145

HSL 0.56, 0.95%, 0.78%

LAB 71.76, 39.74, 18.03

 

CMYK 9 / 0 / 42 / 1

HEX #E5FC91

RGB 229 252 145

HSL 72.9, 0.95%, 0.78%

LAB 95.3, -23.44, 48.62

 

CMYK 43 / 1 / 0 / 1

HEX #8FFAFD

RGB 143 250 253

HSL 181.64, 0.96%, 0.78%

LAB 92.27, -30.15, -11.11

 

CMYK 21 / 42 / 0 / 1

HEX #C891FC

RGB 200 145 252

HSL 270.84, 0.95%, 0.78%

LAB 69.15, 40.62, -45.64

 

CMYK 0 / 42 / 42 / 1

HEX #FC9291

RGB 252 146 145

HSL 0.56, 0.95%, 0.78%

LAB 71.76, 39.74, 18.03

 

CMYK 22 / 0 / 42 / 1

HEX #C5FC91

RGB 197 252 145

HSL 90.84, 0.95%, 0.78%

LAB 93.25, -35.07, 45.61

 

Description

Color code: RGB 143 250 253 | qconv.com Color code: RGB 143 250 253 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 250 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 250 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 1 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 1% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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