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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 144 137 234 it is the complementary color RGB 111 118 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 144 137 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 144 137 234 shade: RGB 149 137 229, RGB 166 155 248, RGB 183 173 255, RGB 200 191 255 and RGB 217 209 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 144 137 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 144 137 234 shade: RGB 144 137 234, RGB 127 119 215, RGB 110 101 196, RGB 93 83 177 and RGB 76 65 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 144 137 234 shade: RGB 144 137 234, RGB 170 137 234, RGB 196 137 234, RGB 222 137 234 and RGB 234 137 219

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 144 137 234 shade: RGB 144 137 234 and RGB 137 137 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 144 137 234 shade matches the following richer shades: RGB 144 137 234 and RGB 135 126 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 144 137 234 shade: RGB 144 137 234, RGB 154 149 223, RGB 163 160 212, RGB 173 171 200 and RGB 183 182 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 144 137 234 shade: RGB 137 182 234, RGB 137 157 234, RGB 144 137 234, RGB 170 137 234 and RGB 195 137 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 144 137 234 shade: RGB 78 67 221, RGB 111 102 228, RGB 144 137 234, RGB 177 173 240 and RGB 210 208 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 144 137 234 shade: RGB 144 137 234, RGB 234 137 208 and RGB 170 234 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 144 137 234 shade: RGB 144 137 234, RGB 234 144 137 and RGB 137 234 144

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 144 137 234 shade: RGB 144 137 234, RGB 234 137 208, RGB 227 234 137 and RGB 137 234 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 144 137 234 shade: RGB 144 137 234, RGB 234 137 179, RGB 227 234 137 and RGB 137 234 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 41 / 0 / 8

HEX #9089EA

RGB 144 137 234

HSL 244.33, 0.7%, 0.73%

LAB 61.45, 25.57, -48.23

 

Complementary color

CMYK 6 / 0 / 82 / 54

HEX #6F7615

RGB 111 118 21

HSL 64.33, 0.7%, 0.27%

LAB 47.48, -14.9, 47.87

 

CMYK 35 / 40 / 0 / 10

HEX #9589E5

RGB 149 137 229

HSL 247.83, 0.64%, 0.72%

LAB 61.6, 25.54, -45.19

 

CMYK 33 / 38 / 0 / 3

HEX #A69BF8

RGB 166 155 248

HSL 247.1, 0.87%, 0.79%

LAB 68.26, 24.74, -45.07

 

CMYK 28 / 32 / 0 / 0

HEX #B7ADFF

RGB 183 173 255

HSL 247.32, 1%, 0.84%

LAB 74.3, 21.07, -39.32

 

CMYK 22 / 25 / 0 / 0

HEX #C8BFFF

RGB 200 191 255

HSL 248.44, 1%, 0.87%

LAB 80.04, 16.12, -30.34

 

CMYK 15 / 18 / 0 / 0

HEX #D9D1FF

RGB 217 209 255

HSL 250.43, 1%, 0.91%

LAB 85.79, 11.62, -21.45

 

CMYK 38 / 41 / 0 / 8

HEX #9089EA

RGB 144 137 234

HSL 244.33, 0.7%, 0.73%

LAB 61.45, 25.57, -48.23

 

CMYK 41 / 45 / 0 / 16

HEX #7F77D7

RGB 127 119 215

HSL 245, 0.55%, 0.65%

LAB 54.67, 26.55, -48.43

 

CMYK 44 / 48 / 0 / 23

HEX #6E65C4

RGB 110 101 196

HSL 245.68, 0.45%, 0.58%

LAB 47.76, 27.66, -48.69

 

CMYK 47 / 53 / 0 / 31

HEX #5D53B1

RGB 93 83 177

HSL 246.38, 0.38%, 0.51%

LAB 40.72, 28.96, -48.98

 

CMYK 52 / 59 / 0 / 38

HEX #4C419E

RGB 76 65 158

HSL 247.1, 0.42%, 0.44%

LAB 33.53, 30.47, -49.31

 

CMYK 38 / 41 / 0 / 8

HEX #9089EA

RGB 144 137 234

HSL 244.33, 0.7%, 0.73%

LAB 61.45, 25.57, -48.23

 

CMYK 27 / 41 / 0 / 8

HEX #AA89EA

RGB 170 137 234

HSL 260.41, 0.7%, 0.73%

LAB 63.65, 32.52, -44.6

 

CMYK 16 / 41 / 0 / 8

HEX #C489EA

RGB 196 137 234

HSL 276.49, 0.7%, 0.73%

LAB 66.19, 39.9, -40.45

 

CMYK 5 / 41 / 0 / 8

HEX #DE89EA

RGB 222 137 234

HSL 292.58, 0.7%, 0.73%

LAB 69.01, 47.48, -35.83

 

CMYK 0 / 41 / 6 / 8

HEX #EA89DB

RGB 234 137 219

HSL 309.28, 0.7%, 0.73%

LAB 69.82, 48.4, -26.19

 

CMYK 38 / 41 / 0 / 8

HEX #9089EA

RGB 144 137 234

HSL 244.33, 0.7%, 0.73%

LAB 61.45, 25.57, -48.23

 

CMYK 41 / 41 / 0 / 8

HEX #8989EA

RGB 137 137 234

HSL 240, 0.7%, 0.73%

LAB 60.91, 23.8, -49.11

 

CMYK 38 / 41 / 0 / 8

HEX #9089EA

RGB 144 137 234

HSL 244.33, 0.7%, 0.73%

LAB 61.45, 25.57, -48.23

 

CMYK 45 / 49 / 0 / 4

HEX #877EF5

RGB 135 126 245

HSL 244.54, 0.86%, 0.73%

LAB 58.66, 32.88, -58.79

 

CMYK 38 / 41 / 0 / 8

HEX #9089EA

RGB 144 137 234

HSL 244.33, 0.7%, 0.73%

LAB 61.45, 25.57, -48.23

 

CMYK 31 / 33 / 0 / 13

HEX #9A95DF

RGB 154 149 223

HSL 244.05, 0.54%, 0.73%

LAB 64.72, 18.45, -36.94

 

CMYK 23 / 25 / 0 / 17

HEX #A3A0D4

RGB 163 160 212

HSL 243.46, 0.38%, 0.73%

LAB 67.79, 12.17, -26.06

 

CMYK 14 / 15 / 0 / 22

HEX #ADABC8

RGB 173 171 200

HSL 244.14, 0.21%, 0.73%

LAB 70.99, 6.53, -14.49

 

CMYK 3 / 4 / 0 / 26

HEX #B7B6BD

RGB 183 182 189

HSL 248.57, 0.05%, 0.73%

LAB 74.32, 1.68, -3.43

 

CMYK 41 / 22 / 0 / 8

HEX #89B6EA

RGB 137 182 234

HSL 212.16, 0.7%, 0.73%

LAB 72.7, -1.82, -30.68

 

CMYK 41 / 33 / 0 / 8

HEX #899DEA

RGB 137 157 234

HSL 227.63, 0.7%, 0.73%

LAB 66.04, 12.21, -41.04

 

CMYK 38 / 41 / 0 / 8

HEX #9089EA

RGB 144 137 234

HSL 244.33, 0.7%, 0.73%

LAB 61.45, 25.57, -48.23

 

CMYK 27 / 41 / 0 / 8

HEX #AA89EA

RGB 170 137 234

HSL 260.41, 0.7%, 0.73%

LAB 63.65, 32.52, -44.6

 

CMYK 17 / 41 / 0 / 8

HEX #C389EA

RGB 195 137 234

HSL 275.88, 0.7%, 0.73%

LAB 66.09, 39.61, -40.61

 

CMYK 65 / 70 / 0 / 13

HEX #4E43DD

RGB 78 67 221

HSL 244.29, 0.69%, 0.56%

LAB 39.33, 49.68, -76.83

 

CMYK 51 / 55 / 0 / 11

HEX #6F66E4

RGB 111 102 228

HSL 244.29, 0.7%, 0.65%

LAB 50.08, 36.86, -63.2

 

CMYK 38 / 41 / 0 / 8

HEX #9089EA

RGB 144 137 234

HSL 244.33, 0.7%, 0.73%

LAB 61.45, 25.57, -48.23

 

CMYK 26 / 28 / 0 / 6

HEX #B1ADF0

RGB 177 173 240

HSL 243.58, 0.69%, 0.81%

LAB 73.24, 15.74, -32.9

 

CMYK 15 / 15 / 0 / 4

HEX #D2D0F6

RGB 210 208 246

HSL 243.16, 0.68%, 0.89%

LAB 84.72, 8.09, -18.36

 

CMYK 38 / 41 / 0 / 8

HEX #9089EA

RGB 144 137 234

HSL 244.33, 0.7%, 0.73%

LAB 61.45, 25.57, -48.23

 

CMYK 0 / 41 / 11 / 8

HEX #EA89D0

RGB 234 137 208

HSL 316.08, 0.7%, 0.73%

LAB 69.43, 46.57, -20.7

 

CMYK 27 / 0 / 41 / 8

HEX #AAEA89

RGB 170 234 137

HSL 99.59, 0.7%, 0.73%

LAB 86.6, -37.24, 40.73

 

CMYK 38 / 41 / 0 / 8

HEX #9089EA

RGB 144 137 234

HSL 244.33, 0.7%, 0.73%

LAB 61.45, 25.57, -48.23

 

CMYK 0 / 38 / 41 / 8

HEX #EA9089

RGB 234 144 137

HSL 4.33, 0.7%, 0.73%

LAB 68.93, 33.26, 18.21

 

CMYK 41 / 0 / 38 / 8

HEX #89EA90

RGB 137 234 144

HSL 124.33, 0.7%, 0.73%

LAB 85.09, -46.68, 34.98

 

CMYK 38 / 41 / 0 / 8

HEX #9089EA

RGB 144 137 234

HSL 244.33, 0.7%, 0.73%

LAB 61.45, 25.57, -48.23

 

CMYK 0 / 41 / 11 / 8

HEX #EA89D0

RGB 234 137 208

HSL 316.08, 0.7%, 0.73%

LAB 69.43, 46.57, -20.7

 

CMYK 3 / 0 / 41 / 8

HEX #E3EA89

RGB 227 234 137

HSL 64.33, 0.7%, 0.73%

LAB 90.31, -16.34, 46.21

 

CMYK 41 / 0 / 30 / 8

HEX #89EAA3

RGB 137 234 163

HSL 136.08, 0.7%, 0.73%

LAB 85.41, -43.54, 25.75

 

CMYK 38 / 41 / 0 / 8

HEX #9089EA

RGB 144 137 234

HSL 244.33, 0.7%, 0.73%

LAB 61.45, 25.57, -48.23

 

CMYK 0 / 41 / 24 / 8

HEX #EA89B3

RGB 234 137 179

HSL 334.02, 0.7%, 0.73%

LAB 68.49, 42.16, -5.93

 

CMYK 3 / 0 / 41 / 8

HEX #E3EA89

RGB 227 234 137

HSL 64.33, 0.7%, 0.73%

LAB 90.31, -16.34, 46.21

 

CMYK 41 / 0 / 18 / 8

HEX #89EAC0

RGB 137 234 192

HSL 154.02, 0.7%, 0.73%

LAB 85.99, -38.01, 11.52

 

Description

Color code: RGB 144 137 234 | qconv.com Color code: RGB 144 137 234 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 137 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 137 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 41 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 41% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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