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Color name
RGB 146 106 179

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 106 179 it is the complementary color RGB 109 149 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 106 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 106 179 shade: RGB 151 106 174, RGB 168 124 193, RGB 185 142 212, RGB 202 160 231 and RGB 219 178 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 106 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 106 179 shade: RGB 146 106 179, RGB 129 88 160, RGB 112 70 141, RGB 95 52 122 and RGB 78 34 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 106 179 shade: RGB 146 106 178, RGB 165 106 178, RGB 178 106 172, RGB 178 106 153 and RGB 178 106 133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 106 179 shade: RGB 146 106 178, RGB 126 106 178, RGB 107 106 178 and RGB 106 106 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 106 179 shade matches the following richer shades: RGB 146 106 178, RGB 147 88 196, RGB 149 70 215, RGB 151 52 233 and RGB 153 34 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 106 179 shade: RGB 146 106 178, RGB 144 125 160, RGB 142 143 142, RGB 141 161 124 and RGB 139 179 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 106 179 shade: RGB 106 106 178, RGB 126 106 178, RGB 145 106 178, RGB 164 106 178 and RGB 178 106 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 106 179 shade: RGB 104 69 134, RGB 125 83 161, RGB 146 106 178, RGB 166 134 192 and RGB 186 161 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 106 179 shade: RGB 146 106 179, RGB 178 106 126 and RGB 106 178 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 106 179 shade: RGB 146 106 179, RGB 178 145 106 and RGB 106 178 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 106 179 shade: RGB 146 106 179, RGB 178 106 126, RGB 140 178 106 and RGB 106 178 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 106 179 shade: RGB 146 106 179, RGB 178 109 106, RGB 140 178 106 and RGB 106 176 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 41 / 0 / 30

HEX #926AB3

RGB 146 106 179

HSL 272.88, 0.32%, 0.56%

LAB 51.47, 30.17, -32.79

 

Complementary color

CMYK 27 / 0 / 49 / 42

HEX #6D954C

RGB 109 149 76

HSL 92.88, 0.32%, 0.44%

LAB 57.34, -27.08, 34.01

 

CMYK 13 / 39 / 0 / 32

HEX #976AAE

RGB 151 106 174

HSL 279.71, 0.3%, 0.55%

LAB 51.77, 30.59, -29.37

 

CMYK 13 / 36 / 0 / 24

HEX #A87CC1

RGB 168 124 193

HSL 278.26, 0.36%, 0.62%

LAB 58.59, 29.83, -29.55

 

CMYK 13 / 33 / 0 / 17

HEX #B98ED4

RGB 185 142 212

HSL 276.86, 0.45%, 0.69%

LAB 65.29, 29.13, -29.74

 

CMYK 13 / 31 / 0 / 9

HEX #CAA0E7

RGB 202 160 231

HSL 275.49, 0.6%, 0.77%

LAB 71.87, 28.48, -29.93

 

CMYK 12 / 29 / 0 / 2

HEX #DBB2FA

RGB 219 178 250

HSL 274.17, 0.88%, 0.84%

LAB 78.35, 27.87, -30.13

 

CMYK 18 / 41 / 0 / 30

HEX #926AB3

RGB 146 106 179

HSL 272.88, 0.32%, 0.56%

LAB 51.47, 30.17, -32.79

 

CMYK 19 / 45 / 0 / 37

HEX #8158A0

RGB 129 88 160

HSL 274.17, 0.29%, 0.49%

LAB 44.5, 31.02, -32.7

 

CMYK 21 / 50 / 0 / 45

HEX #70468D

RGB 112 70 141

HSL 275.49, 0.34%, 0.41%

LAB 37.39, 31.92, -32.6

 

CMYK 22 / 57 / 0 / 52

HEX #5F347A

RGB 95 52 122

HSL 276.86, 0.4%, 0.34%

LAB 30.14, 32.83, -32.46

 

CMYK 24 / 67 / 0 / 60

HEX #4E2267

RGB 78 34 103

HSL 278.26, 0.5%, 0.27%

LAB 22.8, 33.61, -32.16

 

CMYK 18 / 40 / 0 / 30

HEX #926AB2

RGB 146 106 178

HSL 273.33, 0.32%, 0.56%

LAB 51.42, 29.94, -32.28

 

CMYK 7 / 40 / 0 / 30

HEX #A56AB2

RGB 165 106 178

HSL 289.17, 0.32%, 0.56%

LAB 53.52, 35.83, -28.86

 

CMYK 0 / 40 / 3 / 30

HEX #B26AAC

RGB 178 106 172

HSL 305, 0.32%, 0.56%

LAB 54.82, 38.79, -23.25

 

CMYK 0 / 40 / 14 / 30

HEX #B26A99

RGB 178 106 153

HSL 320.83, 0.32%, 0.56%

LAB 54.1, 35.45, -13.28

 

CMYK 0 / 40 / 25 / 30

HEX #B26A85

RGB 178 106 133

HSL 337.5, 0.32%, 0.56%

LAB 53.46, 32.31, -2.51

 

CMYK 18 / 40 / 0 / 30

HEX #926AB2

RGB 146 106 178

HSL 273.33, 0.32%, 0.56%

LAB 51.42, 29.94, -32.28

 

CMYK 29 / 40 / 0 / 30

HEX #7E6AB2

RGB 126 106 178

HSL 256.67, 0.32%, 0.56%

LAB 49.45, 23.94, -35.51

 

CMYK 40 / 40 / 0 / 30

HEX #6B6AB2

RGB 107 106 178

HSL 240.83, 0.32%, 0.56%

LAB 47.81, 18.59, -38.2

 

CMYK 40 / 40 / 0 / 30

HEX #6A6AB2

RGB 106 106 178

HSL 240, 0.32%, 0.56%

LAB 47.73, 18.32, -38.33

 

CMYK 18 / 40 / 0 / 30

HEX #926AB2

RGB 146 106 178

HSL 273.33, 0.32%, 0.56%

LAB 51.42, 29.94, -32.28

 

CMYK 25 / 55 / 0 / 23

HEX #9358C4

RGB 147 88 196

HSL 272.78, 0.48%, 0.56%

LAB 48.47, 44.53, -47.34

 

CMYK 31 / 67 / 0 / 16

HEX #9546D7

RGB 149 70 215

HSL 272.69, 0.64%, 0.56%

LAB 46.55, 58.48, -61.34

 

CMYK 35 / 78 / 0 / 9

HEX #9734E9

RGB 151 52 233

HSL 272.82, 0.8%, 0.56%

LAB 45.52, 70.25, -73.23

 

CMYK 39 / 86 / 0 / 2

HEX #9922FB

RGB 153 34 251

HSL 272.9, 0.96%, 0.56%

LAB 45.47, 79.66, -83.43

 

CMYK 18 / 40 / 0 / 30

HEX #926AB2

RGB 146 106 178

HSL 273.33, 0.32%, 0.56%

LAB 51.42, 29.94, -32.28

 

CMYK 10 / 22 / 0 / 37

HEX #907DA0

RGB 144 125 160

HSL 272.57, 0.16%, 0.56%

LAB 55.21, 14.19, -16.02

 

CMYK 1 / 0 / 1 / 44

HEX #8E8F8E

RGB 142 143 142

HSL 120, 0%, 0.56%

LAB 59.3, -0.56, 0.4

 

CMYK 12 / 0 / 23 / 37

HEX #8DA17C

RGB 141 161 124

HSL 92.43, 0.16%, 0.56%

LAB 63.84, -13.98, 16.98

 

CMYK 22 / 0 / 41 / 30

HEX #8BB36A

RGB 139 179 106

HSL 92.88, 0.32%, 0.56%

LAB 68.58, -26.56, 32.96

 

CMYK 40 / 40 / 0 / 30

HEX #6A6AB2

RGB 106 106 178

HSL 240, 0.32%, 0.56%

LAB 47.73, 18.32, -38.33

 

CMYK 29 / 40 / 0 / 30

HEX #7E6AB2

RGB 126 106 178

HSL 256.67, 0.32%, 0.56%

LAB 49.45, 23.94, -35.51

 

CMYK 19 / 40 / 0 / 30

HEX #916AB2

RGB 145 106 178

HSL 272.5, 0.32%, 0.56%

LAB 51.32, 29.64, -32.45

 

CMYK 8 / 40 / 0 / 30

HEX #A46AB2

RGB 164 106 178

HSL 288.33, 0.32%, 0.56%

LAB 53.4, 35.52, -29.04

 

CMYK 0 / 40 / 3 / 30

HEX #B26AAD

RGB 178 106 173

HSL 304.17, 0.32%, 0.56%

LAB 54.86, 38.97, -23.77

 

CMYK 22 / 49 / 0 / 47

HEX #684586

RGB 104 69 134

HSL 272.31, 0.32%, 0.4%

LAB 35.83, 28.4, -30.84

 

CMYK 22 / 48 / 0 / 37

HEX #7D53A1

RGB 125 83 161

HSL 272.31, 0.32%, 0.48%

LAB 42.94, 32.98, -35.77

 

CMYK 18 / 40 / 0 / 30

HEX #926AB2

RGB 146 106 178

HSL 273.33, 0.32%, 0.56%

LAB 51.42, 29.94, -32.28

 

CMYK 14 / 30 / 0 / 25

HEX #A686C0

RGB 166 134 192

HSL 273.1, 0.32%, 0.64%

LAB 60.75, 23.3, -25.67

 

CMYK 10 / 22 / 0 / 19

HEX #BAA1CE

RGB 186 161 206

HSL 273.33, 0.31%, 0.72%

LAB 69.74, 17.6, -19.58

 

CMYK 18 / 41 / 0 / 30

HEX #926AB3

RGB 146 106 179

HSL 272.88, 0.32%, 0.56%

LAB 51.47, 30.17, -32.79

 

CMYK 0 / 40 / 29 / 30

HEX #B26A7E

RGB 178 106 126

HSL 343.33, 0.32%, 0.56%

LAB 53.25, 31.31, 1.32

 

CMYK 40 / 0 / 35 / 30

HEX #6AB274

RGB 106 178 116

HSL 128.33, 0.32%, 0.56%

LAB 66.65, -35.8, 24.81

 

CMYK 18 / 41 / 0 / 30

HEX #926AB3

RGB 146 106 179

HSL 272.88, 0.32%, 0.56%

LAB 51.47, 30.17, -32.79

 

CMYK 0 / 19 / 40 / 30

HEX #B2916A

RGB 178 145 106

HSL 32.5, 0.32%, 0.56%

LAB 62.3, 6.99, 25.37

 

CMYK 40 / 0 / 19 / 30

HEX #6AB291

RGB 106 178 145

HSL 152.5, 0.32%, 0.56%

LAB 67.24, -30.21, 9.86

 

CMYK 18 / 41 / 0 / 30

HEX #926AB3

RGB 146 106 179

HSL 272.88, 0.32%, 0.56%

LAB 51.47, 30.17, -32.79

 

CMYK 0 / 40 / 29 / 30

HEX #B26A7E

RGB 178 106 126

HSL 343.33, 0.32%, 0.56%

LAB 53.25, 31.31, 1.32

 

CMYK 21 / 0 / 40 / 30

HEX #8CB26A

RGB 140 178 106

HSL 91.67, 0.32%, 0.56%

LAB 68.36, -25.7, 32.68

 

CMYK 40 / 0 / 11 / 30

HEX #6AB29F

RGB 106 178 159

HSL 164.17, 0.32%, 0.56%

LAB 67.58, -27.09, 2.63

 

CMYK 18 / 41 / 0 / 30

HEX #926AB3

RGB 146 106 179

HSL 272.88, 0.32%, 0.56%

LAB 51.47, 30.17, -32.79

 

CMYK 0 / 39 / 40 / 30

HEX #B26D6A

RGB 178 109 106

HSL 2.5, 0.32%, 0.56%

LAB 53.43, 27.08, 13.34

 

CMYK 21 / 0 / 40 / 30

HEX #8CB26A

RGB 140 178 106

HSL 91.67, 0.32%, 0.56%

LAB 68.36, -25.7, 32.68

 

CMYK 40 / 1 / 0 / 30

HEX #6AB0B2

RGB 106 176 178

HSL 181.67, 0.32%, 0.56%

LAB 67.52, -21.46, -7.97

 

Description

Color code: RGB 146 106 179 | qconv.com Color code: RGB 146 106 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 106 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 106 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 41 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 41% 0% 30% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

30% - Viva | Estamos de tu...
Link: http://www.viva.com.do

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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