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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 113 76 it is the complementary color RGB 109 142 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 113 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 113 76 shade: RGB 151 113 71, RGB 168 131 90, RGB 185 149 109, RGB 202 167 128 and RGB 219 185 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 113 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 113 76 shade: RGB 146 113 76, RGB 129 95 57, RGB 112 77 38, RGB 95 59 19 and RGB 78 41 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 113 76 shade: RGB 148 114 76, RGB 148 94 76 and RGB 148 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 113 76 shade: RGB 148 114 76, RGB 148 133 76, RGB 143 148 76, RGB 123 148 76 and RGB 104 148 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 113 76 shade matches the following richer shades: RGB 148 114 76, RGB 166 115 58, RGB 184 116 39, RGB 202 117 21 and RGB 220 118 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 113 76 shade: RGB 148 114 76, RGB 129 113 94, RGB 111 112 112, RGB 93 111 130 and RGB 75 110 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 113 76 shade: RGB 148 76 77, RGB 148 94 76, RGB 148 113 76, RGB 148 132 76 and RGB 144 148 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 113 76 shade: RGB 93 72 48, RGB 120 93 62, RGB 148 114 76, RGB 171 135 93 and RGB 185 155 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 113 76 shade: RGB 146 113 76, RGB 96 148 76 and RGB 84 76 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 113 76 shade: RGB 146 113 76, RGB 76 148 113 and RGB 113 76 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 113 76 shade: RGB 146 113 76, RGB 96 148 76, RGB 76 111 148 and RGB 127 76 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 113 76 shade: RGB 146 113 76, RGB 76 148 77, RGB 76 111 148 and RGB 148 76 146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 48 / 43

HEX #92714C

RGB 146 113 76

HSL 31.71, 0.32%, 0.44%

LAB 50.03, 8.07, 25.47

 

Complementary color

CMYK 39 / 21 / 0 / 30

HEX #6D8EB3

RGB 109 142 179

HSL 211.71, 0.32%, 0.56%

LAB 57.9, -1.98, -23.06

 

CMYK 0 / 25 / 53 / 41

HEX #977147

RGB 151 113 71

HSL 31.5, 0.36%, 0.44%

LAB 50.5, 9.77, 29

 

CMYK 0 / 22 / 46 / 34

HEX #A8835A

RGB 168 131 90

HSL 31.54, 0.31%, 0.51%

LAB 57.36, 8.82, 27.55

 

CMYK 0 / 19 / 41 / 27

HEX #B9956D

RGB 185 149 109

HSL 31.58, 0.35%, 0.58%

LAB 64.09, 8.02, 26.22

 

CMYK 0 / 17 / 37 / 21

HEX #CAA780

RGB 202 167 128

HSL 31.62, 0.41%, 0.65%

LAB 70.7, 7.35, 24.98

 

CMYK 0 / 16 / 33 / 14

HEX #DBB993

RGB 219 185 147

HSL 31.67, 0.5%, 0.72%

LAB 77.2, 6.77, 23.84

 

CMYK 0 / 23 / 48 / 43

HEX #92714C

RGB 146 113 76

HSL 31.71, 0.32%, 0.44%

LAB 50.03, 8.07, 25.47

 

CMYK 0 / 26 / 56 / 49

HEX #815F39

RGB 129 95 57

HSL 31.67, 0.39%, 0.36%

LAB 42.98, 9.09, 26.98

 

CMYK 0 / 31 / 66 / 56

HEX #704D26

RGB 112 77 38

HSL 31.62, 0.49%, 0.29%

LAB 35.78, 10.37, 28.6

 

CMYK 0 / 38 / 80 / 63

HEX #5F3B13

RGB 95 59 19

HSL 31.58, 0.67%, 0.22%

LAB 28.4, 12.04, 30.14

 

CMYK 0 / 47 / 100 / 69

HEX #4E2900

RGB 78 41 0

HSL 31.54, 1%, 0.15%

LAB 20.85, 14.14, 30.06

 

CMYK 0 / 23 / 49 / 42

HEX #94724C

RGB 148 114 76

HSL 31.67, 0.32%, 0.44%

LAB 50.51, 8.37, 26.14

 

CMYK 0 / 36 / 49 / 42

HEX #945E4C

RGB 148 94 76

HSL 15, 0.32%, 0.44%

LAB 45.39, 19.94, 19.46

 

CMYK 0 / 49 / 49 / 42

HEX #944C4C

RGB 148 76 76

HSL 0, 0.32%, 0.44%

LAB 41.19, 30.13, 13.8

 

CMYK 0 / 23 / 49 / 42

HEX #94724C

RGB 148 114 76

HSL 31.67, 0.32%, 0.44%

LAB 50.51, 8.37, 26.14

 

CMYK 0 / 10 / 49 / 42

HEX #94854C

RGB 148 133 76

HSL 47.5, 0.32%, 0.44%

LAB 55.68, -2.4, 32.64

 

CMYK 3 / 0 / 49 / 42

HEX #8F944C

RGB 143 148 76

HSL 64.17, 0.32%, 0.44%

LAB 59.47, -12.73, 37.18

 

CMYK 17 / 0 / 49 / 42

HEX #7B944C

RGB 123 148 76

HSL 80.83, 0.32%, 0.44%

LAB 57.95, -21.06, 34.98

 

CMYK 30 / 0 / 49 / 42

HEX #68944C

RGB 104 148 76

HSL 96.67, 0.32%, 0.44%

LAB 56.73, -28.47, 33.19

 

CMYK 0 / 23 / 49 / 42

HEX #94724C

RGB 148 114 76

HSL 31.67, 0.32%, 0.44%

LAB 50.51, 8.37, 26.14

 

CMYK 0 / 31 / 65 / 35

HEX #A6733A

RGB 166 115 58

HSL 31.67, 0.48%, 0.44%

LAB 52.59, 14.2, 38.91

 

CMYK 0 / 37 / 79 / 28

HEX #B87427

RGB 184 116 39

HSL 31.86, 0.65%, 0.44%

LAB 54.89, 20.56, 50.92

 

CMYK 0 / 42 / 90 / 21

HEX #CA7515

RGB 202 117 21

HSL 31.82, 0.81%, 0.44%

LAB 57.4, 27.26, 60.21

 

CMYK 0 / 46 / 99 / 14

HEX #DC7603

RGB 220 118 3

HSL 31.8, 0.97%, 0.44%

LAB 60.05, 33.99, 66.77

 

CMYK 0 / 23 / 49 / 42

HEX #94724C

RGB 148 114 76

HSL 31.67, 0.32%, 0.44%

LAB 50.51, 8.37, 26.14

 

CMYK 0 / 12 / 27 / 49

HEX #81715E

RGB 129 113 94

HSL 32.57, 0.16%, 0.44%

LAB 48.62, 3.07, 12.85

 

CMYK 1 / 0 / 0 / 56

HEX #6F7070

RGB 111 112 112

HSL 180, 0%, 0.44%

LAB 47.15, -0.38, -0.14

 

CMYK 28 / 15 / 0 / 49

HEX #5D6F82

RGB 93 111 130

HSL 210.81, 0.17%, 0.44%

LAB 46.05, -1.99, -12.68

 

CMYK 49 / 26 / 0 / 42

HEX #4B6E94

RGB 75 110 148

HSL 211.23, 0.33%, 0.44%

LAB 45.34, -1.45, -24.59

 

CMYK 0 / 49 / 48 / 42

HEX #944C4D

RGB 148 76 77

HSL 359.17, 0.32%, 0.44%

LAB 41.22, 30.24, 13.22

 

CMYK 0 / 36 / 49 / 42

HEX #945E4C

RGB 148 94 76

HSL 15, 0.32%, 0.44%

LAB 45.39, 19.94, 19.46

 

CMYK 0 / 24 / 49 / 42

HEX #94714C

RGB 148 113 76

HSL 30.83, 0.32%, 0.44%

LAB 50.25, 8.95, 25.8

 

CMYK 0 / 11 / 49 / 42

HEX #94844C

RGB 148 132 76

HSL 46.67, 0.32%, 0.44%

LAB 55.4, -1.85, 32.3

 

CMYK 3 / 0 / 49 / 42

HEX #90944C

RGB 144 148 76

HSL 63.33, 0.32%, 0.44%

LAB 59.55, -12.31, 37.29

 

CMYK 0 / 23 / 48 / 64

HEX #5D4830

RGB 93 72 48

HSL 32, 0.32%, 0.28%

LAB 32.2, 5.39, 17.79

 

CMYK 0 / 23 / 48 / 53

HEX #785D3E

RGB 120 93 62

HSL 32.07, 0.32%, 0.36%

LAB 41.48, 6.69, 21.98

 

CMYK 0 / 23 / 49 / 42

HEX #94724C

RGB 148 114 76

HSL 31.67, 0.32%, 0.44%

LAB 50.51, 8.37, 26.14

 

CMYK 0 / 21 / 46 / 33

HEX #AB875D

RGB 171 135 93

HSL 32.31, 0.32%, 0.52%

LAB 58.77, 8.17, 27.77

 

CMYK 0 / 16 / 35 / 27

HEX #B99B78

RGB 185 155 120

HSL 32.31, 0.32%, 0.6%

LAB 65.84, 6.04, 22.51

 

CMYK 0 / 23 / 48 / 43

HEX #92714C

RGB 146 113 76

HSL 31.71, 0.32%, 0.44%

LAB 50.03, 8.07, 25.47

 

CMYK 35 / 0 / 49 / 42

HEX #60944C

RGB 96 148 76

HSL 103.33, 0.32%, 0.44%

LAB 56.28, -31.39, 32.54

 

CMYK 43 / 49 / 0 / 42

HEX #544C94

RGB 84 76 148

HSL 246.67, 0.32%, 0.44%

LAB 36.35, 22.26, -38.69

 

CMYK 0 / 23 / 48 / 43

HEX #92714C

RGB 146 113 76

HSL 31.71, 0.32%, 0.44%

LAB 50.03, 8.07, 25.47

 

CMYK 49 / 0 / 24 / 42

HEX #4C9471

RGB 76 148 113

HSL 150.83, 0.32%, 0.44%

LAB 56, -31.12, 11.66

 

CMYK 24 / 49 / 0 / 42

HEX #714C94

RGB 113 76 148

HSL 270.83, 0.32%, 0.44%

LAB 39.27, 30.39, -33.87

 

CMYK 0 / 23 / 48 / 43

HEX #92714C

RGB 146 113 76

HSL 31.71, 0.32%, 0.44%

LAB 50.03, 8.07, 25.47

 

CMYK 35 / 0 / 49 / 42

HEX #60944C

RGB 96 148 76

HSL 103.33, 0.32%, 0.44%

LAB 56.28, -31.39, 32.54

 

CMYK 49 / 25 / 0 / 42

HEX #4C6F94

RGB 76 111 148

HSL 210.83, 0.32%, 0.44%

LAB 45.69, -1.8, -24.04

 

CMYK 14 / 49 / 0 / 42

HEX #7F4C94

RGB 127 76 148

HSL 282.5, 0.32%, 0.44%

LAB 40.93, 34.57, -31.15

 

CMYK 0 / 23 / 48 / 43

HEX #92714C

RGB 146 113 76

HSL 31.71, 0.32%, 0.44%

LAB 50.03, 8.07, 25.47

 

CMYK 49 / 0 / 48 / 42

HEX #4C944D

RGB 76 148 77

HSL 120.83, 0.32%, 0.44%

LAB 55.33, -37.8, 30.62

 

CMYK 49 / 25 / 0 / 42

HEX #4C6F94

RGB 76 111 148

HSL 210.83, 0.32%, 0.44%

LAB 45.69, -1.8, -24.04

 

CMYK 0 / 49 / 1 / 42

HEX #944C92

RGB 148 76 146

HSL 301.67, 0.32%, 0.44%

LAB 43.57, 40.57, -25.61

 

Description

Color code: RGB 146 113 76 | qconv.com Color code: RGB 146 113 76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 113 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 113 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 48 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 48% 43% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - Boards
Link: http://boards.na.leagueoflegends.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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