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Color name
RGB 144 219 127

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 144 219 127 it is the complementary color RGB 111 36 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 144 219 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 144 219 127 shade: RGB 149 219 122, RGB 166 237 141, RGB 183 255 160, RGB 200 255 179 and RGB 217 255 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 144 219 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 144 219 127 shade: RGB 144 219 127, RGB 127 201 108, RGB 110 183 89, RGB 93 165 70 and RGB 76 147 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 144 219 127 shade: RGB 144 219 127, RGB 169 219 127, RGB 193 219 127, RGB 218 219 127 and RGB 219 195 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 144 219 127 shade: RGB 144 219 127, RGB 127 219 135, RGB 127 219 160, RGB 127 219 184 and RGB 127 219 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 144 219 127 shade matches the following richer shades: RGB 144 219 127, RGB 136 232 114 and RGB 127 245 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 144 219 127 shade: RGB 144 219 127, RGB 152 205 140, RGB 161 192 154, RGB 169 179 167 and RGB 177 166 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 144 219 127 shade: RGB 194 219 127, RGB 170 219 127, RGB 145 219 127, RGB 127 219 133 and RGB 127 219 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 144 219 127 shade: RGB 88 200 63, RGB 116 210 95, RGB 144 219 127, RGB 172 228 159 and RGB 200 237 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 144 219 127 shade: RGB 144 219 127, RGB 127 219 219 and RGB 219 127 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 144 219 127 shade: RGB 144 219 127, RGB 127 145 219 and RGB 219 127 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 144 219 127 shade: RGB 144 219 127, RGB 127 219 219, RGB 200 127 219 and RGB 219 127 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 144 219 127 shade: RGB 144 219 127, RGB 127 191 219, RGB 200 127 219 and RGB 219 155 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 42 / 14

HEX #90DB7F

RGB 144 219 127

HSL 108.91, 0.56%, 0.68%

LAB 80.81, -40.52, 38

 

Complementary color

CMYK 13 / 72 / 0 / 50

HEX #6F2480

RGB 111 36 128

HSL 288.91, 0.56%, 0.32%

LAB 29.91, 46.38, -36.46

 

CMYK 32 / 0 / 44 / 14

HEX #95DB7A

RGB 149 219 122

HSL 103.3, 0.57%, 0.67%

LAB 80.99, -39.55, 40.77

 

CMYK 30 / 0 / 41 / 7

HEX #A6ED8D

RGB 166 237 141

HSL 104.38, 0.73%, 0.74%

LAB 87.29, -39.4, 39.6

 

CMYK 28 / 0 / 37 / 0

HEX #B7FFA0

RGB 183 255 160

HSL 105.47, 1%, 0.81%

LAB 93.5, -39.23, 38.46

 

CMYK 22 / 0 / 30 / 0

HEX #C8FFB3

RGB 200 255 179

HSL 103.42, 1%, 0.85%

LAB 94.76, -30.85, 30.84

 

CMYK 15 / 0 / 22 / 0

HEX #D9FFC6

RGB 217 255 198

HSL 100, 1%, 0.89%

LAB 96.14, -22.22, 23.29

 

CMYK 34 / 0 / 42 / 14

HEX #90DB7F

RGB 144 219 127

HSL 108.91, 0.56%, 0.68%

LAB 80.81, -40.52, 38

 

CMYK 37 / 0 / 46 / 21

HEX #7FC96C

RGB 127 201 108

HSL 107.74, 0.46%, 0.61%

LAB 74.42, -40.68, 39.21

 

CMYK 40 / 0 / 51 / 28

HEX #6EB759

RGB 110 183 89

HSL 106.6, 0.39%, 0.53%

LAB 67.95, -40.78, 40.44

 

CMYK 44 / 0 / 58 / 35

HEX #5DA546

RGB 93 165 70

HSL 105.47, 0.4%, 0.46%

LAB 61.38, -40.78, 41.64

 

CMYK 48 / 0 / 65 / 42

HEX #4C9333

RGB 76 147 51

HSL 104.38, 0.48%, 0.39%

LAB 54.7, -40.62, 42.69

 

CMYK 34 / 0 / 42 / 14

HEX #90DB7F

RGB 144 219 127

HSL 108.91, 0.56%, 0.68%

LAB 80.81, -40.52, 38

 

CMYK 23 / 0 / 42 / 14

HEX #A9DB7F

RGB 169 219 127

HSL 92.61, 0.56%, 0.68%

LAB 82.18, -31.98, 40.03

 

CMYK 12 / 0 / 42 / 14

HEX #C1DB7F

RGB 193 219 127

HSL 76.96, 0.56%, 0.68%

LAB 83.72, -23.13, 42.31

 

CMYK 0 / 0 / 42 / 14

HEX #DADB7F

RGB 218 219 127

HSL 60.65, 0.56%, 0.68%

LAB 85.55, -13.45, 45

 

CMYK 0 / 11 / 42 / 14

HEX #DBC37F

RGB 219 195 127

HSL 44.35, 0.56%, 0.68%

LAB 79.4, -0.8, 37.23

 

CMYK 34 / 0 / 42 / 14

HEX #90DB7F

RGB 144 219 127

HSL 108.91, 0.56%, 0.68%

LAB 80.81, -40.52, 38

 

CMYK 42 / 0 / 38 / 14

HEX #7FDB87

RGB 127 219 135

HSL 125.22, 0.56%, 0.68%

LAB 80.14, -44.57, 32.94

 

CMYK 42 / 0 / 27 / 14

HEX #7FDBA0

RGB 127 219 160

HSL 141.52, 0.56%, 0.68%

LAB 80.58, -40.26, 20.62

 

CMYK 42 / 0 / 16 / 14

HEX #7FDBB8

RGB 127 219 184

HSL 157.17, 0.56%, 0.68%

LAB 81.09, -35.45, 8.69

 

CMYK 42 / 0 / 5 / 14

HEX #7FDBD1

RGB 127 219 209

HSL 173.48, 0.56%, 0.68%

LAB 81.72, -29.8, -3.69

 

CMYK 34 / 0 / 42 / 14

HEX #90DB7F

RGB 144 219 127

HSL 108.91, 0.56%, 0.68%

LAB 80.81, -40.52, 38

 

CMYK 41 / 0 / 51 / 9

HEX #88E872

RGB 136 232 114

HSL 108.81, 0.72%, 0.68%

LAB 84.05, -50.27, 48.28

 

CMYK 48 / 0 / 59 / 4

HEX #7FF565

RGB 127 245 101

HSL 109.17, 0.88%, 0.68%

LAB 87.37, -59.48, 57.97

 

CMYK 34 / 0 / 42 / 14

HEX #90DB7F

RGB 144 219 127

HSL 108.91, 0.56%, 0.68%

LAB 80.81, -40.52, 38

 

CMYK 26 / 0 / 32 / 20

HEX #98CD8C

RGB 152 205 140

HSL 108.92, 0.39%, 0.68%

LAB 77.42, -29.5, 26.98

 

CMYK 16 / 0 / 20 / 25

HEX #A1C09A

RGB 161 192 154

HSL 108.95, 0.23%, 0.68%

LAB 74.58, -17.67, 15.75

 

CMYK 6 / 0 / 7 / 30

HEX #A9B3A7

RGB 169 179 167

HSL 110, 0.07%, 0.68%

LAB 71.87, -5.76, 4.91

 

CMYK 2 / 8 / 0 / 29

HEX #B1A6B4

RGB 177 166 180

HSL 287.14, 0.09%, 0.68%

LAB 69.41, 6.57, -5.77

 

CMYK 11 / 0 / 42 / 14

HEX #C2DB7F

RGB 194 219 127

HSL 76.3, 0.56%, 0.68%

LAB 83.79, -22.75, 42.41

 

CMYK 22 / 0 / 42 / 14

HEX #AADB7F

RGB 170 219 127

HSL 91.96, 0.56%, 0.68%

LAB 82.24, -31.62, 40.12

 

CMYK 34 / 0 / 42 / 14

HEX #91DB7F

RGB 145 219 127

HSL 108.26, 0.56%, 0.68%

LAB 80.86, -40.2, 38.08

 

CMYK 42 / 0 / 39 / 14

HEX #7FDB85

RGB 127 219 133

HSL 123.91, 0.56%, 0.68%

LAB 80.11, -44.88, 33.92

 

CMYK 42 / 0 / 28 / 14

HEX #7FDB9E

RGB 127 219 158

HSL 140.22, 0.56%, 0.68%

LAB 80.54, -40.63, 21.61

 

CMYK 56 / 0 / 69 / 22

HEX #58C83F

RGB 88 200 63

HSL 109.05, 0.55%, 0.52%

LAB 72.06, -56.75, 56.47

 

CMYK 45 / 0 / 55 / 18

HEX #74D25F

RGB 116 210 95

HSL 109.04, 0.56%, 0.6%

LAB 76.46, -49.54, 47.85

 

CMYK 34 / 0 / 42 / 14

HEX #90DB7F

RGB 144 219 127

HSL 108.91, 0.56%, 0.68%

LAB 80.81, -40.52, 38

 

CMYK 25 / 0 / 30 / 11

HEX #ACE49F

RGB 172 228 159

HSL 108.7, 0.56%, 0.76%

LAB 85.38, -30.66, 28.07

 

CMYK 16 / 0 / 19 / 7

HEX #C8EDC0

RGB 200 237 192

HSL 109.33, 0.56%, 0.84%

LAB 90.16, -20.22, 17.88

 

CMYK 34 / 0 / 42 / 14

HEX #90DB7F

RGB 144 219 127

HSL 108.91, 0.56%, 0.68%

LAB 80.81, -40.52, 38

 

CMYK 42 / 0 / 0 / 14

HEX #7FDBDB

RGB 127 219 219

HSL 180, 0.56%, 0.68%

LAB 82, -27.37, -8.6

 

CMYK 0 / 42 / 17 / 14

HEX #DB7FB6

RGB 219 127 182

HSL 324.13, 0.56%, 0.68%

LAB 64.66, 42.75, -13.53

 

CMYK 34 / 0 / 42 / 14

HEX #90DB7F

RGB 144 219 127

HSL 108.91, 0.56%, 0.68%

LAB 80.81, -40.52, 38

 

CMYK 42 / 34 / 0 / 14

HEX #7F91DB

RGB 127 145 219

HSL 228.26, 0.56%, 0.68%

LAB 61.55, 12.35, -39.82

 

CMYK 0 / 42 / 34 / 14

HEX #DB7F91

RGB 219 127 145

HSL 348.26, 0.56%, 0.68%

LAB 63.58, 37.58, 5.9

 

CMYK 34 / 0 / 42 / 14

HEX #90DB7F

RGB 144 219 127

HSL 108.91, 0.56%, 0.68%

LAB 80.81, -40.52, 38

 

CMYK 42 / 0 / 0 / 14

HEX #7FDBDB

RGB 127 219 219

HSL 180, 0.56%, 0.68%

LAB 82, -27.37, -8.6

 

CMYK 9 / 42 / 0 / 14

HEX #C87FDB

RGB 200 127 219

HSL 287.61, 0.56%, 0.68%

LAB 63.81, 43.34, -35.8

 

CMYK 0 / 42 / 42 / 14

HEX #DB7F7F

RGB 219 127 127

HSL 0, 0.56%, 0.68%

LAB 63.15, 35.48, 15.54

 

CMYK 34 / 0 / 42 / 14

HEX #90DB7F

RGB 144 219 127

HSL 108.91, 0.56%, 0.68%

LAB 80.81, -40.52, 38

 

CMYK 42 / 13 / 0 / 14

HEX #7FBFDB

RGB 127 191 219

HSL 198.26, 0.56%, 0.68%

LAB 74.12, -13.22, -20.43

 

CMYK 9 / 42 / 0 / 14

HEX #C87FDB

RGB 200 127 219

HSL 287.61, 0.56%, 0.68%

LAB 63.81, 43.34, -35.8

 

CMYK 0 / 29 / 42 / 14

HEX #DB9B7F

RGB 219 155 127

HSL 18.26, 0.56%, 0.68%

LAB 69.49, 20.51, 24.21

 

Description

Color code: RGB 144 219 127 | qconv.com Color code: RGB 144 219 127 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 219 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 219 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 42 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 42% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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