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Color name
RGB 145 114 58

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 114 58 it is the complementary color RGB 110 141 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 114 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 145 114 58 shade: RGB 150 114 53, RGB 167 132 72, RGB 184 150 91, RGB 201 168 110 and RGB 218 186 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 114 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 145 114 58 shade: RGB 145 114 58, RGB 128 96 39, RGB 111 78 20, RGB 94 60 1 and RGB 77 42 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 145 114 58 shade: RGB 145 114 58, RGB 145 90 58, RGB 145 67 58 and RGB 145 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 145 114 58 shade: RGB 145 114 58, RGB 145 138 58, RGB 129 145 58, RGB 106 145 58 and RGB 82 145 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 145 114 58 shade matches the following richer shades: RGB 145 114 58, RGB 162 119 41, RGB 178 124 25 and RGB 195 128 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 145 114 58 shade: RGB 145 114 58, RGB 129 109 74, RGB 112 105 91, RGB 96 100 107 and RGB 79 95 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 145 114 58 shade: RGB 145 66 58, RGB 145 90 58, RGB 145 113 58, RGB 145 137 58 and RGB 131 145 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 145 114 58 shade: RGB 86 68 34, RGB 116 91 46, RGB 145 114 58, RGB 175 137 69 and RGB 191 157 95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 145 114 58 shade: RGB 145 114 58, RGB 72 145 58 and RGB 78 58 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 145 114 58 shade: RGB 145 114 58, RGB 58 145 113 and RGB 113 58 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 145 114 58 shade: RGB 145 114 58, RGB 72 145 58, RGB 58 90 145 and RGB 131 58 145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 145 114 58 shade: RGB 145 114 58, RGB 58 145 69, RGB 58 90 145 and RGB 145 58 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 60 / 43

HEX #91723A

RGB 145 114 58

HSL 38.62, 0.43%, 0.4%

LAB 49.93, 5.37, 35.21

 

Complementary color

CMYK 44 / 28 / 0 / 23

HEX #6E8DC5

RGB 110 141 197

HSL 218.62, 0.43%, 0.6%

LAB 58.41, 3.98, -32.47

 

CMYK 0 / 24 / 65 / 41

HEX #967235

RGB 150 114 53

HSL 37.73, 0.48%, 0.4%

LAB 50.42, 7.26, 38.51

 

CMYK 0 / 21 / 57 / 35

HEX #A78448

RGB 167 132 72

HSL 37.89, 0.4%, 0.47%

LAB 57.26, 6.12, 37.12

 

CMYK 0 / 18 / 51 / 28

HEX #B8965B

RGB 184 150 91

HSL 38.06, 0.4%, 0.54%

LAB 63.96, 5.18, 35.73

 

CMYK 0 / 16 / 45 / 21

HEX #C9A86E

RGB 201 168 110

HSL 38.24, 0.46%, 0.61%

LAB 70.56, 4.4, 34.39

 

CMYK 0 / 15 / 41 / 15

HEX #DABA81

RGB 218 186 129

HSL 38.43, 0.55%, 0.68%

LAB 77.05, 3.73, 33.13

 

CMYK 0 / 21 / 60 / 43

HEX #91723A

RGB 145 114 58

HSL 38.62, 0.43%, 0.4%

LAB 49.93, 5.37, 35.21

 

CMYK 0 / 25 / 70 / 50

HEX #806027

RGB 128 96 39

HSL 38.43, 0.53%, 0.33%

LAB 42.92, 6.61, 36.57

 

CMYK 0 / 30 / 82 / 56

HEX #6F4E14

RGB 111 78 20

HSL 38.24, 0.69%, 0.26%

LAB 35.75, 8.22, 37.53

 

CMYK 0 / 36 / 99 / 63

HEX #5E3C01

RGB 94 60 1

HSL 38.06, 0.98%, 0.19%

LAB 28.42, 10.23, 37.79

 

CMYK 0 / 45 / 100 / 70

HEX #4D2A00

RGB 77 42 0

HSL 32.73, 1%, 0.15%

LAB 20.96, 12.99, 30.14

 

CMYK 0 / 21 / 60 / 43

HEX #91723A

RGB 145 114 58

HSL 38.62, 0.43%, 0.4%

LAB 49.93, 5.37, 35.21

 

CMYK 0 / 38 / 60 / 43

HEX #915A3A

RGB 145 90 58

HSL 22.07, 0.43%, 0.4%

LAB 43.71, 19.27, 27.75

 

CMYK 0 / 54 / 60 / 43

HEX #91433A

RGB 145 67 58

HSL 6.21, 0.43%, 0.4%

LAB 38.45, 32.17, 21.14

 

CMYK 0 / 60 / 60 / 43

HEX #913A3A

RGB 145 58 58

HSL 0, 0.43%, 0.4%

LAB 36.65, 36.82, 18.82

 

CMYK 0 / 21 / 60 / 43

HEX #91723A

RGB 145 114 58

HSL 38.62, 0.43%, 0.4%

LAB 49.93, 5.37, 35.21

 

CMYK 0 / 5 / 60 / 43

HEX #918A3A

RGB 145 138 58

HSL 55.17, 0.43%, 0.4%

LAB 56.59, -8.09, 42.81

 

CMYK 11 / 0 / 60 / 43

HEX #81913A

RGB 129 145 58

HSL 71.03, 0.43%, 0.4%

LAB 57.29, -18.81, 43.23

 

CMYK 27 / 0 / 60 / 43

HEX #6A913A

RGB 106 145 58

HSL 86.9, 0.43%, 0.4%

LAB 55.71, -28.29, 41.01

 

CMYK 43 / 0 / 60 / 43

HEX #52913A

RGB 82 145 58

HSL 103.45, 0.43%, 0.4%

LAB 54.4, -37.08, 39.17

 

CMYK 0 / 21 / 60 / 43

HEX #91723A

RGB 145 114 58

HSL 38.62, 0.43%, 0.4%

LAB 49.93, 5.37, 35.21

 

CMYK 0 / 27 / 75 / 36

HEX #A27729

RGB 162 119 41

HSL 38.68, 0.6%, 0.4%

LAB 52.99, 9.16, 47.31

 

CMYK 0 / 30 / 86 / 30

HEX #B27C19

RGB 178 124 25

HSL 38.82, 0.75%, 0.4%

LAB 56.04, 12.99, 56.7

 

CMYK 0 / 34 / 96 / 24

HEX #C38008

RGB 195 128 8

HSL 38.5, 0.92%, 0.4%

LAB 59.03, 18.05, 63.67

 

CMYK 0 / 21 / 60 / 43

HEX #91723A

RGB 145 114 58

HSL 38.62, 0.43%, 0.4%

LAB 49.93, 5.37, 35.21

 

CMYK 0 / 16 / 43 / 49

HEX #816D4A

RGB 129 109 74

HSL 38.18, 0.27%, 0.4%

LAB 47.1, 2.68, 22.47

 

CMYK 0 / 6 / 19 / 56

HEX #70695B

RGB 112 105 91

HSL 40, 0.1%, 0.4%

LAB 44.66, 0.17, 8.86

 

CMYK 10 / 7 / 0 / 58

HEX #60646B

RGB 96 100 107

HSL 218.18, 0.05%, 0.4%

LAB 42.25, -0, -4.49

 

CMYK 36 / 23 / 0 / 51

HEX #4F5F7C

RGB 79 95 124

HSL 218.67, 0.22%, 0.4%

LAB 40.08, 1.58, -18.25

 

CMYK 0 / 54 / 60 / 43

HEX #91423A

RGB 145 66 58

HSL 5.52, 0.43%, 0.4%

LAB 38.24, 32.7, 20.87

 

CMYK 0 / 38 / 60 / 43

HEX #915A3A

RGB 145 90 58

HSL 22.07, 0.43%, 0.4%

LAB 43.71, 19.27, 27.75

 

CMYK 0 / 22 / 60 / 43

HEX #91713A

RGB 145 113 58

HSL 37.93, 0.43%, 0.4%

LAB 49.66, 5.94, 34.9

 

CMYK 0 / 6 / 60 / 43

HEX #91893A

RGB 145 137 58

HSL 54.48, 0.43%, 0.4%

LAB 56.3, -7.54, 42.5

 

CMYK 10 / 0 / 60 / 43

HEX #83913A

RGB 131 145 58

HSL 69.66, 0.43%, 0.4%

LAB 57.45, -17.95, 43.44

 

CMYK 0 / 21 / 60 / 66

HEX #564422

RGB 86 68 34

HSL 39.23, 0.43%, 0.24%

LAB 29.98, 3.01, 23.29

 

CMYK 0 / 22 / 60 / 55

HEX #745B2E

RGB 116 91 46

HSL 38.57, 0.43%, 0.32%

LAB 40.23, 4.46, 29.48

 

CMYK 0 / 21 / 60 / 43

HEX #91723A

RGB 145 114 58

HSL 38.62, 0.43%, 0.4%

LAB 49.93, 5.37, 35.21

 

CMYK 0 / 22 / 61 / 31

HEX #AF8945

RGB 175 137 69

HSL 38.49, 0.43%, 0.48%

LAB 59.37, 6.61, 41.36

 

CMYK 0 / 18 / 50 / 25

HEX #BF9D5F

RGB 191 157 95

HSL 38.75, 0.43%, 0.56%

LAB 66.53, 4.7, 36.97

 

CMYK 0 / 21 / 60 / 43

HEX #91723A

RGB 145 114 58

HSL 38.62, 0.43%, 0.4%

LAB 49.93, 5.37, 35.21

 

CMYK 50 / 0 / 60 / 43

HEX #48913A

RGB 72 145 58

HSL 110.34, 0.43%, 0.4%

LAB 53.96, -40.27, 38.55

 

CMYK 46 / 60 / 0 / 43

HEX #4E3A91

RGB 78 58 145

HSL 253.79, 0.43%, 0.4%

LAB 31.09, 31.21, -45.33

 

CMYK 0 / 21 / 60 / 43

HEX #91723A

RGB 145 114 58

HSL 38.62, 0.43%, 0.4%

LAB 49.93, 5.37, 35.21

 

CMYK 60 / 0 / 22 / 43

HEX #3A9171

RGB 58 145 113

HSL 157.93, 0.43%, 0.4%

LAB 54.39, -34.1, 9.3

 

CMYK 22 / 60 / 0 / 43

HEX #713A91

RGB 113 58 145

HSL 277.93, 0.43%, 0.4%

LAB 35.17, 39.91, -38.57

 

CMYK 0 / 21 / 60 / 43

HEX #91723A

RGB 145 114 58

HSL 38.62, 0.43%, 0.4%

LAB 49.93, 5.37, 35.21

 

CMYK 50 / 0 / 60 / 43

HEX #48913A

RGB 72 145 58

HSL 110.34, 0.43%, 0.4%

LAB 53.96, -40.27, 38.55

 

CMYK 60 / 38 / 0 / 43

HEX #3A5A91

RGB 58 90 145

HSL 217.93, 0.43%, 0.4%

LAB 38.3, 5.96, -33.89

 

CMYK 10 / 60 / 0 / 43

HEX #833A91

RGB 131 58 145

HSL 290.34, 0.43%, 0.4%

LAB 37.65, 44.71, -34.46

 

CMYK 0 / 21 / 60 / 43

HEX #91723A

RGB 145 114 58

HSL 38.62, 0.43%, 0.4%

LAB 49.93, 5.37, 35.21

 

CMYK 60 / 0 / 52 / 43

HEX #3A9145

RGB 58 145 69

HSL 127.59, 0.43%, 0.4%

LAB 53.58, -42.66, 32.48

 

CMYK 60 / 38 / 0 / 43

HEX #3A5A91

RGB 58 90 145

HSL 217.93, 0.43%, 0.4%

LAB 38.3, 5.96, -33.89

 

CMYK 0 / 60 / 8 / 43

HEX #913A86

RGB 145 58 134

HSL 307.59, 0.43%, 0.4%

LAB 39.19, 46.54, -25.18

 

Description

Color code: RGB 145 114 58 | qconv.com Color code: RGB 145 114 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 114 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 114 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 60 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 60% 43% C M Y K

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Provide designers and agencies with accurate color values.

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