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Color name
RGB 143 57 45

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 57 45 it is the complementary color RGB 112 198 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 57 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 57 45 shade: RGB 148 57 40, RGB 165 75 59, RGB 182 93 78, RGB 199 111 97 and RGB 216 129 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 57 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 57 45 shade: RGB 143 57 45, RGB 126 39 26, RGB 109 21 7, RGB 92 3 0 and RGB 75 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 57 45 shade: RGB 143 57 45 and RGB 143 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 57 45 shade: RGB 143 57 45, RGB 143 83 45, RGB 143 110 45, RGB 143 136 45 and RGB 123 143 45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 57 45 shade matches the following richer shades: RGB 143 57 45, RGB 158 45 30 and RGB 173 34 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 57 45 shade: RGB 143 57 45, RGB 128 68 60, RGB 112 80 75, RGB 97 91 91 and RGB 82 103 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 57 45 shade: RGB 143 45 86, RGB 143 45 60, RGB 143 56 45, RGB 143 82 45 and RGB 143 109 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 57 45 shade: RGB 80 32 25, RGB 112 44 35, RGB 143 57 45, RGB 174 69 55 and RGB 197 88 73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 57 45 shade: RGB 143 57 45, RGB 112 143 45 and RGB 45 73 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 57 45 shade: RGB 143 57 45, RGB 45 143 56 and RGB 56 45 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 57 45 shade: RGB 143 57 45, RGB 112 143 45, RGB 45 131 143 and RGB 76 45 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 57 45 shade: RGB 143 57 45, RGB 82 143 45, RGB 45 131 143 and RGB 105 45 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 69 / 44

HEX #8F392D

RGB 143 57 45

HSL 7.35, 0.52%, 0.37%

LAB 35.9, 35.65, 25.82

 

Complementary color

CMYK 47 / 6 / 0 / 18

HEX #70C6D2

RGB 112 198 210

HSL 187.35, 0.52%, 0.63%

LAB 75.13, -22.82, -14.09

 

CMYK 0 / 61 / 73 / 42

HEX #943928

RGB 148 57 40

HSL 9.44, 0.57%, 0.37%

LAB 36.7, 37.29, 29.94

 

CMYK 0 / 55 / 64 / 35

HEX #A54B3B

RGB 165 75 59

HSL 9.06, 0.47%, 0.44%

LAB 43.28, 35.92, 27.3

 

CMYK 0 / 49 / 57 / 29

HEX #B65D4E

RGB 182 93 78

HSL 8.65, 0.42%, 0.51%

LAB 49.89, 34.57, 25.05

 

CMYK 0 / 44 / 51 / 22

HEX #C76F61

RGB 199 111 97

HSL 8.24, 0.48%, 0.58%

LAB 56.46, 33.3, 23.13

 

CMYK 0 / 40 / 46 / 15

HEX #D88174

RGB 216 129 116

HSL 7.8, 0.56%, 0.65%

LAB 62.98, 32.14, 21.46

 

CMYK 0 / 60 / 69 / 44

HEX #8F392D

RGB 143 57 45

HSL 7.35, 0.52%, 0.37%

LAB 35.9, 35.65, 25.82

 

CMYK 0 / 69 / 79 / 51

HEX #7E271A

RGB 126 39 26

HSL 7.8, 0.66%, 0.3%

LAB 29.31, 36.85, 28.87

 

CMYK 0 / 81 / 94 / 57

HEX #6D1507

RGB 109 21 7

HSL 8.24, 0.88%, 0.23%

LAB 23.01, 37.51, 31.28

 

CMYK 0 / 97 / 100 / 64

HEX #5C0300

RGB 92 3 0

HSL 1.96, 1%, 0.18%

LAB 17.18, 37.14, 26.51

 

CMYK 0 / 100 / 100 / 71

HEX #4B0000

RGB 75 0 0

HSL 0, 1%, 0.15%

LAB 12.58, 33.07, 19.75

 

CMYK 0 / 60 / 69 / 44

HEX #8F392D

RGB 143 57 45

HSL 7.35, 0.52%, 0.37%

LAB 35.9, 35.65, 25.82

 

CMYK 0 / 69 / 69 / 44

HEX #8F2D2D

RGB 143 45 45

HSL 0, 0.52%, 0.37%

LAB 33.79, 41.29, 23.25

 

CMYK 0 / 60 / 69 / 44

HEX #8F392D

RGB 143 57 45

HSL 7.35, 0.52%, 0.37%

LAB 35.9, 35.65, 25.82

 

CMYK 0 / 42 / 69 / 44

HEX #8F532D

RGB 143 83 45

HSL 23.27, 0.52%, 0.37%

LAB 41.56, 21.48, 32.44

 

CMYK 0 / 23 / 69 / 44

HEX #8F6E2D

RGB 143 110 45

HSL 39.8, 0.52%, 0.37%

LAB 48.49, 5.82, 40.13

 

CMYK 0 / 5 / 69 / 44

HEX #8F882D

RGB 143 136 45

HSL 55.71, 0.52%, 0.37%

LAB 55.72, -8.78, 47.73

 

CMYK 14 / 0 / 69 / 44

HEX #7B8F2D

RGB 123 143 45

HSL 72.24, 0.52%, 0.37%

LAB 56.13, -21.34, 47.63

 

CMYK 0 / 60 / 69 / 44

HEX #8F392D

RGB 143 57 45

HSL 7.35, 0.52%, 0.37%

LAB 35.9, 35.65, 25.82

 

CMYK 0 / 72 / 81 / 38

HEX #9E2D1E

RGB 158 45 30

HSL 7.03, 0.68%, 0.37%

LAB 36.44, 45.79, 35.89

 

CMYK 0 / 80 / 92 / 32

HEX #AD220E

RGB 173 34 14

HSL 7.55, 0.85%, 0.37%

LAB 37.95, 53.98, 46

 

CMYK 0 / 60 / 69 / 44

HEX #8F392D

RGB 143 57 45

HSL 7.35, 0.52%, 0.37%

LAB 35.9, 35.65, 25.82

 

CMYK 0 / 47 / 53 / 50

HEX #80443C

RGB 128 68 60

HSL 7.06, 0.36%, 0.37%

LAB 36.08, 24.84, 16.31

 

CMYK 0 / 29 / 33 / 56

HEX #70504B

RGB 112 80 75

HSL 8.11, 0.2%, 0.37%

LAB 37.28, 12.67, 8.25

 

CMYK 0 / 6 / 6 / 62

HEX #615B5B

RGB 97 91 91

HSL 0, 0.03%, 0.37%

LAB 39.21, 2.41, 0.86

 

CMYK 23 / 3 / 0 / 58

HEX #52676A

RGB 82 103 106

HSL 187.5, 0.13%, 0.37%

LAB 42.05, -7.08, -4.29

 

CMYK 0 / 69 / 40 / 44

HEX #8F2D56

RGB 143 45 86

HSL 334.9, 0.52%, 0.37%

LAB 34.78, 44.84, -1.74

 

CMYK 0 / 69 / 58 / 44

HEX #8F2D3C

RGB 143 45 60

HSL 350.82, 0.52%, 0.37%

LAB 34.07, 42.33, 14.06

 

CMYK 0 / 61 / 69 / 44

HEX #8F382D

RGB 143 56 45

HSL 6.73, 0.52%, 0.37%

LAB 35.71, 36.15, 25.59

 

CMYK 0 / 43 / 69 / 44

HEX #8F522D

RGB 143 82 45

HSL 22.65, 0.52%, 0.37%

LAB 41.32, 22.05, 32.17

 

CMYK 0 / 24 / 69 / 44

HEX #8F6D2D

RGB 143 109 45

HSL 39.18, 0.52%, 0.37%

LAB 48.22, 6.4, 39.84

 

CMYK 0 / 60 / 69 / 69

HEX #502019

RGB 80 32 25

HSL 7.64, 0.52%, 0.21%

LAB 19.26, 21.94, 15.66

 

CMYK 0 / 61 / 69 / 56

HEX #702C23

RGB 112 44 35

HSL 7.01, 0.52%, 0.29%

LAB 27.76, 29.47, 20.88

 

CMYK 0 / 60 / 69 / 44

HEX #8F392D

RGB 143 57 45

HSL 7.35, 0.52%, 0.37%

LAB 35.9, 35.65, 25.82

 

CMYK 0 / 60 / 68 / 32

HEX #AE4537

RGB 174 69 55

HSL 7.06, 0.52%, 0.45%

LAB 43.55, 42.05, 30.31

 

CMYK 0 / 55 / 63 / 23

HEX #C55849

RGB 197 88 73

HSL 7.26, 0.52%, 0.53%

LAB 51.07, 42.47, 29.92

 

CMYK 0 / 60 / 69 / 44

HEX #8F392D

RGB 143 57 45

HSL 7.35, 0.52%, 0.37%

LAB 35.9, 35.65, 25.82

 

CMYK 22 / 0 / 69 / 44

HEX #708F2D

RGB 112 143 45

HSL 78.98, 0.52%, 0.37%

LAB 55.36, -25.99, 46.58

 

CMYK 69 / 49 / 0 / 44

HEX #2D498F

RGB 45 73 143

HSL 222.86, 0.52%, 0.37%

LAB 32.49, 13.89, -41.97

 

CMYK 0 / 60 / 69 / 44

HEX #8F392D

RGB 143 57 45

HSL 7.35, 0.52%, 0.37%

LAB 35.9, 35.65, 25.82

 

CMYK 69 / 0 / 61 / 44

HEX #2D8F38

RGB 45 143 56

HSL 126.73, 0.52%, 0.37%

LAB 52.38, -46.62, 37.47

 

CMYK 61 / 69 / 0 / 44

HEX #382D8F

RGB 56 45 143

HSL 246.73, 0.52%, 0.37%

LAB 25.86, 34.27, -52.69

 

CMYK 0 / 60 / 69 / 44

HEX #8F392D

RGB 143 57 45

HSL 7.35, 0.52%, 0.37%

LAB 35.9, 35.65, 25.82

 

CMYK 22 / 0 / 69 / 44

HEX #708F2D

RGB 112 143 45

HSL 78.98, 0.52%, 0.37%

LAB 55.36, -25.99, 46.58

 

CMYK 69 / 8 / 0 / 44

HEX #2D838F

RGB 45 131 143

HSL 187.35, 0.52%, 0.37%

LAB 50.42, -21.26, -13.96

 

CMYK 47 / 69 / 0 / 44

HEX #4C2D8F

RGB 76 45 143

HSL 258.98, 0.52%, 0.37%

LAB 27.84, 37.91, -49.39

 

CMYK 0 / 60 / 69 / 44

HEX #8F392D

RGB 143 57 45

HSL 7.35, 0.52%, 0.37%

LAB 35.9, 35.65, 25.82

 

CMYK 43 / 0 / 69 / 44

HEX #528F2D

RGB 82 143 45

HSL 97.35, 0.52%, 0.37%

LAB 53.63, -37.49, 44.24

 

CMYK 69 / 8 / 0 / 44

HEX #2D838F

RGB 45 131 143

HSL 187.35, 0.52%, 0.37%

LAB 50.42, -21.26, -13.96

 

CMYK 27 / 69 / 0 / 44

HEX #692D8F

RGB 105 45 143

HSL 276.73, 0.52%, 0.37%

LAB 31.49, 44.17, -43.29

 

Description

Color code: RGB 143 57 45 | qconv.com Color code: RGB 143 57 45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 57 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 57 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 69 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 69% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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