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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 115 20 it is the complementary color RGB 109 140 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 115 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 115 20 shade: RGB 151 115 15, RGB 168 133 34, RGB 185 151 53, RGB 202 169 72 and RGB 219 187 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 115 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 115 20 shade: RGB 146 115 20, RGB 129 97 1, RGB 112 79 0, RGB 95 61 0 and RGB 78 43 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 115 20 shade: RGB 148 116 20, RGB 148 82 20, RGB 148 47 20 and RGB 148 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 115 20 shade: RGB 148 116 20, RGB 145 148 20, RGB 110 148 20, RGB 76 148 20 and RGB 41 148 20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 115 20 shade matches the following richer shades: RGB 148 116 20 and RGB 161 123 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 115 20 shade: RGB 148 116 20, RGB 134 109 33, RGB 120 102 47, RGB 107 95 61 and RGB 93 88 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 115 20 shade: RGB 148 47 20, RGB 148 82 20, RGB 148 116 20, RGB 145 148 20 and RGB 111 148 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 115 20 shade: RGB 75 59 10, RGB 111 88 15, RGB 148 116 20, RGB 184 145 25 and RGB 220 173 30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 115 20 shade: RGB 146 115 20, RGB 26 148 20 and RGB 64 20 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 115 20 shade: RGB 146 115 20, RGB 20 148 116 and RGB 116 20 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 115 20 shade: RGB 146 115 20, RGB 26 148 20, RGB 20 52 148 and RGB 141 20 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 115 20 shade: RGB 146 115 20, RGB 20 148 52, RGB 20 52 148 and RGB 148 20 116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 86 / 43

HEX #927314

RGB 146 115 20

HSL 45.24, 0.76%, 0.33%

LAB 50.01, 3.22, 51.68

 

Complementary color

CMYK 54 / 40 / 0 / 8

HEX #6D8CEB

RGB 109 140 235

HSL 225.24, 0.76%, 0.67%

LAB 59.89, 15.86, -51.4

 

CMYK 0 / 24 / 90 / 41

HEX #97730F

RGB 151 115 15

HSL 44.12, 0.82%, 0.33%

LAB 50.54, 5.43, 53.69

 

CMYK 0 / 21 / 80 / 34

HEX #A88522

RGB 168 133 34

HSL 44.33, 0.66%, 0.4%

LAB 57.28, 3.73, 54.39

 

CMYK 0 / 18 / 71 / 27

HEX #B99735

RGB 185 151 53

HSL 44.55, 0.55%, 0.47%

LAB 63.92, 2.32, 54

 

CMYK 0 / 16 / 64 / 21

HEX #CAA948

RGB 202 169 72

HSL 44.77, 0.55%, 0.54%

LAB 70.46, 1.15, 53.1

 

CMYK 0 / 15 / 58 / 14

HEX #DBBB5B

RGB 219 187 91

HSL 45, 0.64%, 0.61%

LAB 76.89, 0.16, 51.98

 

CMYK 0 / 21 / 86 / 43

HEX #927314

RGB 146 115 20

HSL 45.24, 0.76%, 0.33%

LAB 50.01, 3.22, 51.68

 

CMYK 0 / 25 / 99 / 49

HEX #816101

RGB 129 97 1

HSL 45, 0.98%, 0.25%

LAB 43.09, 5.1, 50.21

 

CMYK 0 / 29 / 100 / 56

HEX #704F00

RGB 112 79 0

HSL 42.32, 1%, 0.22%

LAB 36.05, 7.49, 44.7

 

CMYK 0 / 36 / 100 / 63

HEX #5F3D00

RGB 95 61 0

HSL 38.53, 1%, 0.19%

LAB 28.83, 10.07, 38.58

 

CMYK 0 / 45 / 100 / 69

HEX #4E2B00

RGB 78 43 0

HSL 33.08, 1%, 0.15%

LAB 21.38, 12.86, 30.65

 

CMYK 0 / 22 / 86 / 42

HEX #947414

RGB 148 116 20

HSL 45, 0.76%, 0.33%

LAB 50.5, 3.58, 52.18

 

CMYK 0 / 45 / 86 / 42

HEX #945214

RGB 148 82 20

HSL 29.06, 0.76%, 0.33%

LAB 41.82, 23.12, 44.86

 

CMYK 0 / 68 / 86 / 42

HEX #942F14

RGB 148 47 20

HSL 12.66, 0.76%, 0.33%

LAB 34.76, 41.15, 38.78

 

CMYK 0 / 86 / 86 / 42

HEX #941414

RGB 148 20 20

HSL 0, 0.76%, 0.33%

LAB 31.46, 50.32, 35.88

 

CMYK 0 / 22 / 86 / 42

HEX #947414

RGB 148 116 20

HSL 45, 0.76%, 0.33%

LAB 50.5, 3.58, 52.18

 

CMYK 2 / 0 / 86 / 42

HEX #919414

RGB 145 148 20

HSL 61.41, 0.76%, 0.33%

LAB 59.21, -15.35, 59.3

 

CMYK 26 / 0 / 86 / 42

HEX #6E9414

RGB 110 148 20

HSL 77.81, 0.76%, 0.33%

LAB 56.63, -30.54, 56.1

 

CMYK 49 / 0 / 86 / 42

HEX #4C9414

RGB 76 148 20

HSL 93.75, 0.76%, 0.33%

LAB 54.83, -43.17, 53.83

 

CMYK 72 / 0 / 86 / 42

HEX #299414

RGB 41 148 20

HSL 110.16, 0.76%, 0.33%

LAB 53.71, -52.24, 52.41

 

CMYK 0 / 22 / 86 / 42

HEX #947414

RGB 148 116 20

HSL 45, 0.76%, 0.33%

LAB 50.5, 3.58, 52.18

 

CMYK 0 / 24 / 96 / 37

HEX #A17B06

RGB 161 123 6

HSL 45.29, 0.93%, 0.33%

LAB 53.77, 5.41, 58.43

 

CMYK 0 / 22 / 86 / 42

HEX #947414

RGB 148 116 20

HSL 45, 0.76%, 0.33%

LAB 50.5, 3.58, 52.18

 

CMYK 0 / 19 / 75 / 47

HEX #866D21

RGB 134 109 33

HSL 45.15, 0.6%, 0.33%

LAB 47.13, 1.52, 43.89

 

CMYK 0 / 15 / 61 / 53

HEX #78662F

RGB 120 102 47

HSL 45.21, 0.44%, 0.33%

LAB 43.8, -0.08, 33.21

 

CMYK 0 / 11 / 43 / 58

HEX #6B5F3D

RGB 107 95 61

HSL 44.35, 0.27%, 0.33%

LAB 40.65, -0.53, 21.21

 

CMYK 0 / 5 / 20 / 64

HEX #5D584A

RGB 93 88 74

HSL 44.21, 0.11%, 0.33%

LAB 37.48, -0.63, 8.85

 

CMYK 0 / 68 / 86 / 42

HEX #942F14

RGB 148 47 20

HSL 12.66, 0.76%, 0.33%

LAB 34.76, 41.15, 38.78

 

CMYK 0 / 45 / 86 / 42

HEX #945214

RGB 148 82 20

HSL 29.06, 0.76%, 0.33%

LAB 41.82, 23.12, 44.86

 

CMYK 0 / 22 / 86 / 42

HEX #947414

RGB 148 116 20

HSL 45, 0.76%, 0.33%

LAB 50.5, 3.58, 52.18

 

CMYK 2 / 0 / 86 / 42

HEX #919414

RGB 145 148 20

HSL 61.41, 0.76%, 0.33%

LAB 59.21, -15.35, 59.3

 

CMYK 25 / 0 / 86 / 42

HEX #6F9414

RGB 111 148 20

HSL 77.34, 0.76%, 0.33%

LAB 56.69, -30.13, 56.18

 

CMYK 0 / 21 / 87 / 71

HEX #4B3B0A

RGB 75 59 10

HSL 45.23, 0.76%, 0.17%

LAB 25.7, 1.41, 30.79

 

CMYK 0 / 21 / 86 / 56

HEX #6F580F

RGB 111 88 15

HSL 45.63, 0.76%, 0.25%

LAB 38.54, 1.99, 41.94

 

CMYK 0 / 22 / 86 / 42

HEX #947414

RGB 148 116 20

HSL 45, 0.76%, 0.33%

LAB 50.5, 3.58, 52.18

 

CMYK 0 / 21 / 86 / 28

HEX #B89119

RGB 184 145 25

HSL 45.28, 0.76%, 0.41%

LAB 62.09, 4.08, 61.97

 

CMYK 0 / 21 / 86 / 14

HEX #DCAD1E

RGB 220 173 30

HSL 45.16, 0.76%, 0.49%

LAB 73.02, 5.1, 71.15

 

CMYK 0 / 21 / 86 / 43

HEX #927314

RGB 146 115 20

HSL 45.24, 0.76%, 0.33%

LAB 50.01, 3.22, 51.68

 

CMYK 82 / 0 / 86 / 42

HEX #1A9414

RGB 26 148 20

HSL 117.19, 0.76%, 0.33%

LAB 53.44, -54.6, 52.07

 

CMYK 57 / 86 / 0 / 42

HEX #401494

RGB 64 20 148

HSL 260.63, 0.76%, 0.33%

LAB 22.75, 49.4, -60.87

 

CMYK 0 / 21 / 86 / 43

HEX #927314

RGB 146 115 20

HSL 45.24, 0.76%, 0.33%

LAB 50.01, 3.22, 51.68

 

CMYK 86 / 0 / 22 / 42

HEX #149474

RGB 20 148 116

HSL 165, 0.76%, 0.33%

LAB 54.65, -40.26, 7.84

 

CMYK 22 / 86 / 0 / 42

HEX #741494

RGB 116 20 148

HSL 285, 0.76%, 0.33%

LAB 30.28, 56.78, -48.24

 

CMYK 0 / 21 / 86 / 43

HEX #927314

RGB 146 115 20

HSL 45.24, 0.76%, 0.33%

LAB 50.01, 3.22, 51.68

 

CMYK 82 / 0 / 86 / 42

HEX #1A9414

RGB 26 148 20

HSL 117.19, 0.76%, 0.33%

LAB 53.44, -54.6, 52.07

 

CMYK 86 / 65 / 0 / 42

HEX #143494

RGB 20 52 148

HSL 225, 0.76%, 0.33%

LAB 25.99, 27.21, -55.65

 

CMYK 5 / 86 / 0 / 42

HEX #8D1494

RGB 141 20 148

HSL 296.72, 0.76%, 0.33%

LAB 34.6, 61.26, -41.06

 

CMYK 0 / 21 / 86 / 43

HEX #927314

RGB 146 115 20

HSL 45.24, 0.76%, 0.33%

LAB 50.01, 3.22, 51.68

 

CMYK 86 / 0 / 65 / 42

HEX #149434

RGB 20 148 52

HSL 135, 0.76%, 0.33%

LAB 53.57, -52.6, 40.58

 

CMYK 86 / 65 / 0 / 42

HEX #143494

RGB 20 52 148

HSL 225, 0.76%, 0.33%

LAB 25.99, 27.21, -55.65

 

CMYK 0 / 86 / 22 / 42

HEX #941474

RGB 148 20 116

HSL 315, 0.76%, 0.33%

LAB 34.1, 57.89, -21.85

 

Description

Color code: RGB 146 115 20 | qconv.com Color code: RGB 146 115 20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 115 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 115 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 86 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 86% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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